The Hellenistic Poets As Historians
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Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
Tragic Noise and Rhetorical Frigidity in Lycophron's
The Classical Quarterly (2021) 71.1 200–215 200 doi:10.1017/S0009838821000409 TRAGIC NOISE AND RHETORICAL FRIGIDITY IN LYCOPHRON’S ALEXANDRA* ABSTRACT This paper seeks to shed fresh light on the aesthetic and stylistic affiliations of Lycophron’s Alexandra, approaching the poem from two distinct but complementary angles. First, it explores what can be gained by reading Lycophron’s poem against the backdrop of Callimachus’ poetry. It contends that the Alexandra presents a radical and polemical departure from the Alexandrian’s poetic programme, pointedly appropriating key Callimachean images while also countering Callimachus’ apparent dismissal of the ‘noisy’ tragic genre. Previous scholarship has noted links between the openings of the Aetia and of the Alexandra, but this article demonstrates that this relationship is only one part of a larger aesthetic divide between the two poets: by embracing the raucous acoustics of tragedy, Lycophron’s poem offers a self-conscious and agonistic departure from Callimachus’ aesthetic preferences. Second, this article considers another way of conceiving the aesthetics of the poem beyond a Callimachean frame, highlighting how Lycophron pointedly engages with and evokes earlier Aristotelian literary criticism con- cerning the ‘frigid’ style: the Alexandra constructs its own independent literary history centred around the alleged name of its author, ‘Lycophron’. The article proposes that this traditional attribution is best understood as a pen name that signposts the poem’s styl- istic affiliations, aligning it not so much with the Ptolemaic playwright Lycophron of Chalcis but rather with Lycophron the sophist and a larger rhetorical tradition of stylistic frigidity. Ultimately, through these two approaches, the article highlights further aspects of the Alexandra’s aesthetic diversity. -
The Coinage of Akragas C
ACTA UNIVERSITATIS UPSALIENSIS Studia Numismatica Upsaliensia 6:1 STUDIA NUMISMATICA UPSALIENSIA 6:1 The Coinage of Akragas c. 510–406 BC Text and Plates ULLA WESTERMARK I STUDIA NUMISMATICA UPSALIENSIA Editors: Harald Nilsson, Hendrik Mäkeler and Ragnar Hedlund 1. Uppsala University Coin Cabinet. Anglo-Saxon and later British Coins. By Elsa Lindberger. 2006. 2. Münzkabinett der Universität Uppsala. Deutsche Münzen der Wikingerzeit sowie des hohen und späten Mittelalters. By Peter Berghaus and Hendrik Mäkeler. 2006. 3. Uppsala universitets myntkabinett. Svenska vikingatida och medeltida mynt präglade på fastlandet. By Jonas Rundberg and Kjell Holmberg. 2008. 4. Opus mixtum. Uppsatser kring Uppsala universitets myntkabinett. 2009. 5. ”…achieved nothing worthy of memory”. Coinage and authority in the Roman empire c. AD 260–295. By Ragnar Hedlund. 2008. 6:1–2. The Coinage of Akragas c. 510–406 BC. By Ulla Westermark. 2018 7. Musik på medaljer, mynt och jetonger i Nils Uno Fornanders samling. By Eva Wiséhn. 2015. 8. Erik Wallers samling av medicinhistoriska medaljer. By Harald Nilsson. 2013. © Ulla Westermark, 2018 Database right Uppsala University ISSN 1652-7232 ISBN 978-91-513-0269-0 urn:nbn:se:uu:diva-345876 (http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-345876) Typeset in Times New Roman by Elin Klingstedt and Magnus Wijk, Uppsala Printed in Sweden on acid-free paper by DanagårdLiTHO AB, Ödeshög 2018 Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala www.uu.se, [email protected] The publication of this volume has been assisted by generous grants from Uppsala University, Uppsala Sven Svenssons stiftelse för numismatik, Stockholm Gunnar Ekströms stiftelse för numismatisk forskning, Stockholm Faith and Fred Sandstrom, Haverford, PA, USA CONTENTS FOREWORDS ......................................................................................... -
Lycophron's Alexandra
