DOCSLIB.ORG

Russell Maliphant Company Production Russell Maliphant Company Still Current

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Russell Maliphant Company Production Russell Maliphant Company Still Current Russell Maliphant Still Current Marketing and press pack Adam Kirkham and Carys Staton. Photo by Warren Du Preez & Nick Thornton Jones For further information contact: Lucy White, Marketing Rob James, Press Sadler’s Wells, Rosebery Avenue, London Sadler’s Wells, Rosebery Avenue, London EC1R 4TN EC1R 4TN T: 00 44 (0)20 7863 8104 T: 00 44 (0)20 7863 8114 E: [email protected] [email protected] Contents 1. Still Current billing 7. Press quotes 2. Target audience 8. Sample direct mail 3. Selling points 9. Images 4. Box office briefing notes 10. Logos 5. Brochure copy & short copy 11. Video 6. Sample press release 12. Biographies Important note All copy must be used as provided. No changes are permitted without the agreement of Sadler’s Wells. All information contained in this document, along with high resolution images, can be downloaded from http://www.sadlerswells.com/tour-marketing/still-current All publicity material, including venue brochures, nightly audience programmes and press releases must be proofed by Sadler’s Wells before going to print. Please contact Louise Shand- Brown, Producer, Sadler’s Wells, Tel: +44 (0)20 7863 8087 / louise.shand- [email protected] or Lucy White, Marketing Manager, Sadler’s Wells, Tel: +44 (0)20 7863 8104 [email protected] 1. Crediting (Advance publicity & press release) The following short billing must appear on all advance publicity including posters, venue/festival brochures, ads (where space allows) and press releases: Short billing Russell Maliphant Still Current A Sadler’s Wells / Russell Maliphant Production Co-produced by Les Théâtres de la Ville de Luxembourg Co-commissioned by DanceEast Supported by artsdepot Full Credits To be used when space allows. It must appear in all programmes. Russell Maliphant Still Current A Sadler’s Wells / Russell Maliphant Production Co-produced by Les Théâtres de la Ville de Luxembourg Co-commissioned by Dance East Supported by artsdepot Direction and Choreography: Russell Maliphant Lighting and Projection Design*: Michael Hulls (* for Still Current and Still) Animation: Jan Urbanowski Composers: Armand Amar, Andy Cowton & Mukul Costume Design: Stevie Stewart Video Programmer: Andy Downie Collaborative Assistant: Dana Fouras Dancers: Thomasin Gülgeç, Adam Kirkham (selected venues) Carys Staton, Russell Maliphant (selected venues), Dickson Mbi 2. Target audience • Dancers and dance students. Russell is a leading choreographer in the UK whose work is very much admired by dancers and is very accessible to dancers looking to experience high quality contemporary dance. • Regular dance attendees. This programme incorporates many styles and influences including martial arts, ballet, popping and contemporary so will appeal to a broad range of dance attendees. • Visual arts attendees. The lighting and animated projection used in the performance will be of great interested to people who attend galleries or visual arts. • People interested in contemporary and electronic music. Especially people who attend live performances and gigs. • Students studying theatre/dance lighting. Particularly further and higher education students. 3. Selling Points Russell Maliphant • Russell Maliphant is a multi award-winning choreographer with international recognition. • His works, including Afterlight, Eonnagata and PUSH, have toured around the world. • He trained at The Royal Ballet School and graduated into Sadler’s Wells Royal Ballet before leaving to pursue an independent career. • His collaborations with Michael Hulls have bought him much critical acclaim as the pair use light and Maliphant’s trademark style of beautifully fluid movement to sculpt dancers’ bodies. “Dancing bodies rarely look more beautiful than in the work of Russell Maliphant” The Guardian • Russell has worked extensively with the BalletBoyz and choreographed Fallen for The Talent, the new generation of male dancers who make up the