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Dance International the International Dance Teachers’ Association Bi-Monthly Magazine November 2014 • Vol 12 • No

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Dance International the International Dance Teachers’ Association Bi-Monthly Magazine November 2014 • Vol 12 • No International Dance Supplies® more than just a dancewear company...™ DANCE INTERNATIONAL DANCE THE INTERNATIONAL DANCE TEACHERS’ ASSOCIATION BI-MONTHLY MAGAZINE NOVEMBER 2014 • VOL 12 • NO. 6 DANCE INTERNATIONAL Scan here to visit our website Your new, 452 page catalogue is waiting for you! Cover Picture It’s ready - packed full of costumes, dancewear and accessories The Ballet Boys including your Top 30 brand new styles. NOVEMBER 2014 • VOl 12 NO. 6 Your IDS Diamond Book is out now. Featured in this issue ■ Area Reports and call +44 (0)1626 36 32 32 for your FREE catalogue Seminars ■ Roebuck Reports ■ Examination Information Trade www.ids.co.uk enquiries only facebook.com/idsdance INTERNATIONAL THEATRE DANCE AWARDS 2015 Roebuck Reports by Gavin roebuck THE DANCEHOUSE 10 Oxford Road, Manchester, M1 5QA The Heart and Soul of Russian ballet classics Saturday 21st & Sunday 22nd February 2015 oscow City Ballet return by popular BRING YOUR FRIENDS TO SEE THE CLASSES demand for an extended tour until Mthe end of march with tickets now on Photographer in attendance sale at venues across the UK. Their high quality performances are ideal for school group bookings. Following a triumphant Silver Anniversary tour last Tickets available from: Mrs B Yeates, 49 Lode Lane. Solihull, West Midlands. B91 2AN year with sell out performances and rave reviews, the ballet company’s eagerly anticipated return gets under way at Bromley on Monday 3 November, INTERNATIONAL THEATRE DANCE AWARDS touring its renowned dramatic and entertaining programme of Russian classics including Giselle, Swan Lake, Romeo & Juliet and The Nutcracker in all ORDER FORM FOR TICKETS their traditional glory. PLEASE ENCLOSE A STAMPED ADDRESSED ENVELOPE Moscow City Ballet’s repertoire combines artistry, Founded in 1988 by Victor Smirnov-Golovanov, who THEATRE CRAFT and BALLET TAP and MODERN JAZZ technique, narrative and live music to provide sadly died in 2013 after a long battle with cancer, Saturday 21st February Sunday 22nd February breath-taking productions of ‘big story’ Russian Moscow City Ballet remains in the safe hands of dance. In the past few years the company has his devoted wife the Artistic Director Ludmila expanded due to increased demand for appearances Neroubashchenko, who has been leading the Morning (Theatre Craft) Morning (Tap) in Eastern Europe and internationally. Moscow City ballet company for the last few years. Ludmila has Afternoon (Ballet) Afternoon (Modern Jazz) Ballet and Moscow City Ballet Europe rank among remained faithful to Victor’s unique choreography Russia’s most successful and extensive touring ballet Full day ticket £15 in advance Full day ticket £15 in advance and production which has entertained and companies. This year both MCB and MCB Europe fascinated audiences of all ages world-wide. Ludmila (£16 on the door). (£16 on the door). will be performing in the UK featuring Moscow’s Half day ticket £9 in advance, please state Half day ticket £9 in advance, please state said, “Last season was emotional and daunting with finest young dancers derived from the country’s it being our first UK tour since Victor died and the morning or afternoon session morning or afternoon session iconic choreographic schools. Patricia Murray- company’s 25th Anniversary, but the audiences were (£10 on the door). (£10 on the door). Bett of PMB Presentations said, “The demand for amazing and supportive. We’re thrilled they want Tickets on the door subject to availability. Tickets on the door subject to availability. Moscow City Ballet to perform in more cities has us back so soon; demand has been so great for this been phenomenal, this will certainly be our biggest season that we’re bringing more dancers, more tour to date. I think audiences truly appreciate the NO RESTRICTED VIEWS NO RESTRICTED VIEWS staging and more costumes, which will allow us the athleticism and skill of the young dancers; as well as flexibility to over-lap on some of the tour dates NAME and Address of person ordering: NAME and Address of person ordering: being technically impeccable, they act and immerse and yet still provide the unique Moscow City Ballet themselves in their roles. It all combines to create a Russian dance experience.” really wonderful piece of entertainment and we’re _______________________________________ _______________________________________ trying to reach as many people as possible.” Photo MCB Giselle _______________________________________ _______________________________________ _______________________________________ _______________________________________ The Making of Markova _______________________________________ _______________________________________ _______________________________________ _______________________________________ ne of the finest exponents of Giselle was the first english ballerina to dance it Dame Alicia Postcode: ___________Tel: _____________ Postcode: ___________Tel: _____________ markova. Born Alice Marks in a small flat in Finsbury Park Alicia Markova became Britain’s first home Ogrown ballerina. I first met her when I was a ballet pupil on one of her inspirational visits to our Cheque/Money order enclosed for____________ Cheque/Money order enclosed for____________ school. She always felt that passing on the knowledge of the dancer was expected and she was a gifted (Payable to International Theatre Dance Awards) (Payable to International Theatre Dance Awards) teacher. Her life and career have already been well documented so I was surprised that a new book about her should be published. The Making of Markova - Diaghilev’s Baby Ballerina to Groundbreaking Icon however Please enclose a stamped addressed envelope Please enclose a stamped addressed envelope covers new ground as author Tina Sutton uncovered Markova’s personal papers and belongings at Boston Send to: Mrs 8 Yeates, 49 Lode Lane, Send to: Mrs 8 Yeates, 49 Lode Lane, University’s Gotlieb Centre. Solihull, W Midlands. B91 2AN Solihull, W Midlands. B91 2AN NOVEMBER 2014 page 13 Roebuck Reports Her life is laid bare in the archives and Tina Sutton brings it to life and in the context of the time in this well presented book published by Pegasus. From a humble background Markova appealed to both the first night glitterati and everyday people. Sometimes overlooked today, she was a real pioneer of British ballet and firmly believed in ballet for everyone, not just an elite. An inspirational figure she overcome poverty, sexism, anti- Semitism, and not being thought “pretty” enough to succeed. In bringing some of the treasures of this archive to light Tina Sutton has done a great service to the dance community. The Making of Markova is not a book just for the dance historian or ballet student but written in a easy style with many photos in the 670 pages making it a handsome work for everyone with an interest in ballet and indeed people. This is an affordable Christmas treat at £12.99 and I have two copies to give away to a lucky reader! Just send your details to me at [email protected] before 27th November 2014 and the first two selected at random win. Ballet Boys ow also available as a DVD this inspiring film introduces us to three different young friends Nwho are passionate about ballet. As the boys near the end of high school they must decide if they have the commitment and talent for a professional career in dance. Friendships develop as the three compete for a place at the National Academy of Arts in Oslo and one auditions for a place at the Royal Ballet School in London. Vienna Festival Ballet ienna Festival Ballet celebrate their 34th anniversary with a UK tour from Vseptember to December 2014 bringing one of the most famous of the tchaikovsky great classics the Nutcracker. This seasonal delight promises to be an enchanting treat for ballet fans and interested observers alike. VFB have talented dancers including graduates from the Royal Ballet School, British, Australian and Italian soloists, and guest stars from Vienna and South Africa. It was the celebrated Austrian dancer Peter Mallek who founded the company, which he now directs, after his illustrious career as a dancer of international renown. The performances also offer an ideal opportunity to introduce children to the art and skills of ballet so are ideal for a group booking. Photo: VFB The Nutcracker page 14 NOVEMBER 2014 Roebuck Reports Poppea authier Dance is the dance ensemble of Theaterhaus Stuttgart with 14 uniquely talented dancers under the direction of the choreographer, Gdancer and musician Eric Gauthier. Founded in October 2007 the company has rapidly cut a niche for itself. Gauthier Dance’s trademark is ambitious choreography characterised by their humour, originality and technical virtuosity. For this production choreographer Christian Spuck was inspired by the story of the marriage of the Roman emperor Nero and Poppea Sabina. This DVD and Blue-ray disc is on the Euroarts label. To win a copy of the DVD send your details marked Poppea to competitions@ gavinroebuck.com by the 27 Nov 2014 and the first one selected a random wins. The Fairytale Ballets his box set of four magical ballets from opus Arte would make a delightful gift. Peter Wright’s The Sleeping Beauty from Dutch TNational Ballet with Sofiane Sylve and from the Paris Opéra Ballet – the worlds oldest ballet company - Cinderella in Nureyev’s production with the lovely Agnés Letseu, Coppélia staged by Patrice Bart with Dorothée Gilbert and Nureyev’s production of Swan Lake with Agnés Leteseu and José Martinez. These are four acclaimed productions of some of the greatest ballets. Perfection is a Killer or some elite dancers the pursuit of technical perfection, sometimes at the behest of modern choreographers, Fis killing artistry. Teachers in ballet companies and ballet schools can in part also be responsible for this with their deadly over emphasis on technique and flexability. Some dancers now seem to only engage with their public on social media, while on stage they are empty of real expression. There can be too much emphasis on high extensions, pyrotechnics, and the polished execution of steps from the waist down.
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