New England Classical Journal Volume 45 Issue 2 Pages 92-108 2018 Lycophron’s Alexandra: “Restaging” the East-West Conflict Akira V. Yatsuhashi State University of New York, College at Oneonta Follow this and additional works at: https://crossworks.holycross.edu/necj Recommended Citation Yatsuhashi, Akira V. (2018) "Lycophron’s Alexandra: “Restaging” the East-West Conflict," New England Classical Journal: Vol. 45 : Iss. 2 , 92-108. Available at: https://crossworks.holycross.edu/necj/vol45/iss2/4 This Article is brought to you for free and open access by CrossWorks. It has been accepted for inclusion in New England Classical Journal by an authorized editor of CrossWorks. New England Classical Journal 45.2 (2018) 92-108 Lycophron’s Alexandra: “Restaging” the East-West Conflict Akira V. Yatsuhashi State University of New York, College at Oneonta e f Stephanie West has likened Lycophron’s Alexandra to the modern novel stating that they share the same kind of “unstoppable imperialism… with its tendency to absorb imaginative literature of every sort.”1 In fact, Lycophron’s work appears to fold the world into 1500 iambic trimeter lines, condensing both the heroic and historical world of the Greeks and their respective conflicts with their “Asian” rivals into a grand narrative of epic scale. Because of its difficult language, its meter, and its theme of East versus West, the work is often likened to Aeschylus’ tragic works.2 Lycoph- ron’s poem, however, also evokes another key fifth-century figure in the shaping of the continental rivalry, Herodotus. The poem, in fact, culminates in its “Herodotean” narrative, two hundred lines that play upon and expand Herodotus’ Asian account of the conflict between Asia and Europe. -
Gorgias: a Study of Oratorical Style Bromley Smith a a Bucknell University Version of Record First Published: 05 Jun 2009
This article was downloaded by: [North Carolina State University] On: 06 December 2012, At: 14:49 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Quarterly Journal of Speech Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rqjs20 Gorgias: A study of oratorical style Bromley Smith a a Bucknell University Version of record first published: 05 Jun 2009. To cite this article: Bromley Smith (1921): Gorgias: A study of oratorical style, Quarterly Journal of Speech, 7:4, 335-359 To link to this article: http://dx.doi.org/10.1080/00335632109379351 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/ terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. GORGIAS: A STUDY OF ORATORICAL STYLE BROMLEY SMITH Bucknell University ANALYSIS Life. Pedagogy, rhetorical. Content of courses. -
A Handbook of Greek and Roman Coins
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library CJ 237.H64 A handbook of Greek and Roman coins. 3 1924 021 438 399 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021438399 f^antilioofcs of glrcfjaeologj) anU Antiquities A HANDBOOK OF GREEK AND ROMAN COINS A HANDBOOK OF GREEK AND ROMAN COINS G. F. HILL, M.A. OF THE DEPARTMENT OF COINS AND MEDALS IN' THE bRITISH MUSEUM WITH FIFTEEN COLLOTYPE PLATES Hon&on MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY l8 99 \_All rights reserved'] ©jcforb HORACE HART, PRINTER TO THE UNIVERSITY PREFACE The attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be un- readable when they contain too many references to particular coins, and unprofltably vague when such references are avoided. I cannot hope that I have passed safely between these two dangers ; indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. -
General Index
Cambridge University Press 978-1-108-47945-5 — Rome: An Empire of Many Nations Edited by Jonathan J. Price , Margalit Finkelberg , Yuval Shahar Index More Information General Index Aaron, Biblical character, 237 Amphipolis, 162 Abdera, 44, 47 Amsterdam, 17 Abel, Félix-Marie, 284 Amyntas, king of Galatia, 109 Abonou Teichos, 159 Ananias, 209 Abraham, Biblical character, 175, 237 Anatolia, 23, 106, 114, 179 Achaia, 33 Anchises, 87, 90 Achilles, 21, 90, 95, 96–97 Ando, Clifford, 134 Achilles Tatius, 149, 159 Andrade, Nathanael, 209, 213 Achilleum, 91 Annaeus Seneca, L. (Minor), 38, 87, 151, Actium, 100, 104, 106, 148, 192, 194–195 164, 183 Adan-Bayewitz, David, 288 Annius Milo, T., 54 Adiabene, 214 Antamonides, 45 Aegean, 92, 179 Antioch, 20, 24–25, 111, 253, 256, 292 Aegyptus. See Egypt Antioch (Pisidia), 32, 109, 113, 281 Aelia Capitolina, 110, 270 Antiochus III, 209 Aelius Aristides Theodorus, P., 101, 113, Antiochus IV Epiphanes, 212 140–141, 223 Antiochus V Eupater, 209 Aelius Coeranus, P., 33 Antipater the Idumaean (Antipas), 213 Aelius Donatus, 46 Antipatris, 268, 280 Aelius Stilo Praeconius, L., 137 Antistius Rusticus, L., 32 Aeneas, 20, 87, 89, 93, 95–97, 171 Antium, 20 Aesculapius, 122 Antius A. Iulius Quadratus, C., 32, 34, 