The Radetzky March Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
570034Bk Hasse
DDD STRAUSS FAMILY 8.225353 Favourite Dances Vienna Johann Strauss Orchestra Johannes Wildner Johann Strauss I (1804−1849) overflowing Golden Hall and personally performed their new personal history for Josef Strauss. During the carnival Radetzky-Marsch, Op. 228 works. season of 1863, doctors had forbidden his brother Johann The decorative first piano edition of Johann Straussʼs any mental exertion – including composing – in view of his Johann Strauss II (1825−1899) evocative waltz Geschichten aus dem Wienerwald (Tales deep depression. Josef stepped in and provided all the Der Zigeunerbaron: Overture • Geschichten aus dem Wienerwald, Waltz, Op. 325 from the Vienna Woods) Op. 325 carries the composerʼs dedication compositions for the magnificent Studentʼs Ball, Annen-Polka, Op. 117 • Unter Donner und Blitz, Polka, Op. 324 • Maskenball-Quadrille, Op. 272 respectful dedication to his Highness Prince Constantin zu held on 11th February 1863 in the ballrooms at the Imperial Hohenlohe-Schillingsfürst, and the work was almost certainly Palace. Viennaʼs university students had organised an An der schönen blauen Donau, Waltz, Op. 314 • Champagner-Polka, Op. 211 given its world première at a private soirée in the princeʼs Association for the Sick as a way to provide needy students Josef Strauss (1827−1870) sixteenth-century palace in the Augarten, Vienna, during with opportunities for recovery and convalescence. The Dynamiden Waltz, Op. 173 • Jokey-Polka, Op. 278 • Auf Ferienreisen!, Polka, Op. 133 summer 1868. A particularly strong impression was made by goals set by the Association and the use intended for the the waltzʼs expansive introduction of 122 bars, a rustic tone- considerable proceeds to be obtained from the Ball explain poem evocative of the countryside of the Wienerwald, the the title and the form of the composition which Josef Strauss Johann Strauss was born in Vienna in 1804, and in 1816 final Allegro sections of the piece. -
Music – an Appreciation
MUSIC APPRECIATION Mercyhurst Prep Updated Summer 2015 MUSIC – AN APPRECIATION Introduction: Present time listening sample a. Listen to recording (chapter 00-01) & (chapter 00-02) b. Personal Observations: TASK: email any comparisons about what you heard listening to the two excerpts I. CHAPTER I The Seven Elements of Music 1. Melody- a series of single notes that add up to a recognizable whole - Qualities of a Melody: (range, length, register, direction) o Range: narrow (conjunct) / wide (disjunct) / mixed narrow (conjunct) wide (disjunct) mixed o Length: long / short long short o Register: high / low high low o Direction: upward / downward upward downward (with upward) 2. Harmony- notes of different pitches played at the same time A. Consonance- stable/restful combination of notes B. Dissonance- unstable/tense/harsh combination of notes 3. Rhythm- how time is observed and controlled A. Beat - regular pulsation that divides music into units of time B. Meter - organization of beats into regular groups i. duple meter 1 – 2 (March Tempo) Listening: Let It Go (3:38) (chapter 01-01) ii. triple meter 1 – 2 – 3 (Waltz Tempo) Listening: Let’s Go Fly A Kite (3:00) (chapter 01-02) C. Accent- emphasis on a note Syncopation - emphasis on a note that is on an unexpected beat D. Tempo - the speed of the beat Terms Meaning largo very slow adagio slow andante moderately slow moderato moderate allegro fast presto very fast accelerando becoming faster ritardando becoming slower 4. Dynamics- degree of loudness or softness in music pianissimo pp very soft piano p soft mezzo piano mp moderately soft mezzo forte mf moderately loud forte f loud fortissimo ff very loud crescendo < gradually louder decrescendo > gradually softer 5. -
“Hoedown” from Rodeo
What makes music, music? 2016/17 Made possible by NORTH CAROLINA SYMPHONY EDUCATION SUPPORTERS These concerts are made possible by a generous grant-in-aid from the State of North Carolina, the Honorable Pat McCrory, Governor; the Honorable Susan Kluttz, Secretary, North Carolina Table of Contents Department of Natural and Cultural Resources Letter from Sarah Baron, Director of Education, North Carolina Symphony ................................2 Education Sustainer Information about the 2016/17 Education Concert Program ............................................................3 ($100,000+) Education Programs of the North Carolina Symphony ........................................................................4 Education Benefactors ($50,000+) Author Biographies ............................................................................................................................................6 Jules Massenet (1842–1912) ...........................................................................................................................7 Education Patrons ($10,000+) “Navarraise” from Le Cid The Bastian Family Charitable Foundation; Big Rock Foundation; Ann and Gordon Getty Foundation; Robert P. Holding Foundation, Inc.; The McLean Foundation; John William Pope Foundation; Edvard Grieg (1843–1907) ............................................................................................................................ 12 Simple Gifts Fund; Youths’ Friends Association “In the Hall of the Mountain King” from Peer Gynt Education -
