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Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Teachers' Notes Media Studies
Media Studies - TV Television in the Global Age -Teachers’ Notes • The resources are intended to support teachers delivering the new AS/A Level specification. They have been created based on the assumption that many teachers will already have some experience of Media Studies teaching and therefore the notes have been pitched at a level which takes this into consideration. Other resources which outline e.g. technical and visual codes, and how to apply these, are readily available. • There is an overlap between the different areas of the theoretical framework and the various contexts, and a ‘text-out’ teaching structure may offer opportunities for a more holistic approach. • Slides are adaptable to use with your students. Explanatory notes for teachers/suggestions for teaching are in the Teachers’ Notes. • The resources are intended to offer guidance only and are by no means exhaustive. It is expected that teachers will subsequently research and use their own materials and teaching strategies within their delivery. • Television as an industry has changed dramatically since its inception. • Digital technologies and other external factors have led to changes in production, distribution, the increasingly global nature of television and the ways in which audiences consume texts. • It is expected that students will require teacher-led delivery which outlines these changes, but the focus of delivery will differ dependent on the text chosen. Media Studies - TV 1 Media Studies - TV Television in the Global Age -Teachers’ Notes The Returned/Les Revenants Episode Suggestions Series 1: Episode 1 is the ‘set’ text but you may also want to look at other episodes, including Episode 8 for the denouement of the first series. -
Environmental Characterization and Biological Utilization of Peard Bay
ENVIRONMENTAL CHARACTERIZATION AND BIOLOGICAL UTILIZATION OF PEARD BAY Edited by Patrick J. Kinney Kinnetic Laboratories, Inc. 403 West Eighth Avenue P. O. BOX 104239 Anchorage, Alaska 99510 Final Report Outer Continental Shelf Environmental Assessment Program Research Unit 641 December 1985 97 PROJECT TEAM Project Management Donald E. Wilson, Ph.D. KLI Project Manager Samuel Stoker, Ph.D. KLI Assistant Project Manager Steve Pace, M.S. KL I Operations Manager Christine Brown, B.S. KL I Editorial Literature Review Jerome Cura, Ph.D. EG&G Task Leader Meteorology and Oceanoqraphy Donald E. Wilson, Ph.D. KLI Task Leader William Gahlen, M.S. EG&G Physical Synthesis Mark Savoie, M.S. KLI Physical Synthesis Walt Pharo, B.S. EG&G Field Studies Toby Goddard, B.S. KLI Field Studies Marine Mammals Samuel Stoker, Ph.D. KLI Task Leader/Field Studies Robert Gill, M.S. Biota Field Studies Colleen Handel, M.S. Bi ota Field Studies Peter Connors, Ph.D. Biota Field Studies Birds Robert Gill, M.S. Biota Task Leader Coleen Handel, M.S. Biota Field and Laboratory Studies Peter Connors. Ph.D. Biota Field Studies Fish John Hall, Ph.D. Sol ace Task Leader Scott Edson, M.S. Consultant Field Studies Marty Stevenson, M.A. KLI Synthesis 99 Invertebrates Steve Pace, M.S. KLI Task Leader Garry Gillingham, B.A. KLI Identifications Allen Fukuyama, M.A. MLML Identifications Kenneth Coyle, M.S. UAF Identifications Nutrients and Primary Productivity Osmund Helm-Hanson, Ph.D. S10 Task Leader Chris Hewes, M.S. S10 Field and Laboratory Studies Paul Mankiewitz, Ph.D. GG Carbon Isotopes Svnthesis. -
Asheville Sound | Music News
asheville sound | music news Modern-day Asheville doesn’t identify with just one sound - it’s a diverse sonic melting pot, embracing musicians of all genres. From the nation’s longest-running folk festival and Moog Music to weekly drum circles and Grammy-winning musicians representing bluegrass to hip hop, music rings through the air in this Blue Ridge Mountain city. Music Scene News ► Vinyl Record Plant + Music Café: Opening in summer, Citizen Vinyl will offer an immersive music experience with a record plant, independent record store and music café and bar with food, coffee and craft cocktails. Hands-on Electronica: The Moogseum, now open in downtown, celebrates the life of Bob Moog, inventor of the Moog Synthesizer that revolutionized almost every genre of music. The Moogseum features bays of synthesizers, theremins and