Samurai and Tatsujin – April 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Japan: Castles, Armor & the Art of the Samurai
MUSEUM TRAVEL ALLIANCE Japan: Castles, Armor & the Art of the Samurai May 30–June 9, 2019 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Japan has one of the oldest, richest, and most complex aesthetic traditions in the world– a tradition that is inextricably connected to the legacy of the samurai. Join the Museum Travel Alliance for a journey that explores the history, spiritual practices, and warrior arts of Japan. As we travel together, we will visit castles, museums, and temples that tell a fascinating story of Japanese military, political, and artistic history. We begin in Tokyo, where we discover the still-vital world of traditional swordsmithing with a visit to the studio of a master sword polisher. We also get an inside look at two authentic Japanese martial arts, sumo and kendo, as we tour training centers to observe practice drills and discuss these rich traditions with senseis and practitioners. Explorations of nearby temples will reveal connections between spiritual practice and martial and aesthetic traditions, and visits to museums will provide numerous opportunities to experience the spectacular creations of Japanese artists throughout the centuries. In Kyoto, we visit ancient Zen temples and Shinto shrines, set off by the natural beauty of mountains, foothills, and forests. This journey from Tokyo to KyotoRUSSIA will reveal some of the most astounding works of art, architecture, and arms and armor on Earth. Throughout this trip, led by a curator who is an authority in arms and armor, you will meet talented craftspeople and experts in the arts. And you will enjoy traveling in the congenial company of members from a number of museums and cultural institutions. -
Pull-Out Map of Kanazawa Kanazawa’S Museums / Art Venues Contd
Pull-Out Map Of Kanazawa Kanazawa’s Museums / Art Venues contd... D5 HONDA MUSEUM -(Honda Zouhinkan). (all bus routes referenced from JR Kanazawa Station unless noted) Displays the Honda family collection. The first Lord Honda was secretary to the ruling Maeda clan and his family heirlooms include some truly fascinating stuff ranging from instruments of war to candy boxes and sake cups. Fee: 500-yen Open: 9:00-16:30 TEL: (076) 261-0500 / 3-1 Dewa- machi. Bus: (Get off at Kencho-mae) Bus #: 10-11-12-15-25-33-50-53-70-71-73-75-80-84-85-90. Places Of Interest In Kanazawa D5 NAKAMURA MEMORIAL MUSEUM -(Nakamura Kinen Bijutsukan) Smaller museum whose highlight is an intricate display of tea ceremony tools and utensils. Ticket includes tea and sweets in the tearoom. Fee: 300-yen Open: 9:00-16:30 (closed Thurs.) TEL: (076) 221-0751 / 3-2-29 Honda-machi. Map Ref. Bus: (Get off at Honda-machi). Bus #: 18-19-91 D6 KENROKU-EN GARDEN One of Japan’s Three Sublime Gardens dating back to the 17th Century. The best times to visit: before 11 AM and after 3 PM – avoid the throng. Enjoy the serene ponds and old-world teahouses. Don’t miss the sprawling Seison Kaku Villa within the castle grounds, (a separate th -- KANAZAWA CITIZEN’S ART CENTRE – (Geijutsu Mura) Not on map but an excellent facility for modern and classical art work exhibitions, regular fee must be paid). This is an opulent, original home beautifully built in1863 by the 13 Lord Maeda for his mother.The soothing tsukushi garden here live drama and music performances. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
Washi Making Process
