Increased Brain Size and Glial Cell Number in CD81-Null Mice

Total Page:16

File Type:pdf, Size:1020Kb

Increased Brain Size and Glial Cell Number in CD81-Null Mice THE JOURNAL OF COMPARATIVE NEUROLOGY 453:22–32 (2002) Increased Brain Size and Glial Cell Number in CD81-Null Mice ELDON E. GEISERT, JR.,1* ROBERT W. WILLIAMS,1 GRACE R. GEISERT,1 LIYING FAN,1 ANDREW M. ASBURY,1 HOLDEN T. MAECKER,2 JUN DENG,2 AND SHOSHANA LEVY2 1Department of Anatomy and Neurobiology, and Neuroscience Institute, University of Tennessee, Health Science Center, Memphis, Tennessee 38163 2Department of Medicine, Division of Oncology, Stanford University Medical Center, Stanford, California 94305 ABSTRACT A key issue in the development of the central nervous system (CNS) is understanding the molecular mechanisms regulating cell number. The present study examines the role of CD81 (previously known as TAPA, the target of the antiproliferative antibody) in the control of brain size and glial cell number. CD81 is a member of the tetraspanin family of proteins. This group of small membrane proteins is associated with the regulation of cell migration and mitotic activity. Glial cells express CD81, and antibodies directed against this protein suppress the mitotic activity of cultured cells. In this study, we examine the effects of the CD81 Ϫ/Ϫ mutation on the CNS of mature mice. These mice have extremely large brains, as much as 30% larger than the brains of wild-type (ϩ/ϩ) littermates. The increase in brain weight is accompanied by an increase in the number astrocytes and microglia, whereas the number of neurons and oligodendrocytes in the CD81 Ϫ/Ϫ animals appears to be normal. When the CD81 Ϫ/Ϫ mutation is placed on different genetic backgrounds, there is a remark- able range in the penetrance of the null allele phenotype, demonstrating that the mutation can be affected by modifier loci. This work provides support for the role of CD81 in the regulation of astrocyte and microglial number, perhaps by regulating cell proliferation by a contact inhibition-dependent mechanism. J. Comp. Neurol. 453:22–32, 2002. © 2002 Wiley-Liss, Inc. Indexing terms: astroglia; microglia; oligodendrocytes; cell number; tetraspanin The cellular composition of the brain and spinal cord (Ikeyama et al., 1993; Yanez-Mo et al., 1998; Hemler, belies a series of molecular events that control the final 1998; Fitter et al., 1999; Stipp et al., 2001; Charrin et al., number of each cell type within the mature central ner- 2001). These tetraspanin complexes can link events of vous system (CNS). The present study focuses on CD81 cellular adhesion to intracellular signaling cascades (Jen- (previously known as the target of the antiproliferative nings et al., 1990; Yatomi et al., 1993; Schick and Levy, antibody TAPA), a small membrane protein that is ex- 1993; Berditchevski et al., 1997). Like other members of pressed by all glial cells in the CNS. As its original name suggests, antibodies directed against this protein sup- press the mitotic activity of cultured cells (Oren et al., Grant sponsor: PHS; Grant number: RO1 EY12369; Grant number: P30 1990; Geisert et al., 1996). CD81 is a member of the EY13080; Grant number: CA24233; Grant number: AI45900. recently defined tetraspanin family of proteins (http:// Dr. Maecker’s current address is Becton-Dickinson Immunocytometry www.ksu.edu/tetraspan/thepage.htm) that is structurally Systems, 2350, Qume Drive, San Jose, CA 95131. related, with four transmembrane domains and two rela- *Correspondence to: Eldon E. Geisert, Jr., Department of Anatomy and tively small extracellular loops (Jennings et al., 1990; Neurobiology, University of Tennessee, Medical Center, 855 Monroe Ave- Kaprielian and Patterson, 1993; Yatomi et al., 1993; Dong nue, Memphis, TN 38163. E-mail: [email protected] Received 11 December 2001; Revised 5 April 2002; Accepted 21 June et al., 1995; Kopczynski et al., 1996; Tachibana et al., 2002 1997; Todd et al., 