The Apocalypse Unsealed
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50Er – 60Er-Jahre Titel Interpret
50er – 60er-Jahre Titel Interpret A Day In The Life Beatles A Hard Days Night Beatles A Whiter Shade Of Pale Procol harum Ain´t That a Shame Fats Domino All Day And All Of The Night Kinks All I Have To Do Everly Brothers All My Loving Beatles And I Love Her Beatles As Tears Go by Rollings Stones Baby You´re A Rich Man Beatles Back In The U.S.S.R Beatles Bad Moon Rising Credence Clearwater Revival Balla Balla Rainbows Because Beatles Beeboopaloola Tony Sheridan Black Magic Woman Santana Blackbird Beatles Blue Berry Hill Fats Domino Blue Suede Shoes Elvis Presley Bonnie And Clyde Georgie Fame Born To Be Wild Steppenwolf Bus Stop Hollies Bye, Bye Love Everly Brothers California Dreamin Mamas & Papas Can´t Buy Me Love Beatles Can´t Help Falling In Love Elvis Presley Carol Chuck Berry Chains Beatles Come Together Beatles Congratulations Cliff Richard Cry Baby Cry Beatles Day Tripper Beatles Days Kinks Dear Prudence Beatles Death Of A Clown Kinks Dedicated Follerwer Of fashion Kinks Delilah Tom Jones Diana Paul Anka Do Wah Diddy Diddy Manfred Mann Do You Want To Know A Secret Beatles Dock Of The bay Otis Redding Don´t let Me Be Misunderstood Animals Dream A Little Dream Mamas & Papas Drive My car Beatles Eight days A Week Beatles Eleanor Rigby Beatles Every Night Paul Mc Cartney Everybody Loves Somebody Dean Martin Everybody´s Trying To Be My Baby Beatles Everybodys talkin´At me Harry Nielson Evil Ways Santana Ferry Cross The Mersey Gerry & Pacemakers For Your Love Yardbirds From Me To You Beatles Get Back Beatles Getting Better Beatles Gimme -
UNIVERSIDAD SAN FRANCISCO DE QUITO USFQ Kami Valerie López
UNIVERSIDAD SAN FRANCISCO DE QUITO USFQ Colegio de Comunicación y Artes Contemporáneas Kami Proyecto de Titulación . Valerie López Cine y Video Trabajo de titulación presentado como requisito para la obtención del título de Licenciada en Cine y Video Quito, 13 de enero de 2016 2 UNIVERSIDAD SAN FRANCISCO DE QUITO USFQ COLEGIO DE COMUNICACIÓN Y ARTES CONTEMPORÁNEAS HOJA DE CALIFICACIÓN DE TRABAJO DE TITULACIÓN KAMI Valerie Shantel López Beltrán Calificación: Arturo Yépez, Master of Fine Arts en Nombre del profesor, Título académico Producción de Cine Firma del profesor Quito, 13 de enero de 2016 3 Derechos de Autor Por medio del presente documento certifico que he leído todas las Políticas y Manuales de la Universidad San Francisco de Quito USFQ, incluyendo la Política de Propiedad Intelectual USFQ, y estoy de acuerdo con su contenido, por lo que los derechos de propiedad intelectual del presente trabajo quedan sujetos a lo dispuesto en esas Políticas. Asimismo, autorizo a la USFQ para que realice la digitalización y publicación de este trabajo en el repositorio virtual, de conformidad a lo dispuesto en el Art. 144 de la Ley Orgánica de Educación Superior. Firma del estudiante: _______________________________________ Nombres y apellidos: Valerie Shantel López Beltrán Código: 201510_00023808 Cédula de Identidad: 1721603007 Lugar y fecha: Quito, enero de 2016 4 RESUMEN KAMI es una historia que fue escrita pensando en hechos de mi vida personal que me marcaron. Este proyecto principalmente trata sobre vivir la vida haciendo aquello que realmente nos apasiona y nos hace feliz. Este guion fue escrito para un público infantil y adulto, lo cual le da un toque de magia y fantasía. -
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The Adventure Zone: Live – Halloween Special! Published on October 31st, 2018 Listen on TheMcElroy.family Griffin: Hey, everybody. Uh, real quick, I wanted to set up before you listen to this episode; what it is you‘re about to hear. Uh, instead of putting up a new episode of Amnesty this week, we thought it would be super appropriate to put out our episode one day early, today, on Wednesday, because it‘s Halloween! And our most recent live show from Seattle, Washington, is a very Halloween, spooktastic episode. It is probably my favorite live show we‘ve ever done. If you are not super into our live shows, I get it, but I would encourage you to give this one a try because, uh, it was very, very good, and we were very, very happy with it. Uh, very haunted, very spooky, uh, not suitable for people scared of spooky Halloween stuff, skeletons and mummies and stuff like that. But if you got the nerve to stick with it, I hope you enjoy this very haunted episode of The Adventure Zone Live. We will be back in, well… two weeks and one day. November 15th. So uh, that‘ll be the new episode. But for now, enjoy the spooks and scares of the Adventure Zone Live. [theme music plays] Audience: [cheers] Griffin: It is... it is the afternoon of the midsummer solstice festival, the annual harvest time observation of one of Faerun‘s most spectacular phenomena - the solstice eclipse. You witnessed this once before, during a fair atop the Bureau‘s headquarters, when voices in the sky knocked everyone unconscious. -