company. • Russell Maliphant is a Sadler’s Wells Associate Artist. • Russell will be working with English National Ballet on a new programme of work commissioned to commemorate the centenary of the First World War. Guardian article here: http://www.guardian.co.uk/stage/2013/jun/10/akram-khan-russell- maliphant-enb Michael Hulls • Michael Hulls is a multi award-winning lighting designer who was the first non dancer/choreographer to become a Sadler’s Wells Associate Artist. • In 2012 he was nominated for a TMA award for outstanding achievement in dance. • In 2010 he was entered into the Oxford Dictionary of Dance Afterlight (Part One) • Afterlight (Part One) was first performed as part of In the Spirit of Diaghilev at Sadler’s Wells, commissioned to celebrate the anniversary of the Ballets Russes. • It was inspired by Nijinsky’s drawings and contains beautiful animated projections. • It won a Critic’s Circle National Dance award for best modern choreography in 2010, as well as an Olivier award nomination. Two • First created on Dana Fouras it later gained further international recognition by world famous dancer Sylvie Guillem who made it her own as part of PUSH. Now danced by Carys Staton, it is as close to the original as it has ever been. About the dancers • Dickson Mbi is famed for his exceptional popping style. He has won multiple awards including the UK B-boy championships in 2008, 2009 and 2012. • Dickson performed in Russell Maliphant’s The Rodin Project and has also appeared in a TV ad for Lucozade which was choreographed by Russell. • Thomasin Gülgeç and Carys Staton also appeared in The Rodin Project. • Thomasin Gülgeç danced with Rambert from 2003 - 2011. • Adam Kirkham is a member of BalletBoyz and recently appeared in a Lexus ad alongside Carys Staton, choreographed by Russell Maliphant. Jan Urbanowski • Jan Urbanowski is an animation artist who has worked with several big names in the world of music including Lady GaGa, George Michael, Pet Shop Boys and Kasabian. Stevie Stewart • Stevie Stewart has created costumes for many international music tours including several for Kylie Minogue, Leona Lewis, Westlife and Britney Spears. • She was a designer for influential 80s fashion label BodyMap http://www.dazeddigital.com/fashion/article/6120/1/fashion-archive-bodymap Armand Amar • French-Morrocan Armand Amar has scored many films and is touring his first oratorio this year. Mukul • Mukul is a cutting edge composer working out of the artist-run ambientspace studio in London. • His previous projects have included an audio-visual performance based on the preparation of food, and a (playable) harp with razor wire strings. • He has worked extensively in dance including with Shobana Jeyasingh and BalletBoyz. This is his fourth collaboration with Russell Maliphant. 4. Box office briefing notes About Still Current • Still Current is a mixed bill which includes two famous pieces of dance by Russell Maliphant: Afterlight (Part One) and Two. • The evening will also feature three new works: two duets and a trio. • A video clip is available here: About Russell Maliphant • Russell Maliphant is an internationally acclaimed contemporary dance choreographer. • He trained with the Royal Ballet and was accepted in to the Sadler’s Wells Royal Ballet (now Birmingham Royal Ballet) before leaving to pursue an independent career. • He is well known for his choreography for the ballet superstar Sylvie Guillem and the BalletBoyz. Running Time Approx 1hr and 15 mins plus one 20 minute interval (subject to change) Age Suitability Age guidance is 8+. We are not expecting there to be any adult content, violence or nudity. Special Effects There are strobe lighting effects used in the production. Haze effects are not used in this production. Running Order Two Dancer: Carys Staton Traces Dancers: Thomasin Gulgec, Dickson Mbi, Russell Maliphant Still Dancers: Dickson Mbi, Carys Staton Interval Afterlight (Part One) Dancer: Thomasin Gülgeç Still Current Dancers: Russell Maliphant, Carys Staton 5. Brochure copy Russell Maliphant Still Current Still Current is an evening of work by the internationally