1998; Le Naour et al., 2000; Miyado et DOI 10.1002/cne.10364 al., 2000; Serru et al., 2000). Many of these tetraspanins Published online the week of September 16, 2002 in Wiley InterScience are found in association with adhesion molecules (www.interscience.wiley.com). © 2002 WILEY-LISS, INC. BIG BRAINS IN CD81 ؊/؊ MICE 23 this family, CD81 is part of a protein complex within the derived from C57BL/6ByJ and BALB/cByJ. CD81 Ϫ/Ϫ plasma membrane (Takahashi et al., 1990; Bradbury et mice on both inbred backgrounds have difficulty breeding al., 1992; Schick and Levy, 1993; Yanez-Mo et al., 1998; and are propagated as CD81 heterozygotes. We also gen- Stipp et al., 2001). The specific functional role of CD81 is erated CD81 on a hybrid F1 background by mating BALB/ dependent on its molecular context and the cell type it is cByJ and C57BL/6ByJ carriers. All mice used in this study associated with. For example, CD81 can be associated were over 70 days of age. We studied male and female with the control of mitotic activity in lymphocytes (Oren et mice of all three genotypes. The majority of CD81 Ϫ/Ϫ al., 1990), astrocytes (Geisert et al., 1996), or retinal pig- animals were females. There are no statistically signifi- ment epithelium (Geisert et al., 2002). cant sex differences in brain weights of normal adult mice In the CNS, CD81 appears to be expressed by all major belonging to any of the three key background strains glial cell classes: ependymal cells, choroid cells, astrocytes, (129X1/SvJ, C57BL/6ByJ, and BALB/cByJ; data available oligodendrocytes (Sullivan and Geisert, 1998), and micro- on-line at www.nervenet.org/main/databases.html, eight glia (Dijkstra et al., 2000). Hints regarding the functional cases minimum per sex per strain). role of this tetraspanin can be gleaned from its dynamic Mice were anesthetized with a mixture of xylazine (13 temporal/developmental regulation. During CNS develop- mg/kg, Rompun) and ketamine (87 mg/kg, Ketalar), which ment, neurons are born first and most glial cells are born was administered by intraperitoneal injection. The ani- in a later phase (Caviness, 1982). In this latter phase of mals were perfused through the heart with a solution of brain development, astrocytes and oligodendrocytes are 0.01 M phosphate buffered saline (PBS, pH 7.5) followed born and mature (Ling and Leblond, 1973; Caviness, 1982; by 4% paraformaldehyde in 0.1 M phosphate buffer (PB, Parnavelas et al., 1983). Most of these cells are born pH 7.5). Each brain was removed from the skull, and the postpartum in the rodent, with peak mitotic activity oc- spinal cord was separated at a level that corresponds to curring during the first 10 days (Ling and Leblond, 1973; the decussation of the pyramids. The brains were then Parnavelas et al., 1983). By the end of the second postna- blotted dry and weighed on an electronic balance with an tal week, astrocytes mature, down-regulate their mitotic accuracy of Ϯ 1 mg. activity, and form relatively stable populations (Parna- Brains were placed in a 30% sucrose solution and were velas et al., 1983). For oligodendrocytes, the developmen- sectioned at 50 ␮m with a freezing microtome. All sections tal pattern differs from that of the astrocyte. In the second were stored in borate buffered saline (pH 8.4) at 4°C. One postnatal week, there is an overproduction of oligodendro- 1-in-5 series of sections was mounted on glass slides and cytes. Then as myelination occurs, oligodendrocytes un- stained by the Nissl method. A second series of sections was dergo an apoptotic cell death if appropriate contacts with stained for the astrocytic marker glial fibrillary acidic pro- axons are not made (Gard and Pfeiffer, 1989; Hardy and tein (GFAP). Selected sections from each animal were also Reynolds, 1991). It is during this period of decreased glial stained for the following: (1) a second astrocyte marker using mitosis when CD81 is up-regulated dramatically. Relative S-100 (Sigma, St. Louis, MO), (2) neurons using NeuN to the adult, the overall level of this protein increases from (Chemicon, Temecula, CA), (3) oligodendrocytes using RIP 15% at postnatal day (P) 7 to 70% at P14 (Sullivan and (Chemicon), and (4) microglia using Mac-1 (PharMingen, Geisert, 1998). This tight correlation of CD81 expression San Diego, CA). Detailed methods for immunostaining ap- with the down-regulation of glial cell proliferation is con- pear in Sullivan and Geisert (1998). The sections were sistent with the hypothesis that CD81 plays a role in placed in 4% bovine serum albumin (BSA, Sigma) in 0.2 M controlling glial cell number (Sullivan and Geisert, 1998). borate buffered saline (BBS, pH 8.4) for 2 hours, then placed Based on its apparent function in vitro and its develop- in rabbit anti-GFAP (Immunon) 20 ␮g/ml in 0.2 M BBS with mental expression pattern, we consider CD81 to be part of 1% BSA. Sections were washed 3ϫ for 10 minutes in BBS a molecular complex regulating glial cell number. To test and transferred to a solution containing the secondary anti- this hypothesis, we examined the effects of a CD81 Ϫ/Ϫ body (a peroxidase-conjugated donkey anti-rabbit immuno- mutation on the structure of the adult brain. If this pro- globulin G (IgG) or anti-mouse IgG (Jackson Immuno Re- tein is part of the molecular process modulating mitotic search Laboratories Inc.) for 2 hours at room temperature. activity, then we would predict an increase in the number Solutions with primary or secondary antibodies also con- of glial cells in the brains of CD81 Ϫ/Ϫ animal and possi- tained either 0.05% dimethyl sulfoxide or 0.05% Triton bly an overall increase in brain size. X-100. The sections were rinsed in 0.2 M BBS, followed by three rinses in 0.1 M PB (pH 7.2), and incubated in a solution containing 1 mg/ml of 3,3Ј-diaminobenzidine tetrahydrochlo- MATERIAL AND METHODS ride (Sigma) in 0.02 M PB (pH 7.4) and 5 ␮l/ml of 3% All animal protocols were approved by the Animal Care hydrogen peroxide for 15–30 minutes at room temperature.
Recommended publications
  • Neural Nets Different Individuals: Its Own Germ Rondoni), Buffy Tuft-Eared Marmoset Cells As Well As Those of Its Sibling
    Current Biology Magazine an individual animal may contain bare-ear marmoset (Mico leucippe), Primer reproduction-competent germ cells black-crowned dwarf marmoset (Mico in its gonads from two genetically humilis), Rondon’s marmoset (Mico Neural nets different individuals: its own germ rondoni), buffy tuft-eared marmoset cells as well as those of its sibling. (Callithrix aurita) and black-headed Hence, their offspring may not marmoset (Callithrix nigriceps) are at Andreas Hejnol and Fabian Rentzsch be the genetic descendant of the vulnerable status in the International physiological parents. Union for Conservation of Nature “The nerve-net of the lower animals (IUCN) red list of threatened species contains the germ out of which has Does chimerism affect parental (http://www.iucnredlist.org/search). grown the central nervous systems of care? Chimerism has been noted to The buffy-headed marmoset (Callithrix the higher forms.” affect parental care especially male fl aviceps) is listed as an endangered — G.H. Parker: The Elementary parental care. It has been observed species by IUCN. Habitat destruction Nervous System, 1919 that fathers provide signifi cantly due to human encroachment as higher care to chimeric infants than well as the pet trade are among the Although modern evolutionary biology non-chimeric infants. major threats for extinction of these has abandoned the use of ‘lower’ or marmoset species. ‘higher’ for animals, the quote of G.H. Baby marmosets benefi t from male Parker captures quite well the current parental and alloparental care, Where I can fi nd out more? understanding of the nerve net as the what do genetics say? Very recently, Aeckerle, N., Drummer, C., Debowski, K., evolutionarily oldest organization of Viebahn, C., and Behr, R.