Heaven in the Early History of Western Religions
Alison Joanne GREIG University of Wales Trinity Saint David MA in Cultural Astronomy and Astrology Module Name: Dissertation Module Code: AHAH7001 Alison Joanne Greig Student No. 27001842 31 December 2012 Heaven in the early history of Western religions Chapter 1 Approaches to concepts of heaven This dissertation examines concepts of heaven in the early history of Western religions and the extent to which themes found in other traditions are found in Christianity. Russell, in A History of Heaven, investigates the origins of the concept of heaven, which he dates at about 200 B.C.E. and observes that heaven, a concept that has shaped much of Christian thought and attitudes, has been strangely neglected by modern historians.1 Christianity has played a central role in Western civilization and instructs its believers to direct their life in this world with a view to achieving eternal life in the next, as observed by Liebeschuetz. 2 It is of the greatest historical importance that a very large number of people could for many centuries be persuaded to see life in an imperfect visible world as merely a stage in their progress to a world that was perfect but invisible; yet, it has been neglected as a subject for study. Russell notes that Heaven: A History3 by McDannell and Lang mainly offers sociological insights.4 Russell holds that the most important aspects of the concept of heaven are the beatific vision and the mystical union.5 Heaven, he says, is the state of being in 1 Jeffrey Burton Russell, A History of Heaven – The Singing Silence (Princeton, NJ: Princeton University Press, 1997) xiii, xiv. -
Daughter Album If You Leave M4a Download Download Verschillende Artiesten - British Invasion (2017) Album
daughter album if you leave m4a download Download Verschillende artiesten - British Invasion (2017) Album. 1. It's My Life 2. From the Underworld 3. Bring a Little Lovin' 4. Do Wah Diddy Diddy 5. The Walls Fell Down 6. Summer Nights 7. Tuesday Afternoon 8. A World Without Love 9. Downtown 10. This Strange Effect 11. Homburg 12. Eloise 13. Tin Soldier 14. Somebody Help Me 15. I Can't Control Myself 16. Turquoise 17. For Your Love 18. It's Five O'Clock 19. Mrs. Brown You've Got a Lovely Daughter 20. Rain On the Roof 21. Mama 22. Can I Get There By Candlelight 23. You Were On My Mind 24. Mellow Yellow 25. Wishin' and Hopin' 26. Albatross 27. Seasons In the Sun 28. My Mind's Eye 29. Do You Want To Know a Secret? 30. Pretty Flamingo 31. Come and Stay With Me 32. Reflections of My Life 33. Question 34. The Legend of Xanadu 35. Bend It 36. Fire Brigade 37. Callow La Vita 38. Goodbye My Love 39. I'm Alive 40. Keep On Running 41. The Hippy Hippy Shake 42. It's Not Unusual 43. Love Is All Around 44. Don't Let Me Be Misunderstood 45. The Days of Pearly Spencer 46. The Pied Piper 47. With a Girl Like You 48. Zabadak! 49. I Only Want To Be With You 50. Here It Comes Again 51. Don't Let the Sun Catch You Crying 52. Have I the Right 53. Darling Be Home Soon 54. Only One Woman 55. -
Shamanic Induction of Altered States for Spiritual Inspiration
CHAPTER 4 SHAMANIC INDUCTION OF ALTERED STATES FOR SPIRITUAL INSPIRATION Carl A. P. Ruck Shamanism became a common term only after the psychedelic revolution of the 1960s. The word was first recorded in English at the end of the 17th cen- tury with specific reference to the religion of the Turks and Mongols. Similar magical-religious practices worldwide and specifically within the European tradition have until only recently gone unnoticed. In fact, they have been repressed from fear of contamination with contemporary irresponsible recre- ational abuse of psychoactive substances. The practices were derived mainly from ancient Egyptian, Greco-Roman, and Judaic-Christian cultures. These practices were also repressed because of the very real problems of the addic- tive potentials and the illegal trade in drugs. Anyone proposing to investigate aspects of this European tradition is likely to face professional shunning and a thwarted academic career. This is particularly ironic since the prohibition of drugs can be traced back to Plato, who recognized the true dangers of altered consciousness for those not sufficiently prepared for the experience. The recreational abuse of a sa- cred mind-altering sacrament is fully recorded in the great