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NYIFF Announces Its 2012 Line-Up of Award-Winning Films
20 April -26 April 2012 NATIONAL/ INTERNATIONAL 4 IndiGo withdraws and Jet Airways limits inventory from makemytrip.com MUMBAI: IndiGo on Mon- day withdrew and Jet Air- ways limited its inventory on major travel portal makemytrip.com. Jet Air- ways blamed 'commercial reasons' for the move, but IndiGo issued a statement sayingthe move was prompted by 'arbitrary dis- 'opaque pricing' is anti-con- its inventory from the portal only Jet Airways and IndiGo play of fares and opaque sumer and in violation of but 'limited the inventory had kept away from it. pricing'. Jet and IndiGo were DGCA norms and direc- available to them for Director general, not part of the 'opaque fare' tives. We have raised this sale'.Officials familiar with DGCA, E K Bharat Bhushan schemes the portal offered. issue on several occasions, the issue said many carri- said that no 'opaque fare' are The schemes were stopped but, unfortunately, there has ers felt that the portal was on offer now. "We had checked late in March after the Di- been no resolution. We favouring a cash-strapped it out four days ago and rectorate General of Civil were therefore, left with no private carrier in its found that 'opaque fares' Aviation (DGCA) cited them choice. IndiGo can't be schemes. "The ailing were not offered by any por- as a violation of rules. In a seen supporting a blatant carrier's fares appear right tal. No airline is part of it," 150 Afghan schoolgirls statement issued on Tues- violation of the law and on top with most other air- Bhushan said.
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Bollywood Star Kangana Ranaut Takes on the Media with Panache. P4-5
Community Community Toastmasters World District renowned DJ P7116-Qatar P16 and American emerges as the electronic music topmost district in the producer Marshmello world for the 2018-19 to perform at QNCC ranking. today. Thursday, July 25, 2019 Dhul-Qa’da 22, 1440 AH Doha today: 320 - 390 SStartar wwarsars COVER Bollywood star Kangana Ranaut takes STORY on the media with panache. P4-5 REVIEW SHOWBIZ Tarnished gold lurking Casting directors in the Hollywood hills. play big part today. Page 14 Page 15 2 GULF TIMES Thursday, July 25, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.25pm Isha (night) 7.55pm USEFUL NUMBERS Arsass Karaan opinion about life. understand their families but are given a DIRECTION: Gippy Grewal The elderly men believe spending time week to accomplish this. CAST: Gippy Grewal, Gurpreet with each other and communicating may Will Sehaj and Magic manage to ﬁ nd Ghuggi, Meher Vij help bridge their gap. But each time the a common thread for the three diff ering SYNOPSIS: Ardass Karaan explores family plans to spend time with each generations to live together in harmony? the generation gap faced by families. other they end up arguing. How will they use Ardaas (prayer) to Emergency 999 Three elderly men live in Canada with One day, the elderly gentlemen come convey their message about life? Worldwide Emergency Number 112 their families and realise that each across Sehaj and Magic who are full Kahramaa – Electricity and Water 991 generation
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Digital Studio 3
HOT VFX RC KAMALAKANNAN VFX SUPERVISOR, PULI The release of Puli was much-awaited, not just because it was a big budget film (its production budget was said to be around INR 120 crore) to hit Tamil cinema screens after a long time, or because Sridevi was appearing in her first Tamil language film after 29 years. It was because this Chimbu Devan-movie packed a wallop of visual eects by veteran RC Kamalakannan. KEITH DEVLIN The entire castle, even Sridevi’s hourglass VFX SUPERVISOR, PRIME FOCUS silhouette was crafted by VFX. Kamalakannan and the director had initially planned to merge Snow played an important role in Bajrangi Bhaijaan , but also caused some 2,600 scenes with graphics, but later brought it unusual issues. Since transporting the several hundred extras for the climax down to 2,200 scenes. Given Puli’s mammoth scene became difficult, about 75% of them had to be graphically generated scale and tight schedule, Kamalakannan collabo - using a crowd simulator called ‘Miarmy’. “Sometimes the CGI characters were rated with around 160 freelance animators in walking right next to the real extras we had on location, and even I could not Russia, Bulgaria, Ukraine, Netherlands, Iran as tell them apart. I would critique one guy for having a funny walk only to be well as studios in Chennai and Bangalore, split - told that it was actually a real person, not CGI!” Keith Devlin revealed. ting the work into smaller portions to ensure it got Many scenes had to be digitally manipulated to ensure Kashmir’s visual done faster.