effect pedals that allow people to explore the science behind electronic music. ► Mega Collab: The Grammy Award-winning Steep Canyon Rangers reimagine their catalog with the Asheville Symphony and music scene giants. The new album, recorded at Asheville’s Echo Mountain Studios, includes arrangements by Jonathan Sacks, who has worked on many Disney films, and orchestra conductor Michael Bearden, who is currently the music director for Lady Gaga and has worked with Michael Jackson and Madonna. The first track off the album, “Be Still Moses,” a collaboration between the band, symphony and the music group Boyz II Men, was released in August. Not Your Average Concert Hall: Unique Venues, Mountain Backdrops & Iconic Stages ► Unique stages appear throughout Asheville, from Ben’s Tune-Up, a repurposed automotive repair shop; to the Salvage Station, a junkyard-turned-shipping-container-themed riverside venue; to The Odditorium, an intimate dive bar affectionately known for its collection of oddities and artifacts. -
List of Appendices
LIST OF APPENDICES APPENDIX A: Coastal Training Market Analysis and Needs Assessment APPENDIX B: List of Coastal Training Program Partners APPENDIX C: Coatal Training Program Advisory Board APPENDIX D: Draft Memorandum of Understanding Between NOAA and UTMSI APPENDIX E: Draft Memorandum of Understanding Between UTMSI, GLO, USFWS, CBLT, Fennessey Ranch, TPWD, TxDOT, CBBEP, and ACND APPENDIX F: Draft Coastal Lease for Scientific Purposes from GLO to UTMSI APPENDIX G: Description of Key Partners APPENDIX H: Draft Fennessey Ranch Management Plan APPENDIX I: NERRS Federal Regulations APPENDIX J: Texas Coastal Management Program Review APPENDIX K: Response to Written and Oral Comments APPENDIX A COASTAL TRAINING MARKET ANALYSIS AND NEEDS ASSESSMENT Coastal Training Market Analysis and Needs Assessment Mission-Aransas National Estuarine Research Reserve Final Report Submitted By: Chad Leister, Coastal Training Program Coordinator and Sally Morehead, Reserve Manager University of Texas at Austin Marine Science Institute 750 Channel View Drive Port Aransas, TX 78373 (361) 749-6782 voice (361) 749-6777 fax <[email protected]> e-mail Submitted to: Matt Chasse, Program Specialist National Oceanographic and Atmospheric Administration Estuarine Reserves Division, N/ORM5 Office of Ocean and Coastal Resource Management NOAA Ocean Service 1305 East West Highway Silver Spring, MD 20910 (301) 713-3155 voice (301) 713-4367 fax <[email protected]> e-mail January 9, 2009 UT Technical Report number TR/09-001 Keywords: training, coastal, program development -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a. -
The First Amendment Implications of Facebook, Myspace, and Other Online Activity of Students in Public High Schools
THE FIRST AMENDMENT IMPLICATIONS OF FACEBOOK, MYSPACE, AND OTHER ONLINE ACTIVITY OF STUDENTS IN PUBLIC HIGH SCHOOLS BRANDON JAMES HOOVER* I. INTRODUCTION The protections of the First Amendment are some of the most basic and fundamental rights guaranteed to all Americans. These protections, however, are not absolute. Although some surveys show that as many as sixty-nine percent of Americans are aware of the First Amendment right to freedom of speech1, it is doubtful that nearly as many Americans are aware of the limitations that have been placed on this enumerated fundamental right. For example, obscene speech2, commercial speech3, indecent speech4, speech tending to incite violence or an imminent response5, and various other forms of speech are not given full constitutional protection. In addition, the free speech rights extended to high school students in public schools are not co-extensive with the rights of adults. In 1969, the Supreme Court held, “It can hardly be argued that either students or teachers shed their constitutional rights to freedom of speech or expression at the schoolhouse gate.”6 However, since the decision in Tinker, the United States Supreme Court has consistently reduced students’ First Amendment free speech rights. The Court appears to have created a web of tests to determine whether high school students’ First Amendment rights have been * Judicial Clerk for the West Virginia Supreme Court of Appeals, 21st Circuit; J.D., Ohio Northern University; B.S., Frostburg State University (Law & Society, Political Science, & Sociology). Special thanks to Professor C. Antoinette Clarke, Ohio Northern University. 1 See Press Release, McCormick Foundation, Characters from “The Simpsons” More Well Known to Americans than Their First Amendment Freedoms, Survey Finds (March 1, 2006), http://www.mccormicktribune.org/news/2006/pr030106.aspx (last visited Apr. -
