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John Wesley - Evangelist: Chapter 3
John Wesley - Evangelist: Chapter 3 Oxford: University Life Of this time Wesley writes, 'In the year 1729, I began not only to read, but to study the Bible, as the one, the only standard of truth, and the only model of pure religion. Hence I saw, in a clearer and clearer light, the indispensable necessity of having the mind which was in Christ, and of walking as Christ also walked; even of having, not some part only, but all the mind which was in Him; and of walking as He walked, not only in many or in most respects, but in all things. And this was the light, wherein at this time I generally considered religion, as a uniform following of Christ, an entire inward and outward conformity to our Master. Nor was I afraid of anything more, than of bending this rule to the experience of myself, or of other men; of allowing myself in any way the least disconformity to our grand Exemplar.' In obedience to the summons he had received from Dr. Morley, Rector of Lincoln College, Wadelt returned to Oxford to take pupils, eleven of whom were at once placed under his care. Here he found a nascent Methodist society, though as yet without the definite name, consisting of Charles and two companions, to whom he immediately joined himself, and by whom he was speedily recognized as their spiritual leader. Under his guidance the little community soon became the instrument of a spiritual propaganda, and gradually increased in number and influence—a little seed that afterwards was to become a great tree. -
The Genius of the Roman Rite: the Reception and Implementation of the New Missal Pdf
FREE THE GENIUS OF THE ROMAN RITE: THE RECEPTION AND IMPLEMENTATION OF THE NEW MISSAL PDF SJ Keith F. Pecklers | 160 pages | 29 Dec 2009 | Continuum Publishing Corporation | 9781441104038 | English | New York, United States The Genius of the Roman Rite, by Keith Pecklers SJ - PrayTellBlog It developed in the Latin language in the city of Rome and, while distinct Latin liturgical rites such as the Ambrosian Rite remain, the Roman Rite has over time been adopted almost everywhere in the Western Church. In medieval times there were very many local variants, even if they did not all amount to distinct rites, but uniformity grew as a result of the invention of printing and in obedience to the decrees of the — Council of Trent see Quo primum. Several Latin liturgical rites that survived into the 20th century were abandoned voluntarily in the wake of the Second Vatican Council. The Roman Rite is now the most widespread liturgical rite not only in the Latin Church but in Christianity as a whole. It is now normally celebrated in the form promulgated by Pope Paul VI in and revised by Pope John Paul II inbut use of the Roman Missal remains authorized as an extraordinary form under the conditions indicated in the papal document Summorum Pontificum. The Roman Rite is noted for its sobriety of expression. Concentration on the exact moment of change of the bread and wine into the Body and Blood of Christ has led, in the Roman Rite, to the consecrated Host and the chalice being shown to the people immediately after the Words of Institution. -
Saint Helen's Anglican Church
SAINT HELEN’S ANGLICAN CHURCH Founded 1911 This document is the continuation of a tradition of the gift of ministry by the Saint Helen’s Altar Guild. It is offered to the Glory of God, in gratitude for Altar Guild members – past, present and future, and particularly the Parish of Saint Helen’s. May we be given the grace to continue the work begun in our first century and to do the works of love that build community into the future. “This is our heritage, this that our fore bearers bequeathed us. Ours in our time, but in trust for the ages to be. A building so holy, His people most precious Faith and awe filled, possessors and stewards are we.” OUR EARLY HISTORY Because the High Altar is the focal point of St. Helen’s Church was built in 1911 during worship, Mr. Walker decided it should be a real estate boom and was consecrated by made from something special. He sent to the the Right Reverend A. J. de Pencier in Holy Land for some Cypress wood from the November of 1911. He was at that time the Mount of Olives and built the main altar and Archbishop of British Columbia. Much of the Lady Chapel altar. the surrounding land had already been subdivided and everyone thought that the Most altars have some form of adornment to area was destined to become the remind worshippers that it represents the metropolis of the Fraser Valley. It is a table of the Last Supper. Many churches had magnificent site and when the land was an antependium or Altar frontal made of originally logged off, it had an embroidered silk. -