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Remembering Dilip Kumar,Aneeta C
Ruchi Kishore’s : DIRTY CHAI, a hip hop Bollywood musical DIRTY CHAI, a hip hop Bollywood musical, is a colorful & crazy dramedy, full of heart! Chaya Chandrika Gopi, or “Chai” as she likes to be called, is a rebellious Indian-American bride-to-be. Chai’s parents have promised her to a nice Indian boy and the wedding is in ten days. With her back against the wall, not yet ready to give in to this assault on her freedoms, Chai leaves home but unexpectedly falls in love with a charming & mysterious stranger, making a powder keg out of an already complicated situation. Chai finds forbidden love with a fearless American girl, Ronnie, and is trapped between upholding her family’s traditions or following her heart, which goes against everything she’s been taught. Chai is a messy concoction of two very different cultures, two conflicting identities, and two opposing desires, just like the dirty chai she orders each morning- a perfect brew of espresso and chai (tea). Her Indian father, Mr. Hardik Gopi, is a traditional Hindu man. Her White American mother, Mrs. Rani Gopi, converted to Hinduism after falling in love. Filled with excitement and sarcasm, DIRTY CHAI challenges the walls of formality, fear, and judgment that separate people. Every cause has an effect in this intricately interwoven dramedy about human lives, embracing family, and the chaos of falling in love. P.S. There will be a wedding so, “chai” not to miss it! o.O Directed by Adam Marcus Starring Ruchi Kishore as “Chai” Sponsored by Café Cafe Mobile Coffee Now Watch the play online on this link: https://m.facebook.com/story.php?story_fbid=194272942628895&id =103549798665628 As tributes pour in on Surekha Sikri’s demise listen to her Swan Songs Surekha Sikri as charismatic in her old age as she was in her younger days Surekah Sikri the young Theatre Actor Veteran actor Surekha Sikri passed away this morning, Friday the 16th July 2021, following a cardiac arrest, her agent, Vivek Sidhwani informed.
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General Awareness–Current Affairs Month of March-2019
GENERAL AWARENESS–CURRENT AFFAIRS MONTH OF MARCH-2019 List of Important Days March 1 - Zero Discrimination Day (Theme – “Act to change laws that Discriminate”) March 4 - National Safety Day (Themes – “Cultivate and Sustain A Safety Culture for Building Nation”) Mar 4-10 - National Safety Week March 7 - Janaushadhi Diwas March 8 - International Women’s Day (Theme – “Think Equal, Build Smart, Innovate for Change”). March 12 - World Day against Cyber Censorship March 12 - 30th anniversary of the World Wide Web (WWW) March 14 - (2nd Thursday of March) World Kidney Day (Theme - “Kidney Health for Everyone Everywhere”) March 14 - Pi Day (Pi's value (3.14)) March 15 - World Consumer Rights Day (In India this day is celebrated as Viswa Upabhokta Adhikar Diwas). (Theme – “Trusted Smart Products”) March 20 - International Day of Happiness. (Theme – “Happier Together”) March 20 - World Day of Theatre for Children and Young People March 20 - World Sparrow Day. (Theme – “I LOVE Sparrows”) March 21 - International Day of Forests. (Theme “Forests and Education”) March 21 - World Poetry Day March 21 - World Down Syndrome Day March 21 - International Day for the Elimination of Racial Discrimination (Theme – “Mitigating and countering rising nationalist populism and extreme supremacist ideologies”) March 21 - World Puppetry Day March 22 - World Water Day (Theme – “Leaving no one behind”) March 23 - World Meteorological Day (Theme – “The Sun, the Earth and the Weather”) March 23 - 88th Shaheed Diwas (Martyr’s Day) March 24 - World Tuberculosis (TB) Day (Theme – “It’s time”) March 25 - International Day of Remembrance of the Victims of Slavery and Transatlantic Slave Trade. (Theme – “Remember Slavery: The Power of the Arts for Justice”) March 26 - Independence Day of Bangladesh March 27 - World Theatre Day (WTD) March 30 - Rajasthan Diwas Reserve Bank of India • The Reserve Bank of India (RBI) has fined Yes Bank ₹1 crore for not complying with its directions about SWIFT, a financial messaging software.
