Major New Sculpture Festival Announces Engagement Programme Details
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Partnerships: an NMDC Briefing
Partnerships: an NMDC briefing Museums of all sizes and types regularly work in partnership to deliver collaborative projects with other museums, educational establishments, and heritage and community organisations across the country. Many of these partnerships are based around the loan of objects, including from national museums, but others focus on developing new public programming, sharing skills and expertise, education and learning, and working with communities. Museums continue to adapt the focus and nature of partnership working as a way of managing the impact of cuts to public funding and developing greater resilience. Museums loan thousands of objects to other museums across the UK every year as part of mutually beneficial collaborative projects. In 2012/13, DCMS-sponsored museums lent objects to 2727 venues in the UK (a marked increase from 1530 in 2008/09).i Examples include: Star object loans: National Gallery Masterpiece tour (sponsored by Christie's) opened with Manet's The Execution of Maximillian at The Beaney in Canterbury. It was seen by nearly 21,000 people before moving on to Barnard Castle and Coventry. Until 2016, one major National Gallery painting will tour each year. Loans of local significance: the loan of the Lindisfarne Gospels from the British Library to Durham Cathedral in 2012 generated £8.3m in economic benefit and was visited by 100,000 peopleii; Long-term loans to provide content for a museum or historic house: apart from one locomotive, the entire collection of locomotives and stock on display at STEAM in Swindon is a long-term loan from the National Railway Museum. Larger museums and specialist collections tour complete exhibitions to venues around the country. -
Leeds Pottery
Leeds Art Library Research Guide Leeds Pottery Our Art Research Guides list some of the most unique and interesting items at Leeds Central Library, including items from our Special Collections, reference materials and books available for loan. Other items are listed in our online catalogues. Call: 0113 378 7017 Email: [email protected] Visit: www.leeds.gov.uk/libraries leedslibraries leedslibraries Pottery in Leeds - a brief introduction Leeds has a long association with pottery production. The 18th and 19th centuries are often regarded as the creative zenith of the industry, with potteries producing many superb quality pieces to rival the country’s finest. The foremost manufacturer in this period was the Leeds Pottery Company, established around 1770 in Hunslet. The company are best known for their creamware made from Cornish clay and given a translucent glaze. Although other potteries in the country made creamware, the Leeds product was of such a high quality that all creamware became popularly known as ‘Leedsware’. The company’s other products included blackware and drabware. The Leeds Pottery was perhaps the largest pottery in Yorkshire. In the early 1800s it used over 9000 tonnes of coal a year and exported to places such as Russia and Brazil. Business suffered in the later 1800s due to increased competition and the company closed in 1881. Production was restarted in 1888 by a ‘revivalist’ company which used old Leeds Pottery designs and labelled their products ‘Leeds Pottery’. The revivalist company closed in 1957. Another key manufacturer was Burmantofts Pottery, established around 1845 in the Burmantofts district of Leeds. -
Pyramid School Name Pyramid School Name Airedale Academy the King's School Airedale Junior School Halfpenny Lane JI School Fairb
Wakefield District School Names Pyramid School Name Pyramid School Name Airedale Academy The King's School Airedale Junior School Halfpenny Lane JI School Fairburn View Primary School Orchard Head JI School Airedale King's Oyster Park Primary School St Giles CE Academy Townville Infant School Ackworth Howard CE (VC) JI School Airedale Infant School Larks Hill JI School Carleton Community High School De Lacy Academy Cherry Tree Academy Simpson's Lane Academy De Lacy Primary School St Botolph's CE Academy Knottingley Carleton Badsworth CE (VC) JI School England Lane Academy Carleton Park JI School The Vale Primary Academy The Rookeries Carleton JI School Willow Green Academy Darrington CE Primary School Minsthorpe Community College Castleford Academy Carlton JI School Castleford Park Junior Academy South Kirkby Academy Glasshoughton Infant Academy Common Road Infant School Minsthorpe Half Acres Primary Academy Upton Primary School Castleford Smawthorne Henry Moore Primary School Moorthorpe Primary School Three Lane Ends Academy Northfield Primary School Ackton Pastures Primary Academy Ash Grove JI School Wheldon Infant School The Freeston Academy Cathedral Academy Altofts Junior School Snapethorpe Primary School Normanton All Saints CE (VA) Infant School St Michael's CE Academy Normanton Junior Academy Normanton Cathedral Flanshaw JI School Lee Brigg Infant School Lawefield Primary School Martin Frobisher Infant School Methodist (VC) JI School Newlands Primary School The Mount JI School Normanton Common Primary Academy Wakefield City Academy -
