Wealth Or Poverty? Jane Austens Novels Explored Free Download

Total Page:16

File Type:pdf, Size:1020Kb

Wealth Or Poverty? Jane Austens Novels Explored Free Download WEALTH OR POVERTY? JANE AUSTENS NOVELS EXPLORED FREE DOWNLOAD Stephen Mahony | 296 pages | 01 Apr 2016 | The Crowood Press Ltd | 9780719814396 | English | London, United Kingdom New non-fiction: Wealth or Poverty: Jane Austen’s Novels Explored by Stephen Mahony Henry had bought back the original manuscript of 'Susan' —now renamed 'Catherine' —from Benjamin Crosby that year. Ten thousand a year! The details of these years is fuzzy. This simplistic theme allowed other authors to dwell on occasionally vulgar and usually immature characters in unappealing settings and circumstances. Catherine Hubback gathered from letters she saw that it was ' in a momentary Wealth or Poverty? Jane Austens Novels Explored of self-delusion ' that Jane accepted him—' I am sure she had no attachment to Wealth or Poverty? Jane Austens Novels Explored ' Jane Austen: a Family Record, At home she never met reproof or ' an abatement of good-will '. Click on their names to enter their own blogs. After Mrs. Worried it would damage Austen's by then sterling literary reputation, they refused to publish it in fragment form. I'll own up to my mistakes and will make the corrections with a polite smile on my face. The Harding Newman family believed the portrait to be the work of Zoffany a description that would be contemporary shorthand for a family picture and to portray the young Jane Austen. Austen writes an eloquent passage on William's reception when at last he comes back from the Far East to visit his sister:. The novel gradually reveals the worth of Brandon and the worthlessness of Willoughby, which makes the math even clearer. Somhairle Kelly marked Wealth or Poverty? Jane Austens Novels Explored as to-read Jan 02, Harris did not get on with his father, and really wanted to remove himself with Jane or another wife to a home of his own. Every thing that is charming! Subsequently, he was elevated enough in social standing to provide Cassandra a worthy match whose family was of a considerably higher social status. From reading between the lines of the letters she wrote as Wealth or Poverty? Jane Austens Novels Explored books came out, it appears that Jane Austen had to fear the reactions of some of her relatives on seeing themselves in print. Marianne, alas, does not get her hunters. Childhood and education Jane Austen was born a month later than her parents expected; like the other Austen children, she was baptized at Steventon rectory on the day of her birth by George Austen. Growing up, Jane's closest confidant was her sister, Cassandra. Like this: Like Loading Pride and Prejudice subtly Wealth or Poverty? Jane Austens Novels Explored these politics. Their father's sister Philadelphia Hancock had brought to Steventon her year-old daughter Eliza — who, by her marriage inhad become Comtesse Eliza de Feuillide. But if the consumer price index is controversial in modern times, it becomes impossible to use in the nineteenth century. Austen was unhappy with the news. Please keep in mind that the sums in the third column of the chart are merely approximations. According to the Independentthe romance ended because Lefoy had no choice but to marry money. After this they Wealth or Poverty? Jane Austens Novels Explored to Steventon rectory and on 10 October, along with Frank Austen and his wife, Mary Gibsonthey moved to lodgings in Southampton. She was a great writer, a sharp wit and a wonderful satirist. These two projects were strikingly achieved in Mansfield Park and Emma. She previously worked for the Urban Institute, a think-tank in Washington, D. Meghan Blazewski rated it really liked it Apr 29, Emma probably developed as a companion piece to Mansfield Park : there are, at any rate, many elegant contrasts as well as variations and similarities between the two novels. Email Subscription Enter your email address to subscribe to this blog and receive notifications of new posts by email. Despite this miserable experience, after they had spent a further year at home George Austen decided that his daughters should attend the Abbey House School, Reading, from spring to December Oh, Lord! Stephen Mahony. Louisa and Henrietta Musgrove still regret, and rightly, that their brother Charles is not married to Anne Elliot. It wasn't until the Austen women settled down in Chawton Cottage on the property of Jane's younger brother, Frank, in Hampshire