    [Show full text]
  • The Polyp and the Medusa Life on the Move
    The Polyp and the Medusa Life on the Move Millions of years ago, unlikely pioneers sparked a revolution. Cnidarians set animal life in motion. So much of what we take for granted today began with Cnidarians. FROM SHAPE OF LIFE The Polyp and the Medusa Life on the Move Take a moment to follow these instructions: Raise your right hand in front of your eyes. Make a fist. Make the peace sign with your first and second fingers. Make a fist again. Open your hand. Read the next paragraph. What you just did was exhibit a trait we associate with all animals, a trait called, quite simply, movement. And not only did you just move your hand, but you moved it after passing the idea of movement through your brain and nerve cells to command the muscles in your hand to obey. To do this, your body needs muscles to move and nerves to transmit and coordinate movement, whether voluntary or involuntary. The bit of business involved in making fists and peace signs is pretty complex behavior, but it pales by comparison with the suites of thought and movement associated with throwing a curve ball, walking, swimming, dancing, breathing, landing an airplane, running down prey, or fleeing a predator. But whether by thought or instinct, you and all animals except sponges have the ability to move and to carry out complex sequences of movement called behavior. In fact, movement is such a basic part of being an animal that we tend to define animalness as having the ability to move and behave.
    [Show full text]
  • Robert Quine
    Robert Quine http://www.furious.com/perfect/quine/brianeno.html Robert Quine Quine relaxing in his New York loft by Brian Eno Robert Quine was one of my first friends in New York. We met in about 1979, not long after he'd left the Voidoids and not long after I'd had one of my regular losses of faith in much of the work I'd been doing until that point. Our friendship clicked and resolved itself around the following: a love of wandering round New York and eating in obscure oriental restaurants; a feeling for music that was 'at the edge of music'; a conviction that Nabokov was the greatest writer of the twentieth century, and a shared sense of humour. For, despite Robert's daunting appearance, he was actually very funny and as sweet and good-hearted a person as you could imagine. And paranoid too, I should mention: he lived in a flat on St Mark's Place which had more defences on the door than The Bank of England. But then he did have a huge collection of beautiful electric guitars - a collection which, along with his records and books, left an increasingly narrow path between the Fort Knox door and what he laughingly described as 'the kitchen' - an unused single-plate electric cooker sitting on a table. I don't think I ever visited Quine without him digging out some obscure doo-wop song or old jazz record and getting me to listen to a genius piece of guitar playing by some long-forgotten craftsman.
    [Show full text]
  • Evolution of Nervous Systems and Brains 2
    Evolution of Nervous Systems and Brains 2 Gerhard Roth and Ursula Dicke The modern theory of biological evolution, as estab- drift”) is incomplete; they point to a number of other lished by Charles Darwin and Alfred Russel Wallace and perhaps equally important mechanisms such as in the middle of the nineteenth century, is based on (i) neutral gene evolution without natural selection, three interrelated facts: (i) phylogeny – the common (ii) mass extinctions wiping out up to 90 % of existing history of organisms on earth stretching back over 3.5 species (such as the Cambrian, Devonian, Permian, and billion years, (ii) evolution in a narrow sense – Cretaceous-Tertiary mass extinctions) and (iii) genetic modi fi cations of organisms during phylogeny and and epigenetic-developmental (“ evo - devo ”) self-canal- underlying mechanisms, and (iii) speciation – the ization of evolutionary processes [ 2 ] . It remains uncer- process by which new species arise during phylogeny. tain as to which of these possible processes principally Regarding the phylogeny, it is now commonly accepted drive the evolution of nervous systems and brains. that all organisms on Earth are derived from a com- mon ancestor or an ancestral gene pool, while contro- versies have remained since the time of Darwin and 2.1 Reconstruction of the Evolution Wallace about the major mechanisms underlying the of Nervous Systems and Brains observed modi fi cations during phylogeny (cf . [1 ] ). The prevalent view of neodarwinism (or better In most cases, the reconstruction of the evolution of “new” or “modern evolutionary synthesis”) is charac- nervous systems and brains cannot be based on fossil- terized by the assumption that evolutionary changes ized material, since their soft tissues decompose, but are caused by a combination of two major processes, has to make use of the distribution of neural traits in (i) heritable variation of individual genomes within a extant species.
