Pirates and Impunity: Is the Threat of Asylum Claims a Reason to Allow Pirates to Escape Justice
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Corinne Gooden Songlist
#41 - Dave Matthews Band 1, 2, 3, 4 - Plain White Ts 1000 Years - Christina Perri 1234 - Feist 17th Street - Corinne Gooden 867-5309 - Tommy Tutone 99 Red Balloons - Nena ABC - Jackson 5 Add It Up - Violent Femmes Rolling In The Deep - Adele Adventure of A Lifetime - Coldplay Ain't No Mountain High Enough - Marvin Gaye Ain't No Rest For The Wicked - Cage The Elephant Ain't No Sunshine - Bill Withers Ain't Too Proud To Beg - Temptations Ain’t It Fun - Paramore Airplane - Indigo Girls Airplanes - BOB/Paramore Alive - Pearl Jam All About That Bass - Meghan Trainor All For You - Sister Hazel All I Want - Joni Mitchell All I Want - Toad The Wet Sprocket All I Want For Christmas - Mariah Carey All I Want To Do - Sugarland All My Days - Corinne Gooden All My Loving - The Beatles All Of Me - John Legend All The Roots Grow Deeper - David Wilcox All The Small Things - Blink 182 All These Things I've Done - Killers All We Ever Do Is Say Goodbye - John Mayer All You Wanted - Michele Branch Almost Is Never Enough - Ariana Grande Almost Lover - Fine Frenzy Alone - Heart Always Be Your Man - Farewell Milwaukee Amazed - Heartland Amazing Grace - Standard American Girl - Tom Petty American Pie - Don McLean Amie - Pure Prairie League Angel - Sarah McLachlan Angel From Montgomery - Bonnie Raitt Animal - Neon Trees Animals - Maroon 5 Anything At All - Corinne Gooden Anything But Down - Sheryl Crow Are You Gonna Be My Girl - Jet At Last - Etta James Auld Lang Syne - Christmas Autumn Leaves - Standard Avalanche Baby Can I Hold You - Tracy Chapman Baby Girl -
The Adequacies and Inadequacies of the Piracy Regime in the Gulf of Guinea Region, an Area That Is Located to the Southwest Coast of Africa
THE ADEQUACIES AND INADEQUACIES OF THE PIRACY REGIME: A GULF OF GUINEA PERSPECTIVE SAYED MOHAMMED MOHIUDDIN HASAN LL.B. (Hons.), LL.M. A thesis submitted for the degree of Master of Laws (Honours) School of Law University of Western Sydney, Australia March 2014 ABSTRACT Maritime piracy is one of the pressing global issues of the present century. The cost of piracy is human, economic, environmental and political. Recognising the piracy threat, the international community has taken several steps to address the problem. Several international organisations, including the United Nations (UN), European Union (EU) and the North Atlantic Treaty Organisation (NATO) have taken different initiatives to facilitate an international response to piracy. The UN Security Council has adopted a series of resolutions targeting piracy. As part of a military deterrence measure, the presence and coordination of international navies has been increased in high-risk piracy-affected areas, including the Gulf of Aden. However, international initiatives have proven insufficient and ineffective due to most of them primarily addressing the effects of piracy through military means. The initiatives have thus contributed only to reduce the number of attacks and their success rate, while failing to rectify the underlying reasons for piracy or solve the problems ashore in a sustainable manner. The current international framework for suppressing piracy has also been considered as insufficient to curb piracy in the sense that it does not provide any mechanism for the successful prosecution of pirates. In recent years, piracy has emerged as a growing problem in the Gulf of Guinea. The gulf has, in the past years, witnessed a sharp rise in pirate attacks. -
Spring 2013 Full Issue
Naval War College Review Volume 66 Number 2 Spring Article 1 2013 Spring 2013 Full Issue The U.S. Naval War College Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Naval War College, The U.S. (2013) "Spring 2013 Full Issue," Naval War College Review: Vol. 66 : No. 2 , Article 1. Available at: https://digital-commons.usnwc.edu/nwc-review/vol66/iss2/1 This Full Issue is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Naval War College: Spring 2013 Full Issue NAVAL WAR COLLEGE REVIEW Spring 2013 Volume 66, Number 2 NAVAL WAR COLLEGE PRESS 686 Cushing Road Newport, RI 02841-1207 Published by U.S. Naval War College Digital Commons, 2013 1 NWC_Spring2013Review_FrontMatter.indd 1 2/26/13 8:43 AM Naval War College Review, Vol. 66 [2013], No. 2, Art. 1 N AVAL WAR COLLEGE PRESS ADVISORY BOARD PRESIDENT, NAVAL WAR COLLEGE A dam Bellow R ear Adm. John N. Christenson, USN Jeffrey Kline P ROVOST Gale A. Mattox A mb. Mary Ann Peters Robert A. Silano Marin Strmecki DEA N OF NAVAL WARFARE STUDIES Dov S. Zakheim R obert C. Rubel N AVAL WAR COLLEGE PRESS NAVAL WAR COLLEGE REVIEW EDITORIAL BOARD Carnes Lord, Editor D onald Chisholm Pelham G. Boyer, Managing Editor Audrey Kurth Cronin Phyllis P. -