acclaimed Sadler’s Wells Associate Artist Russell Maliphant; it features newly created duets and trios danced by his remarkable company and by Maliphant himself. Joining Maliphant on stage are Carys Staton, whose energetic elegance and dedication are showcased in the new creations, and Dickson Mbi, famed for his strength and incredible popping style. The evening also features Thomasin Gülgeç, whose fluid agility and grace are demonstrated in new works, and in the award-winning solo Afterlight (Part One), included as part of the programme. There is a diverse physical language across the pieces, integrating qualities and vocabulary from contemporary dance, ballet and martial arts. The lighting and projection designs for the evening are by Sadler’s Wells Associate Artist Michael Hulls. Musically, the evening includes an eclectic mix of sound with compositions from Eric Satie, long time collaborator Andy Cowton and a newly commissioned score by the sublime Armand Amar, well known for his film scores. Costume designs are by Stevie Stewart with animation created by Jan Urbanowski. A Sadler’s Wells / Russell Maliphant Production Co-produced by Les Théâtres de la Ville de Luxembourg Co-commissioned by DanceEast Supported by artsdepot Short copy 103 words Still Current is an evening of work by internationally acclaimed choreographer Russell Maliphant. Featuring newly created duets, trios and solos danced by a remarkable company including Dickson Mbi, famed for his incredible popping
Load more

Recommended publications
  • First Time's the Charm
    Summer Booo oks Preview First Time’s the Charm EW GATHERED THIS SUMMER’S HOTTEST DEBUT AUTHORS FOR A BRAINY, DISHY, VIBRANT CONVERSATION ON ALL THINGS LITERARY. MEET THE FUTURE OF BOOKS. Written by David Canfield @davidcanfield97 Photographs by Elisabeth Caren @ecarenphoto On a sunny May afternoon, EW’s Los Ange- les offices are catching literary fever. Five buzzy debut authors—Taffy Brodesser- Akner, 43; Sarah M. Broom, 39; Linda Holmes, 48; Lisa Taddeo, 39; and De’Shawn Charles Winslow, 39—have arrived, con- verging for their first major round of press. The mood is excited, anxious, slightly overwhelming. The publishing world has changed hugely over the past decade, pro- nounced to be near-extinct more than a few times, only to find a post-Kindle (and Instagram-worthy) renaissance. And here are the people behind the stories affirming just how alive books remain, whether they’re hitting the heart of our cultural moment, vitally reframing histories, or unfurling the kind of sparkling romance perfect for a lazy summer day. Taking their seats on a cozy sectional, the Taffy Brodesser-Akner, writers discuss the cultural power of books, De’Shawn Charles Winslow, Sarah M. Broom, Linda the struggle of becoming an author today, Holmes, and Lisa Taddeo photographed exclusively and how exactly to define a “beach read.” for EW on May 13, 2019, in Los Angeles SUMMER TVMONTH PREVIEW XX, 20192019 EW.COM 75 Tell us a little bit about your books. Sarah, in telling your family’s story, do you forget very often right now is that this has LINDA HOLMES Evvie Drake Starts Over is a fear how they’ll react? always happened.
    [Show full text]
  • A Sheffield Hallam University Thesis
    How do I look? Viewing, embodiment, performance, showgirls, and art practice. CARR, Alison J. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19426/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/19426/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. How Do I Look? Viewing, Embodiment, Performance, Showgirls, & Art Practice Alison Jane Carr A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy ProQuest Number: 10694307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694307 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Declaration I, Alison J Carr, declare that the enclosed submission for the degree of Doctor of Philosophy, and consisting of a written thesis and a DVD booklet, meets the regulations stated in the handbook for the mode of submission selected and approved by the Research Degrees Sub-Committee of Sheffield Hallam University.