    [Show full text]
  • Robert Quine Page 1 of 1 6/14/2004
    Page 1 of 1 Robert Quine (Filed: 14/06/2004) Robert Quine, who has died aged 61, was acknowledged to be one of the most original and formidably talented guitarists in rock music; a founder member of American punk band The Voidoids, he later worked with Lou Reed, Tom Waits, Lloyd Cole and Brian Eno. At first glance, Bob Quine appeared an unlikely punk. A nephew of the philosopher W V Quine, he was a tax lawyer until his mid-thirties, by which time he was already nearly bald. Even at the height of his success, he took to the stage in a well-ironed shirt and black sports jacket, his only concession to attitude being the wearing of sunglasses. Equally out of keeping with punk's ethos was his command of his instrument, from which he produced an intense, aggressive, dissonant sound. Lou Reed acclaimed him as "a magnificent guitar player . an innovative tyro of the vintage beast". His skills are best preserved on Blank Generation, the album he recorded with Richard Hell in 1977. Having renounced the law, he was then working in a Greenwich Village bookshop with Hell and Tom Verlaine, both members of the proto-punk group Television. Hell, having fallen out with Verlaine and later with Johnny Thunders of The Heartbreakers, which he had gone on to join, put together a new band with Quine, Ivan Julian and Marc Bell (later of The Ramones) - The Voidoids. Quine coaxed suitably angry sounds from his Stratocaster to frame Hell's nihilistic yet purposeful lyrics, and the LP - especially its title track - became an underground success.
    [Show full text]
  • Nv-6-2-31.Pdf
    eISSN2465-891X The Nerve.2020.6(2):31-34 The Nerve https://doi.org/10.21129/nerve.2020.6.2.31 CLINICAL ARTICLE www.thenerve.net Conformation of the Posterior Fossa of the Skull: A Predisposing Factor in Patients with Hemifacial Spasm Gyu-Sung Kang, Ha-Young Choi, Jong-Myong Lee, Eun Jeong Koh, Jung-Soo Park Department of Neurosurgery, Research Institute of Clinical Medicine of Chonbuk National University, Biomedical Research Institute of Chonbuk National University Hospital, Jeonju, Republic of Korea Corresponding author: Ha-Young Choi Objective: Hemifacial spasm (HFS) can be caused by vascular compression of the facial nerve Department of Neurosurgery, at the root entry zone in the brain stem. The study aims to analyze the length and volume Chonbuk National University Hospital, of the posterior cranial fossa (PCF) and the angle of skull flatness to evaluate any possible cont- Chonbuk National University, 20, Geonjiro Deokjin-gu, Jeonju 54907, ribution of morphological characteristics to the development of neurovascular compression Republic of Korea leading to HFS. Methods: We enrolled 30 patients with HFS and matched them by age Tel: +82-63-250-1870 and sex to controls. Three-dimensional volumetric analyses of the PCF were performed Fax: +82-63-277-3273 using magnetic resonance imaging. We measured the angle and approximate volume of E-mail: [email protected] the PCF using the ellipsoid method. Results: The mean volume of the PCF in patients with HFS was significantly lower (220.2±24.9 vs. 243.1±31.2; p=0.003) than in controls. In addition, the mean angle of the PCF of patients with HFS was smaller than that of controls (100.7±6.0 vs.