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Looking at Popular Muslim Films Through the Lens of Genre
Rupkatha Journal on Interdisciplinary Studies in Humanities, Vol. IX, No. 1, 2017 0975-2935 DOI: https://dx.doi.org/10.21659/rupkatha.v9n1.17 Full Text: http://rupkatha.com/V9/n1/v9n117.pdf Is Islamicate a Genre? Looking at Popular Muslim Films through the Lens of Genre Asmita Das Department of Film Studies, Jadavpur University, Kolkata. ORCID: 0000-0002-7307-5818. Email: [email protected] Received February 25, 2017; Revised April 9, 2017; Accepted April 10, 2017; Published May 7, 2017. Abstract This essay engages with genre as a theory and how it can be used as a framework to determine whether Islamicate or the Muslim films can be called a genre by themselves, simply by their engagement with and representation of the Muslim culture or practice. This has been done drawing upon the influence of Hollywood in genre theory and arguments surrounding the feasibility / possibility of categorizing Hindi cinema in similar terms. The essay engages with films representing Muslim culture, and how they feed into the audience’s desires to be offered a window into another world (whether it is the past or the inner world behind the purdah). It will conclude by trying to ascertain whether the Islamicate films fall outside the categories of melodrama (which is the most prominent and an umbrella genre that is represented in Indian cinema) and forms a genre by itself or does the Islamicate form a sub-category within melodrama. Keywords: genre, Muslim socials, socials, Islamicate films, Hindi cinema, melodrama. 1. Introduction The close association between genre and popular culture (in this case cinema) ensured generic categories (structured by mass demands) to develop within cinema for its influence as a popular art.
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Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay
BOOK DESCRIPTION AUTHOR " Contemporary India ". Nandan Gupta. `Prak-Bibar` Parbe Samaresh Basu. Nimai Bandyopadhyay. 100 Great Lives. John Cannong. 100 Most important Indians Today. Sterling Special. 100 Most Important Indians Today. Sterling Special. 1787 The Grand Convention. Clinton Rossiter. 1952 Act of Provident Fund as Amended on 16th November 1995. Government of India. 1993 Vienna Declaration and Programme of Action. Indian Institute of Human Rights. 19e May ebong Assame Bangaliar Ostiter Sonkot. Bijit kumar Bhattacharjee. 19-er Basha Sohidera. Dilip kanti Laskar. 20 Tales From Shakespeare. Charles & Mary Lamb. 25 ways to Motivate People. Steve Chandler and Scott Richardson. 42-er Bharat Chara Andolane Srihatta-Cacharer abodan. Debashish Roy. 71 Judhe Pakisthan, Bharat O Bangaladesh. Deb Dullal Bangopadhyay. A Book of Education for Beginners. Bhatia and Bhatia. A River Sutra. Gita Mehta. A study of the philosophy of vivekananda. Tapash Shankar Dutta. A advaita concept of falsity-a critical study. Nirod Baron Chakravarty. A B C of Human Rights. Indian Institute of Human Rights. A Basic Grammar Of Moden Hindi. ----- A Book of English Essays. W E Williams. A Book of English Prose and Poetry. Macmillan India Ltd.. A book of English prose and poetry. Dutta & Bhattacharjee. A brief introduction to psychology. Clifford T Morgan. A bureaucrat`s diary. Prakash Krishen. A century of government and politics in North East India. V V Rao and Niru Hazarika. A Companion To Ethics. Peter Singer. A Companion to Indian Fiction in E nglish. Pier Paolo Piciucco. A Comparative Approach to American History. C Vann Woodward. A comparative study of Religion : A sufi and a Sanatani ( Ramakrishana).