that Jane found her voice again and began the serious work of revision and submitting her work for publication. In December the younger Thomas wrote to his friend J. Though this completed their formal schooling, the girls continued their education at home, with the help of their brothers and father. Lizzy Bennet, unheroically placed as the second of five sisters, has the intelligence of Cowley's Letitia and Lady Bell. Emma was duly advertised in December and published later that month though dated on the title pages. Austen, Jane —Wealth or Poverty? Jane Austens Novels Exploredwas born on 16 December at the rectory in Steventon, near Basingstoke, Hampshire, the seventh child and younger daughter of George Austen —rector of Deane and Steventon and private tutor, and his wife, Cassandra —youngest daughter of the Revd Thomas Leigh — and Jane Walker d. To find out more, including how to control cookies, see here: Cookie Policy. Impressively she stuck to her grand plan for her Chawton novels, always to surprise her readers by using a different format from that of the previous novel, or in this case to try a burlesque format newer than Northanger Abbey. All Languages. In George Austen suddenly determined without consultation to move his family to Bath, while his eldest son, Jamestook over as his curate in the parish of Steventon. Rating details. On the one hand, it keeps in motion the industry of mankind. Between and Jane flirted with Tom Lefroyand enjoyed reporting her progress to Cassandra in the earliest of her lively intimate letters to her sister that survive: ' Imagine to yourself everything most profligate and shocking in the way of dancing and sitting down together ', she wrote on 9—10 January Letters1. The opposite fate befell Mansfield Park. The Austens often read aloud to one another. Two are silhouettes. Tom himself died of yellow fever on his return journey in February and was buried at sea off Santo Domingo. Skip to content. Ruth Ball marked it as to-read Oct 28, Password Please enter your Password. You are commenting using your Google account. This article from Wealth or Poverty? Jane Austens Novels Explored Jane Austen Centre goes into further detail about the Mrs. Cambridge: CUP, Caroline as so often was more forthright. Austen, Jane — Other editions. It fell to James and Henry Austen to take charge of the discussions on how the brothers would contribute a sum sufficient to maintain ' the dear trio '. The second sketch c. Show Summary Details. All the benefits of Premium Digital plus: Convenient access for groups of users Integration with third party platforms and CRM systems Usage based pricing and volume discounts for multiple users Subscription management tools and usage reporting SAML-based single sign on SSO Dedicated account and customer success teams. Content last updated: October 31,.
Recommended publications
  • Pride and Prejudice
    Pride and Prejudice Translating and Adapting Lydia Bennet Alumna: María Heredia Torres Trabajo Fin de Grado Traducción e Interpretación Junio 2017 Tutor: José María Pérez Fernández 1 Table of contents I. Introduction 3 II. Translating Lydia Bennet 6 III. Adapting Lydia Bennet 11 IV. Jane Austen, adaptations 25 and society V. Conclusion 30 Appendix 33 Bibliography 34 2 I. Introduction It is a truth universally acknowledged that everybody must read at least one Jane Austen’s novel in their life. And, although Sense and Sensibility and Emma are rather popular, most people read her most famous novel: Pride and Prejudice. Many people and researchers have written about this novel due to its importance and popularity: they have analyzed situations, irony, the language that Austen used and why it was used. And not only researchers know a lot about Pride and Prejudice. We all know Elizabeth Bennet and Mr. Darcy’s love story, the sweet love that Jane Bennet and Mr. Bingley feel for each other and the elopement of crazy and irresponsible Lydia Bennet with shameless George Wickham. According to this, everybody knows everything about Pride and Prejudice and there is nothing new to say, so what is the aim of doing a new project about something that has already been studied thousands of times? Even though a lot of research has been done, there are still new things to say and there are some characters that have been less studied, although not forgotten. Lydia Bennet is one of those. Most people only know her because of the elopement that nearly destroyed Lizzy and Darcy’s happiness, but they are not really aware of who she really was.
