Ravinia Festival 2012 Chronological Listing of Events
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Avery Gagliano, Piano
Dorothy Rose Smith Concert Series Avery Gagliano, piano Highland Presbyterian Church 7:00 PM March 3, 2021 Performing Live on Highland’s Steinway & Sons Concert Grand Through the auspices of the Jacobs Music Company Mozart Sonata in F Major, K. 533 I. Allegro II. Andante III. Rondo (Allegretto) Ades Three Mazurkas for Piano, Op. 27 Chopin Sonata No. 2 in B-flat Minor, Op. 35 I. Grave - Doppio movimento II. Scherzo III. March funebre: Lento IV: Finale: Presto Chopin Andante Spianato et Grande Polonaise, Op. 22 Avery Gagliano, First Prize and Best Concerto Prize winner of the 2020 10th National Chopin Piano Competition, is a young artist who captures audiences with her sensitivity, emotional depth, and musical expression. Her success has taken her to stages and concert venues such as the Verbier Festival Academy, Ravinia Festival, Aspen Music Festival, Louis Vuitton Foundation in Paris, Jay Pritzker Pavilion at Chicago’s Millennium Park, WQXR Greene Space, WRTI Performance Studio, and the GRAMMY Salute to Classical Music at Carnegie Hall. As a soloist, Avery has collaborated with several symphonies in the United States including the Aspen Philharmonic Orchestra, Tuscarawas Philharmonic, MostArts Festival Orchestra, Capital City Symphony, National Chamber Ensemble, and most recently, the Oregon Mozart Players. She is also an avid chamber musician and will return as a guest artist with the Jupiter Symphony Chamber Players in 2021. Avery received the Audience Prize at the 2019 Cliburn International Junior Piano Competition, was the first- prize winner of the Aspen Music Festival Concerto Competition and the MostArts Festival Piano Competition, and is a winner of 2019 National YoungArts Competition. -
Federal Communications Commission DA 20-1040 Before the Federal
Federal Communications Commission DA 20-1040 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of Online Political Files of ) File Nos.: POL -072120-20603981 ) POL -072120-28010627 ) Chicago FCC License Sub, LLC ) FRN: 20603700 Cincinnati FCC License Sub, LLC ) FRN: 20604005 HBI Radio Alexandria, LLC ) FRN: 24063364 HBI Radio Bemidji, LLC ) FRN: 24063349 HBI Radio Brainerd/Wadena, LLC ) FRN: 24063323 KSTP-AM, LLC ) FRN: 2624385 KSTP-FM FCC License Sub, LLC ) FRN: 20604047 KTMY-FM, LLC ) FRN: 4084570 Phoenix FCC License Sub, LLC ) FRN: 22840441 Seattle FCC License Sub, LLC ) FRN: 22840409 St. Louis FCC License Sub, LLC ) FRN: 20604021 Washington DC FCC License Sub, LLC ) FRN: 20603981 WPB FCC License Sub, LLC ) FRN: 28010627 Licensees of Commercial Radio Station(s) ORDER Adopted: September 4, 2020 Released: September 4, 2020 By the Chief, Media Bureau: 1. The Commission first adopted rules requiring broadcast stations to maintain public files documenting requests for political advertising time more than 80 years ago,1 and political file obligations have been embodied in section 315(e) of the Act since 2002.2 Section 315(e)(1) requires radio station licensees, among other regulatees, to maintain and make available for public inspection information about each request for the purchase of broadcast time that is made: (a) by or on behalf of a legally qualified candidate for public office,3 or (b) by an issue advertiser whose advertisement communicates a message relating to a political matter of national importance.4 Section 315(e)(3) of the Act requires stations to upload information about such requests to their online political files “as soon as possible.”5 Section 73.1943(a) of the Commission’s Rules requires stations to maintain and make available for public inspection information about all requests for broadcast time made by or on behalf of candidates for public office,6 and section 73.1943(c) requires stations to upload such information to their online political files 1 See 3 Fed. -
Pittsfield Building 55 E
LANDMARK DESIGNATION REPORT Pittsfield Building 55 E. Washington Preliminary Landmarkrecommendation approved by the Commission on Chicago Landmarks, December 12, 2001 CITY OFCHICAGO Richard M. Daley, Mayor Departmentof Planning and Developement Alicia Mazur Berg, Commissioner Cover: On the right, the Pittsfield Building, as seen from Michigan Avenue, looking west. The Pittsfield Building's trademark is its interior lobbies and atrium, seen in the upper and lower left. In the center, an advertisement announcing the building's construction and leasing, c. 1927. Above: The Pittsfield Building, located at 55 E. Washington Street, is a 38-story steel-frame skyscraper with a rectangular 21-story base that covers the entire building lot-approximately 162 feet on Washington Street and 120 feet on Wabash Avenue. The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor, was