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Rahul Regrets Misquoting SC
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2019-21 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 WORLD 12 SPORT 15 Published From MONEY RULES US TO SANCTION NATIONS FOR NEYMAR RETURNS AS DELHI LUCKNOW BHOPAL BHUBANESWAR IMPORTING IRANIAN OIL RANCHI RAIPUR CHANDIGARH THE ROOST PSG BEAT MONACO 3-1 DEHRADUN HYDERABAD VIJAYWADA Late City Vol. 155 Issue 109 LUCKNOW, TUESDAY APRIL 23, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable ARSHAD IS UNDERSTATED: VIDYA} BALAN } 14 VIVACITY www.dailypioneer.com Rahul regrets misquoting SC But Cong president repeats ‘Chowkidar chor’ hai in Amethi PNS n NEW DELHI/AMETHI formation campaign” being led of executive power and a lead- by senior BJP functionaries as ing example of the corruption ongress president Rahul well as the Government that of the BJP Government led by CGandhi on Monday the December 14 last year Prime Minister Modi, which expressed regret in the judgment gave a “clean chit” to deserves to be investigated Supreme Court over his the Modi Government on the thoroughly by a Joint remarks attributing certain Rafale deal. Parliamentary Committee and comments against Prime He also referred to a media proceeded against thereafter”. Minister Narendra Modi on the interview by Prime Minister Away from the SC pro- basis of a recent order of the top Narendra Modi in which he ceedings, Rahul once again court in the Rafale deal case, had said the apex court had raked up his often-repeated but wasted no time in repeat- given a clean chit to the poll theme of alleged corrup- ing his “Chowkidar chor” jibe Government in the Rafale deal.
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Badhaai Ho”Movie on Audience 2019-2020
International Journal of Multidisciplinary Approach and Studies ISSN NO:: 2348 – 537X Study of Impact of “Badhaai Ho”Movie on Audience 2019-2020 Dr. Kiran Gupta Mittal Department of Journalism and Mass Communication, Veer Narmad South Gujarat University, Surat, Gujarat ABSTRACT Background: Bollywood's revived love for movies with social commentary, which use humor, satire, and drama to reach wider audiences, have opened up discussions on hitherto taboo subjects—from menstruation to erectile dysfunction. The movies of that time advocated equality of caste, class, gender, and bridging of the rural-urban divide. But actors are tackling subjects as diverse as open defecation, erectile dysfunction, unplanned middle-age pregnancy and same-sex love, again, reflecting the zeitgeist. Purpose: The aim of the thesis is to study how subjective movies like these have impacted the audience. Also, to analyze people’s perspective towards movies addressing such issues. Method: To accomplish the purpose of this study, we conducted an abductive approach by the aid of quantitative data. The data was gathered through a questionnaire among general public. Conclusion: From the research conducted, I have found that people support the message given in the movie, they feel it is an issue to be addressed and also they can openly discuss such topics with family and friends. INTRODUCTION The history of cinema in India extends back to the beginning of the film era. Following the screening of the Lumière and Robert Paul moving pictures in London (1896), commercial cinematography became a worldwide sensation and by mid-1896 both Lumière and Robert Paul films had been shown in Bombay.