scandal of the Profanation of the Mysteries that occurred in the city of Athens in the year 415 BeE. Indeed, the glorious achievements of the high culture of the Classi- cal Age in Greece, including in particular the Theater of Dionysus, are them- selves a reflex of the shamanic induction of altered states of consciousness for spiritual inspiration. A similar official condemnation is apt to greet anyone investigating the psychoactive nature of the fruit of the Tree in Eden or the initiatory ritu- als of the long tradition of Western secret societies, tradesmen guilds, and 46 Seeking the Sacred with Psychoactive Substances warrior fraternities, going back to the Mithraism of the Roman Empire and continuing until this day. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Das Große Alan-Bangs-Nachtsession -Archiv Der
Das große Alan-Bangs-Nachtsession1-Archiv der FoA Alan Bangs hatte beim Bayerischen Rundfunk seit Februar 2000 einen besonderen Sendeplatz, an dem er eine zweistündige Sendung moderieren konnte: „Durch die Initiative von Walter Meier wurde Alan ständiger Gast DJ in den Nachtsession‘s, welche jeweils in der Nacht vom Freitag zum Samstag auf Bayern2 ausgestrahlt werden. Seine 1.Nachtsession war am 18.02.2000 und seit dieser ist er jeweils 3 bis 4mal pro Jahr zu hören – die letzte Sendung wurde am 1.12.2012 ausgestrahlt. Im Jahr 2001 gab es keine Nachtsession, 2002 und 2003 jeweils nur eine Sendung.“ (Zitat aus dem bearbeiteten Alan-Bangs-Wiki auf http://www.friendsofalan.de/alans-wiki/ Ab 2004 gab es dann bis zu vier Sendungen im Jahr, die letzte Sendung war am 1.12. 2010. Alan Bangs‘ Nachtsession- Sendungen wurden zeitweise mit Titeln oder Themen versehen, die auf der Webseite bei Bayern 2 erschienen. Dazu gab es teilweise einleitende Texte zusätzlich zu den Playlisten dieser Sendungen. Soweit diese (noch) recherchierbar waren, sind sie in dieses Archiv eingepflegt. Credits: Zusammengestellt durch FriendsofAlan (FoA) unter Auswertung von Internet- Quellen insbes. den auf den (vorübergehend) öffentlich zugänglichen Webseiten von Bayern 2 (s. die aktuelle Entwicklung dort im folgenden Kasten ) IN MEMORIUM AUCH DIESES SENDEFORMATS Nachtsession Der Letzte macht das Licht aus Nacht auf Donnerstag, 07.01.2016 - 00:05 bis 02:00 Uhr Bayern 2 Der Letzte macht das Licht aus Die finale Nachtsession mit den Pop-Toten von 2015 Mit Karl Bruckmaier Alle Jahre wieder kommt der Sensenmann - und heuer haut er die Sendereihe Nachtsession gleich mit um. -
Dancing Souls in Paradiso
chapter 5 Dancing Souls in Paradiso If prayer is a tension toward the divine and an expressed desire to be closer to God or even to become like God, what is the sense of its presence in heaven? In Dante’s Paradiso, prayer loses its basic quality of being an attempt to re- establish lost contact with God, of being a more or less successful “dialogue with divinity,” which were some of its fundamental qualities on earth and in purgatory. Since heavenly souls enjoy full communion with God, they no lon- ger need prayer to increase their closeness to him, and theologically prayer has no reason to exist. The blessed souls of heaven have accomplished what they were striving to achieve with prayer in their lives; in a way, they have become the object of their prayer. In Dante’s Paradiso, prayer becomes a purely poetic device that serves the purpose of describing in human words the beauty and harmony of eternal life in full communion with divinity. It also creates a rhe- torical continuum with Purgatorio, since for the purging souls and certainly for the pilgrim, heaven represents the goal of their purgatorial journey, which they have achieved in part also through prayer. The poet transforms the previ- ous types of prayer into a thankful song of joy for being in paradise, and a gen- eral glorification of God’s love, beauty, and goodness. In the fictional economy of Paradiso, prayer is solely utilized for the sake of Dante the pilgrim but, as Sandra Carapezza points out, the only five prayerful requests are formulated by the poet, not the pilgrim.1 When requesting help to accomplish such a hard endeavor as to narrate his ascent to heaven, the topos of invocation to God or the gods needs the additional effort of other “voices” following him and he calls prayers “little sparks” and “flames”: “Poca favilla gran fiamma seconda:/ forse di retro a me con miglior voci/ si pregherà perché Cirra risponda,” “Great fire can follow a small spark: there may/ be better voices after me to pray/ to Cyrrha’s god for aid—that he may answer” (Par. -
The Right Angle by Geoffrey Farthing the Right Angle H.P