    [Show full text]
  • 1 Essential Guide to Jane Austen
    ESSENTIAL GUIDE TO JANE AUSTEN 1 TABLE OF CONTENTS 3 22 10 Lessons for 21st-Century on the benefits of editing Women from Jane austen Jane austen Helena Kelly 12 Juliette Wells Jane austen seCret radiCaL: a book-by-book breakdoWn Nathan Gelgud 5 24 time after time: Why modern pride and preJudiCe on authors Continue to adapt fiLm: the best – and the Jane austen not-so-great Hillary Manton Lodge 14 Charlie Lovett desperateLy seeking Jane: 10 Jane austen Quotations for the vehementLy singLe 8 Rachel Jacobs 26 6 Jane austen noveLs ranked the CuLt of Jane austen: by their sexiness 4 books about a Literary Liz Kay Love affair 16 Joanna Scutts a Q&a With pride and preJudiCe author Jane austen 10 Jay Fernandez 6 dream direCtor-Jane 28 austen pairings Alexander mCCall smith Lisa Rosman on Why he folloWed miss 19 austen’s CaLLing austen heartLand: Alexander McCall Smith a guide to Jane austen houses and PlaCes Keith Rice 2 ESSENTIAL GUIDE TO JANE AUSTEN 10 Lessons for 21st-Century Women from Jane Austen by Helena Kelly you don’t have to be instagram- Wentworth, having spent most of Per- perfeCt to matter. suasion determined to ignore Anne, Austen’s female protagonists are sel- admits at the end of the novel that he dom rich, fashionable, or jaw-drop- hears every word she says, no mat- pingly beautiful. Lizzy isn’t the pret- ter how quietly she speaks. Even Ed- tiest of the five Bennet daughters, or mund Bertram, trainee clergyman, the liveliest. Catherine Morland, in takes the time to ask Fanny for advice.
    [Show full text]
  • Pride and Prejudice and Zombies and the Limits of Adaptation
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UWE Bristol Research Repository P a g e | 17 Mashing up Jane Austen: Pride and Prejudice and Zombies and the Limits of Adaptation Marie Mulvey-Roberts It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains. –Seth Grahame-Smith, Pride and Prejudice and Zombies 1 ‘Follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can.’ –Jane Austen, Pride and Prejudice 2 Jane Austen’s Pride and Prejudice (1813) has proved sufficiently capacious to accommodate radical diversification. Adaptations are now commonplace and widely accepted. Reinventions of the novel have crossed genres, from Bollywood to P. D. James’s murder mystery, Death Comes to Pemberley (2011). 3 There are sequels, prequels, comic versions, graphic novels, romance fiction spin-offs, and even eroticised rewrites, including Fifty Shades of Mr Darcy : A Parody (2012) by William Codpiece Thwackery. 4 The two-hundredth anniversary of the novel’s publication has spurred on this endless proliferation. But perhaps the most shocking and audacious adaptation of Austen’s most cherished novel has been the highly successful mash-up by Jane Austen and Seth Grahame-Smith, Pride and Prejudice and Zombies (2009), which combines the original novel with a zombified parallel version. Questions this raises are: how to account for such a successful publishing phenomenon; and should there be limits to adaptation? As we will see, there are issues around categorisation in regard to parody, adaptation, and appropriation.
    [Show full text]
  • Marking One Hundred Festival Time in Bath Kept in Cold Storage
    ISSN 1743-4424 Jul / Aug 2019 9 771743 442006 £5.50 Issue 100 marking one hundred 100 reasons to love Jane Austen festival time in bath previewing this year’s Austen celebrations published in the georgian1 city kept in cold storage of edinburgh exploring the hidden world of icehouses ISSN 1743-4424 9 771743 442006 Jul / Aug 2019 £5.50 Issue 100 JaneFESTIVAL Austen 13 - 22 September 2019 City of Bath marking one hundred 100 reasons to love Jane Austen published in the georgian city festival time in bath of edinburgh previewing this year’s Austen celebrations Contents exploring thekept hidden in world cold of storage icehouses Jane Austen’s Regency World Editorial To contact the editor: [email protected] 4 ton up for jane austen’s regency world Letters for publication: Marking our 100th edition with 100 reasons to love Jane [email protected] Advertising To reach thousands 10 news of Jane Austen fans, advertise in Jane Austen’s Regency World. 20 letters Contact Alison Bentley at: [email protected] 22 ten days of jane Subscription inquiries and change Raising the curtain on this year’s Jane Austen Festival in Bath of address notification: [email protected] 27 centenarian celebrations Publisher Tim Bullamore: Reaching the age of 100 was a rare feat in Georgian times [email protected] Jane Austen’s Regency World 32 if walls could talk is published by Lansdown Media Ltd Austen would have known the stunning Devonshire House Registered number 6610314 Correspondence address: 38 new: regency heroine 3 Traquair Park East, Edinburgh Introducing our new feature with Dorothy Jordan EH12 7AP, United Kingdom Design: www.annapatience.com 39 love had to wait Print: Blackmore, Dorset Matthew Flinders put adventures in Australia before romance While every effort to obtain accurate copyright permission has been made by Jane Austen’s Regency World, 49 placed in cold storage please contact us in the case Ice houses were a popular precursor of the modern refrigerator of a missed or inaccurate attribution.