Washi Making Process 1. Raw Materials of Washi The typical raw materials are kozo, mitsumata, gampi and hemp. Paper /Parchment can be made from any plant which has fi ber, but these four plants are the best. The idea of using these four raw materials is from the wisdom born in the 1500-year old Japanese parchment, washi, history. 2. Peeling the Bark Kozo is harvested in winter, and the cut ends of Kozo are steamed over boiling water. Then, after cooling the steamed kozo with water, the bark is peeled off and dried. The bark at this stage is rough and called Kurokawa or Black Bark. Machine paper is made of the woody fi ber, the inner part of the plants, while washi is made of the fi ber of the bark. © 2007 Precious Pieces 3. Soaking the Black Bark in Water The black bark is soaked in water for one day. Then the black outer bark and joints will be removed. The remaining inner bark is dried in the sun. Now this bark is called white bark. The white bark is soaked in water again for fi ve or six hours and rinsed in clean cold water. This is to soften the fiber in the bark, making it easy boil, and to wash away sand, dirt or impurifi es in the bark. © 2007 Precious Pieces 5 Tudor City Pl. #102, New York, NY 10017 Aug 20, 2008 Precious Pieces (P) 212-682-8505 (F) 212-682-6004 A r c h i t e c t u r a l Pa r c h m e n t F o r I n t e r i o r s www.precious-piece.com [email protected] *Washi Viewing by appointment 4. -
UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki Permalink https://escholarship.org/uc/item/97g9d23n Author Mewhinney, Matthew Stanhope Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki By Matthew Stanhope Mewhinney A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Alan Tansman, Chair Professor H. Mack Horton Professor Daniel C. O’Neill Professor Anne-Lise François Summer 2018 © 2018 Matthew Stanhope Mewhinney All Rights Reserved Abstract The Lyric Forms of the Literati Mind: Yosa Buson, Ema Saikō, Masaoka Shiki and Natsume Sōseki by Matthew Stanhope Mewhinney Doctor of Philosophy in Japanese Language University of California, Berkeley Professor Alan Tansman, Chair This dissertation examines the transformation of lyric thinking in Japanese literati (bunjin) culture from the eighteenth century to the early twentieth century. I examine four poet- painters associated with the Japanese literati tradition in the Edo (1603-1867) and Meiji (1867- 1912) periods: Yosa Buson (1716-83), Ema Saikō (1787-1861), Masaoka Shiki (1867-1902) and Natsume Sōseki (1867-1916). Each artist fashions a lyric subjectivity constituted by the kinds of blending found in literati painting and poetry. I argue that each artist’s thoughts and feelings emerge in the tensions generated in the process of blending forms, genres, and the ideas (aesthetic, philosophical, social, cultural, and historical) that they carry with them. -
Kanazawa, a Historic Japanese City
Kanazawa, a Historic Japanese City - City of Traditional Culture and Modern Art - Illuminated night view of Kenrokuen Garden in winter Ishikawa Gate in Kanazawa Castle Park Kanazawa Station East Square ޣFor Informationޤ Tourism Promotion Section, Industries Bureau, Kanazawa City 1-1-1 Hirosaka, Kanazawa, Ishikawa 920-8577, Japan Tel: +81-76-220-2194 Fax: +81-76-260-7191 http://www.kanazawa-tourism.com E-mail: [email protected] ޣAccess to Kanazawaޤ From Tokyo (By air, JR train or bus) Narita ANA: 1h 15min. Airport (2 flights/day) (Narita) Airport Bus (Express): 40 min, 1,100 yen Komatsu Airport Bus (Stop at Katamachi, JAL: 65min. Airport Haneda Korinbo, Musashigatsuji): (6 flights/day) Kanazawa Airport 60 min, 1,100 yen ANA: 65min. Station (Tokyo) (5 flights/day) JR Joetsu Shinkansen, Echigo Tokyo JR Express, Hakutaka: Toki or Tanigawa: 1h Yuzawa Station 2 h 40 min. (12 trains/day) 15min. (23 trains/day) Station From Osaka (By JR train) Kansai JR Express, Haruka: Shin-Osaka JR Express, Thunderbird: Airport 50 min. (30 trains/day) Station 2h 30 min. (24 trains/day) Kanazawa Station Osaka JR Express, Thunderbird: 2h 40 min. (24 trains/day) Station From Nagoya (By Meitetsu and JR trains) Chubu Meitetsu train: Nagoya JR Express, Shirasagi: Kanazawa Airport 30 min. (30 trains/day) Station 3hrs (8 trains/day) Station From Takayama/Shirakawa-go Village (By bus) Express bus: 50 min. (3 Express bus: 1h 15 min. Kanazawa buses/day), 2,400 yen (3 buses/day), 1,800 yen Station Reservation required. (3,300 yen from Takayama) Takayama Shirakawa- Station go Village Express bus: 50 min. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
