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Bollywood Star Kangana Ranaut Takes on the Media with Panache. P4-5
Community Community Toastmasters World District renowned DJ P7116-Qatar P16 and American emerges as the electronic music topmost district in the producer Marshmello world for the 2018-19 to perform at QNCC ranking. today. Thursday, July 25, 2019 Dhul-Qa’da 22, 1440 AH Doha today: 320 - 390 SStartar wwarsars COVER Bollywood star Kangana Ranaut takes STORY on the media with panache. P4-5 REVIEW SHOWBIZ Tarnished gold lurking Casting directors in the Hollywood hills. play big part today. Page 14 Page 15 2 GULF TIMES Thursday, July 25, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.25pm Isha (night) 7.55pm USEFUL NUMBERS Arsass Karaan opinion about life. understand their families but are given a DIRECTION: Gippy Grewal The elderly men believe spending time week to accomplish this. CAST: Gippy Grewal, Gurpreet with each other and communicating may Will Sehaj and Magic manage to ﬁ nd Ghuggi, Meher Vij help bridge their gap. But each time the a common thread for the three diff ering SYNOPSIS: Ardass Karaan explores family plans to spend time with each generations to live together in harmony? the generation gap faced by families. other they end up arguing. How will they use Ardaas (prayer) to Emergency 999 Three elderly men live in Canada with One day, the elderly gentlemen come convey their message about life? Worldwide Emergency Number 112 their families and realise that each across Sehaj and Magic who are full Kahramaa – Electricity and Water 991 generation
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Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2016-4 Formations of Indian Cinema in Dublin: A Participatory Researcher-Fan Ethnography Giovanna Rampazzo Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Film and Media Studies Commons, Race and Ethnicity Commons, and the Sociology of Culture Commons Recommended Citation Rampazzo, G. (2016) Formation of Indian cinema in Dublin: a participatory researcher-fan ethnographyDoctoral Thesis. Technological University Dublin. doi:10.21427/D7C010 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Formations of Indian Cinema in Dublin: A Participatory Researcher-Fan Ethnography Giovanna Rampazzo, MPhil This Thesis is submitted to the Dublin Institute of Technology in Candidature for the Degree of Doctor of Philosophy April 2016 Centre for Transcultural Research and Media Practice School of Media College of Arts and Tourism Supervisors: Dr Alan Grossman Dr Anthony Haughey Dr Rashmi Sawhney Abstract This thesis explores emergent formations of Indian cinema in Dublin with a particular focus on globalising Bollywood film culture, offering a timely analysis of how Indian cinema circulates in the Irish capital in terms of consumption, exhibition, production and identity negotiation. The enhanced visibility of South Asian culture in the Irish context is testimony to on the one hand, the global expansion of Hindi cinema, and on the other, to the demographic expansion of the South Asian community in Ireland during the last decade.
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Representation of Muslim Women in Hindi Commercial Cinema of Twenty-First Century: a Narrative Analysis of Select Movies
Representation of Muslim Women in Hindi Commercial Cinema of Twenty-First Century: A Narrative Analysis of Select Movies A Dissertation Submitted To Sikkim University In Partial Fulfilment of the Requirement for the Degree of Master of Philosophy By Sonam Sultana Shah Department of Mass Communication School of Professional Studies October 2020 DECLARATION I hereby declare that the dissertation titled “Representation of Muslim Women in Hindi Commercial Cinema of Twenty-First Century: A Narrative Analysis of Select Movies” is submitted in partial fulfillment of the Degree of Master of Philosophy (M.Phil) in Mass Communication, to the School of Professional Studies, Sikkim University, Gangtok, Sikkim. This is my original work and the dissertation or parts thereof has not been submitted for any award, degree or diploma, fellowship, or any other similar title or prizes at this or any other university. Ms. Sonam Sultana Shah Research Scholar Roll No: 18-MPMC-04 Registration No: 18SU30764 Department of Mass Communication, Sikkim University CERTIFICATE This is to certify that the dissertation titled “Representation of Muslim Women in Hindi Commercial Cinema of Twenty-First Century: A Narrative Analysis of Select Movies” submitted by Sonam Sultana Shah for the award of the Degree of Master of Philosophy (M.Phil) in Mass Communication is a record of research carried out under my supervision and guidance in the Department of Mass Communication, Sikkim University. The dissertation or parts thereof has not been submitted for any degree or diploma at this or any other university. Dr. Jasmine Yimchunger Research Supervisor Department of Mass Communication, Sikkim University Dr. Manoj Kumar Das Prof.