    [Show full text]
  • Lester Bangs August 1979
    LESTER BANGS AUGUST 1979 One day someone I love said, “You hit me with your eyes.” When I hear David Byrne’s lyrics, I can imagine him feeling the same thing and saying it in language just oblique enough to turn the pain into percussively lapping waters. Are you afraid of air? Well, why not (if not)? David Byrne is. Do you think heaven is nowhere (is vacuum the obverse of oid’svoid)? David Byrne does. How about the animal kingdom: wouldn’t you say they’re a bunch of smug little disease carriers, setting a perfectly rotten example (them being, after all, our elders on that ole evolutionary totem pole) for us so-called human beings who might be a lot more at least interpersonally better off if we wised up and just told all them li’l critters to take a walk? If stuff like that maltomeals round your noggin, you’re in D. Byrne territory for sure, friends. And why not? These are mutant times, and Talking Heads are the most human of mutant groups (hopelessly perfect cross-fertilization); unlike Devo, they actually look good off TV, on a concert stage (in fact, up till now I’d always bemoaned my feeling that their records didn’t come near the excitement of their live sound). I may never forget the first time I saw them at CBGB’s: though they had gotten Jerry Harrison to swat keyboards by then, they were all still a little ragged (if such a word could ever be applied to such rarefied entities) around the edges.
    [Show full text]
  • III-125 Der Beilagen XXI. GP - Bericht - 02 Hauptdokument (Gescanntes Original) 1 Von 190
    III-125 der Beilagen XXI. GP - Bericht - 02 Hauptdokument (gescanntes Original) 1 von 190 www.parlament.gv.at 2 von 190 III-125 der Beilagen XXI. GP - Bericht - 02 Hauptdokument (gescanntes Original) Kunstbericht 2000 Bericht über die Kunstförderung des Bundeskanzleramts Struktur der Ausgaben Förderungen im Detail Serviceteil Glossar zur Kunstförderung www.parlament.gv.at III-125 der Beilagen XXI. GP - Bericht - 02 Hauptdokument (gescanntes Original) 3 von 190 Inhalt Vorwort des Staatssekretärs für Kunst und Medien Seite 5 I Struktur der Ausgaben Seite 9 11 Förderungen im Detail Seite 55 111 Serviceteil Seite 99 IV Glossar zur Kunstförderung Seite 141 Register Seite 177 www.parlament.gv.at 4 von 190 III-125 der Beilagen XXI. GP - Bericht - 02 Hauptdokument (gescanntes Original) www.parlament.gv.at III-125 der Beilagen XXI. GP - Bericht - 02 Hauptdokument (gescanntes Original) 5 von 190 Vorwort des Staats­ nis, ein "Kulturhunger" nötig. Ein Kul­ worden wäre. Insgesamt enthielt das turstaat benötigt nicht nur Kunst und Budget 2000 lediglich eine 4,5-pro­ sekretärs für Kunst Kunstschaffende, sondern auch auf­ zentige Verringerung gegenüber dem geschlossene, begeisterungsfähige Budget des Jahres 1999. Darin sind und Medien Menschen, die am kulturellen Leben Ausgaben in der Höhe von 55 Millio­ aktiv teilnehmen. In der Kunstförde­ nen Schilling für Projekte enthalten, rung ist mir die Unterstützung des die vor meinem Amtsantritt bereits kreativen Aspekts besonders wichtig. zugesagt worden waren. Für die übri­ Der Staat darf sich dabei allerdings gen Sonderfinanzierungen wie die Kunstpolitik und Kunstförderung weder als Auftraggeber noch als Kulturhauptstadt Graz, den Musikver­ müssen den Künstlerinnen und Künst­ Regulator in den schöpferischen Pro­ ein und den Neubau des Kleinen lern die größtmögliche Freiheit für ihre zess einmischen.