37 Africa, 32, 33–35, 37, 40, 46, 55, 148, 178, Antoninus, 246–254, 258, 262–264, 268, 255, 267 See also Caracalla and Elagabalus Agamemnon, 89–90 Antoninus Pius, 37, 136, 139, 144, 247 Agathias, 105 Antonius Diogenes, 151 Agrippa II, 258, 292, 296 Antonius, M., 19–21, 195 Aila (ʻAqaba), 283 Apamea, 32, 108 Ajax, 24, 96 Apamea, lake, 256 Akko, 289 Aphrodisias, 114, 177, 232 Akko-Ptolemais, 275 Aphrodite, 161, See also Venus Al Lajjun (Transjordan), 284 Apollo, 117–118, 122, 125, 127, See also Albanum, 157 Phoebos Alcibiades, 47 Apollo Klarios, 160 Alcmene, 126–127 Apollonia, 106–109, 113, 115 Alexander the Great, 92, 98, 108, 148, 158, 248 Apollonius of Tyana, 114 Alexandria, 19–20, 24, 33, 143, 191, 213, 231, Appian, 152 236, 244, 246, 247–248, 256, 261 Apuleius Madaurensis, L., 159, 184 Alexianus. -
Revista CICSA Online, Serie Nouă, Anul V/2019
Consiliul Științific/ Scientific Board: Alexandru Avram – Prof. Dr. Université du Maine (LeMans), France Carol Căpiță – Prof. Dr. University of Bucharest Miron Ciho – Prof. Dr. University of Bucharest Andreas Gutsfeld – Prof. Dr. Université de Lorraine (Nancy 2), France Antal Lukacs – Prof. Dr. University of Bucharest Ecaterina Lung – Prof. Dr. University of Bucharest Gheorghe-Vlad Nistor – Prof. Dr. University of Bucharest Christoph Uehlinger – Prof. Dr. Universität Zürich, Switzerland Daniela Zaharia – Lect. Dr. University of Bucharest Comitetul de Redacție/ Editorial Board: Florica (Bohîlțea) Mihuț – University of Bucharest Luciana-Florentina Ghindă – University of Bucharest Simona Dragomir– University of Bucharest Mădălina-Teodora Comănescu – Site Administrator and IT Supervisor ISSN 2457 – 3809 ISSN –L 2457 – 3809 https://cicsaunibuc.wordpress.com/revista/revista-online 1 Cuprins/Contents Surse primare – Analize și comentarii/ Primary Sources – Analyses and Commentaries Prof. Univ. Dr. Miron CIHÓ – Texte magice egiptene antice (Ancient Egyptian Magical Texts)............................................................................................................................................... 4 Articole și studii/ Articles and Studies Elena Isabela POPA – Water. Instrument and Judge of the Mesopotamian Witch……………… 42 Vlad-Emanuel PĂTRĂŞESCU – Naaman and the Jordan. The Symbolic and Expiatory Role of the Water in the Old Testament Texts........................................................................................... -
Rethinking the Achilles at Skyros Myth: Two Representations from Pompeii
RETHINKING THE ACHILLES AT SKYROS MYTH: TWO REPRESENTATIONS FROM POMPEII Jackson Noah Miller A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics in the College of Arts and Sciences. Chapel Hill 2020 Approved by: Hérica Valladares Jennifer Gates-Foster Donald Haggis © 2020 Jackson Miller ALL RIGHTS RESERVED ii ABSTRACT Jackson Noah Miller: Rethinking the Achilles at Skyros Myth: Two Representations from Pompeii (Under the direction of Hérica Valladares) Previous scholarship on the Pompeiian representations of the Achilles at Skyros myth has largely focused on how these works of art communicate moralizing messages about traditional gender roles. I argue, however, that artists seem especially interested in exploring and representing Achilles and Deidamia’s love story. Through a close analysis of images and texts, I demonstrate how amatory themes were central to Roman versions of this myth in both literature and art. By focusing on the decorative ensembles from the House of the Dioscuri and the House of Apollo I highlight the importance of these images’ architectural contexts in framing the viewer’s interpretation of this myth—a myth that touched on themes of love and loss. iii To my idol and mother, Dr. Nancy B. Jackson iv TABLE OF CONTENTS I. Introduction .................................................................................................... 1 II. Literary Evidence .......................................................................................... -
Poems on the Threshold: Neo-Latin Carmina Liminaria