Capitol Music Group's Steve Barnett Announces
CAPITOL MUSIC GROUP’S STEVE BARNETT ANNOUNCES RETIREMENT Home > News > CAPITOL MUSIC GROUP’S STEVE BARNETT ANNOUNCES RETIREMENT Jeff Vaughn and Michelle Jubelirer Tapped to Lead Company Iconic Company Revitalized Over Barnett’s Eight-Year Run at Helm of Capitol HOLLYWOOD, November 5, 2020 – Capitol Music Group (CMG) Chairman & CEO Steve Barnett will retire on December 31, 2020, capping an illustrious 50-year career in the music business, including eight years at the helm of CMG, which he rebuilt into an industry powerhouse. Barnett announced his long-planned decision to the full company this morning, in conjunction with Universal Group Chairman & CEO Sir Lucian Grainge. The two also jointly announced the promotion of Jeff Vaughn and Michelle Jubelirer to serve as CMG’s next leaders. Vaughn, currently President of Capitol Records, will become CMG Chairman and CEO, and current CMG COO Jubelirer will serve as CMG’s President and COO. According to Steve Barnett, “This has been an incredible journey, and I’ve been tremendously fortunate to work with such amazing people along the way. I am indebted to Lucian for his unwavering belief in me and for his unreserved support for our efforts these entire eight years. To say that I will always be grateful to him is truly an understatement. Michelle was the first to join me at CMG and has been my partner in revitalizing the company and creating an environment where artists and our employees could thrive. From the moment Jeff joined us, I knew he’d quickly make his mark on Capitol, and I’m certain that he and Michelle are the perfect team to guide CMG into the future. -
Myspace & Chrysler
Possible Supplementary Material to accompany: Even Giants Can Fall (Microsoft vs. Apple) MySpace vs. Facebook Wikipedia entry on MySpace (excerpts) [http://en.wikipedia.org/wiki/Myspace] Myspace (stylized as myspace, previously stylized as MySpace) is a social networking service with a strong music emphasis owned by Specific Media LLC and Justin Timberlake. Myspace was launched in July 2003 and is headquartered in Beverly Hills, California. In April 2014, Myspace had 1 million unique U.S. visitors. Myspace was founded in 2003 by Chris DeWolfe and Tom Anderson, and was later acquired by News Corporation in July 2005 for $580 million. From 2005 until early 2008, Myspace was the most visited social networking site in the world, and in June 2006 surpassed Google as the most visited website in the United States. In April 2008, Myspace was overtaken by Facebook in the number of unique worldwide visitors, and was surpassed in the number of unique U.S. visitors in May 2009, though Myspace generated $800 million in revenue during the 2008 fiscal year. Since then, the number of Myspace users has declined steadily in spite of several redesigns. As of May 2014, Myspace was ranked 982 by total web traffic, and 392 in the United States. In June 2009, Myspace employed approximately 1,600 workers.[2][19] In June 2011, Specific Media Group and Justin Timberlake jointly purchased the company for approximately $35 million.[20] Under new ownership, the company had undergone several rounds of layoffs and by June 2011, Myspace had reduced its staff to around 200. ... suggestions for its demise, including the fact that it stuck to a "portal strategy" of building an audience around entertainment and music, whereas Facebook and Twitter continually launched new features to improve the social- networking experience. -
Monday, March 26, 2012 4703