established in 1968 by city ordinance. It is responsible for recommending to the City Council that individual buildings, sites, objects, or entire districts be designated as Chicago Landmarks, which protects them by law. The Comm ission is staffed by the Chicago Department of Planning and Development, 33 N. LaSalle St., Room 1600, Chicago, IL 60602; (312-744-3200) phone; (312 744-2958) TTY; (312-744-9 140) fax; web site, http ://www.cityofchicago.org/ landmarks. This Preliminary Summary ofInformation is subject to possible revision and amendment during the designation proceedings. Only language contained within the designation ordinance adopted by the City Council should be regarded as final. PRELIMINARY SUMMARY OF INFORMATION SUBMITIED TO THE COMMISSION ON CHICAGO LANDMARKS IN DECEMBER 2001 PITTSFIELD BUILDING 55 E. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Finding Aid to the Historymakers ® Video Oral History with Randy Duncan
Finding Aid to The HistoryMakers ® Video Oral History with Randy Duncan Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Duncan, Randy Title: The HistoryMakers® Video Oral History Interview with Randy Duncan, Dates: November 15, 2006 Bulk Dates: 2006 Physical 6 Betacame SP videocasettes (2:45:36). Description: Abstract: Choreographer and dancer Randy Duncan (1958 - ) was a three- time recipient of Chicago's prestigious Ruth Page Award for Outstanding Choreographer of the Year (1988, 1990, and 1992), among numerous other awards and his works were performed internationally. Duncan was interviewed by The HistoryMakers® on November 15, 2006, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2006_142 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Renowned choreographer and dancer Randy Louis Duncan was born on December 14, 1958 in Chicago, Illinois. Growing up and attending public schools on Chicago’s west side, Duncan’s career began at age fifteen with the Joseph Holmes Chicago Dance Theatre. Duncan later began formal dance studies with Geraldine Johnson, followed by classes at the Sammy Dyer School of Theater, Alvin Ailey American Dance Theater, and Illinois State University. Duncan credits Harriet Ross and Joseph Holmes with much of his inspiration. Drawing upon ballet, jazz dance, and modern dance for his choreography, Duncan created works that have been performed by numerous dance companies including the Joffrey Ballet of Chicago, River North Dance Company and Gus Giordano Jazz Dance Chicago as well as companies in Seattle and Tel Aviv. -
PDF 03/13/18 NEW Dances, a New Generation!
For IMMEDIATE Release: March 13, 2018 Press contacts: Melissa Thodos, Thodos Dance Chicago [email protected] Julie Nakagawa, DanceWorks Chicago [email protected] THODOS DANCE CHICAGO AND DANCEWORKS CHICAGO ANNOUNCE PARTNERSHIP TO PRESENT NEW DANCES 2018 CHICAGO– For over 30 years, New Dances has fostered new dance creation as one of Chicago’s first and most extensive in-house choreography incubation programs. Founded by The Chicago Repertory Dance Ensemble in the 1980’s and continued since 2000 by Thodos Dance Chicago, New Dances offers opportunities for emerging choreographers to realize and share their creative vision with the community. Today, Thodos Dance Chicago (TDC) and DanceWorks Chicago (DWC) announce a unique partnership to present New Dances 2018, continuing the annual tradition of developing choreographic talent and bringing New Dances home to its birthplace in the newly-renovated Ruth Page Center for the Arts. Melissa Thodos, Founder and Artistic Director of Thodos Dance Chicago shares, “We are so excited to be partnering with DanceWorks this season. Julie Nakagawa (Co-founder and Artistic Director of DanceWorks) and I share such a deep passion for developing young artists, both as dancers and choreographers. DanceWorks has such an incredible record of developing early career artists to rise to the next level. They are a perfect partner for this endeavor, and I believe New Dances will offer a level of quality and innovation never seen before.” "DanceWorks Chicago is thrilled to partner with Thodos Dance Chicago on New Dances 2018,” says Julie Nakagawa. “DWC values around cultivating a diverse next generation of movers and makers, engaging in community collaboration, offering mentorship, and sharing performances which shine a light on dancers and dances which makes New Dances a natural fit. -
Village of Hoffman Estates Treasurer's Report for the Fiscal Year Ended December 31, 2011