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Page16.Qxd (Page 1)
TUESDAY, MARCH 23, 2021 (PAGE 16) DAILY EXCELSIOR, JAMMU National Film Award winners ‘thankful’, ‘overwhelmed’ after announcement NEW DELHI, Mar 22: “#TeriMitti still gives me goose- bumps every time I hear it and one Winners of National Film song I’m most proud of being part Awards, including actors Kangana of... Couldn’t be happier! @BPraak Ranaut, Manoj Bajpayee and #NationalFilmAwards2019,” the Vijay Sethupathi today expressed star tweeted. gratitude towards the members of South star Nani, whose sports the jury for honouring their work drama “Jersey” was named the for the year 2019. best Telugu film, shared a picture While Ranaut was named of himself on Twitter celebrating best actress for her roles in Kumararaja on Twitter. to Instagram to share his grati- Nitesh Tiwari, whose tude to fans and the makers of the win for the Gowtam Tinnanuri “Manikarnika” and “Panga” at directorial. the 67th National Film Awards, “Chhichhore” was named the best the Akshay Kumar-starrer. Hindi movie, said the news of the “I’m speechless. It is thanks Director Vivek Ranjan Manoj Bajpayee and Dhanush Agnihotri was named the best were announced the joint win- movie winning the National to your blessings and love that I Award “came out of the blue”. have won the National Award dialogue writer in the screenplay ners in the best actor category category for his film “Tashkent for their films “Bhonsle” and “I was not even thinking for #TeriMitti,” Praak wrote. about it. I am still surprised,” Kumar also congratulated Files”, which also helped “Asuran”, respectively. Agnihotri’s actor-wife Pallavi In a video on Twitter, Ranaut Tiwari said.
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Été Indien 10E Édition 100 Ans De Cinéma Indien
Été indien 10e édition 100 ans de cinéma indien Été indien 10e édition 100 ans de cinéma indien 9 Les films 49 Les réalisateurs 10 Harishchandrachi Factory de Paresh Mokashi 50 K. Asif 11 Raja Harishchandra de D.G. Phalke 51 Shyam Benegal 12 Saint Tukaram de V. Damle et S. Fathelal 56 Sanjay Leela Bhansali 14 Mother India de Mehboob Khan 57 Vishnupant Govind Damle 16 D.G. Phalke, le premier cinéaste indien de Satish Bahadur 58 Kalipada Das 17 Kaliya Mardan de D.G. Phalke 58 Satish Bahadur 18 Jamai Babu de Kalipada Das 59 Guru Dutt 19 Le vagabond (Awaara) de Raj Kapoor 60 Ritwik Ghatak 20 Mughal-e-Azam de K. Asif 61 Adoor Gopalakrishnan 21 Aar ar paar (D’un côté et de l’autre) de Guru Dutt 62 Ashutosh Gowariker 22 Chaudhvin ka chand de Mohammed Sadiq 63 Rajkumar Hirani 23 La Trilogie d’Apu de Satyajit Ray 64 Raj Kapoor 24 La complainte du sentier (Pather Panchali) de Satyajit Ray 65 Aamir Khan 25 L’invaincu (Aparajito) de Satyajit Ray 66 Mehboob Khan 26 Le monde d’Apu (Apur sansar) de Satyajit Ray 67 Paresh Mokashi 28 La rivière Titash de Ritwik Ghatak 68 D.G. Phalke 29 The making of the Mahatma de Shyam Benegal 69 Mani Ratnam 30 Mi-bémol de Ritwik Ghatak 70 Satyajit Ray 31 Un jour comme les autres (Ek din pratidin) de Mrinal Sen 71 Aparna Sen 32 Sholay de Ramesh Sippy 72 Mrinal Sen 33 Des étoiles sur la terre (Taare zameen par) d’Aamir Khan 73 Ramesh Sippy 34 Lagaan d’Ashutosh Gowariker 36 Sati d’Aparna Sen 75 Les éditions précédentes 38 Face-à-face (Mukhamukham) d’Adoor Gopalakrishnan 39 3 idiots de Rajkumar Hirani 40 Symphonie silencieuse (Mouna ragam) de Mani Ratnam 41 Devdas de Sanjay Leela Bhansali 42 Mammo de Shyam Benegal 43 Zubeidaa de Shyam Benegal 44 Well Done Abba! de Shyam Benegal 45 Le rôle (Bhumika) de Shyam Benegal 1 ] Je suis ravi d’apprendre que l’Auditorium du musée Guimet organise pour la dixième année consécutive le festival de films Été indien, consacré exclusivement au cinéma de l’Inde.
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