Chapter 3 Poems on the Threshold: Neo-Latin carmina liminaria Harm-Jan van Dam Introduction Imagine someone about four hundred years ago picking up a new Latin book, for instance the fourth edition of Daniel Heinsius’ poetry, published in Leiden, shown at the end of this paper. It dates from 1613, as the colophon at the end of the book states. Readers enter the book through the frontispiece or main entrance, with its promises of sublime poetry given by the crown- ing of Pegasus, and of a text so much more correct and complete according to the inscription (emendata locis infinitis & aucta) that it would be better to throw away their earlier editions. The entrance draws the reader inside to the next page where he may learn the book’s contents (indicem . aversa indicat pagina). That index is followed first by a prose Dedicatio addressed to one of the Governors of Leiden University, then by a poem in six elegiac distichs on Heinsius’ Elegies by Joseph Scaliger, a letter by Hugo Grotius ending with seven distichs, and a Greek poem of sixteen distichs by Heinsius’ colleague Petrus Cunaeus. Finally Heinsius devotes six pages to an Address Amico lectori. Then, stepping across the threshold, the reader at last enters the house itself, the first book of the Elegies.1 Many, if not most, early modern books begin like this, with various prelimi- nary matter in prose and especially in poetry. Nevertheless, not much has been written on poems preceding the main text of books.2 They are often designated 1 Respectively pp. -
By Alexander C. Loney Department of Classical Studies
NARRATIVE REVENGE AND THE POETICS OF JUSTICE IN THE ODYSSEY: A STUDY ON TISIS by Alexander C. Loney Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ José M. González, Supervisor ___________________________ Carla M. Antonaccio ___________________________ Peter H. Burian ___________________________ William A. Johnson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2010 ABSTRACT NARRATIVE REVENGE AND THE POETICS OF JUSTICE IN THE ODYSSEY: A STUDY ON TISIS by Alexander C. Loney Department of Classical Studies Duke University Date:_______________________ Approved: ___________________________ José M. González, Supervisor ___________________________ Carla M. Antonaccio ___________________________ Peter H. Burian ___________________________ William A. Johnson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classical Studies in the Graduate School of Duke University 2010 Copyright by Alexander C. Loney 2010 Abstract This dissertation examines the interplay of ethics and poetic craft in the Odyssey through the lens of the theme of tisis, “retribution.” In this poem tisis serves two main purposes: it acts as a narrative template for the poem’s composition and makes actions and agents morally intelligible to audiences. My work shows that the system of justice that tisis denotes assumes a retaliatory symmetry of precise proportionality. I also examine aspects of the ideology and social effects of this system of justice for archaic Greek culture at large. Justice thus conceived is readily manipulable to the interests of the agent who controls the language of the narrative. -
A Porphyrogenitan Portulan Huxley, George Greek, Roman and Byzantine Studies; Fall 1976; 17, 3; Proquest Pg
A Porphyrogenitan Portulan Huxley, George Greek, Roman and Byzantine Studies; Fall 1976; 17, 3; ProQuest pg. 295 A Porphyrogenitan Portulan George Huxley N De Cerimoniis 2.45 a stadiodromikon is given at the end of the cata I logue of ships and equipment gathered for the imperial expedition to Crete in 949.1 The text lists places on the way from Constanti nople to Crete, with the distances between them in miles. Some of the numbers given are obviously too large, but it is not possible to dis tinguish with certainty errors of the compiler from corruptions of his work, and since there is but one manuscript, there are no textual variants; the document can nonetheless be placed in its tenth-century historical context. E'TaOWOpOJLLKOV • A1To 'T~e OEoc/>vAaK'TOV 1TOAEwe EtC <HpaKAELav JLlALa g'. a1TO <npaKI\HaC \' EWC"n POtKOV7lCCOV ' l},tl\.\', I" . aTT'O , n POtKOV7lCCOV' EWC" 'Af3 VCOVI~ JLL/\.\ p.I a7TO, \ 'Af3 VOOVI~ EWC" ",1 a7TEVKLa I JLLI\.\ Lf3' • a1TO, \ '" '" ", I~ \ I , , ", I~ ., 15 1 a1TEVKLa Ewe 1 EVEOOV JLLI\. "1 . a1TO 1 EVE 00V Ewe M L'TVI\"1V1}e" \ I • 'liS \ I ., ~ JLLI\. P • a1TO J.Ylt'TVI\"1V1}e Ewe X'tOV JLLI\.\'" p • a1TO X'tOV Ewe., 6.J aJLov, \ , , , - ~, ., 'rn I , \' " , JLLI\. P • a7TO 77JC 6.J aJLov EWC 'TOVC '¥ovpJlove JLLI\. 1\ • a7TO 'TOve rn , "7\T (;' \,., 7\T~(;'" '" T ", '¥OVPJlOVC EWC Ha~tac JLLI\. 0 • a7TO H'-"bLac EWC 77JJI 10V JLLI\. 1\ • , , , "T" 'QI \ t.::'I 1 \ I , , \ a7TO 77JV 10Jl Ewe 77JJI It'J''1pav Kat It'J''1paCLaJl JLLI\.