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Godzilla Music and Soundtracks
Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966) -
Godzilla Un Monstre Et Ses Époques Alain Vézina
Document généré le 28 sept. 2021 14:29 Séquences La revue de cinéma Godzilla Un monstre et ses époques Alain Vézina Le cinéma à la plage Numéro 291, juillet–août 2014 URI : https://id.erudit.org/iderudit/72128ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Vézina, A. (2014). Godzilla : un monstre et ses époques. Séquences, (291), 18–19. Tous droits réservés © La revue Séquences Inc., 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 18 PANORAMIQUE | ÉTUDE Godzilla Un monstre et ses époques Coïncidant avec le 60e anniversaire de Godzilla, l’adaptation américaine de Gareth Edwards offre l’opportunité de jeter un regard rétrospectif sur l’une des franchises les plus célèbres du cinéma. Héros de 28 films, dont certains sont injustement raillés et relégués dans les bas-fonds de la culture kitsch, Godzilla n’en demeure pas moins un révélateur intéressant des hantises d’une nation marquée par les catastrophes, qu’elles soient attribuables à la fatalité ou à la folie des hommes. -
Making Icons
Making Icons Repetition and the Female Image in Japanese Cinema, 1945–1964 Jennifer Coates Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2016 Hong Kong University Press ISBN 978-988-8208-99-9 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents List of Illustrations vii Acknowledgements viii Notes on the Romanization of Japanese Words x Introduction 1 Aff ect and the Spectator 4 From Emotion, through Aff ect, to Fantasy 12 Communal Fantasies: Making Meaning and Memory through Film 17 Women in Post-war Japan 21 Reading the Female Image: An Iconographic Approach 22 Chapter Outline 30 Chapter 1 Post-war Stars and the Japanese Studio System 33 Stars and the Studios 44 Compliance and Confl ict in the Studios: Th e Tōhō Strikes 49 Aff ect and Aspiration: Th e Star Persona of Hara Setsuko 54 Misora Hibari, Yamaguchi Yoshiko, and the ‘New Faces’ 62 Chapter 2 Th e Suff ering Mother Trope 68 Suff ering Mothers versus Modern Housewives 68 Historical Contexts: Changing Japan from the Family Level Up 70 From Victim to Victimizer: Changes in the Mother -
On the Craft of Fiction—EL Doctorow at 80
Interview Focus Interview VOLUME 29 | NUMBER 1 | FALL 2012 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts. Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into everchanging pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. This issue of Weber - The Contemporary West spotlights three long-standing themes (and forms) of interest to many of our readers: fiction, water, and poetry. If our interviews, texts, and artwork, as always, speak for themselves, the observations below might serve as an appropriate opener for some of the deeper resonances that bind these contributions. THE NOVEL We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality. --- J. G. Ballard WATER Anything else you’re interested in is not going to happen if you can’t breathe the air and drink the water. -
The Twentieth Century / 7:30 Pm the Twentieth Century / 9 Pm
January / February 2020 Canadian & International Features: Canada’s Top Ten Film Festival: CRANKS special Events THE TWENTIETH CABIN FEVER: CENTURY FREE FILMS FOR KIDS! www.winnipegcinematheque.com January 2020 TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 1 2 3 4 5 closed: New Year’s Day Parasite / 7 pm Honeyland / 7 pm Honeyland / 3 pm & 7:30 pm Cabin fever: Honeyland / 9:30 pm Parasite / 9 pm Parasite / 5 pm & 9:15 pm Fantastic Mr. Fox / 3 pm Honeyland / 5 pm Parasite / 7 pm 7 8 9 10 11 12 RESTORATION TUESDAYS: Honeyland / 7 pm UWSA Snowed In: Canada’s Top Ten: Canada’s Top Ten: And the Birds Cabin fever: Quartet / 7 pm Parasite / 9 pm Waves / 7 pm And the Birds Rained Down / 7 pm Rained Down / 2:30 pm Mirai / 3 pm Heater / 9 pm Parasite / 9 pm Honeyland / 9:30 pm Honeyland / 5 pm Canada’s Top Ten: Stages of Beauty: The Short And the Birds Films of Matthew Rankin / 7 pm Rained Down / 5 pm Canada’s Top Ten: The Twentieth Century / 7:30 pm The Twentieth Century / 9 pm 14 15 16 17 18 19 RESTORATION TUESDAYS: Canada’s Top Ten: Hinterland Remixed / 7 pm Cranks / 7 pm Letter from Cabin fever: Heater / 7 pm The Twentieth Century / 7 pm Canada’s Top Ten: Canada’s Top Ten: Masanjia / 3 pm & 7 pm Diary of a Wimpy Kid / 3 pm Quartet / 9 pm Cranks / 9 pm And the Birds The Twentieth Century / 9 pm Cranks / 5 pm Cranks / 5 pm Rained Down / 9 pm Canada’s Top Ten: Canada’s Top Ten: The Twentieth Century / 9 pm The Twentieth Century / 7 pm 21 22 23 24 25 26 RESTORATION TUESDAYS: McDonald at the Movies: Canada’s Top Ten: Canada’s Top Ten: Canada’s -
Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs. -
Cyclopaedia 18 – Kaiju Overview Articles
Cyclopaedia 18 – Kaiju By T.R. Knight (InnRoads Ministries * Article Series) Overview Who are the biggest of the Kaijū derives from the Japanese for "strange big? beast" but in more common vernacular these are giant monster stories. Giant monsters Some debate which are the greatest of the attacking cities (especially Tokyo), the Kaiju. The top quartet are easy to choose military defending the city, giant monsters (Gamera, Godzilla, King Kong, and Mothra). fighting each other, and secret societies or The most commonly discussed and with the aliens betting involved. These were all most screen time include… trademarks of the kaiju genre. • Destroyah Gojira (translated as Godzilla in the US) • Gamera receives credit for being the first ever kaiju • Godzilla film. Released in 1954, it is considered the • King Ghidorah first kaiju film but it is not the first giant • King Kong monster movie. King Kong and The Beast • MechaGodzilla from 20,000 Fathoms were hits in the US and • Mothra Japan, so Gojira was the Japanese cinematic • Rodan response to those popular films. Tomoyuki Tanaka of Toho Studios combined the Following are sources of information Hollywood giant monster concept with the pertaining to Kaiju to assist prospective growing fear of atomic weapons in Japan. game masters, game designers, writers, and The movie was a huge success in Japan, storytellers in knowing where to start their spawning the kaiju movie genre. The movie research. was so popular in Japan it was brought to the US as Godzilla, King of Monsters. Articles In the US, the Create Double Feature matinee and Mystery Science Theater 3000 developed Godzilla: why the Japanese original is no a massive following for these kaiju movies joke from Japan. -
Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2. -
*Not to Scale Meet the Panel
Lawyers vs Kaiju *Not to Scale Meet the Panel Monte Cooper Jeraline Singh Edwards Joshua Gilliland Megan Hitchcock Matt Weinhold Does your Homeowner’s insurance cover being stepped on? Can Local Governments Recover Emergency costs? Public Expenditures Made in the Performance of Governmental Functions ARE NOT Recoverable! Is King Kong protected by the Endangered Species Act? Lawyers in the Mist A species is “endangered” if it is “in danger of extinction throughout all or a significant portion of its range.” 16 U.S. CODE § 1532(6). A species is “threatened” if it is “likely to become an endangered species within the foreseeable future throughout all or a significant portion of its range.” Id. § 1532(20); Conservation Force, Inc. v. Jewell, 733 F.3d 1200, 1202 (D.C. Cir. 2013). A species is considered “endangered” because of “natural or manmade factors affecting its continued existence.” 16 USCS § 1533(a)(1)(E). Is King Kong Protected by the Convention on International Trade in Protected Species (CITES)? CITES is a multi-lateral treaty originally negotiated among 80 countries in Washington DC in 1973 Subjects international trade in specimens of selected species to certain export and import controls As of 2018, 183 states and the European Union have become parties to the Convention Roughly 5,000 species of animals and 29,000 species of plants are protected by CITES Western Gorillas are specifically listed as subject to CITES BUT … King Kong in all incarnations is a new primate species, called Megaprimatus kong in 2005… King Kong Is a Critically Endangered Species When in New York … 1933 – Bad Things Happen to Kong in New York 1976 – Clearly, the Passage of the Environmental 2005 – The White House Still Does Not Species Act Did Not Help … Believe that Kong Needs Protection… Unfortunately for Kong, Skull Island Is Not a U.S. -
Godzilla: the Idw Era
