A Study of Hagioscopes in Northern England and Their Meaning for Pre Reformation

Total Page:16

File Type:pdf, Size:1020Kb

A Study of Hagioscopes in Northern England and Their Meaning for Pre Reformation A study of Hagioscopes in Northern England and their meaning for pre Reformation Catholic worship with particular reference to St Cuthbert’s Halsall in Lancashire. Halsall St Cuthbert's church is a 14 century medieval church constructed of fine sandstone. At the time of its construction the chancel was separated from the nave by a huge rood screen and loft, which was probably dismantled in the reign of Elizabeth I. The church has undergone renovation chiefly to the north and south aisles which were rebuilt in the 19th century. The nave pillars, most of the chancel, chancel arch and tower are 13th, 14th and 15th century respectively. It retains many of its Catholic pre Reformation features including a curious set of Hagioscopes, and unlike anywhere else, a triple Hagioscope. The figure 1 indicates the parts of the church with dates of construction. Figure 1 Plan of Church The church probably replaced another church on the site which was wooden. One small area of foundation and a 12th century font together with records of rectors predating the existing church are evidence of this. The construction of the present church began about 1270. The Lateran council in Rome of 1215 made the rite of the mass sacrificial and the idea of transubstantiation shifted the focus of worship towards a sacred area and a stone altar in the east of the church. The Gothic construction which flourished in northern France meant increased space and light, and this aesthetic aspect created a new visual focus on the divine. (Peterson 2018). This influenced the plethora of church building in parishes in 12th and 13th century Britain. Lancashire was considered the poorest county in England, the South-West was tucked away in a remote part of the realm, far from Its Cathedral city of Lichfield which was seat of the diocese. The population was sparse the marsh land meant It had poor communications and access into the county. There were only 56 parishes 1291-1641 though pop increased increasing two and half times from 1377-1563. A third of local patronage in the hands of local families and the parishes were large. After the Reformation the charitable giving to the church was5 times greater in Lancashire than in Norfolk. The piety increased while in the South of the country it decreased. Haigh (1975) gives instances where the reverence for the host and seeing the host quelled local disturbances and demanded devotion and reverence during the mass. Of the few churches built in the area in medieval times Halsall was unique in having an Easter Sepulchre built into the fabric. The churches at Ormskirk and Aughton are fairly close to Halsall and have similar octagonal spires but neither of these two churches have an existing Easter Sepulchre. Sefton's medieval church, seven miles away retains many antiquities including a rood screen but does not have an Easter Sepulchre built into the fabric or a Chancel arch like Halsall. The nearest church which may have had an Easter Sepulchre is St Wilfred in Standish near Wigan, which has a Chancel arch and a Hagioscope, which is in the right position to keep a vigil but there is no evidence of an Easter Sepulchre, though it may have been a portable wooden structure. In Ribchester there is a niche in the north wall which it is believed was used as an Easter Sepulchre. What is a Hagioscope and why has Halsall been furnished with several of these medieval squints. The word Hagioscopes comes from the Greek meaning holy and scope which is a view. The Hagioscope has to be understood in the context of late 13C belief and construction. On first appearance the Hagioscopes high up on the chancel arch in Halsall Church seem to have an obvious use. They were there for the bell ringer to sound the sacring bell from the vantage point of being able to see the main altar and the worshippers in the nave. He was the link between the secular and the divine. However these Hagioscopes set us more questions because their use extends beyond the obvious. From the evening of Maundy Thursday until Easter Sunday morning, in accordance with Catholic tradition, the central altar would be stripped back to stone and left bare, a symbol of Christ's death. In accordance with the Sarum rite* of worship and as part of their Easter devotion, villagers desired to view the Easter Sepulchre in Holy Week. The Sepulchre is an arched recess in the north wall of the chancel. The sacred elements, which are the body and blood of Christ in the consecrated bread and wine, were taken from the high altar and rested here in commemoration of Christ’s entombment after the passion. A