The Tohoku Traveler Was Created As a Public Service for the Members of the Misawa Community
TOHOKUTOHOKU TRAVELERTRAVELER “.....each day is a journey, and the journey itself home” Basho 1997 TOHOKU TRAVELER STAFF It is important to first acknowledge the members of the Yokota Officers’ Spouses’ Club and anyone else associated with the publication of their original “Travelogue.” Considerable information in Misawa Air Base’s “Tohoku Traveler” is based on that publication. Some of these individuals are: P.W. Edwards Pat Nolan Teresa Negley V.L. Paulson-Cody Diana Hall Edie Leavengood D. Lyell Cheryl Raggia Leda Marshall Melody Hostetler Vicki Collins However, an even amount of credit must also be given to the many volunteers and Misawa Air Base Family Support Flight staff members. Their numerous articles and assistance were instrumental in creating Misawa Air Base’s regionally unique “Tohoku Traveler.” They are: EDITING/COORDINATING STAFF Tohoku Traveler Coordinator Mark Johnson Editors Debra Haas, Dottie Trevelyan, Julie Johnson Layout Staff Laurel Vincent, Sandi Snyder, Mark Johnson Photo Manager/Support Mark Johnson, Cherie Thurlby, Keith Dodson, Amber Jordon Technical Support Brian Orban, Donna Sellers Cover Art Wendy White Computer Specialist Laurel Vincent, Kristen Howell Publisher Family Support Flight, Misawa Air Base, APO AP 96319 Printer U.S. Army Printing and Publication Center, Korea WRITERS Becky Stamper Helen Sudbecks Laurel Vincent Marion Speranzo Debra Haas Lisa Anderson Jennifer Boritski Dottie Trevelyan Corren Van Dyke Julie Johnson Sandra Snyder Mark Johnson Anne Bowers Deborah Wajdowicz Karen Boerman Satoko Duncan James Gibbons Jody Rhone Stacy Hillsgrove Yuriko Thiem Wanda Giles Tom Zabel Hiraku Maita Larry Fuller Joe Johnson Special Note: The Misawa Family Support Flight would like to thank the 35 th Services Squadron’s Travel Time office for allowing the use of material in its “Tohoku Guide” while creating this publication. -
Study of Japanese Sword from a Viewpoint of Steel Strength
G Model JALCOM-26946; No. of Pages 5 ARTICLE IN PRESS Journal of Alloys and Compounds xxx (2012) xxx–xxx Contents lists available at SciVerse ScienceDirect Journal of Alloys and Compounds jou rnal homepage: www.elsevier.com/locate/jallcom Study of Japanese sword from a viewpoint of steel strength a,∗ a a b b Muneo Yaso , Toshifumi Takaiwa , Yoshihiro Minagi , Tsuyoshi Kanaizumi , Kunichika Kubota , c c c Taisuke Hayashi , Shigekazu Morito , Takuya Ohba a Wakoh Museum, Japan b Hitachi Metals, Ltd., Yasugi Works, Metallurgical Research Laboratory, Japan c Shimane University, Japan a r t i c l e i n f o a b s t r a c t Article history: Two Japanese swords produced by 70 years ago and 600 years ago were investigated. Four-point bending Received 30 September 2011 test has been performed to estimate the strength of sharp edge of Japanese sword for the first time. Received in revised form 19 June 2012 The strength of sharp edge with fine lath martensite microstructure was evaluated, taking the specimen Accepted 21 June 2012 geometry of bending test into consideration. The strength of modern sword is estimated as high as Available online xxx approximately 4500 MPa (by four point bend test) and is considered to be a great value along with high hardness, which is comparable with the value of high performance tool steels. The fracture surface showed Keywords: that the crack propagation behavior is smooth around sharp edge and ductile like the zigzag morphology Japanese sword from wavy pattern region into the core region. Lath martensite © 2012 Elsevier B.V. -