    [Show full text]
  • 160 Been Forthcoming, the Interest Has Flagged in Recent Years, Perhaps Only Temporarily. There Is No Space Here to Report Exten
    160 BOOK REVIEWS [March been forthcoming, the interest has flagged in recent years, perhaps only temporarily. There is no space here to report extensively on the contents of the individual articles. This reader found the paper by H. Kahn a very readable introduction to Monte Carlo sampling techniques. The paper by O. Taussky and J. Todd contains a particularly useful ex­ position of the generation of random sequences. H. F. Trotter and J. W. Tukey have contributed an article on "Conditional Monte Carlo for normal samples" which contains some very clever ideas by means of which the sample size necessary for satisfactory accuracy is reduced by the factor 5000 in a statistical application reported by H. J. Arnold, B. D. Bûcher, H. F. Trotter and J. W. Tukey. The first of these two papers is rather difficult to read, partly because its authors adopt the extremely colloquial style frequently met in work on Monte Carlo. The results of J. H. Curtiss concerning the relative efficiency of Monte Carlo procedures and ordinary numerical methods for the solution of systems of linear algebraic equations raises the hope that there is still a future for Monte Carlo in this particular field. This volume is almost indispensable to mathematicians doing re­ search on or with Monte Carlo methods, and it can be highly recom­ mended to readers who wish to find out what the Monte Carlo method really is. WOLFGANG WASOW Automata studies. Edited by C. E. Shannon and J. McCarthy, Princeton, New Jersey, Princeton University Press, 1956, viii + 285 pp. $4.00. This collection of essays is divided into three sections: "Finite Automata," "Turing Machines," and "Synthesis of Automata." We will discuss the first two sections together and take up the third later.
    [Show full text]
  • Representation of Events in Nerve Nets and Finite Automata
    RM-704 -1- TABLE OF CONTENTS Page No. INTRODUCTION ••. • • • • • . l 1. Stimulus and Response .. 1 2. Nerve Nets and Behavior. '2 PART I ~ NERVE NETS• . 6 3. McCulloch-Pitts Nerve Neta . 6 4. The Input to a Nerve Net . • • • 8 5. Definite Events ••• . 10 5.1 "Definite events" defined •• • 10 5.2 Definite positive events • . • 11 5.3 Simpler nerve nets . • 14 5.4 Definite events in general . 19 5.5 Representation of events in general. • 24 5.6 Nerve nets without circles • . 26 6. Indefinite Events~Prelim1nar1es . • 28 6.1 Some examples .. • • • • 28 6.2 Initiation • . • • 30 6.3 Definite events reconsidered . • • 36 6.4 Why consider indefinite events? •• 43 7. Regular Events • • . • • • • • • • • 46 7.1 "Regular events" defined . 46 7.2 An algebraic transformation. 52 Identity and equivalence •. 55 7.4 Representab111ty of regular events . 62 1.5 Discussion of the proof and fUrther problems . • • . • . • • . • . • 68 RM-704 -ii- 7.6 Conjunction and negation •• . • 73 PART II ~ FINITE AUTOMATA • • . 75 8. The Concept of a Finite Automaton • . 75 8.1 Cells • . • 75 8.2 State • • . • • . • 77 9. Regularity of Representable Events .•..•••• 80 APPENDIX 1: DEFINITENESS OF EVENTS REPRESENTABLE IN A FINITE AUTOMATON WITH AN INFINITE PAST. • • • 87 APPENDIX 2: PRIMITIVE RECURSIVENESS OF REGULAR EVENTS •• 90 APPENDIX }: AN EXAMPLE OF AN EVENT WHICH IS NOT REPRE­ SENTABLE, THOUGH IT IS PRIMITIVE RECURSIVE •• 95 BIBLIOGRAPHY • • • • • • • . • • . • • • • . • • . • 98 RM-704 Summary: To what kinds or events can a Mccuiioch-Pitts nerve net respond by firing a certain neuron? More generally, to what kinds of events can any finite automaton respond by assuming one of certain states? This memorandum ie devoted to an elementary exposition or the problems and of results obtained on it during investigations in August 1951.