constant vigil had to be kept and the villagers kept a vigil, as part of their devotion and usually they would look through squints in the rood screen because only the clergy were allowed access into the Chancel, which was the holiest part of the church. The council of Laodenia in the 4th century had decided that only priests and clergy should be permitted in this area. The rood screen in Halsall has since been removed, but this separated the clergy from the lay person and the secular from the divine. Such is the perspective from the nave that it was probably difficult to view the Easter Sepulchre through the squints on the Rood screen. The Easter Sepulchre with its elaborate arch and carved tracery, would have been topped by statues of the risen Christ and angels on the plinths (which remain empty today). It may also have had a painted backdrop of the garden tomb in the recess. Decorated with candle light and flowers it was quite a spectacle. Eamon Duffy (1992) suggests, ‘many of these candles would be bequests because this was a form of offering which was one of the commonest mortuary provisions that needed to be equated with Christ's resurrection. Local guilds may also have provided lights, likewise, shepherds, herdsmen or others involved in work, which prevented them from hearing the mass, would donate lights to be lit in the Easter Sepulchre so that their presence would be there in token. It was, in all, a powerful display of piety in medieval England’. Figure 2 Hagioscope at Brough, Durham Figure 3 Easter Sepulchre To view this splendour from a point of vantage is to enter the chancel arch. On entering the Saint Nicholas chapel, the height of the door suggests that the average stature of medieval man was several inches smaller than today. A finely carved newel post is the first feature you encounter on ascent up a winding stone staircase. At the sixth step an arrangement of three apertures in the form of small slit windows present an extremely rare and possibly unique feature in a medieval church. The Hagioscopes within the turret stairwell, permitted an elevated and oblique view of this side altar. Entry to these stairs was outside of the chancel and so gave a perspective to the ordinary layperson. This feature is unique to Halsall because very few churches had permanent Easter Sepulchres and a permanent means of viewing during the vigil for the congregation. There are not a great many Hagioscopes, in the country, which remain in situ for the purpose for which they were intended. Many are blocked up and most gave a view of the main altar and were built to allow people, who were stricken with plague or leprosy, to see the celebration of mass, on the high altar, from outside the church or from a part of the church separate from the congregation. The church of St Mary in Staindrop in Durham has a hermit window allowing a view of the central altar from an elevated cell above the chancel. It has since been blocked up. Near to Staindrop in the church of St Michael at Brough, a Hagioscope gave views of the main altar from outside the church in medieval times but an additional wall has now been added, see figure 3. However there is an example of a leper squint at Aldingham in Cumbria and at St Wilfrid’s Ribchester in Lancashire on the north wall which may have had an alternative use as an Easter Sepulchre. This is not the situation at Halsall because access to the Hagioscopes is by entry through a door in the church and into an enclosed space. The left window gives a view of the nave near the entrance to the Chancel but is now partly obscured by the lectern which was erected in the 19th century. It allowed an elevated view of the congregation when they came up to receive communion. They were not allowed into the Chancel to kneel at an altar rail as they do today, instead they stood at the rood screen entrance and the priest would distribute communion via a little gate unlocked for that purpose. The communicants would be scrutinised by a hidden watcher from this window looking for lax behaviour, he would also be ensuring people conformed to the correct pecking order in terms of status. The right hand window looks out onto the graveyard and to the location of the original eastern gate entrance, which was part of the way along Cross Lane, this was the original road that passed by the church. Its purpose was to ensure nobody but clergy entered the door which existed on the south side of the chancel. A further squint window higher up the turret on the 17th step looked out onto the elaborate stone entrance which was part way along what is now called Summerwood Lane a south eastern entrance this may also have been to watch that people were reverent in the churchyard because this was hallowed ground and also to look out for latecomers.