Duaj Diss April Final Edited
Regulating the Ocean: Piracy and Protection along the East African Coast by Jatin Dua Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Co-Supervisor ___________________________ Charles Piot, Co-Supervisor ___________________________ William O’Barr ___________________________ Anne-Maria Makhulu ___________________________ Edward Balleisen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University i 2014 v ABSTRACT Regulating the Ocean: Piracy and Protection along the East African Coast by Jatin Dua Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Co-Supervisor ___________________________ Charles Piot, Co-Supervisor ___________________________ William O’Barr ___________________________ Anne-Maria Makhulu ___________________________ Edward Balleisen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2014 Copyright by Jatin Dua 2014 Abstract From 2008-2012, a dramatic upsurge in incidents of maritime piracy in the Western Indian Ocean led to renewed global attention to this region: including the deployment of multi national naval patrols, attempts to prosecute suspected pirates, and the development of financial interdiction systems to track and stop the flow of piracy ransoms. Largely seen as the maritime ripple effect of anarchy on land, piracy has been slotted into narratives of state failure and problems of governance and criminality in this region. This view fails to account for a number of factors that were crucial in making possible the unprecedented rise of Somali piracy and its contemporary transformation. -
Songwriting for Dummies, Second Edition
spine=.7680” Get More and Do More at Dummies.com® 2nd Edition Start with FREE Cheat Sheets Cheat Sheets include • Checklists • Charts • Common Instructions • And Other Good Stuff! Mobile Apps To access the Cheat Sheet created specifically for this book, go to www.dummies.com/cheatsheet/songwriting Get Smart at Dummies.com Dummies.com makes your life easier with 1,000s of answers on everything from removing wallpaper to using the latest version of Windows. Check out our • Videos • Illustrated Articles There’s a Dummies App for This and That • Step-by-Step Instructions With more than 200 million books in print and over 1,600 unique Plus, each month you can win valuable prizes by entering titles, Dummies is a global leader in how-to information. Now our Dummies.com sweepstakes. * you can get the same great Dummies information in an App. With Want a weekly dose of Dummies? Sign up for Newsletters on topics such as Wine, Spanish, Digital Photography, Certification, • Digital Photography and more, you’ll have instant access to the topics you need to • Microsoft Windows & Office know in a format you can trust. • Personal Finance & Investing • Health & Wellness To get information on all our Dummies apps, visit the following: • Computing, iPods & Cell Phones www.Dummies.com/go/mobile from your computer. • eBay • Internet www.Dummies.com/go/iphone/apps from your phone. • Food, Home & Garden Find out “HOW” at Dummies.com *Sweepstakes not currently available in all countries; visit Dummies.com for official rules. Songwriting FOR DUMmIES‰ 2ND EDITION by Jim Peterik, Dave Austin, Cathy Lynn Foreword by Kara DioGuardi 01_615140-ffirs.indd i 6/25/10 7:47 PM Songwriting For Dummies®, 2nd Edition Published by Wiley Publishing, Inc. -
Pirates of Empire
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 24 Sep 2021 at 18:07:27, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/5E1D8EA4E7DCDD5A3B4384E8FC61C0CF Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 24 Sep 2021 at 18:07:27, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/5E1D8EA4E7DCDD5A3B4384E8FC61C0CF Pirates of Empire The suppression of piracy and other forms of maritime violence was a keystone in the colonisation of Southeast Asia. Focusing on what was seen in the nineteenth century as the three most pirate-infested areas in the region – the Sulu Sea, the Strait of Malacca and Indochina – this comparative study in colonial history explores how piracy was defined, contested and used to resist or justify colonial expansion, particularly during the most intense phase of imperial expansion in Southeast Asia from c. 1850 to c. 1920. In doing so, it demonstrates that piratical activity continued to occur in many parts of Southeast Asia well beyond the mid nineteenth century, when most existing studies of piracy in the region end their period of investigation. It also points to the changes over time in how piracy was conceptualised and dealt with by each of the major colonial powers in the region, Britain, France, the Netherlands, Spain and the United States. This title is also available as Open Access on Cambridge Core. Stefan Eklo¨ f Amirell is Associate Professor in History at Linnaeus University, Sweden. -