The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
Sculpting Lives S1E1, Barbara Hepworth
Sculpting Lives podcast transcript Series 1, Episode 1: Barbara Hepworth This document is an accessible transcript of the podcast audio. Subscribe and listen: https://audioboom.com/posts/7525504-sculpting-lives-barbara-hepworth [music] Sara Matson: She managed her brand, fair play. Eleanor Clayton: A normal person from Wakefield; A remarkable artist but a remarkable woman. Stephen Feeke: Hepworth was odd because she didn't see herself as a feminist at all and didn't see herself as “I'm a pioneering woman”. She just felt she was a pioneering sculptor. Barbara Hepworth: I was born with the ideas of certain shapes in my mind. At least I remember as far back as seven. The whole time one's been working at it and working, trying to simplify and make more mature, get the right scale, and develop it according to the development of society. [music] Jo Baring: Hello, and welcome to Sculpting Lives the podcast by me, Jo Baring. Sarah Victoria Turner: And me, Sarah Turner. Jo, this is our first podcast and episode. Why are we doing this? Jo Baring: We met in our professional lives. You are Deputy Director of the Paul Mellon Centre, and I am Director of the Ingram Collection. We have a shared interest in art, but we realised when we met that we are really fascinated by sculpture in particular. Also, during the course of our discussions, we realised that women artists and women sculptors, in general, are less commercially successful than men, less represented in national institutions, museums, possibly have less gallery shows and we really wanted to unpick why that happens. -
Learning Resources for Home and School Sculpture Can Be Found Anywhere; You Just Have to Look for It!
Learning Resources for Home and School Sculpture can be found anywhere; you just have to look for it! Focus on: Barbara Hepworth Barbara Hepworth, ‘The Family of Man’ (three pieces from a series of nine), 1970. © AC Manley/Shutterstock.com Barbara Hepworth, ‘Summer Dance’, 1972 © the artist and courtesy New Art Centre, Roche Court Sculpture Park About the Artist: The sculptor Barbara Hepworth is considered by many to be the most influential female British artist of the 20th century. Born in Yorkshire in 1903, Hepworth left London at the outbreak of the Second World War and established herself in St Ives, Cornwall. Many of the simplified, organic, abstract forms and themes found in Hepworth's work can be linked to the Cornish landscape and coastline, and to journeys through the Yorkshire landscape with her father when she was a child. These experiences of sculptural forms in the landscape around her were a source of inspiration throughout her life. The Roche Court Educational Trust is based at the New Art Centre in Salisbury, which represents the Barbara Hepworth Estate. The New Art Centre has worked closely with Barbara Hepworth’s family on a global exhibitions and sales programme for over two decades. Hepworth's work is in many of the major museum collections throughout the world. Her studio in St Ives is now a museum dedicated to her work, owned and run by the Tate Gallery. Further to this, The Hepworth, a gallery in her home city of Wakefield, was named after her and opened in 2011. This resource is intended to encourage all ages, from early years to adults, to look, think and make in ways that are influenced by Hepworth’s iconic themes, style and methods. -
ACKWORTH SCHOOL PMS ??? Non-Printing Colours Non-Print 1 Non-Print 2 JOB LOCATION: PRINERGY 3