John Wesley Story Table of Contents
Leader’s Guide to accompany the DVD The Torchlighters: The John Wesley Story Table of Contents Introduction to the Torchlighters Series . 3 Synopsis of The Torchlighters: The John Wesley Story . 4 Teaching Plan for The John Wesley Story . 5 Session 1 - Faith That Works: Saved By Grace . 6-9 Session 2 - Faith That Works: Growing in Righteousness . 10-11 Session 3 - Faith That Works: Walking the Talk . 12-13 Session 4 - Faith That Works: Galloping with the Gospel . 14-15 Letter to Parents . 16 Supplementary Materials Key People in the Life of John Wesley . 17-19 Eighteenth-Century England: John Wesley’s World . 20 John Wesley’s Timeline . 21 The Torchlighters: Heroes of the Faith Series . 22 Answer Key for Select Student Pages . 23 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Leader’s Guide to accompany the DVD The Torchlighters: The John Wesley Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have no shortage of heroes. From Hollywood celebrities, to music artists and sports figures, it would seem that there are plenty of heroes to go around. However, the heroes offered by popular culture are teaching children that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented are often in direct opposition to the standards parents want to pass on to their children. So, while there is no shortage of heroes, there is a dreadful shortage of heroes worth emulating. -
The Sanctuary and the Altar
THE SANCTUARY AND THE ALTAR GLOSSARY OF TERMS ALTAR CANOPY Required by liturgical law to cover at least the altar and predella (to denote the dignity of the altar and the priest, which represent) there are several names that refer to distinct types: • Baldacino (baldachinum and in English, baldaquin): a canopy made of textile suspended from the ceiling. The word comes from the Italian word for “Baghdad” where the type of textile (made from silk woof and metallic warp) once came from This term is often mistakenly used in reference to a ciborium or civory. • Ciborium, civory: a canopy borne by columns. • Tester: a canopy suspended from the ceiling, or even attached directly to the ceiling. This is a particular favorite of English- style churches AMBO A pulpit-like lectern, from which the Epistle and Gospel were once read. Some churches had two, located on either side of the sanctuary, while other churches had only one. Often the ambo(s) was located on the rood screen and had to be ascended by a stairway, whence came the name, Gradual (steps) referring to the proper chanted before the Gospel, for it would be chanted while the deacon (often with the subdeacon, thurifer and acolytes) would ascend the steps while it was sung. St. Clement’s Basilica in Rome still has matching ambos. ANTEPENDIUM [altar frontal] A rectangular vestment used to cover the front of the altar. The term comes from the fact that it is often hung in front of the altar either from a suspending rod just under the mensa or from the middle altar cloth. -
Podrebarac, Michael 1992.Pdf
AN ABSTRACT OF THE THESIS OF Michael S. Podrebarac for the degree Master of Arts in History presented on 16 May 1992 entitled An Historical Comparison of the Anglican and Roman Liturgies of the Reformation. Abstract approved: The first the sixteenth century witnessed an overall crisis in the corporate unity of Western Christendom. While the goal of the separate communions which were a resul t of the Reformation has since been to restore both corporate and sacramental unity , one cannot help but observe the grave misunderstandings which exist between them. Sectarian limits to reason have precluded a more obj ective approach to the theological differences which exist between the communions; however, the liturgical histories of the Anglican and Roman Catholic reformations reveal that both communions effected ritual as well as theological changes from the practice and philosophy of the Mass of the medieval Church. This revelation encourages both the Anglican and Roman Catholic scholar to appreciate the mutual catholicity of the eucharistic liturgies of the First Book of Common Prayer (1549), the Second Book of Common Prayer (1552), and the Roman Mass according to the Missal of Pope Pius V (1570). An investigation into this mutual catholicity further reveals the nature of doctrinal revision during the reign of Henry VIII, the true nature of Archbishop Thomas Cranmer's Eucharistic theology, and the consequent validity of Anglican orders as both catholic and apostolic in origin. Again, these judgments are made on the basis of historical fact, not sectarian viewpoint. The relationship between the Church of England and the Church of Rome since the late Renaissance has been at best tenuous. -