A Nara Prefecture PR Event Targeting Foreign Tourists Presenting “FEEL NARA at Sony Building” from 8 February (Mon) – 22 February (Mon)
NO.BD-0012 5 Feb 2016 Sony Enterprise Co., Ltd. Sony Building 1F Tourist Information Center/Information on the Multi Communication Window A Nara Prefecture PR Event Targeting Foreign Tourists Presenting “FEEL NARA at Sony Building” From 8 February (Mon) – 22 February (Mon) TOKYO, GINZA Sony Building 1F Tourist Information Center/ “Multi Communication Window” will hold an exhibition themed “FEEL NARA at Sony Building” from 8 February (Mon). In this event targeting foreign visitors to Tokyo, the outstanding allure of Nara will be highlighted via topics such as “Nature and Belief”, “Unchanged Scenes From Ancient Times” and “Old and Traditional Techniques”. Videos showing the natural beauty of Nara, unchanged scenery from the past and the daily lives of people in Nara will be screened, along with the display of traditional arts and crafts to convey the charm of Nara. 150 people who take part in the questionnaire will receive a pair of disposable chopsticks made from Yoshino cedar from Nara Prefecture. We hope that through the “FEEL NARA at Sony Building” exhibition, foreign tourists would become interested in visiting Nara. 【Outline of FEEL NARA at Sony Building】 Period: Monday, February 8 to Monday, February 22,2016 AM 11:00 - PM 7:00 Excluding Monday,February 15,2016 Venue: Sony Building Tourist Information Center/Multi Communication Window Sony Building 1F 5-3-1 Ginza, Chuo-ku, Tokyo URL: http://www.sonybuilding.jp/e/touristinfo/#nara Contents: ・Video Screening “The Birthplace of Japan” (around 4 min) ・Panel Display Featuring shrines and temples displaying the link between nature and belief scenery that has remained unchanged through time, and the traditional craftwork of artisans. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Kanazawa Citizen’S Art Center Contemporary Art, Kanazawa
❖21st Century Museum of ❖The Kanazawa Citizen’s Art Center Contemporary Art, Kanazawa The Kanazawa Citizen’s Art Center is used as a The museum exhibits experimental place for art activities for residents centering contemporary artworks that visitors can touch on the special features of the red brick or sit on. It includes zones where visitors can warehouses that used to be spinning mills. enter for free. Both adults and children can experience an exciting time in the museum. Address: 1-1 Daiwa-machi Contact: Tel. 265-8300 Address: 1-2-1 Hirosaka Open: 24 hours a day and 365 days a year Contact: Tel. 220-2800 乙丸町 北安江町 浅 野 Open: 10 am to 6 pm (closes at 8 pm on Fridays and Saturdays) 北 陸 Admission fee: The fee varies with the special exhibition. 鉄 鳴和 川 道 Closed: Mondays and Dec. 29 to Jan. 3. Visitors can enter the 浅 野 JR北陸本線 free zone from 9 am to 10 pm everyday including Mondays. 川 駅 線 西5 駅西本町1 浅野本町 0m 道 159 路 広岡1 応化橋 Yamanoue Utatsuyama 二口町 Moriyama-kita Hikoso Ohashi Kanazawa Station Bridge ● Ishikawa Ongakudo Higashi-betsuin Temple ● Hikoso-machi Nakabashi Hon-machi 2 Higashi Chaya-gai District Kanazawa Yasue Higashiyama ● Kanazawa Rokumai Gold-Leaf Museum ● Utatsuyama Craft Workshop Musashi Asanogawa Ohashi Meitetsu ● Bakuro-machi A City of Rich, ● Bridge M’za Omi-cho Market Hashiba-cho Umenohashi Sanja Bridge Vibrant Culture 大豆田橋 Kamitsutsumi-cho The Kanazawa Tenjinbashi Citizen’s Art Center Ote-machi Bridge 大豆田大橋 ● 卯 Minami-cho 辰 入江 ト Kanazawa Castle Park ン Oyama Shrine ネ ● ル Saigawa River Motoguruma Kenrokuen-shita Naga-machi Buke