Recommended publications
  • The Genius of the Roman Rite: the Reception and Implementation of the New Missal Pdf
    FREE THE GENIUS OF THE ROMAN RITE: THE RECEPTION AND IMPLEMENTATION OF THE NEW MISSAL PDF SJ Keith F. Pecklers | 160 pages | 29 Dec 2009 | Continuum Publishing Corporation | 9781441104038 | English | New York, United States The Genius of the Roman Rite, by Keith Pecklers SJ - PrayTellBlog It developed in the Latin language in the city of Rome and, while distinct Latin liturgical rites such as the Ambrosian Rite remain, the Roman Rite has over time been adopted almost everywhere in the Western Church. In medieval times there were very many local variants, even if they did not all amount to distinct rites, but uniformity grew as a result of the invention of printing and in obedience to the decrees of the — Council of Trent see Quo primum. Several Latin liturgical rites that survived into the 20th century were abandoned voluntarily in the wake of the Second Vatican Council. The Roman Rite is now the most widespread liturgical rite not only in the Latin Church but in Christianity as a whole. It is now normally celebrated in the form promulgated by Pope Paul VI in and revised by Pope John Paul II inbut use of the Roman Missal remains authorized as an extraordinary form under the conditions indicated in the papal document Summorum Pontificum. The Roman Rite is noted for its sobriety of expression. Concentration on the exact moment of change of the bread and wine into the Body and Blood of Christ has led, in the Roman Rite, to the consecrated Host and the chalice being shown to the people immediately after the Words of Institution.
    [Show full text]
  • Saint Helen's Anglican Church
    SAINT HELEN’S ANGLICAN CHURCH Founded 1911 This document is the continuation of a tradition of the gift of ministry by the Saint Helen’s Altar Guild. It is offered to the Glory of God, in gratitude for Altar Guild members – past, present and future, and particularly the Parish of Saint Helen’s. May we be given the grace to continue the work begun in our first century and to do the works of love that build community into the future. “This is our heritage, this that our fore bearers bequeathed us. Ours in our time, but in trust for the ages to be. A building so holy, His people most precious Faith and awe filled, possessors and stewards are we.” OUR EARLY HISTORY Because the High Altar is the focal point of St. Helen’s Church was built in 1911 during worship, Mr. Walker decided it should be a real estate boom and was consecrated by made from something special. He sent to the the Right Reverend A. J. de Pencier in Holy Land for some Cypress wood from the November of 1911. He was at that time the Mount of Olives and built the main altar and Archbishop of British Columbia. Much of the Lady Chapel altar. the surrounding land had already been subdivided and everyone thought that the Most altars have some form of adornment to area was destined to become the remind worshippers that it represents the metropolis of the Fraser Valley. It is a table of the Last Supper. Many churches had magnificent site and when the land was an antependium or Altar frontal made of originally logged off, it had an embroidered silk.
    [Show full text]
  • The Sanctuary and the Altar
    THE SANCTUARY AND THE ALTAR GLOSSARY OF TERMS ALTAR CANOPY Required by liturgical law to cover at least the altar and predella (to denote the dignity of the altar and the priest, which represent) there are several names that refer to distinct types: • Baldacino (baldachinum and in English, baldaquin): a canopy made of textile suspended from the ceiling. The word comes from the Italian word for “Baghdad” where the type of textile (made from silk woof and metallic warp) once came from This term is often mistakenly used in reference to a ciborium or civory. • Ciborium, civory: a canopy borne by columns. • Tester: a canopy suspended from the ceiling, or even attached directly to the ceiling. This is a particular favorite of English- style churches AMBO A pulpit-like lectern, from which the Epistle and Gospel were once read. Some churches had two, located on either side of the sanctuary, while other churches had only one. Often the ambo(s) was located on the rood screen and had to be ascended by a stairway, whence came the name, Gradual (steps) referring to the proper chanted before the Gospel, for it would be chanted while the deacon (often with the subdeacon, thurifer and acolytes) would ascend the steps while it was sung. St. Clement’s Basilica in Rome still has matching ambos. ANTEPENDIUM [altar frontal] A rectangular vestment used to cover the front of the altar. The term comes from the fact that it is often hung in front of the altar either from a suspending rod just under the mensa or from the middle altar cloth.