    [Show full text]
  • Brian Eno • • • His Music and the Vertical Color of Sound
    BRIAN ENO • • • HIS MUSIC AND THE VERTICAL COLOR OF SOUND by Eric Tamm Copyright © 1988 by Eric Tamm DEDICATION This book is dedicated to my parents, Igor Tamm and Olive Pitkin Tamm. In my childhood, my father sang bass and strummed guitar, my mother played piano and violin and sang in choirs. Together they gave me a love and respect for music that will be with me always. i TABLE OF CONTENTS DEDICATION ............................................................................................ i TABLE OF CONTENTS........................................................................... ii ACKNOWLEDGEMENTS ....................................................................... iv CHAPTER ONE: ENO’S WORK IN PERSPECTIVE ............................... 1 CHAPTER TWO: BACKGROUND AND INFLUENCES ........................ 12 CHAPTER THREE: ON OTHER MUSIC: ENO AS CRITIC................... 24 CHAPTER FOUR: THE EAR OF THE NON-MUSICIAN........................ 39 Art School and Experimental Works, Process and Product ................ 39 On Listening........................................................................................ 41 Craft and the Non-Musician ................................................................ 44 CHAPTER FIVE: LISTENERS AND AIMS ............................................ 51 Eno’s Audience................................................................................... 51 Eno’s Artistic Intent ............................................................................. 55 “Generating and Organizing Variety in
    [Show full text]
  • Senza Titolo 9
    www.Timeoutintensiva.it OTT 2008, Recensioni-B.Eno. N° 7 Brian ENO: Discografia e filmografia (colonne sonore): Discografia * (1972) Roxy Music (da Roxy Music) * (1973) For Your Pleasure (da Roxy Music) * (1973) No Pussyfooting (con Robert Fripp) * (1973) Portsmouth Sinfonia Plays the Popular Classics (con la Portsmouth Sinfonia) * (1973) Here Come The Warm Jets * (1974) Taking Tiger Mountain (By Strategy) * (1975) Evening Star (con Robert Fripp) * (1975) Another Green World * (1975) Discreet Music * (1977) Cluster & Eno (con i Cluster) * (1978) Before and After Science * (1978) Ambient #1 / Music for Airports * (1978) Music for Films * (1978) After the Heat (con Roedelius e Dieter Moebius, alias Cluster) * (1979) In a Land of Clear Colors (con Pete Sinfield che recita un racconto di Robert Sheckley) * (1980) Ambient #2 / The Plateaux of Mirror (con Harold Budd) * (1980) Fourth World, Vol. 1: Possible Musics (con Jon Hassell) * (1980) Ambient #3 / Day of Radiance (da Laraaji con Eno producing) * (1981) My Life in the Bush of Ghosts (con David Byrne) * (1982) Ambient #4 / On Land * (1983) Apollo: Atmospheres and Soundtracks * (1984) The Pearl (con Harold Budd) * (1985) Thursday Afternoon (per una galleria di arte video) * (1985) Hybrid (con Daniel Lanois e Michael Brook) * (1988) Music from Films III (con Daniel Lanois, Michael Brook e Roger Eno) * (1989) Textures (raccolta di brani editi e inediti riservata ai film-makers) * (1990) The Shutov Assembly (All Saints Records) * (1990) Wrong Way Up (con John Cale) (All Saints Records) * (1992) Nerve Net (All Saints Records) * (1993) Neroli (All Saints Records) * (1995) Spinner (con Jah Wobble) (All Saints Records) * (1995) Original Soundtracks No.
    [Show full text]