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Shoma Ajoy Chatterji
Shyam Benegal's Zubeidaa: memory as 'voice' Shoma Ajoy Chatterji Vol. 3, No. 2, pp. 53–71 | ISSN 2050-487X | www.southasianist.ed.ac.uk www.southasianist.ed.ac.uk | ISSN 2050-487X | pg. 53 • Vol. 3, No. 2, pp. 53-71 Shyam Benegal's Zubeidaa: memory as 'voice' Shoma Ajoy Chatterji Freelance journalist, film scholar and writer, [email protected] The demolition of the Babri Masjid in December 1992 and the Mumbai riots that followed in its wake in January 1993 motivated Shyam Benegal to respond to his feelings for the minority community. His empathy for the minority was triggered mainly by the violence he was personally witness to at the crowded streets of Tardeo where his office stands. He saw a Muslim bakery being set on fire by an angry mob. His response brought in its wake three films in quick succession – Mammo, Sardari Begum and Zubeidaa, a family trilogy relating to the stories and journeys of three women from Muslim families. All three films defined Benegal’s concern with marginalized women. The three central women characters in these films were marginalized thrice over – one because being Muslim, they were part of a minority group in India; two, as Muslim women, they were a minority-within- minority within their own communal group; and three, because they were women, per se. Within the first area of marginalization, they were targets of oppression that is the fate of Muslim women by virtue of the ideologies and philosophies of Muslim faith. Though these three areas of the oppression of Muslim women come across lucidly, subtly yet strongly in all three films, it is not the victimization that interested Benegal but rather, the strength and the power that lay hidden within these women, waiting to be tapped, drawn out and executed across the span of their respective lives.
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Indische Filme
Indische Filme Titel Jahr Regie Länge 102 Not Out 2018 Umesh Shukla 102 Min. 1942 - A Love Story 1994 Vidhu Vinod Chopra 159 Min. 1983 2014 Abrid Shine 138 Min. 2 States 2014 Abhishek Varman 149 Min. 3 Deewarein 2003 Nagesh Kukunoor 115 Min. 3 Idiots 2009 Rajkumar Hirani 165 Min. 36 Chowringhee Lane 1981 Vanraj Bhatia 122 Min. 7 Khoon Maaf 2011 Vishal Bhardwaj 148 Min. 99 2009 Raj Nidimoru 133 Min. A Wednesday 2008 Neeraj Pandey 104 Min. Aaja Nachle 2007 Anil Mehta 153 Min. Aakrosh 2010 Priyadarshan 146 Min. Aamir 2008 Raj Kumar Gupta 96 Min. Aar-Paar 1954 Guru Dutt 146 Min. Aarakshan 2011 Prakash Jha 158 Min. Aashayein 2010 Nagesh Kukunoor 125 Min. Aashiqui 2 2013 Mohit Suri 132 Min. ABCD 2 2015 Remo D'Souza 154 Min. Abhijan 1962 Satyajit Ray 145 Min. Abhimaan 1973 Hrishikesh Mukherjee 122 Min. Adaminte Makan Abu 2011 Salim Ahmed 105 Min. Ae Dil Hai Mushkil 2016 Karan Johar 157 Min. Afsana Pyar Ka 1991 Shahjahan 143 Min. Agantuk 1991 Satyajit Ray 120 Min. Agneepath 2012 Karan Malhotra 174 Min. Agneepath 1990 Mukul S. Anand 167 Min. Airlift 2016 Raja Menon 130 Min. Aisha 2010 Rajshree Ojha 126 Min. Aiyaary 2016 Neeraj Pandey 157 Min. Aiyyaa 2012 Sachin Kundalkar 146 Min. Ajaana Anjaani 2010 Siddharth Anand 152 Min. Akele Hum Akele Tum 1995 Mansoor Khan 154 Min. Akira 2016 A. R. Murugadoss 138 Min. Aligarh 2016 Hansal Mehta 120 Min. All Is Well 2015 Umesh Shukla 215 Min. Allah Ke Banday 2010 Faruk Kabir 132 Min. Amal 2007 Richie Mehta 101 Min.