Viennese Waltzes
1000 YEARS OF CLASSICAL MUSIC VIENNESE WALTZES VOLUME 47 | THE ROMANTIC ERA FAST FACTS • The waltz, originally a rustic Austrian folk dance, became the height of aristocratic fashion in the late 18th century. We think of it now as a graceful, gliding dance, but it caused uproar at the time because it involved such close physical contact between the sexes – decent citizens were appalled at the ‘voluptuous VIENNESE WALTZES intertwining of the limbs and close compressure on the bodies’. JOHANN STRAUSS II 1825–1899 • Despite (or probably because of) the moral disapproval, the waltz quickly became the mainstay of popular 1 Thunder and Lightning Polka, Op. 324 3’06 entertainment. Paris in the early 1800s had nearly 700 dance halls! But it was in Vienna that the waltz really 2 Voices of Spring Waltz, Op. 410 5’38 took off: by the 1820s, the city’s ballrooms could hold about a quarter of the city’s population. 3 At the Hunt Gallop, Op. 373 (arr. Max Schönherr) 2’13 4 Emperor Waltz, Op. 437 9’43 • From the 1820s to 1900, the waltz scene was dominated by two extremely popular composers, a father JOSEF STRAUSS 1827–1870 and son both called Johann Strauss. 5 Fireworks Polka, Op. 269 3’04 • As well as writing over 250 waltzes, polkas, gallops and other dance pieces, Johann Strauss senior founded JOHANN STRAUSS II his own dance orchestra, which he toured throughout Europe to great acclaim. His most famous piece is 6 Tales from the Vienna Woods, Op. 325 11’52 the Radetzky March – to this day, it’s the triumphant closing number at the famous New Year Concert of 7 Excursion-Train Polka, Op. -
STRAUSS FAMILY • FAVOURITE DANCES Demonstrated by the Frenzy of Excitement That Is the Jokey-Polka (Jockey-Polka)
225353rr Strauss EU:225287 Inlay USA 2/8/12 12:39 PM Page 1 The Strauss family was one of music’s greatest dynasties. In this glittering disc, we hear such classics as the Radetzky March of Johann Strauss I, and his son, Johann Strauss II’s overture to Der Zigeunerbaron (The Gypsy Baron), one of the enduring masterpieces of the Viennese concert repertoire. The irresistibly exciting Unter Donner und Blitz 8.225353 (Thunder and Lightning) offers thunderous delight, whilst An der schönen blauen Donau DDD (On the Beautiful Blue Danube) is one of the most unforgettable melodies ever written. 8.225353 Strauss the Elder’s second son, Josef, was an outstanding composer in his own right, as DANCES • FAVOURITE STRAUSS FAMILY demonstrated by the frenzy of excitement that is the Jokey-Polka (Jockey-Polka). Playing Time 65:51 STRAUSS FAMILY • FAVOURITE DANCES Johann STRAUSS II (1825–1899) 1 Der Zigeunerbaron: Overture* 7:59 Josef STRAUSS (1827–1870) 2 Dynamiden Waltz, Op. 173 9:56 Johann STRAUSS II 3 Annen-Polka, Op. 117* 4:35 Josef STRAUSS 4 Jokey-Polka, Op. 278 2:10 Made in Germany Kommentar auf Deutsch Booklet notes in English Naxos Rights International Ltd. Johann STRAUSS II www.naxos.com ൿ 5 Geschichten aus dem Wienerwald, Waltz, Op. 325* 13:09 & 6 Unter Donner und Blitz, Polka, Op. 324* 3:14 Ꭿ 7 Maskenball-Quadrille, Op. 272* 5:45 2012 Josef STRAUSS 8 Auf Ferienreisen!, Polka, Op. 133 2:22 Johann STRAUSS II 9 An der schönen blauen Donau, Waltz, Op. 314* 10:32 0 Champagner-Polka, Op. -
Student Name 2016-2017
Student Name 2016-2017 _______________________ UIL Music Memory School _______________________ Student Listening Destinations Bach Haydn Bartók Mozart Beethoven Puccini Brahms Reed Clarke J. Strauss, Sr. UNIVERSITY INTERSCHOLASTIC LEAGUE Delibes Tchaikovsky des Prez Walton Making a World of Difference Ginastera Williams THE UNIVERSITY OF TEXAS AT AUSTIN Orchestral Suite No. 2 Bach Fast Five Badinerie \'bäk\ 1. German Baroque composer; 1685‐1750 one of the “Three B’s” (Bach, Musical Minute Beethoven, and Brahms). Instrument/Voice 2. Played violin, viola, organ, Suite: a musical form and harpsichord, and organ; Flute, strings (violins, made up of a collection technical expert on organ viola, cello), harpsichord of short pieces. (often invited to inspect mechanics of church organs). Notes 3. Had 20 children: 9 survived him, 4 were composers. Orchestral suite: in Bach's time, a collection 4. Had diabetes; went blind; of dances written for a small group of instruments and a died of a stroke. solo instrument. 5. Better known as a virtuoso Badinerie: "jesting" in French (= scherzo or "joke" in Italian); organist than a composer in badinerie in music: a name given in the 18th century to a his day. Today he is considered type of quick, light movement in a suite. to be the greatest composer of all time. Harpsichord: main keyboard instrument in Renaissance and Baroque music (from about 1400 to 1750). The invention of the piano in the late 1700s caused the harpsichord's popularity to decline. Bach wrote four orchestral suites in Leipzig between 1725 and 1739, and Badinerie is part of his Orchestral Suite No. 2, composed between 1738 and 1739.