    [Show full text]
  • 1 Deborah Mondadori Simionato the Many Journeys in Jane Austen's Persuasion
    DEBORAH MONDADORI SIMIONATO THE MANY JOURNEYS IN JANE AUSTEN’S PERSUASION: SOCIAL, GEOGRAPHICAL AND EMOTIONAL CROSSINGS PORTO ALEGRE 2016 1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA DE ESTUDOS DE LITERATURA LINHA DE PESQUISA: SOCIEDADE, (INTER)TEXTOS LITERÁRIOS E TRADUÇÃO NAS LITERATURAS ESTRANGEIRAS MODERNAS THE MANY JOURNEYS IN JANE AUSTEN’S PERSUASION: SOCIAL, GEOGRAPHICAL AND EMOTIONAL CROSSINGS AUTORA: DEBORAH MONDADORI SIMIONATO ORIENTADORA: SANDRA SIRANGELO MAGGIO Dissertação de mestrado em Literaturas de Língua Inglesa, submetida ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul como requisito parcial para obtenção do título de Mestre. Porto Alegre, Março, 2016. 2 FICHA CATALOGRÁFICA SIMIONATO, Deborah Mondadori The Many Journeys in Jane Austen’s Persuasion: Social, Geographical and Emotional Crossings. Deborah Mondadori Simionato Porto Alegre: UFRGS, Instituto de Letras, 2016. 141 p. Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1. Literatura inglesa. 2. Jane Austen. 3. Persuasão. 4. Jornadas. 3 ACKNOWLEDGMENTS Living my dreams is only possible due to the unwavering support of my parents, without whom I would not be here today, so I would like to start by thanking them. Dad, I want to thank you for always believing in me, and assuring me I could do whatever I wished – as long as I read. Maybe someday I will work in the family business, but for now, I will just keep on reading. Mum, you are my Wonder Woman, and nothing I might try to say about you and your never-ending love will do you justice, so I will just thank you for everything, always.
    [Show full text]
  • Cookery Book:Layout 1 22/3/11 17:40 Page 1
    Cookery Book:Layout 1 22/3/11 17:40 Page 1 COOKING WITH JANE AUSTEN AND FRIENDS By Laura Boyle Cookery Book:Layout 1 22/3/11 17:40 Page 2 COOKING WITH JANE AUSTEN AND FRIENDS Every effort is made to ensure accuracy, but the publishers do not hold themselves responsible for any consequences that may arise from errors or omissions. Whilst the contents are believed to correct at the time of going to press, changes may have occurred since that time or will occur during the currency of this book. Copyright © Laura Boyle 2010 Laura Boyle has asserted her right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the author’s permission. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means – electronic, mechanical, photocopying or otherwise. ISBN 190712910 Published in England by Trail Publishing www.trailpublishing.co.uk email: [email protected] Tel: 01748 850147 Printed in England by Illustrations by Hugh Thomson (1860-1920) and Charles Edmund Brock (1870-1938) Photography by Kent Boyle. 2 Cookery Book:Layout 1 22/3/11 17:40 Page 3 COOKING WITH JANE AUSTEN AND FRIENDS Introduction Table of ContentsTom Lefroy’s Irish Stew Philadelphia Hancock’s Indian Curry Breakfast Randall’s Roasted Chicken Jane Austen’s Breakfast Toast Uppercross Cottage Chicken Fricasee Henry Austen’s Raspberry Jam Bath Buns Pudding, Sweets and Tea Time Treats Mr.Woodhouse’s Smooth and Wholesome Gruel Anna Austen’s Apple Snow Mrs.