Pirate Nation How Digital Piracy Is Transforming Business, Society and Culture
To the Bean and the Bear Pirate Nation How digital piracy is transforming business, society and culture Darren Todd 4 Pirate Nation by Darren Todd is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at http://www.piracyhappens.net. CONTENTS Acknowledgements 8 Introduction 9 01 The copyright players 14 The copyright oblivious 15 The copyright rich 22 The copyright poor 28 02 Copyright terms 36 Copyright terms in literature 37 All rights reserved alternatives for software 42 Perspectives on copyright terms in film 46 Copyright terms and short-lived media 49 Expanding copyright coverage in music 52 03 Piracy in the digital age 57 The move to digital media 58 Peer-to-peer networks 62 File-sharing and popular opinion 66 The rise of Pirate Party politics 70 04 Responses to the pirate problem 74 Rights-holder reactions 75 State-sponsored anti-piracy efforts 79 Copyright and internet business 84 Internet service providers 88 Literary defence of thick copyright 92 6 contents 05 Pirate economics 98 The first-sale doctrine in digital media 99 The economics of the music CD’s decline 107 Consumption patterns across media 110 Piracy’s economic impact 114 Corporate works-for-hire 121 06 Digital piracy in Asia 124 Discovering counterfeit causes 125 Tracing the bootleg source 130 Counterfeit pharmaceuticals 135 Brand hijacking and the consumer costs 140 The USTR watch list 144 07 The idea-expression dichotomy 147 Imitation and intimidation in literature -
Media Piracy in Emerging Economies
MEDIA PIRACY IN EMERGING ECONOMIES Edited by Joe Karaganis Media Piracy in Emerging Economies can be found online at http://piracy.ssrc.org. © 2011 Social Science Research Council All rights reserved. Published by the Social Science Research Council Printed in the United States of America References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor the Social Science Research Council is responsible for URLs that may have expired or changed since the manuscript was prepared. Designed by Rosten Woo Maps by Mark Swindle Cover photo: AFP/Getty Images Library of Congress Cataloging-in-Publication Data Media Piracy in Emerging Economies ISBN 978-0-98412574-6 1.Information society—Social aspects. 2.Intellectual Property. 3.International business enterprises—Political activity. 4.Blackmarket. I. Social Science Research Council SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES SOCIAL SCIENCE RESEARCH COUNCIL • MEDIA PIRACY IN EMERGING ECONOMIES Media Piracy in Emerging Economies is distributed under a Consumer’s Dilemma license, which displaces the developing-world cd consumer’s dilemma onto other geographies and income brackets. The full-text PDF version of the report is available for: 1. US$8 for non-commercial use in high-income countries—a list that for the present purposes includes the United States, Western Europe, Japan, Australia, Israel, Singapore, and several of the Persian Gulf States (Kuwait, Qatar, the United Arab Emirates, Brunei, and Bahrain), but not Canada. 2. Free for non-commercial use outside the above-listed high- income countries. 3. US$2000 for commercial end use in any location, defined as use by businesses that realize financial gain from film, music, software, or publishing, and/or the enforcement of copyrights thereof, with annual revenues greater than US$1 million. -
The Caravan Playlist Friday, February 8, 2013 Hour 1 Artist Song Title