VILLAGE OF HOFFMAN ESTATES TREASURER'S REPORT FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 SUMMARY STATEMENT OF CONDITION Special Debt Capital Internal Pension General Revenue Service Projects Enterprise Service Trust Fund Funds Funds Funds Funds Funds Funds Beginning Fund Balance/ Retained Earnings $ 11,450,754 $ 4,439,797 $ 2,621,337 $ 15,759,519 $ 62,557,048 $ 841,363 $ 106,522,878 Revenues 48,046,163 7,494,252 1,892,528 1,111,570 17,681,735 2,638,531 6,745,398 Expenditures/Expenses (43,078,267) (4,821,589) (5,625,117) (4,313,811) (20,794,836) (1,872,489) (6,263,996) Other Financing Sources 380,000 - 2,653,560 2,753,026 4,930,290 63,163 - Other Financing Uses (3,855,963) (1,994,367) - (2,305,906) (2,637,053) - - Ending Fund Balance/ Retained Earnings $ 12,942,687 $ 5,118,093 $ 1,542,308 $ 13,004,398 $ 61,737,184 $ 1,670,568 $ 107,004,280 Village of Hoffman Estates Section 1: Schedule of Cash and Investments For the fiscal Year Ended December 31, 2011 General Fund: 7,892,228. Special Revenue Funds: Motor Fuel Tax Fund; 1,302,056; Community Development Block Grant Fund 1; Asset Seizure Fund 495,521; EDA Administration Fund 1,723,484; Emergency 911 Fund 80,912; Roselle Road TIF Fund 1,879,501; Total Special Revenue Funds 5,481,475. Debt Service Funds: 1997A G.O. Debt Service Fund 5,541; 2001 G.O. Refunding Bond Fund 41,053; 2003 G.O. Refunding Bond Fund 17,928; 2004 G.O. -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Making Contributions to the Field Mission the Lloyd A
Lloyd A. Fry Foundation 2005 Annual Report Making Contributions to the Field Mission The Lloyd A. Fry Foundation supports organizations with the strength and commitment to address persistent problems of urban Chicago resulting from poverty, violence, ignorance, and despair. We seek to build the capacity of individuals and the systems that serve them. Our vision is a Chicago that offers education, prosperity, and hope for all. About the Foundation In 1933 Lloyd A. Fry founded the Lloyd A. Fry Roofing Company on the Southwest Side of Chicago. During the next five decades, the company grew to become the world’s largest manufacturer of asphalt roofing and allied products, with nearly 5,000 dedicated employees in manufacturing facilities nationwide. The company was sold to Owens-Corning Fiberglass Corporation in 1977. In large part, the proceeds from the sale of the company now serve as the endowment of the Lloyd A. Fry Foundation. The Foundation has been addressing the needs of the Chicago community since 1983. Table of Contents 2 Message from the Chairman 3 Message from the Executive Director 14 Grant Highlights 22 Urban Leadership Awards 24 High School Initiative 30 2005 Grants 36 Independent Auditor’s Report 42 Grantmaking Programs 43 Grant Application Procedures 44 Board of Directors and Staff Message from the Chairman Message from the Executive Director 2005 was a year of quiet change for the Fry Foundation. Our new executive director, Unmi Song, put her Fry Foundation grantees are among the most important institutions in Chicago. Reaching out to our indelible stamp on our grantmaking in a number of subtle (and a few not-so-subtle) ways. -
There's Even More to Explore!
Background artwork: SPECIAL COLLECTIONS UCHICAGO LIBRARY Kaplan and Fridkin, Agit No. 2 MUSIC THEATER ART MUSIC THEATER LECTURE / CLASS MUSIC MUSIC MUSIC / FILM LECTURE / CLASS MUSIC University of Chicago Presents University Theater/Theater and Performance Studies The University of Chicago Library Symphony Center Presents Goodman Theatre University of Chicago Presents Roosevelt University Rockefeller Chapel University of Chicago Presents TOKYO STRING QUARTET THEATER 24 PLAY SERIES: GULAG ART Orchestra Series CHEKHOv’S THE SEAGULL LECTURE / DEmoNSTRATioN PAciFicA QUARTET: 19TH ANNUAL SILENT FiLM LECTURE / DEmoNSTRATioN BY MARiiNskY ORCHESTRA FRIDAY, OCTOBER 1, 2010 A CLOUD WITH TROUSERS THROUGH DECEMBER 2010 OCTOber 16 – NOVEMBER 14, 2010 BY PACIFICA QUARTET SHOSTAKOVICH CYCLE WITH ORGAN AccomPANimENT: MAsumi RosTAD, VioLA, AND (FORMERLY KIROV ORCHESTRA) Mandel Hall, 1131 East 57th Street SATURDAY, OCTOBER 2, 2010, 8 PM The Joseph Regenstein Library, 170 North Dearborn Street SATURDAY, OCTOBER 16, 2 PM SUNDAY OCTOBER 17, 2010, 2 AND 7 PM AELITA: QUEEN OF MARS AMY BRIGGS, PIANO th nd chicagopresents.uchicago.edu, 773.702.8068 First Floor Theater, Reynolds Club, 1100 East 57 Street, 2 Floor Reading Room Valery Gergiev, conductor Goodmantheatre.org, 312.443.3800 Fulton Recital Hall, 1010 East 59th Street SUNDAY OCTOBER 31, 2010, 2 AND 7 PM Jay Warren, organ SATURDAY, OCTOBER 30, 2 PM 5706 South University Avenue Lib.uchicago.edu Denis Matsuev, piano Chicagopresents.uchicago.edu, 773.702.8068 FRIDAY, OCTOBER 29, 2010, 8 PM Fulton Recital Hall, 1010 East 59th Street Mozart: Quartet in C Major, K. 575 As imperialist Russia was falling apart, playwright Anton SUNDAY JANUARY 30, 2011, 2 AND 7 PM ut.uchicago.edu TUESDAY, OCTOBER 12, 2010, 8 PM Rockefeller Chapel, 5850 South Woodlawn Avenue Chicagopresents.uchicago.edu, 773.702.8068 Lera Auerbach: Quartet No.