    [Show full text]
  • Podrebarac, Michael 1992.Pdf
    AN ABSTRACT OF THE THESIS OF Michael S. Podrebarac for the degree Master of Arts in History presented on 16 May 1992 entitled An Historical Comparison of the Anglican and Roman Liturgies of the Reformation. Abstract approved: The first the sixteenth century witnessed an overall crisis in the corporate unity of Western Christendom. While the goal of the separate communions which were a resul t of the Reformation has since been to restore both corporate and sacramental unity , one cannot help but observe the grave misunderstandings which exist between them. Sectarian limits to reason have precluded a more obj ective approach to the theological differences which exist between the communions; however, the liturgical histories of the Anglican and Roman Catholic reformations reveal that both communions effected ritual as well as theological changes from the practice and philosophy of the Mass of the medieval Church. This revelation encourages both the Anglican and Roman Catholic scholar to appreciate the mutual catholicity of the eucharistic liturgies of the First Book of Common Prayer (1549), the Second Book of Common Prayer (1552), and the Roman Mass according to the Missal of Pope Pius V (1570). An investigation into this mutual catholicity further reveals the nature of doctrinal revision during the reign of Henry VIII, the true nature of Archbishop Thomas Cranmer's Eucharistic theology, and the consequent validity of Anglican orders as both catholic and apostolic in origin. Again, these judgments are made on the basis of historical fact, not sectarian viewpoint. The relationship between the Church of England and the Church of Rome since the late Renaissance has been at best tenuous.
    [Show full text]
  • The Unifying Role of the Choir Screen in Gothic Churches Author(S): Jacqueline E
    Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches Author(s): Jacqueline E. Jung Source: The Art Bulletin, Vol. 82, No. 4, (Dec., 2000), pp. 622-657 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3051415 Accessed: 29/04/2008 18:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches JacquelineE. Jung Thomas Hardy's early novel A Laodicean (first published in in church rituals, "anti-pastoral devices"4 designed to prevent 1881) focuses on the relationship between Paula Power, a ordinary people from gaining access to the sacred mysteries.
    [Show full text]
  • ABSTRACT in the Early Nineteenth Century, the Church
    ABSTRACT In the early nineteenth century, the Church of England faced a crisis of self- understanding as a result of political and social changes occurring in Britain. The church was forced to determine what it meant to be the established church of the nation in light of these new circumstances. In the 1830s, a revival took place within the Church of England which prompted a renewal of the theology and practice of the church, including the Eucharist. This revival, known as the Oxford Movement, breathed new life into the High Church party. A heightened emphasis was placed on the sacramental life and on the Eucharist as the focus of worship. Adherents of the Oxford Movement developed a Eucharistic theology which promoted a closer connection between the elements and Christ’s presence in the Eucharist than did the earlier Anglican tradition. One of the exponents of this Eucharistic theology was Robert Isaac Wilberforce (1802- 1857). The second son of anti-slavery crusader William Wilberforce, Robert was raised in a family of prominent Anglican Evangelicals. At the University of Oxford he came under the influence of his tutor, John Keble, who was one of the four leaders of the Oxford Movement during its heyday. The Gorham case, whose focus was ostensibly the question of baptismal regeneration, turned into a debate on the state’s control over the established church. Robert 1 Wilberforce was called upon to articulate the sacramental theology of the Oxford Movement, which he did in his three major works, The Doctrine of Holy Baptism: With Remarks to the Rev.
    [Show full text]
  • Anglican Worship and Sacramental Theology 1
    The Beauty of Holiness: Anglican Worship and Sacramental Theology 1 THE CONGRESS OF TRADITIONAL ANGLICANS June 1–4, 2011 - Victoria, BC, Canada An Address by The Reverend Canon Kenneth Gunn-Walberg, Ph.D. Rector of St. Mary’s, Wilmington, Delaware After Morning Prayer Friday in Ascensiontide, June 3, 2011 THE BEAUTY OF HOLINESS: ANGLICAN WORSHIP AND SACRAMENTAL THEOLOGY When I was approached by Fr. Sinclair to make this presentation, he suggested that the conceptual framework of the lectures would be that they be positive presentations of traditional Anglican principles from both a biblical and historical perspective and in the light of the contemporary issues in contrast to traditional Anglicanism, especially as expressed in the Affirmation of St. Louis and in the 39 Articles. The rubrics attached to this paper were that Anglican worship should be examined in the light of contemporary liturgies, the Roman Rite, and the proposed revision of the Book of Common Prayer to bring it in line with Roman views. This perforce is a rather tall order; so let us begin. The late Pulitzer Prize winning poet W.H. Auden stated that the Episcopal Church “seems to have gone stark raving mad…And why? The Roman Catholics have had to start from scratch, and as any of them with a feeling for language will admit, they have made a cacophonous horror of the mass. Whereas we had the extraordinary good fortune in that our Prayer Book was composed at exactly the right historical moment. The English language had become more or less what it is today…but the ecclesiastics of the 16 th century still professed a feeling for the ritual and ceremonies which today we have almost entirely lost.” 1 While one might quibble somewhat with what he said, he certainly would have been more indignant had he witnessed me little more than a decade after his death celebrating the Eucharist before the Dean and Canons of St.