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Amtsbokasafnid-Mynddiskaeign.Pdf
Titill Leikstjórar Útg.ár Kvikmyndategundir teiknimynd, spennumynd, 9 Shane Acker 2009 ævintýramynd, fantasía, glæpamynd, vísindamynd 21 Robert Luketic 2008 sakamálamynd, drama spennumynd, fantasía, söguleg 300 Zack Snyder 2006 kvikmynd, stríðsmynd 1408 Mikael Håfström 2007 hrollvekja, spennumynd spennumynd, ævintýramynd, 2012 Roland Emmerich 2009 drama, vísindamynd drama, fantasía, rómantík, 2046 Kar Wai Wong 2004 vísindamynd (500) Days of Summer Marc Webb 2009 gamanmynd, drama, rómantík [Rec] Jaume Balagueró, Paco Plaza 2007 hrollvekja, spennumynd 10 Items or Less Brad Silberling 2006 gamanmynd, drama, rómantík 10 Things I Hate About You Gil Junger 1999 gamanmynd, rómantík spennumynd, ævintýramynd, 10,000 BC Roland Emmerich 2008 drama, fantasía 101 Dalmatians II: Patch's London Adventure Jim Kammerud, Brian Smith 2003 teiknimynd, fjölskyldumynd 101 Reykjavík Baltasar Kormákur 2000 gamanmynd, rómantík ævintýramynd, gamanmynd, 102 Dalmatians Kevin Lima 2000 fjölskyldumynd 12 Angry Men Sidney Lumet 1957 drama ævintýramynd, ævisaga, drama, 127 Hours Danny Boyle 2010 spennumynd 13 Going on 30 Gary Winick 2004 gamanmynd, fantasía, rómantík spennumynd, sakamálamynd, 16 Blocks Richard Donner 2006 drama 16 Years of Alcohol Richard Jobson 2003 sakamálamynd, drama 1612: Khroniki smutnogo vremeni Vladimir Khotinenko 2007 drama, fantasía, söguleg kvikmynd gamanmynd, drama, fantasía, 17 Again Burr Steers 2009 rómantík 20 Million Miles to Earth Nathan Juran 1957 fantasía, hrollvekja, vísindamynd 2001: A Space Odyssey Stanley Kubrick 1968 ævintýramynd,
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Zubeidaa Hd Movies Download 720P
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Unit 4 Ruskin Bond and Vishal Bhardwaj's the Blue
Literature & Cinema: An UNIT 4 RUSKIN BOND AND VISHAL Introduction BHARDWAJ’S THE BLUE UMBRELLA Structure 4.0 Objectives 4.1 Introduction 4.2 Ruskin Bond: An Introduction 4.2.1 Defining the Novella 4.2.2 The Blue Umbrella 4.3 Vishal Bhardwaj: An Introduction 4.3.1 Makdee - Bhardwaj’s Directorial Debut 4.3.2 7 Khoon Maaf - Adaptation of Ruskin Bond’s “Susanaa’s Seven Husbands” 4.3.3 Filming The Blue Umbrella 4.4 Let Us Sum Up 4.5 Questions 4.6 Hints to Check Your Progress 4.7 Glossary 4.8 Suggested Readings & References 4.0 OBJECTIVES In this unit, we will study the life and works of Ruskin Bond and Vishal Bhardwaj, and attempt a close textual analysis of Bond’s novella The Blue Umbrella and its cinematic adaptation. We will also look at the distinctive form of a novella and understand Ruskin Bond’s motivation behind writing short stories and novellas. Instead of doing a simple comparison of the novella and the film, to see how close or loyal the adaptation is to the source text, we will explore the possibilities opened up by the visual medium. Let us begin by introducing you to Ruskin Bond and Vishal Bharadwaj were quickly as we will be examining them individually later. 4.1 INTRODUCTION Ruskin Bond is an Indian children’s author of British descent who has written more than forty books for children. He has been a Sahitya Akademi recipient (1992) for his novel Our Trees Still Grow in Dehra and was awarded the Padma Shri in 1999 and the Padma Bhushan (2014).