The Caravan Playlist Friday, February 8, 2013 Hour 1 Artist Song Title Album Title Label Warren Wilken Down River Caravan Private Collection Wilken c 1990 One Mile An Hour You Are On Beach One Mile An Hour Snowbird Records c 2012 Ablaye Cissoko with Volker Goetze Amanké Dionti Amanké Dionti Motema c 2012 Laura Love In Seattle Fourteen Days Zoe Records c 2000 Guy Clark Old Friends Old Friends Sugar Hill c 1989 Townes Van Zandt Rake Delta Momma Blues Fat Possum c 1971 Townes Van Zandt Our Mother The Mountain Our Mother The Mountain Fat Possum c 1969 Chris Smither Cave Man Live as I'll Ever Be Hightone - c 2001 Violet My Blue Son We Both Know It's Out There Wine & Vinyl - c 2001 Twang Darkly A Sliver of Pandora Mojo Fix Twang Darkly c 2012 Warren Wilkin Smile On Caravan Private Collection Wilken c 1990 Joe Ely with Robert Earl Keen The Road Goes On Forever Live Rounder 2000 Hour 2 Artist Song Title Concert Source Norah Jones What Am I To You Bonnaroo Music Festival NPR Music Norah Jones Tell Yer Mamma Bonnaroo Music Festival NPR Music Norah Jones Light as a Feather Bonnaroo Music Festival NPR Music Norah Jones Chasing Pirates Bonnaroo Music Festival NPR Music Norah Jones Young Blood Bonnaroo Music Festival NPR Music Norah Jones It's Gonna Be Bonnaroo Music Festival NPR Music Norah Jones Sunrise Bonnaroo Music Festival NPR Music Norah Jones Come Away With Me Bonnaroo Music Festival NPR Music Norah Jones Long Way Home Bonnaroo Music Festival NPR Music Norah Jones Strangers Bonnaroo Music Festival NPR Music Norah Jones Don't Know Why Bonnaroo -
Final Nominations List, 53Rd Grammy Awards
NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC.® FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 53rd Annual GRAMMY® Awards For recordings released during the Eligibility Year September 1, 2009 through September 30, 2010 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s) and to the Album Producer(s), Recording and/or Mixer(s), if other than the artist. Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist. 1. NOTHIN' ON YOU 1. THE SUBURBS B.o.B Featuring Bruno Mars Arcade Fire The Smeezingtons, producers; Ari Levine, engineer/mixer Arcade Fire & Markus Dravs, producers; Arcade Fire, Mark Track from: The Adventures Of Bobby Ray Lawson & Craig Silvey, engineers/mixers; Mark Lawson, [Rebel Rock/Grand Hustle/Atlantic] mastering engineer 2. LOVE THE WAY YOU LIE [Merge Records] Eminem Featuring Rihanna 2. RECOVERY Alex Da Kid & Makeba Riddick, producers; Alex Da Kid, Eminem Eminem & Mike Strange, engineers/mixers Kobe, Lil Wayne, Pink & Rihanna, featured artists; Alex Da Kid, Track from: Recovery Boi-1da, Nick Brongers, Dwayne "Supa Dups" Chin-Quee, DJ [Aftermath/Shady Records/Interscope] Khalil, Dr. Dre, Eminem, Jason Gilbert, Havoc, Emile Haynie, 3. F*** YOU Jim Jonsin, Just Blaze, Magnedo7, Mr. Porter, Robert Reyes, Cee Lo Green Makeba Riddick & Script Shepherd, producers; Alex Da Kid, The Smeezingtons, producers Dwayne "Supa Dups" Chin-Quee, Kal "Boogie" Dellaportas, Dr. -
Norah Jones, Mit Gabriela Krapf
Jazz Collection: Norah Jones, mit Gabriela Krapf Dienstag, 19.03.2019, 21.00 – 22.00 Uhr Radio SRF 2 Kultur Samstag, 23.03.2019, 17.06 – 18.30 Uhr Radio SRF 2 Kultur Ohne den Hit «Don’t Know Why» von Norah Jones hätte das renommierte Jazz-Label Blue Note Records die Nullerjahre wohl nicht überlebt. Das dazugehörige Album «Come Away With Me», das von Arif Mardin produziert wurde, ging bis heute fast 20 Millionen Mal über die Ladentheke. Dass die Singer-Songwriterin ausser Jazz noch einige andere musikalische Farben in petto hat, hat sie auf weiteren fünf Produktionen und unzähligen Kollaborationen unter Beweis gestellt. Expertin zum Schaffen von Norah Jones in der Jazz Collection ist die Sängerin Gabriela Krapf. Gast: Gabriela Krapf Redaktion und Moderation: Peter Bürli Norah Jones - Come Away With Me Label: Blue Note Records Track 01: Don't Know Why Norah Jones - Feels Like Home Label: Blue Note Records Track 01: Sunrise Norah Jones - Not Too Late Label: Blue Note Records Track 06: Thinking About You Norah Jones - The Fall Label: Blue Note Records Track 01: Chasing Pirates DJ Danger Mouse & Norah Jones - Rome Label: Blue Note Records Track 10: Black Norah Jones - Little Broken Hearts Label: Blue Note Records Track 04: She's 22 Puss n Boots - No Fools, No Fun Label: Blue Note Records Track 05: Don't Know What It Means Norah Jones - Day Breaks Label: Blue Note Records Track 03: Flipside Billie Joe Armstrong & Norah Jones - Foreverly Label: Reprise Records Track 02: Long Time Gone Norah Jones - Begin Again Label: Blue Note Track 07: Just A Little Bit Bonustracks (nur am Samstag, 23.03.2019) Norah Jones - Begin Again Label: Blue Note Track 03: It Was You Track 06: Wintertime Norah Jones - Day Breaks Label: Blue Note Records Track 12: Fleurette Africaine Track 06: Don’t Be Denied Willie Nelson & Wynton Marsalis ft.