    [Show full text]
  • The Showgirl Goes On
    Star_Jan02_p1-20_Layout 1 1/2/2013 3:31 PM Page 1 ONLINE GET SELECT CONTENT ON THE GO, WWW.MONTROSE-STAR.COM IS MOBILE ENABLED! The WWW.MONTROSE-STAR.COM YOUR GUIDE TO GLBT ENTERTAINMENT, RECREATION & CULTURE IN CENTRAL AND COASTAL TEXAS WEDNESDAY, JANUARY 2, 2013 H VOL. III, ISSUE 20 FEATURE n19 One Good Love CALENDAR n6 Next2Weeks! DINING GUIDE n14 Roots Juice Drink Your Veggies! COMMUNITY n6 HAPPY NEW YEAR! The Showgirl INDEX Editorial........................4 Non-Profits Calendar .....16 Goes On Cartoons ....................33 Crossword ..................33 p10 Lifestyles ....................31 Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 2 Page 2 Montrose Star H Wednesday, January 2, 2013 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 3 Montrose Star H Wednesday, January 2, 2013 Page 3 www.Montrose-Star.com H also find us onn F Facebook.com/Star.Montrose Star_Jan02_p1-20_Layout 1 1/2/2013 2:58 PM Page 4 Page 4 Montrose Star H Wednesday, January 2, 2013 Op-ED CONTACT US: 713-942-0084 EMAIL: [email protected] publisher Executive Editor Health & Fitness Music Laura M. Villagrán Kenton Alan DJ Chris Allen Sales Director Davey Wavey DJ JD Arnold Angela K. Snell Dr. Randy Mitchmore DJ Mark DeLange Creep of the Week: production News & Features DJ Wild & DJ Jeff Rafael Espinosa Johnny Trlica Scene Writers Circulation & Distribution Jim Ayers Arts Reviews Miriam Orihuela Pope Benedic XVI Daddy Bob Bill O’Rourke & Loyal K Elizabeth Membrillo Stephen Hill Lifestyles Rey Lopez Gayl Newton By d’anne WitkoWski lent to a suicide bomber.
    [Show full text]
  • Art. Music. Games. Life. 16 09
    ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website.
    [Show full text]
  • My Mother the Showgirl Hilltop Remodel Sparks Opposition a Jazzy New Pad in the Sky C
    NEIGHBORHOOD NEWS HOME & GARDEN BOOKS Hilltop remodel A jazzy new My mother sparks opposition pad in the sky the showgirl PAGE 3 PAGE 13 PAGE 15 New FILLMORE SAN FRANCISCO ■ AUGUST 2007 ALONE TOGETHER C B M C-D B, 57, a minister, takes the bus from his home Din the Castro to , e Grove on Fillmore every Friday. He says his concentration mysteriously improves when he leaves his offi ce. “I have no idea why it works,” Brown says. “But whatever distractions there are here — the people, the noise — they don’t need my attention. I can enjoy the commotion and then get back to work.” ■ Up and down Fillmore Street, coff ee shops are doubling as offi ces for people looking for both the alone time they need to work productively and the camaraderie of being with other Photographs by MINA PAHLEVAN / 12studios.com Photographs by MINA PAHLEVAN people. A corner offi ce with beverages at Royal Ground, above. Top: Alone, yet not alone, at The Grove. TO PAGE 8 A POET’S RETORT Irregular Heartbeats Can Be Treated Over 3 million Americans suffer from heart arrhythmia, decreasing their quality of life with a lack of energy and shortness of breath. FRANCES TAUBER The Electrophysiology Program at California Pacific Poets reading at Minnie’s Can-Do Club on Fillmore, circa 1972. Medical Center helps detect and treat the problem, using such methods as: ■ Cardiac Resynchronization Therapy, which e Can-Do Lives On synchronizes and restores the heart’s mechanical sequence, helping the heart to work more efficiently Our July feature on a beloved Fillmore joint ■ Catheter Ablation, which removes the abnormal circuits or tissues that start and maintain abnormal, stirred memories — including a poet’s who was there fast heart rhythms ■ Cardiac Defibrillator Implantation, which monitors B P H gifted and the unknown.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • 01 Cover JULY.Indd