    [Show full text]
  • 1 INTRODUCTION Jane Austen Is Everywhere. Her Books, and the Media and Merchandise That They Have Inspired, Can Be Found Everywh
    INTRODUCTION Jane Austen is everywhere. Her books, and the media and merchandise that they have inspired, can be found everywhere from the silver screen to the college classroom. The followers who cherish her works are among the most dedicated of all fan communities; in them, Jane Austen has produced a passionate global fandom that still thrives today even while the books are 200 years old. Her books do not only appear as standard stock in every bookstore, but across the world, countless products such as Austen mugs, blankets, pens, paperweights, and tote bags can be found. Online craft websites such as Etsy and Society6 boast thousands of Jane Austen-related products among their typical plethora of hand-crafted jewelry and nerdy phone cases. These Austen products are everywhere; in fact, I’m writing this while sipping hot chocolate from a Sense and Sensibility mug which I bought at The Jane Austen Centre in Bath, England. The Jane Austen Centre in Bath represents a prominent venue into which the Jane Austen fandom, often referred to and self-identifying with the moniker “Janeites,” have expanded. Locations such as the Centre celebrate the places in which Austen lived, worked, or visited, leading fervent fans to go on pilgrimages to those sites. If that is not enough, or if fans live too far from England, there are countless avenues they can pursue to find more Austen: an abundance of fan websites, such as “The Republic of Pemberley”; yearly conferences and symposia, including the Jane Austen Summer Program in Chapel Hill, NC; large or small Janeite organizations, including the Jane Austen Society of North America (JASNA); numerous college courses dedicated to her 1 works; literary journals whose articles examine even the smallest details of her works; roleplaying iPhone application games; fanfiction; and so much more.
    [Show full text]
  • Emma by Jane Austen
    A TEACHER’S GUIDE TO THE SIGNET CLASSICS EDITION OF EMMA BY JANE AUSTEN BY LAURA REIS MAYER TEACHER’S GUIDE TEACHER’S 2 A Teacher’s Guide to Emma by Jane Austen TABLE OF CONTENTS INTRODUCTION ........................................................................................................................3 LIST OF CHARACTERS .............................................................................................................3 SYNOPSIS OF THE NOVEL .....................................................................................................4 PREREADING ACTIVITIES .......................................................................................................6 I. BUILDING BACKGROUND KNOWLEDGE IN HISTORY, CULTURE, AND LITERATURE ..........................................................6 II. BUILDING BACKGROUND KNOWLEDGE THROUGH INITIAL EXPLORATION OF THEMES ...............................................8 DURING READING ACTIVITIES..........................................................................................11 I. ANALYZING THROUGH GROUP RESPONSE ................................................11 II. ANALYZING THROUGH INDIVIDUAL RESPONSE ....................................14 AFTER READING ACTIVITIES .............................................................................................17 I. TOPICS FOR DISCUSSION AND WRITING ....................................................17 II. GROUP AND INDIVIDUAL PROJECTS ...........................................................18 III. EXTENDED READING
    [Show full text]
  • Wit & Visualisation
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Wit & Visualisation Visualising Jane Austen by Toril Bache-Wiig Midtskogen A Thesis Presented to The Department of Literature, Area Studies and European Languages The University of Oslo in Partial Fulfilment of the Requirements for the Cand. Philol. degree Spring Term 2007 Wit & Visualisation Visualising Jane Austen by Toril Bache-Wiig Midtskogen ii for Haakon iii Contents Preface............................................................................................................................... iv 1 INTRODUCTION............................................................................................................ 1 1.1 Austenmania.................................................................................................... 1 1.2 The Chosen Texts: Emma and Pride & Prejudice ............................................ 3 1.3 Outline of the Thesis........................................................................................ 4 2 ADAPTATION................................................................................................................. 5 2.1 Film, Television and Literature......................................................................... 5 2.2 Adaptation Theory............................................................................................ 6 2.2.1 Fidelity..............................................................................................
    [Show full text]
  • Janeites and Their Benefactors: the Heritage Industry and the Commodification of Nostalgia
    Lawrence University Lux Lawrence University Honors Projects 5-29-2019 Janeites and their Benefactors: The eH ritage Industry and the Commodification of Nostalgia Emma Swidler Lawrence University Follow this and additional works at: https://lux.lawrence.edu/luhp Part of the Cultural History Commons, Literature in English, British Isles Commons, and the Social History Commons © Copyright is owned by the author of this document. Recommended Citation Swidler, Emma, "Janeites and their Benefactors: The eH ritage Industry and the Commodification of Nostalgia" (2019). Lawrence University Honors Projects. 137. https://lux.lawrence.edu/luhp/137 This Honors Project is brought to you for free and open access by Lux. It has been accepted for inclusion in Lawrence University Honors Projects by an authorized administrator of Lux. For more information, please contact [email protected]. Janeites and their Benefactors: The Heritage Industry and the Commodification of Nostalgia Emma Swidler Submitted for Honors in Independent Study Spring 2019 IHRTLUHC Table of Contents Whose Jane Austen? 1 Three Critical Questions 8 Part I The Birth of Jane Austen’s House Museum 22 The Museum’s Recent Affairs 41 Part II Creating Chawton House Library: Enter Sandy Lerner 48 Chawton House’s Transition: From PhD to CEO 67 Cultivating a Critical Culture 80 Works Cited and Consulted 83 Acknowledgments There are so many people who have supported and inspired me throughout this process, and to them, I am incredibly grateful. First and most importantly, thank you to my mom and dad for introducing me to Austen (via the BBC series) on a road trip more than ten years ago, for being continuously encouraging, for making it possible for me to study in England on two occasions, and to Joey for making Austen a full family interest.