The Unifying Role of the Choir Screen in Gothic Churches Author(S): Jacqueline E
Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches Author(s): Jacqueline E. Jung Source: The Art Bulletin, Vol. 82, No. 4, (Dec., 2000), pp. 622-657 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3051415 Accessed: 29/04/2008 18:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches JacquelineE. Jung Thomas Hardy's early novel A Laodicean (first published in in church rituals, "anti-pastoral devices"4 designed to prevent 1881) focuses on the relationship between Paula Power, a ordinary people from gaining access to the sacred mysteries. -
ABSTRACT in the Early Nineteenth Century, the Church
ABSTRACT In the early nineteenth century, the Church of England faced a crisis of self- understanding as a result of political and social changes occurring in Britain. The church was forced to determine what it meant to be the established church of the nation in light of these new circumstances. In the 1830s, a revival took place within the Church of England which prompted a renewal of the theology and practice of the church, including the Eucharist. This revival, known as the Oxford Movement, breathed new life into the High Church party. A heightened emphasis was placed on the sacramental life and on the Eucharist as the focus of worship. Adherents of the Oxford Movement developed a Eucharistic theology which promoted a closer connection between the elements and Christ’s presence in the Eucharist than did the earlier Anglican tradition. One of the exponents of this Eucharistic theology was Robert Isaac Wilberforce (1802- 1857). The second son of anti-slavery crusader William Wilberforce, Robert was raised in a family of prominent Anglican Evangelicals. At the University of Oxford he came under the influence of his tutor, John Keble, who was one of the four leaders of the Oxford Movement during its heyday. The Gorham case, whose focus was ostensibly the question of baptismal regeneration, turned into a debate on the state’s control over the established church. Robert 1 Wilberforce was called upon to articulate the sacramental theology of the Oxford Movement, which he did in his three major works, The Doctrine of Holy Baptism: With Remarks to the Rev. -
Anglican Worship and Sacramental Theology 1
The Beauty of Holiness: Anglican Worship and Sacramental Theology 1 THE CONGRESS OF TRADITIONAL ANGLICANS June 1–4, 2011 - Victoria, BC, Canada An Address by The Reverend Canon Kenneth Gunn-Walberg, Ph.D. Rector of St. Mary’s, Wilmington, Delaware After Morning Prayer Friday in Ascensiontide, June 3, 2011 THE BEAUTY OF HOLINESS: ANGLICAN WORSHIP AND SACRAMENTAL THEOLOGY When I was approached by Fr. Sinclair to make this presentation, he suggested that the conceptual framework of the lectures would be that they be positive presentations of traditional Anglican principles from both a biblical and historical perspective and in the light of the contemporary issues in contrast to traditional Anglicanism, especially as expressed in the Affirmation of St. Louis and in the 39 Articles. The rubrics attached to this paper were that Anglican worship should be examined in the light of contemporary liturgies, the Roman Rite, and the proposed revision of the Book of Common Prayer to bring it in line with Roman views. This perforce is a rather tall order; so let us begin. The late Pulitzer Prize winning poet W.H. Auden stated that the Episcopal Church “seems to have gone stark raving mad…And why? The Roman Catholics have had to start from scratch, and as any of them with a feeling for language will admit, they have made a cacophonous horror of the mass. Whereas we had the extraordinary good fortune in that our Prayer Book was composed at exactly the right historical moment. The English language had become more or less what it is today…but the ecclesiastics of the 16 th century still professed a feeling for the ritual and ceremonies which today we have almost entirely lost.” 1 While one might quibble somewhat with what he said, he certainly would have been more indignant had he witnessed me little more than a decade after his death celebrating the Eucharist before the Dean and Canons of St. -
The Newport Rood