C M Y K PMS 032 PMS ??? PMS ??? ACKWORTH SCHOOL PMS ??? Non-printing Colours Non-print 1 Non-print 2 JOB LOCATION: PRINERGY 3 WEDDING IMAGE ANNUAL REPORT 2013 ACKWORTH SCHOOL Ackworth, Pontefract, West Yorkshire WF7 7LT. Telephone: 01977 611401 Fax: 01977 616225 Email: [email protected]. Website: www.ackworthschool.com ACK00129-RepCover13.indd 1 04/02/2014 11:23 ACK00129-RepCover13.indd 2 04/02/2014 11:24 C M Y K PMS ??? PMS ??? PMS ??? PMS ??? Non-printing Colours COLOUR COLOUR JOB LOCATION: PRINERGY 3 ACKWORTH SCHOOL ANNUAL REPORT 2013 CONTENTS Page Legal and Administration Information 2 - 3 School Committee Annual Report 4 - 10 Head’s Annual Report 11 - 24 Destination of Upper Sixth 2013 25 Ackworth School Staff January 2014 26 - 29 Independent Auditors’ Report to the Trustees 30 - 31 Consolidated Statement of Financial Activities 32 - 33 Balance Sheet 34 Consolidated Cash Flow Statement 35 Notes to the Financial Statements 36 - 48 The following pages do not form part of the audited financial statements School’s Summary Income and Expenditure Account 49 School’s Detailed Income and Expenditure Account 50 - 52 Five Year Statistics 53 School Committee 54 1 ACK00129_AnnRep-13.indd 1 27/02/2014 16:36 ACKWORTH SCHOOL The Committee is appointed by the Ackworth School Annual General Meeting based on nominations as follows: LEGAL AND ADMINISTRATION INFORMATION a) Nine Friends, being Members of Britain Yearly Meeting, appointed by Ackworth General Meeting on the recommendation of a Nominations Committee drawn from Ackworth Year ended 31 August 2013 General Meeting. The School Committee members are the trustees of the charity, except those who are employees of b) A Treasurer, preferably, but not necessarily a member of Britain Yearly Meeting, appointed the School shown thus (*). -
List of Yorkshire and Humber Schools
List of Yorkshire and Humber Schools This document outlines the academic and social criteria you need to meet depending on your current secondary school in order to be eligible to apply. For APP City/Employer Insights: If your school has ‘FSM’ in the Social Criteria column, then you must have been eligible for Free School Meals at any point during your secondary schooling. If your school has ‘FSM or FG’ in the Social Criteria column, then you must have been eligible for Free School Meals at any point during your secondary schooling or be among the first generation in your family to attend university. For APP Reach: Applicants need to have achieved at least 5 9-5 (A*-C) GCSES and be eligible for free school meals OR first generation to university (regardless of school attended) Exceptions for the academic and social criteria can be made on a case-by-case basis for children in care or those with extenuating circumstances. Please refer to socialmobility.org.uk/criteria-programmes for more details. If your school is not on the list below, or you believe it has been wrongly categorised, or you have any other questions please contact the Social Mobility Foundation via telephone on 0207 183 1189 between 9am – 5:30pm Monday to Friday. School or College Name Local Authority Academic Criteria Social Criteria Abbey Grange Church of England Academy Leeds 5 7s or As at GCSE FSM Airedale Academy Wakefield 4 7s or As at GCSE FSM or FG All Saints Catholic College Specialist in Humanities Kirklees 4 7s or As at GCSE FSM or FG All Saints' Catholic High -
Barbara Hepworth Selected One-Artist Exhibitions Dates
BARBARA HEPWORTH SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1903, Yorkshire, England Died 1975, St. Ives, England EDUCATION 1921, Royal College of Art, London, England 2019 Barbara Hepworth, Museé Rodin, Paris, October 2019–March 2020. Barbara Hepworth and Ben Nicholson in the 1930s, Hazlitt Holland-Hibbert, London, May 22–July 12, 2019. Barbara Hepworth: Artist in Society, 1948–53, St. Albans Museum, United Kingdom, March 23–September 8, 2019. 2018 Barbara Hepworth: Artist in Society 1948–53, St. Albans Museum + Art gallery, England, March 23– September 8, 2018. Barbara Hepworth: A Matter of Form, Pace Gallery, 537 West 24th Street, New York, March 9–April 21, 2018. (Catalogue) Barbara Hepworth: Selected One-Artist Exhibitions 2 2015 Barbara Hepworth: Sculpture for a Modern World, Tate Britain, Westminster, June 24–October 25, 2015. Traveled to: Kröller-Müller Museum, Otterlo, Netherlands, November 28, 2015–April 17, 2016; Arp Museum, Rolandseck, Germany, May 22–August 28, 2016. (Catalogue) Barbara Hepworth: Form and Theatre, Artists House, New Art Centre, May 23–July 26, 2015. Hepworth in Yorkshire, The Hepworth Wakefield, West Yorkshire, May 16, 2015–March 13, 2016. A Greater Freedom: Barbara Hepworth 1965–1975, The Hepworth Wakefield, West Yorkshire, April 18, 2015–April 24, 2016. 2013 Barbara Hepworth: Graphic Works, The Hepworth Wakefield, West Yorkshire, April 26, 2013–February 7, 2014. 2012 Barbara Hepworth: The Hospital Drawings, The Hepworth Wakefield, West Yorkshire, October 27, 2012– February 3, 2013. Traveled to Pallant House Gallery, Chichester, February 16–June 2, 2013; Mascalls Gallery, Paddocks Wood, England, June 14–August 24, 2013. (Catalogue) 2011 Barbara Hepworth: The Plasters, The Hepworth Wakefield, West Yorkshire, opened on May 21, 2011. -
Economic Value and Impact of Yorkshire Sculpture Park