    [Show full text]
  • The Newport Rood
    The Newport Rood Until the Reformation, the entrance to the chancel of St Woolos’ Church, Newport, like thousands of other churches across the country, was dominated by a wooden screen carrying a more-or-less life-size crucifix, probably with figures of the Virgin Mary and St John, one on either side. The Old English word for such a cross was ‘rood’ and the screen on which it stood was called the ‘rood screen’. (The word survives in the name ‘Holyrood House’, the site of a former monastery, in Edinburgh.) The figure of Christ crucified was the ever-present, visible reminder of the central reality of the Christian Faith. The Reformation saw the destruction of most such images though many of the screens have survived in English churches (e.g. Westminster Abbey, Canterbury Cathedral, York Minster, etc.) In St Woolos’ Cathedral, on the north wall, by the chancel arch we still have the medieval doorway on to the long-vanished rood screen. Newport Cathedral is the latest Cathedral in these islands to erect a new Rood as a visible reminder of the Crucified Christ as the central reality to which the Christian Faith and the Christian Church bear witness. Other cathedrals have done this in the past century or so, e.g. Peterborough, Wells, Brecon and, only recently, Lichfield. When I proposed the possibility of our new rood I pointed out that the Cathedral contained no significant images showing what the Cathedral stood for. Many great churches have stained glass or other representations of the Mysteries of the Faith but Newport Cathedral boasted little or nothing.
    [Show full text]
  • 9781426742248.Pdf
    WESLEY AND THE PEOPLE CALLED METHODISTS, SECOND EDITION Copyright © 1995, 2013 by Abingdon Press All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechan- ical, including photocopying and recording, or by any information storage or retrieval system, except as may be expressly permitted by the 1976 Copyright Act or in writing from the publisher. Requests for permission can be addressed to Permissions, The United Methodist Publishing House, P.O. Box 801, 201 Eighth Avenue South, Nashville, TN 37202-0801, or e-mailed to [email protected]. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Heitzenrater, Richard P., 1939- Wesley and the people called Methodists / Richard P. Heitzenrater. p. cm. Includes index. ISBN 978-1-4267-4224-8 (book - pbk. / trade pbk. : alk. paper) 1. Wesley, John, 1703-1791. 2. Methodist Church. I. Title. BX8495.W5H436 2012 287.09’033—dc23 2012025698 Unless otherwise noted, all Scripture quotations reflect John Wesley’s own patterns of use, and are from the Authorized (King James) Version of the Bible or from the Psalter in The Book of Common Prayer. Appreciation is extended to the following institutions for permission to reproduce illustrations on the listed pages: St. Michael’s Church, Stanton Harcourt, David M. Rubenstein Rare Book & Manuscript Library, Duke University—p. xvi. Coalbrookdale, David M. Rubenstein Rare Book & Manuscript Library, Duke University—p. 303. John Wesley, David M. Rubenstein Rare Book & Manuscript Library, Duke University—p. 352. Bridwell Library Special Collections, Perkins School of Theology, Southern Methodist University— pp.