The Right Angle by Geoffrey Farthing The Right Angle H.P. Blavatsky on Masonry in her Theosophical Writings by Geoffrey Farthing Published in The Theosophist, August 1999 Geoffrey Farthing has authorized us to reproduce this document for purely non-commercial purposes only. CONTENTS PREFACE I BACKGROUND INFORMATION II ANCIENT ORIGINS III MODERN ORIGINS IV THE KABALA V HIRAM, SOLOMON AND HIS TEMPLE VI KNIGHTS TEMPLAR VII GENERAL INFORMATION VIII SYMBOLS AND ORDERS IX SECRETS X OPPOSITION, ENEMIES, JESUITS XI H.P.B. AND MASONRY XII SUMMARY Page 1 The Right Angle by Geoffrey Farthing PREFACE These extracts from H.P. Blavatsky’s (H.P.B.’s) voluminous works are intended to give some information about Masonry and the flavour of her thinking on the subject as she dealt with it over the period of her writing from 1875 to 1891. H.P.B. was exposed to Masonry via relatives and friends in her formative years, and later many of her associates were Masons. Among them were some, including Col. Olcott who helped in the founding of the Theosophical Society and became its first President,. At the time of the founding of the Society, however, there had been no public exposition of Theosophy. Later there were intimations of it in Isis Unveiled and in many of H.P.B.’s early writings. The great comprehensive teaching only came out in The Secret Doctrine published in 1888. The significance of this in the matter of Masonry vis-à-vis Theosophy is that with the publication of the Theosophical teachings some hitherto closely guarded occult secrets were made public for the first time. -
“Point at Infinity Hape of the World
“Point at Infinity hape of the World Last week, we began a series of posts dedicated to thinking about immortality. If we want to even pretend to think precisely about immortality, we will have to consider some fundamental questions. What does it mean to be immortal? What does it mean to live forever? Are these the same thing? And since immortality is inextricably tied up in one’s relationship with time, we must think about the nature of time itself. Is there a difference between external time and personal time? What is the shape of time? Is time linear? Circular? Finite? Infinite? Of course, we exist not just across time but across space as well, so the same questions become relevant when asked about space. What is the shape of space? Is it finite? Infinite? It is not hard to see how this question would have a significant bearing on our thinking about immortality. In a finite universe (or, more precisely, a universe in which only finitely many different configurations of maer are possible), an immortal being would encounter the same situations over and over again, would think the same thoughts over and over again, would have the same conversations over and over again. Would such a life be desirable? (It is not clear that this repetition would be avoidable even in an infinite universe, but more on that later.) Today, we are going to take a lile historical detour to look at the shape of the universe, a trip that will take us from Ptolemy to Dante to Einstein, a trip that will uncover a remarkable confluence of poetry and physics. -
Ia Q. 66 A. 3 Whether the Empyrean Heaven Was Created at the Same
Whether the empyrean heaven was created at the same time as formless matter? Ia q. 66 a. 3 Objection 1. It would seem that the empyrean first work, as the Manicheans falsely assert, when they heaven was not created at the same time as formless call the God of the Old Testament the God of darkness. matter. For the empyrean, if it is anything at all, must These reasons, however, are not very cogent. For the be a sensible body. But all sensible bodies are mov- question of the firmament, said to have been made on able, and the empyrean heaven is not movable. For if the second day, is solved in one way by Augustine, and it were so, its movement would be ascertained by the in another by other holy writers. But the question of movement of some visible body, which is not the case. the darkness is explained according to Augustine†, by The empyrean heaven, then, was not created contempo- supposing that formlessness, signified by darkness, pre- raneously with formless matter. ceded form not by duration, but by origin. According to Objection 2. Further, Augustine says (De Trin. iii, others, however, since darkness is no creature, but a pri- 4) that “the lower bodies are governed by the higher in vation of light, it is a proof of Divine wisdom, that the a certain order.” If, therefore, the empyrean heaven is things it created from nothing it produced first of all in the highest of bodies, it must necessarily exercise some an imperfect state, and afterwards brought them to per- influence on bodies below it.