Economic Value and Impact of Yorkshire Sculpture Park Final Report October 2011 Carlisle Leicester Suite 7 (Second Floor) 1 Hewett Close Carlyle’s Court Great Glen 1 St Mary’s Gate Leicester Carlisle CA3 8RY LE8 9DW t: 01228 402 320 t: 0116 259 2390 m: 07501 725 114 m: 07501 725115 e: [email protected] e: [email protected] www.dcresearch.co.uk Economic Value and Impact of Yorkshire Sculpture Park: Final Report CONTENTS KEY FINDINGS...........................................................................................1 1. INTRODUCTION AND BACKGROUND ....................................................2 2. KEY QUANTITATIVE ECONOMIC IMPACTS .............................................4 Visitor Impacts .................................................................................4 Employment and Procurement Impacts................................................7 3. ADDITIONAL AND CATALYTIC IMPACTS, AND ADDED VALUE...................9 Education and Learning .....................................................................9 Supporting Local Priorities................................................................ 10 Profile Impacts ............................................................................... 12 Summary and Future Impacts .......................................................... 13 APPENDIX 1: CONSULTEES ....................................................................... 15 APPENDIX 2: GLOSSARY OF KEY TERMS ..................................................... 16 Economic Value and Impact of Yorkshire -
Excited for Eldwick School by Lucy Blyth and Jane Courtney Mumby 1
Excited for Eldwick school by Lucy Blyth and Jane Courtney Mumby 1. Let’s make friends and talk As parents we all want the best for our children, and we know that young children age 0 to 4 learn best when they have one to one care with a kind, patient, nurturing adult, and are gradually socialised with others. This helps them become confident and independent enough to attend a Nursery or pre school without us part time with one adult to 4 children when they are two years old, then one adult to 13 children when they are three years old, and then school for full days when they are four. However we also know that reality for most young families is that both parents are working as soon as they can after the birth of the child, and juggling children between private day care, family and friends. We are both mothers, and full time Early Years practitioners, and understand the pressure parents are under, and have written this to remind us all of a few simple things we can do to support our children that will help them become well rounded, sociable, confident, resilient individuals with healthy attitudes to and appetites for learning and to have made the progress necessary for them to be ready for the changes outlined above at the ages they are required to do them. In this first blog we are focusing on social skills and communication. Socialising our children is a long term project, and starts at birth, and in its simplest form is very similar to socialising a puppy. -
World-Famous Artist Swapping New York for Wakefield
Release date: Tuesday May 14 WORLD-FAMOUS ARTIST SWAPPING NEW YORK FOR WAKEFIELD A world-famous artist will be swapping New York for Wakefield city centre as part of a major sculpture festival this summer. Huma Bhabha (b.1962 Karachi, Pakistan, lives in Poughkeepsie, New York, USA) is creating a new sculpture which will be installed outside Wakefield Council’s County Hall near Wakefield College for three months. It’s all part of the free to see Yorkshire Sculpture International – the UK’s biggest sculpture festival this year – and backed by Wakefield Council, Wakefield College, Arts Council England and Leeds 2023. In 2018, the artist installed "We Come in Peace" on the roof of New York's Metropolitan Museum of Art, overlooking the famous Manhattan skyline and her new sculpture for Wakefield will go on display from 22 June to late September this year. This summer’s event is being presented by four world-class art galleries which make up the Yorkshire Sculpture Triangle - The Hepworth Wakefield, Yorkshire Sculpture Park, The Henry Moore Institute and Leeds Art Gallery – who are collaborating to present a sculpture festival featuring major new commissions and exhibitions at each of the four partner venues and sculpture outdoors in Leeds and Wakefield. Huma Bhabha said: “It’s always exciting to create something new for a landscape I have never worked in before. I approach all my work with the intention of making it intense, and everything else will fall into place.” Cast in bronze to stand outdoors ‘Receiver’ 2019 is a human like form which began as a sculpture carved from everyday materials including Styrofoam and cork.