MONDAY, MARCH 26, 2012 4703 Representative Hall, Atlanta, Georgia Monday, March 26, 2012 Thirty-Eighth Legislative Day The House met pursuant to adjournment at 10:00 o'clock, A.M., this day and was called to order by the Speaker. The roll was called and the following Representatives answered to their names: Abrams E Dawkins-Haigler E Henson Morgan Sims, B Allison Dempsey Hightower E Morris E Smith, E Amerson E Dickerson Hill Mosby Smith, L Anderson Dickey Holcomb Murphy Smith, R Ashe Dickson Holmes E Neal, J E Smith, T Atwood Dobbs Holt Nimmer Smyre Baker Drenner E Horne Nix Spencer Battles Dudgeon Hugley Oliver Stephens, M E Beasley-Teague E Dukes E James O'Neal Stephens, R Bell Dunahoo Jasperse Pak E Stephenson Benton Dutton Jerguson Parent Talton Beverly Ehrhart Johnson Parrish Tankersley Black England Jones, J Peake Taylor, D Braddock Epps, J Jones, S Powell, A Taylor, R Brockway Evans E Jordan Powell, J Taylor, T Brooks Fludd Kaiser Pruett Teasley Bryant E Fullerton Kendrick Purcell Thomas Buckner Gardner Kidd Ramsey Waites Burns Golick Kirby E Randall Watson Byrd Gordon Lane Reece Welch Carson Greene Lindsey Rice E Weldon Carter Hamilton E Maddox, B Riley Wilkerson Casas Hanner Manning Rogers, C Wilkinson Cheokas Harbin Marin Rogers, T Williams, A Clark, J Harden, B Martin Rynders Williams, C Clark, V Harden, M Maxwell E Scott, M Williams, E Coleman Harrell Mayo Scott, S Williams, R Collins Hatchett McBrayer Setzler Williamson Cooke Hatfield McKillip Shaw Yates Cooper Heard Meadows Sheldon Ralston, Speaker Davis Hembree Mitchell -
Riaa Gold & Platinum Awards
1/1/2016 — 2/29/2016 In January and February 2016, RIAA certified158 Digital Single Awards and 74 Album Awards. Complete lists of all RIAA Gold & Platinum Awards dating all the way back to 1958 are available at the newly redesigned riaa.com. RIAA GOLD & JAN. & FEB. 2016 PLATINUM AWARDS DIGITAL MULTI-PLATINUM SINGLE (46) Cert Date Title Artist Label Plat Level Rel. Date 2/8/2016 AMNESIA 5 SECONDS OF CAPITOL RECORDS 2 7/1/2014 SUMMER 1/25/2016 HELLO ADELE COLUMBIA/XL RECORDINGS 6 10/23/2015 1/25/2016 HELLO ADELE COLUMBIA/XL RECORDINGS 5 10/23/2015 1/7/2016 HERE ALESSIA CARA DEF JAM 2 5/1/2015 1/26/2016 LOVE ME HARDER ARIANA GRANDE REPUBLIC RECORDS 3 8/25/2014 1/26/2016 LOVE ME HARDER ARIANA GRANDE REPUBLIC RECORDS 2 8/25/2014 1/26/2016 HOTLINE BLING DRAKE YOUNG MONEY/CASH 5 7/31/2015 MONEY/REPUBLIC RECORDS 2/29/2016 THINKING OUT LOUD ED SHEERAN ATLANTIC RECORDS 6 9/24/2014 2/29/2016 PHOTOGRAPH ED SHEERAN ATLANTIC RECORDS 2 5/11/2015 1/28/2016 STAY FLORIDA GEORGIA BMX 2 12/4/2012 LINE 1/29/2016 BURNIN’ IT DOWN JASON ALDEAN BROKEN BOW 2 7/22/2014 2/1/2016 SHE’S COUNTRY JASON ALDEAN BROKEN BOW 3 12/1/2008 2/15/2016 BIRTHDAY SEX JEREMIH DEF JAM 2 6/30/2009 1/15/2016 WHAT DO YOU MEAN JUSTIN BIEBER DEF JAM RECORDS 3 8/28/2015 1/15/2016 WHAT DO YOU MEAN JUSTIN BIEBER DEF JAM RECORDS 4 8/28/2015 1/15/2016 SORRY JUSTIN BIEBER DEF JAM 3 10/28/2015 1/15/2016 LOVE YOURSELF JUSTIN BIEBER DEF JAM 2 11/13/2015 www.riaa.com GoldandPlatinum @RIAA @riaa_awards JAN. -
C:\Documents and Settings\Compaq Administrator\My
CASE MATERIALS Official 2007 Mock Trial Materials for the TWENTY-SEVENTH ANNUAL UTAH LAW-RELATED EDUCATION PROJECT MOCK TRIAL PROGRAM 444444444444444444444444444444444444444444 EVAN NELSON v. CHRIS MILLER AND RED ROCK COUNTY SCHOOL DISTRICT Case No. 07utcv01382 444444444444444444444444444444444444444444 New York Moot Court Program Rewritten and Adapted to Utah Law by Michelle M. Roybal and Kathi Sjoberg 59 STATEMENT OF THE FACTS Social networking websites such as MySpace.com™ (“MySpace”), Friendster.com™, Facebook.com™, Xanga.com™, and LiveJournal.com™ are only a few of the social websites that have made the internet both accessible and attractive to young people seeking a forum to express their views.1 The success of these sites has been tremendous: MySpace, the most popular and biggest of these sites, recently boasted over seventy-five million registered users in the United States, with hundreds of thousands of new users registering every day.2 MySpace has attracted negative publicity due to concerns that the predominantly young users3 are ignorant of the ramifications of having so much biographical information publicly available. Incidents in the national news regarding MySpace and its connections with online predators and “cyber-bullying” have many parents and educators worried about use of the site.4 MySpace users can customize almost everything about their profile. To become a registered user, an individual need only provide an e-mail address and a name; after that, users may do as they like with their personal corners of the world-wide web. The default MySpace privacy settings make a user’s profile accessible to the general public. Unless the user modifies this setting, other users can post comments that will be visible to any persons authorized to view the user’s profile, without the user’s prior consent or approval.