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3:10 to Yuma Leikstjóri
MYNDDISKAEIGN AMTSBÓKASAFNSINS Á AKUREYRI (bláar tölur í sviga á eftir titli þýða einkunn frá IMDb-kvikmyndagrunninum (1-10)) 3:10 to Yuma (1957) (7,7) 12 angry men (8,9) Leikstjóri: Delmer Daves. Aðalhlutverk: Glenn Ford, Van Leikstjóri: Sidney Lumet. Aðalhlutverk: Henry Fonda, Ed Heflin, Felicia Farr. (enska) Begley, E.G. Marshall. (enska) Vestrar Drama – Sakamálamyndir – Kviðdómur 3:10 to Yuma (2007) (7,9) 13 going on 30 (2004) (6,1) Leikstjóri: James Mangold. Aðalhlutverk: Russell Crowe, Leikstjóri: Gary Winick. Aðalhlutverk: Jennifer Garner, Mark Christian Bale, Gretchen Mol. (enska) Ruffalo, Judy Greer. (enska) Vestrar Gamanmyndir – Fantasíur – Rómantík The 3 worlds of Gulliver (1960) (6,3) 16 blocks (6,7) Leikstjóri: Jack Sher. Aðalhlutverk: Kerwin Matthews, Jo Leikstjóri: Richard Donner. Aðalhlutverk: Bruce Willis, Mos Morrow, June Thorburn. (enska) Def, Jenna Stern. (enska) Annar titill: Gulliver’s travels. Spennumyndir – Drama – Sakamálamyndir Ævintýramyndir – Fjölskyldumyndir – Fantasíur 16 years of alcohol (6,2) 4 luni, 3 saptamani si 2 zile (2007) (7,9) (Græna ljósið) Leikstjórn og handrit: Richard Jobson. Aðalhlutverk: Kevin Leikstjóri: Cristian Mungiu. Aðalhlutverk: Laura Vasiliu, Vlad McKidd, Laura Fraser, Susan Lynch. (enska) Ivanov, Anamaria Marinca. (rúmenska) Sakamálamyndir – Áfengissýki – Ofbeldi Titill á ensku: 4 months, 3 weeks & 2 days. 17 again (6,5) Drama Leikstjóri: Burr Steers. Aðalhlutverk: Zac Efron, Leslie Mann, 5 children & It (2004) - B (5,5) Matthew Perry. (enska) Leikstjóri: John Stephenson. Aðalhlutverk: Freddie Highmore, Gamanmyndir Tara Fitzgerald, Alex Jennings. (enska) 20 million miles to earth (6,3) Fantasíur – Fjölskyldumyndir – Ævintýramyndir – Galdrar – Álfar Leikstjóri: Nathan Juran. Aðalhlutverk: William Hopper, Joan Den 5:e kvinnan: del I & II (2002) (6,7) Taylor, Frank Puglia.
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Zubeidaa Hd Movies Download 720P
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