    [Show full text]
  • Jane Austen Festival in Bath
    JaneFES AustenTIVAL 13 - 22 September 2019 City of Bath from Promenade to Finale... Ten wonderful days of celebrating all things Austen in the beautiful city of Bath www.janeaustenfestivalbath.co.uk Welcome... 3 to what promises to be an exciting and busy 19th annual Jane Austen Festival in Bath. In June 1799 Jackie Austen wrote, ‘…there is to be a grand gala… in Sydney Gardens…’. Our Grand Regency Costumed Promenade will, for the first time, be starting from Herring Sydney Gardens. We will process, accompanied by the magnificent 33rd Regiment of Foot, down Great Pulteney Street, across Pulteney Bridge and super speaker Dr Amy Frost; who delights with around the city centre to Parade Gardens near two talks: ‘The buildings you don’t know in Jane Bath Abbey. Austen’ and, ‘It’s not Rosings: What’s wrong with locations in Austen Adaptations? ‘Austen Undone!’ the Natural Theatre Company’s hilarious theatrical tour, meets outside the There are workshops galore, including creating Assembly Rooms, known in the 18th Century and your own Reticule, soft bonnet or turban and a referred to in Northanger Abbey, as the ‘Upper whole Day of Dance. Bath Archers are providing Rooms’. This beautiful venue where, in 1801, Jane taster sessions for would-be bowmen and women. danced and ‘…had all my finery much admired…’, Plus, for budding actors, Karen Eterovich will be will host our very popular Country Dance Ball. holding an acting masterclass on bringing literary figures to life. The premier of Being Mr Wickham by Catherine Curzon, is being performed by (BBC Pride & Evening event highlights include: ‘A noisy game Prejudice’s Mr Wickham) Adrian Lukis in the of lottery tickets’ (Regency games evening), original Theatre Royal in Old Orchard Street.
    [Show full text]
  • A Truth Universally Acknowledged?: (Post)Feminist Rewritings of Austen‘S Marriage Plot
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarBank@NUS A TRUTH UNIVERSALLY ACKNOWLEDGED?: (POST)FEMINIST REWRITINGS OF AUSTEN‘S MARRIAGE PLOT MARIA LORENA MARTINEZ SANTOS (M.A. English Studies: Language, University of the Philippines) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE NATIONAL UNIVERSITY OF SINGAPORE 2011 Santos i Acknowledgments I wish, first of all, to acknowledge my family and friends for their help and encouragement throughout the writing of this thesis. I thank my husband, Joseph Nathan Cruz, for starting me on the path to this study, my mother, Dr. Paz Verdades Santos for giving me valuable feedback, and my son, Elias Yusof Santos Cruz, for keeping me motivated. My thanks also go to my ―moral support‖ system in Singapore, particularly classmates Gene Navera and Angeline Wong who shared the PhD journey with me. For their support and assistance, I thank friends and colleagues from the University of the Philippines, particularly Dr. Rose Bumatay-Cruz, Dr. Wendell Capili, Dr. Frank Flores, Dr. Mila Laurel, and Dr. Naida Rivera, as well as Prof. Marifa Borja-Prado of the Ateneo de Naga University. Secondly, this thesis would not have been possible without the research scholarship provided by the National University of Singapore and the endorsement of my application to upgrade to the PhD programme by the Department of English Language and Literature. I must also give thanks to Dr. Walter Lim for his facilitation of my viva voce. Lastly, and most importantly, I am deeply indebted to my supervisor, Dr.
    [Show full text]