The Newport Rood Until the Reformation, the entrance to the chancel of St Woolos’ Church, Newport, like thousands of other churches across the country, was dominated by a wooden screen carrying a more-or-less life-size crucifix, probably with figures of the Virgin Mary and St John, one on either side. The Old English word for such a cross was ‘rood’ and the screen on which it stood was called the ‘rood screen’. (The word survives in the name ‘Holyrood House’, the site of a former monastery, in Edinburgh.) The figure of Christ crucified was the ever-present, visible reminder of the central reality of the Christian Faith. The Reformation saw the destruction of most such images though many of the screens have survived in English churches (e.g. Westminster Abbey, Canterbury Cathedral, York Minster, etc.) In St Woolos’ Cathedral, on the north wall, by the chancel arch we still have the medieval doorway on to the long-vanished rood screen. Newport Cathedral is the latest Cathedral in these islands to erect a new Rood as a visible reminder of the Crucified Christ as the central reality to which the Christian Faith and the Christian Church bear witness. Other cathedrals have done this in the past century or so, e.g. Peterborough, Wells, Brecon and, only recently, Lichfield. When I proposed the possibility of our new rood I pointed out that the Cathedral contained no significant images showing what the Cathedral stood for. Many great churches have stained glass or other representations of the Mysteries of the Faith but Newport Cathedral boasted little or nothing. -
Stephen Reynolds Theologies of the Eucharist II the Anglican Tradition
Stephen Reynolds Theologies of the Eucharist II The Anglican Tradition ©Estate of Stephen Reynolds 2013 The Rev'd Dr. Stephen Reynolds 1951-2011 ii Table of Contents Introduction 1. The Founding Liturgies The Mass of the Roman Rite (Sarum Use) 1 The Book of Common Prayer 1549 41 Comparison with the Roman Rite 83 The Book of Common Prayer 1552/1559 89 2. Interpreting the 1559 Liturgy 139 3. Lord’s Table or Altar Stephen Reynolds, “Sacrifices by Resemblance” 194 Peter Heyleyn, A Coal from the Altar 217 Joseph Mede, The Christian Sacrifice 261 4. Renewal and Restoration 313 Scots Book of Common Prayer 1637 333 English Book of Common Prayer 1662 353 5. A Worthy Communion An Homily of the worthy receiving and reverend esteeming of the Sacrament of the Body and Blood of Christ (1571) 378 Jeremy Taylor, The Worthy Communicant (1661) 397 Daniel Brevint, The Christian Sacrament and Sacrifice (1673) 407 John and Charles Wesley, Hymns for the Lord’s Supper (1745) 417 iii 6. The Usages and Eucharistical Sacrifice Introduction 430 The American Prayer Book 1789 449 7. The Catholic Revival Introduction 466 Isaac Williams, Tract 86 (1839) 477 John Keble, On Eucharistical Adoration (1857) 501 8. Realigning the Consensus Introduction to Charles Gore, The Body of Christ (1902) 544 9. Liturgical Renewal Introduction to Walter Howard Frere 551 Revision of the Book of Common Prayer in Canada (1918-1962) 553 10. Appendix: One Priest’s Meat 572 A Eucharistic Prayer 595 11. General Bibliography 599 iv [This volume and its companion volume, Theologies of the Eucharist I, comprise the final version of lectures and notes composed, printed and handed out to students by Professor Stephen Reynolds in various systematic theology courses taught in the Faculty of Divinity of Trinity College, beginning in 1998 and continuing to the time of his death in 2011. -
The Mora Vian Chapel in Fetter Lane
THE MORA VIAN CHAPEL IN FETTER LANE 1:37 THE MORA VIAN CHAPEL IN FETTER LANE. BY A. J. SMITH. IXTY years before Luther nailed his famous Theses to the S door of Wittenberg Church, the Community of the United Brethren (Unitas Fratrum) was founded in Moravia in I457. This was the beginning of the Moravian Church, now a world-wide organization operating in distant parts of the mission field, as well as in several European countries. Its ministry consists of Bishops and Pastors, framed on the lines of the Methodist Episcopal Church of America, which through Wesley has some connection with the Moravian Church. The primitive Moravian community sprang from the Hussite Movement, which in turn was inspired by Wyclif's teaching, carried to Bohemia from this country. The Moravian Church survived the Wars of Religion of the seventeenth century and the campaigns of Gustavus Adolphus, Wallenstein and Tilly, and in the eighteenth century rapidly increased its influence, largely through the efforts of Count Zinzendorf, who repaid the debt to England by assisting with the foundation of the community in this country at Fetter Lane. The Chapel is situated in the two parishes of St. Bride and St. Dunstan. The minister preaches in the former, while the con gregation sit in the latter. The parochial boundary tablets can be seen on the walls in Chapel Place, Nevill's Court, property which formerly belonged to the Moravian Chapel. The Chapel was opened on November Ioth, 1742, when John and Charles Wesley attended the ceremony. The contact of the Wesleys with the Moravian community had been established some years before ; indeed, the Moravians exerted a decisive influence upon the conversion of John Wesley and his brother.