    [Show full text]
  • Stephen Reynolds Theologies of the Eucharist II the Anglican Tradition
    Stephen Reynolds Theologies of the Eucharist II The Anglican Tradition ©Estate of Stephen Reynolds 2013 The Rev'd Dr. Stephen Reynolds 1951-2011 ii Table of Contents Introduction 1. The Founding Liturgies The Mass of the Roman Rite (Sarum Use) 1 The Book of Common Prayer 1549 41 Comparison with the Roman Rite 83 The Book of Common Prayer 1552/1559 89 2. Interpreting the 1559 Liturgy 139 3. Lord’s Table or Altar Stephen Reynolds, “Sacrifices by Resemblance” 194 Peter Heyleyn, A Coal from the Altar 217 Joseph Mede, The Christian Sacrifice 261 4. Renewal and Restoration 313 Scots Book of Common Prayer 1637 333 English Book of Common Prayer 1662 353 5. A Worthy Communion An Homily of the worthy receiving and reverend esteeming of the Sacrament of the Body and Blood of Christ (1571) 378 Jeremy Taylor, The Worthy Communicant (1661) 397 Daniel Brevint, The Christian Sacrament and Sacrifice (1673) 407 John and Charles Wesley, Hymns for the Lord’s Supper (1745) 417 iii 6. The Usages and Eucharistical Sacrifice Introduction 430 The American Prayer Book 1789 449 7. The Catholic Revival Introduction 466 Isaac Williams, Tract 86 (1839) 477 John Keble, On Eucharistical Adoration (1857) 501 8. Realigning the Consensus Introduction to Charles Gore, The Body of Christ (1902) 544 9. Liturgical Renewal Introduction to Walter Howard Frere 551 Revision of the Book of Common Prayer in Canada (1918-1962) 553 10. Appendix: One Priest’s Meat 572 A Eucharistic Prayer 595 11. General Bibliography 599 iv [This volume and its companion volume, Theologies of the Eucharist I, comprise the final version of lectures and notes composed, printed and handed out to students by Professor Stephen Reynolds in various systematic theology courses taught in the Faculty of Divinity of Trinity College, beginning in 1998 and continuing to the time of his death in 2011.
    [Show full text]
  • COURSE CONTENT DOCUMENT TITLE: Church History
    COURSE CONTENT DOCUMENT TITLE: Church History - The Reformation Designation: Core Requirement for All Layreaders Overview This course considers only the English phase of the 16th century Europe-wide Reformation. The Reformation was above all a theological event, that is, a reform of the way people understood their Faith. Faith in this sense means how people understood God's view of them, what their response to God was to be and how their relation with God was to be understood and lived out. Historians have attempted to sum up the Reformation by calling it a profound attempt to return to a Gospel based New Testaments style of Christianity. As with all such generalizations this one is both true as well as misleading. Every age considers itself striving to be true to the Gospel. The unique form Reformation took in England involved actions by monarchs, Parliament, the official Church and individuals which resulted in the English Church breaking away from both the jurisdiction of the Pope and the received heritage of western Christendom. Prior to the Reformation, there was only one church in Western Europe - the Catholic Church. Everyone belonged to this trans-national Church administered by the Pope from Rome. National churches like the Church of England and denominations such as Lutheran and Anglican did not exist. There was only one church, everyone belonged to it, worshipped in its buildings and this membership was crucial to their sense of who they were. The Reformation involved changes in politics, religion, and in what was seen, heard and done inside all church buildings.
    [Show full text]
  • Church Crawling
    Church Crawling with Barbara Pym ‘Her books are indubitably “churchy”, partly in the sense that church-going frequently occurs and clergymen are among her best characters, and partly from the tacit and unproselytizing assumption that the world divides into those who do and those who do not attend their parish church. The ethos is always decently Anglican, but this too is taken for granted and no hint of doctrinal or emotional problems is intruded upon the reader. Religion, for Miss Pym’s characters, involves no anguish of conscience (“social” or personal), no dark night of the soul, but decisions about what vestments should be worn on Mid-Lent Sunday, what shall be served for luncheon on Fridays in the clergy-house, who is to query that enigmatic entry in the Church accounts, and “that rather delicate affair of the altar brasses and the unpleasantness between Miss Jenner and Miss Beard”. … Her treatment of religion suggests, in fact, a rather unusually strong, though reserved, religious sense. (Robert Smith, ‘How Pleasant to Know Miss Pym’, Ariel, Vol. 2 No. 4, October 1971, p. 66; quotation from Some Tame Gazelle) ‘Barbara was brought up and remained throughout her life a member of the Church of England, and to her all its churches were places of devotion and interest. When after War service and her mother’s death she came to live with her sister in London, and “already well into churchgoing” as her sister has written, she became a regular worshipper at St Gabriel’s Church, Warwick Square, Pimlico. … ‘About this time [ca.
    [Show full text]