    B63C:B7;/B35C723B=5/G:=<2=< 4@33 9G:73E=EE=EE=E 7<A723¬D/<1=CD3@>@723:=<2=</<<735/G07<5= EEE=Cb;/51=C9 7AAC3<7<3B33<%& =C :=@3; bZ]`S[ WORDS BY LOREM DELOREM | PHOTOGRAPH BY MAET IPSUM =CbT`]\b Knight Hooson has an EDITORIAL// immigrant’s view of ADVERTISING the British PAGE 46 Editor INTERNATIONAL MR David Hudson LEATHER [email protected] Chris Jepson reports +44 (0)20 7258 1943 from the annual Contributing Editor International Mr Adrian Gillan Leather contest in [email protected] Chicago Design Concept Splicer Design PAGE 51 www.splicerdesign.com OUT THERE Art Director Upcoming scene Markus Scheef highlights for July, plus [email protected] PAGE 20 coverage of Hustlaball, Designer KYLIE XXL Bear Pride and Siv Nilsen Circus Sub Editor Kathryn Fox PAGE 81 Contributors OUTREACH Marc Andrews, Dan Browne, Dr Justin Varney on Paul Burston, Charlotte making your protests Dingle, Adrian Foster, Knight CONTENTS heard Hooson, Cary James, Gary Ryan, Richard Tonks, Michael Turnbull, Justin Varney, Iwan PAGE 04 Watson, Steve Watson LETTERS Photographers Send your Chris Jepson, Dick Goose correspondence to Publisher [email protected] Sarah Garrett//Linda Riley ISDN: 1473-6039 HUDSON’S LETTER PAGE 06 Head of Business Development Walking on the Pride I think I’ve been on every MY LONDON Rob Harkavy London parade last Pride march in London Gaydar radio and [email protected] year, I was struck by the since 1989, and the Classic FM’s Jamie Crick PAGE 54 +44 (0)20 7258 1936 huge number of gay faces numbers taking part on BEAR PRIDE Sales Executive I recognised lining the the parade have dwindled PAGE 08 Dan Goodban route… compared to the over the years.
    [Show full text]
  • Effect of Color Space on High Dynamic Range Video Compression Performance Emin Zerman, Vedad Hulusic, Giuseppe Valenzise, Rafal Mantiuk„ Frederic Dufaux
    Effect of Color Space on High Dynamic Range Video Compression Performance Emin Zerman, Vedad Hulusic, Giuseppe Valenzise, Rafal Mantiuk„ Frederic Dufaux To cite this version: Emin Zerman, Vedad Hulusic, Giuseppe Valenzise, Rafal Mantiuk„ Frederic Dufaux. Effect of Color Space on High Dynamic Range Video Compression Performance. Ninth Interna- tional Conference on Quality of Multimedia Experience (QoMEX), May 2017, Erfurt, Germany. 10.1109/qomex.2017.7965632. hal-01505967 HAL Id: hal-01505967 https://hal.archives-ouvertes.fr/hal-01505967 Submitted on 10 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Effect of Color Space on High Dynamic Range Video Compression Performance Emin Zerman∗, Vedad Hulusic ∗, Giuseppe Valenzise ‡, Rafał Mantiuk † and Fr ed´ eric´ Dufaux‡ ∗LTCI, T el´ ecom´ ParisTech, Universit e´ Paris-Saclay, 46 rue Barrault, 75013 Paris, France †The Computer Laboratory, University of Cambridge, Cambridge, UK ‡L2S, UMR 8506, CNRS - CentraleSup elec´ - Universit e´ Paris-Sud, 91192 Gif-sur-Yvette, France Abstract—High dynamic range (HDR) technology allows for the gamma correction function [16]. In addition to Y’CbCr capturing and delivering a greater range of luminance levels color space transformation, Lu et al.