GODZILLA: THE IDW ERA WRITTEN BY MIKE FORD PRODUCTION BY REBEKAH CAHALIN EDITS BY BOBBY CURNOW CREATIVE CONSULTANT CHRIS MOWRY COVER ARTWORK MATT FRANK FEATURING ARTWORK FROM THESE STORIES: GODZILLA: KINGDOM OF MONSTERS Written by Eric Powell & Tracy Marsh (Issues #1-8), and Jason Ciaramella (Issues #8-12) Artwork by Phil Hester (Issues #1-4) and Victor Santos (Issues #5-12) • Colors by Ronda Pattison Inks by Bruce McCorkindale (Issues #1-4) • Letters by Chris Mowry and Neil Uyetake Series Edits by Carlos Guzman GODZILLA: GANGSTERS & GOLIATHS Written and Lettered by John Layman • Artwork by Alberto Ponticelli • Colors by Jay Fotos Series Edits by Bobby Curnow and Chris Ryall GODZILLA Written by Duane Swierczynski • Artwork by Simon Gane • Additional artwork by Dave Wachter Colors by Ronda Pattison • Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA LEGENDS Writers: Matt Frank, Jeff Prezenkowski, Jon Vankin, Mike Raicht, Chris Mowry, and Bobby Curnow Artists: Matt Frank, Simon Gane, Tony Parker, E.J. Su, and Dean Haspiel Colorists: Josh Perez, Ronda Pattison, Ian Herring, and Priscilla Tramontano Series Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA: THE HALF-CENTURY WAR Story and Artwork by James Stokoe Color Assists by Heather Breckel Series Edits by Bobby Curnow GODZILLA: RULERS OF EARTH Written by Chris Mowry • Artwork by Matt Frank Additional Artwork by Jeff Zornow (Issues #5, #9, #13) Colors by Ronda Pattison (Issues #1-2) and Priscilla Tramontano (Issues #3-current) Letters by Shawn Lee • Series Edits by Bobby Curnow Special thanks to Yoshiko Fukuda and everyone at Toho for their invaluable assistance. -
G-Fest Site Map: Upper Level Lower Level
BALLROOM V: BALLROOM IV and III: BALLROOM II: BALLROOM I: TOKUSATSU ROOM DEALERS ROOM LECTURE HALL II LECTURE HALL I CONCOURSE B: CONCOURSE A: AUTOGRAPHS AND G-FANS ESCAL- REGISTRATION HELPING G-FANS ATOR CHICAGO FIRE OVEN FRONT RESTAURANT DESK LOBBY ON THE STAIRS FLY FOOD CADDYSHACK SERVICE RESTAURANT IDEATION TO VISIBILITY BAR BALMORAL LOUNGE: HOTEL BALLROOM: GAMING ROOMS ARCADE & POOL EXIT TO PARKING LOT VIDEOGAMING G-FEST SITE MAP: UPPER LEVEL LOWER LEVEL KENNEDY: HEATHROW GATWICK HANEDA: SYDNEY DA VINCI: LECTURE HALL III DESTROY ALL JOHN G-FEST MINYA’S PLACE MONSTERS 50TH BELLOTTI 25TH KIDS ACTIVITIES ANNIVERSARY ART ANNIV. DISPLAY DISPLAY DISPLAY LOVE A & B: ORLY: DULLES: LA GUARDIA: LOGAN: ARTIST ALLEY MONSTER KEIZO MURASE ART DISPLAY STOR- MASSAGE DISPLAY AGE M O R E ESCAL- A ATOR MIDWAY: R G-FEST FILM FESTIVAL T ROOM KITTY HAWK: I MODEL INSTRUCTION OFFICES S AND DISPLAY T A L L STAIRS E Y G-FEST XXV PROGRAM, JULY 13 - 15, 2018 7 FRIDAY, JULY 13, 2018 SESSIONS SESSIONS SESSIONS GAMING FILM MODEL ARTISTS MECHA-G TOKUSATSU DEALERS OTHER FESTIVAL THREAD ALLEY ARCADE SESSIONS ROOM BALLROOM 1 BALLROOM 2 KENNEDY IDEATION MIDWAY KITTY HAWK LOVE A&B BALMORAL BALLROOM 5 BLRM 3 & 4 9:00 AFTER THE BOOM 50th REGISTRA- Anniversary TION (all day) OPENS 10:00 GENERAL MINYA’S Display KAIJU FILMS, GAMING PLACE Room open DOJO STYLE OPENS AT for drop-off, Alaena Gavins then viewing 10:00 AM in 11:00 HEATHROW & G-FEST KAIJU DESTROY COSTUMING GATWICK. ORIENTATION ASSAULT ALL PANEL Coloring and SESSION: TOURNEY DRAGONS Sean crafts for young J.D. -
SLCC GREEN ACADEMY PREPARES GREEN FUTURE Online “Pacific Rim” Review Djinni Yancey Globeslcc.Com Staff Writer
Wednesday, February 13, 2013 The Independent Voice TofHE SaltGLOBE Lake Community College FREEA3 Wednesday july 17, 2013 THE Issue 4 / sUMMER '13 GLOBEVisit us online at globeslcc.com SLCC GREEN ACADEMY PREPARES GREEN FUTURE Online “Pacific Rim” Review Djinni Yancey globeslcc.com Staff Writer Salt Lake Community College’s Campus Green Academy offers many choices for students aspiring to careers Former student now in energy management through Crossfit gym owner Continuing Education Units and pg. 4 courses. Photos by James Nguyen The Green Academy assists Yellow Pig’s individuals who have a desire to Day increase skills and knowledge in a pg. 3 rapidly changing workforce toward a Above: Solar panels at career in green technology. Meadowbrook campus “We offer everything about alternative and renewable energy Utah Brewery from an Associate of Applied Left: Thaniel Bishop Review Science degree in Energy demonstrates solar panels pg. 5 Management to some large-scale Certificates of Proficiency that SLCC Green Academy. Programs and contemporary skill-training The SLCC Green Academy is have been approved by the Board courses offered through the SLCC workshops and programs in training students to fill the demand for Movies of Regents and all the way up to the Green Academy include Energy conjunction with regional education skilled technicians in the workforce. Board of Trustees to a one-hour course Management, Electric Sector Training centers in order to provide One of those areas at SLCC this that students can buy for themselves and Solar Photovoltaic Systems. qualified, work-ready employees to summer semester is the Solar “The Way, Way Back” if they need to re-license as either Photovoltaic Systems.