    [Show full text]
  • Steve Anderson Full Discography
    Steve Anderson - Complete Discography Artist Album or Project Description Label Format A Man Called Adam Bread Love And Dreams Remixer Big Life CD Single ABC The Look Of Love Remixer DMC DMC Mix ABC Viva Love Remixer DeConstruction CD Single Adeva It Should Have Been Me Remixer DMC DMC Mix Alanis Morrisette Uninvited Remixer DMC White Label Alexander O’Neal If You Were Here Tonight Remixer DMC DMC Mix Alexander O’Neal Love Makes No Sense Remixer A+M CD Single Alison Limerick And Still I Rise Producer/Co-writer Arista Album Alison Limerick Getting It Right Producer/Co-writer Arista Album Track Alison Limerick Hear My Call Producer/Co-writer Arista CD Single Alison Limerick Make It On My Own Producer/Co-writer Arista CD Single Alison Limerick The Difference Is You Producer/Co-writer Arista Album Track Alison Limerick Trouble Producer/Co-writer Arista Album Track Alison Limerick Where Love Lives Remixer Arista CD Single Alison Limerick You And I Producer/Co-writer Arista Album Track Alyson WIlliams My Love Is So Raw Remixer DMC DMC Mix Amy Grant Baby Baby Remixer A+M CD Single Amy Grant Good For You Remixer A+M CD Single Angel Baby Format 2.1 Producer/Co-writer DMC Album Track Art Of Noise Beatbox Remixer DMC DMC Mix Art Of Noise Dream In Color Remixer ZTT CD Single Asia Blue Escaping Remixer A+M CD Single Atomic Kitten Feels So Good Producer/Co-writer Innocent Album Track Bas Noir I’m Glad You Came To Me Remixer Virgin CD Single Basic Black Whatever It Takes Remixer Motown CD Single Billie Ray Martin Imitation Of Life Remixer East West
    [Show full text]
  • El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4.
    [Show full text]
  • On STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS
    LEARNING RESOURCE KIT WA MARITIME MUSEUM presents A TOURING EXHIBITION BY ARTS CENTRE MELBOURNE AND THE AUSTRALIAN MUSIC VAULT on STAGE WA MARITIME MUSEUM FREMANTLE 16.02.2019—09.06.2019 CONTENTS: Welcome How to use this Resource Section 1 - What is an Exhibition? 1.1. Activity Introduction 1.2. Prezi – What is an Exhibition? 1.3. Types of Exhibition Spaces 1.4. The ACM Collection 1.5. Acquiring Artefacts and Artworks 1.6. Conservation of Artworks and Artefacts 1.7. ACM on Display 1.8. Activity – Who works in the team? 1.9. The Collections Team 1.10. Activity – The Exhibition of Me Section 2 – All Things Kylie 2.1. Introduction 2.2. Prezi – Kylie Career Overview 2.3. Video – Kylie – the curator’s insight 2.4. Activity – Visiting the Kylie on Stage Exhibition live or online Section 3 – Designing an Icon 3.1. What makes an Icon? 3.2. Interpreting a Song 3.3. Activity – Interpreting a Song 3.4. Garment Design Elements and Principles 3.5. Activity – Design Elements and Principles 3.6. Activity – Design Analysis Activity 3.7. Activity – Mood Board Activity 3.8. Activity – Designing a Costume 3.9. Activity – Making a Costume Appendix A – Offer of Donation Form Appendix B – Condition Report - Kylie Costume Appendix C – ACM Exhibitions Appendix D – Catalogue Worksheet Appendix E – Condition Report – Blank Appendix F – Elements and Principles Template Novice Appendix G – Elements and Principles Template Advanced Appendix H – Croquis Templates Curriculum Links Credits WELCOME Thank-you for downloading the Kylie on Stage Learning Resources. We hope you and your students enjoy learning about collections, exhibitions, music and costumes and of course Kylie Minogue as much as us! Kylie on Stage is a major free exhibition celebrating magical moments from Kylie’s highly successful concert tours around Australia.
    [Show full text]