An Acknowledged Exponent of Classic European Cabaret
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98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city. -
PAT HOFFIE: Skatebowl in a Gallery, Ipswich Essay by Julianne Schultz
PAT HOFFIE: Skatebowl in a Gallery, Ipswich essay by Julianne Schultz MONA – the Museum of Old and New Art – is a glamorous curiosity box on the banks of the Derwent River at Glenorchy in working class Hobart. In just a few years it has been the catalyst of and economic and social transformation – crystallising the cultural essence of early twenty-first century Tasmania, and changing notions of productive work. In the process it has put the state on the global tourism agenda, providing opportunities for artists, craftspeople, performers and thinkers to find like minded souls and develop new businesses and to stretch the horizons and possibilities for countless others. Similar interventions are occurring around the world, as artists, entrepreneurs, local administrators and communities stretch the boundaries of engagement, creativity and art. Skatebowl in a Gallery, Ipswich is the most recent move into this space by the important Brisbane artist, Pat Hoffie. That this work, titled Immaterial Labour: Skatebowl Prounspace has found a home at the Ipswich Art Gallery is itself important – it is the juxtapostion of works like this in unexpected places, and with people who may not routinely visit a gallery, that adds to their power and impact. MONA is a great example. It is itself arguably as much a work of art – of genius – as some of the works assembled in its subterranean galleries and inspiring spaces. It is a product of vision and skill of one man, David Walsh, executed with unstinting precision using the proceeds of a form of work (gambling), which is more often thought of as play. -
ARSC Journal, Vol
WILLIE ROBYN: A RECORDING ARTIST IN THE 19205 (PART 2) By Tim Brooks Victor to Cameo The early 1920s must have been a heady time for young Robyn, with an exclusive Victor contract, a burgeoning stage and radio career, excellent reviews for his concert work, and talk of the Met. But by 1923 he had hit a plateau. The first setback was the loss ofhis agent, the enthusiastic Hugo Boucek. Boucek had run up large bills publicizing his artists. The economic depression of 1921-22 cut into concert revenues, and many concerts were canceled outright. Deeply in debt, Boucek skipped town, never to be heard from again. Left in the lurch, Robyn did not secure another agent, a move he later felt was a mistake. "I was the most mismanaged person that ever lived," he ruefully explained. The first matter he had to deal with was the expiration of his three-year Victor contract, in mid-1923. Victor was happy to renew, but for the same $7,000 per year as the previous term, and with Robyn still pretty much limited to the foreign series. Robyn insisted on more money, and another chance at popular recording. He made a new popular trial, "Dearest," on April 11th with Nat Shilkret accompanying on piano. Robyn scouted around for other options, and even made a test for Edison on May 24th. The test was reviewed by Thomas Edison himself, who noted of Robyn, 1 Has loud tremolo. Sings too loud. Ifsang less loud he would be much better and have less tremolo. He might do with proper songs. -
The Madonna Messenger Madonna Learning Center Transforming Lives, and Building a Brighter Future
The Madonna Messenger Madonna Learning Center Transforming Lives, and Building a Brighter Future What's Happening at MLC! Madonna is preparing for the school year in creave and innovave ways as we incorporate distance learning and safety procedures for staff and students. It is our goal to have everyone return to campus safely. Much has taken place over the summer to equip the school in meeng and exceeding Health Department guidelines. Instruction will include options for online and in person classes. Please connue to pray that we are able to offer our wonderful program for 2020-21 school year without interruptions. Jo Gilbert- Executive Director Together We Can What a Difference a Day Friends of Madonna Spotlight Mr. and Mrs. Tom Edwards Makes Grant Contest from Regions Bank Tom and Elaine Edwards visited our Christmas play in December and followed with a tour. From that Throughout the month of June, moment, they have been volunteering and Madonna Learning Center supporting Madonna every day. We are so blessed to participated in an online voting contest to win a $5,000 grant and a have them as part of the Madonna Family! day of service with Regions Bank. Our MLC families and friends voted for us each day, shared our posts and recruited family and friends to vote too. The level of commitment and love for Madonna was amazing to witness. We could not be more thankful for all of you. During the contest we received 24,468 votes putting us in second place. How amazing is that! We will receive a $2,500 grant from Regions and a day of service! We thank you for believing in Madonna! The contest showed us that the love for our students and trainees stretches far and wide! With some of the winnings, we were able to paint part of blacktop with the volunteers from Regions Bank and Leadership Germantown. -
The Public Humanities
The Public Humanities 10-11-12 November 2016 Hosted by the ARC Centre for the History of Emotions, the ACHRC, and Flinders University in Adelaide, South Australia The ACHRC conference on the Public Humanities focuses on a core aspect of humanities research that is particularly germane to research centres in universities and collecting institutions: the integral role of engagement with publics. This is really how the impact of our sector needs to be understood: in the long and dynamic threads of dialogue between researchers and publics on issues such as justice, creativity, decolonization, and heritage. The capacity of the humanities to deal with qualitative emotion as well as the quantitative facts of history and culture is crucial here. Any understanding of a cultures past, present, and future requires an articulation of feelings as well as of facts. Our aim is to bring together speakers with practical experience of programs that work so that our discussions are grounded in the pragmatics of public humanities. In Australia and New Zealand, government-led discussions of innovation and impact are mired in metrics that traduce the real public values of the sciences almost as completely as they ignore the HASS disciplines as a whole. We know about public value – its impact over time and in the lives of individuals – so this conference will be an opportunity build our case as a sector. Keynotes from: Professor Julianne Schulz, ‘Culture in the Age of Innovation’ Professor Thomas Dixon, ‘Unfriending and Weeping in Public’ 1 PROGRAMME Thursday -
Albumy Download
Albumy download click here to download Download the perfect album pictures. Find over + of the best free album images. Free for commercial use ✓ No attribution required ✓ Copyright-free. Find full free album download tracks, artists, and albums. Find the latest in full free album download music at www.doorway.ru Browse the top full free album download albums to find new music and discover artists. Scrobble songs to get recommendations on tracks you might like. Download Album Art Downloader for free. The Album Art Downloader is a program designed to make life easier for anyone who wishes to find. Download Free Photo Album. Free and safe download. Download the latest version of the top software, games, programs and apps in If you have enabled the option for viewers to download your album, they can easily download it from the album page. The album is downloaded as www.doorway.ru file to . Let your fans download your music for free! To set an album or single for free download: Go to your Music Library. Click the relevant album or single. Click. Music Tag Editor- An automatic MP3 tagger which identifies your music and then downloads its artwork and other music tags like track Title, Artist, Album and. Download Software per impaginare Album fotografici, fotolibri professionali, compat book e cornici. The UK Album Downloads Chart is compiled by the Official Charts Company ( OCC) on behalf of the music industry. Since July , the chart week runs from. FREE DOWNLOAD OF NEW ALBUM. In celebration of 10 years of our partnership with Volkswagen, we prepared a special gift for. -
Robyn Hitchcock's New Self-Titled
“Renewed, refreshed and irascibly rambunctious." - NPR ! "Hitchcock sounds more energised and vibrant than he has in decades" - Uncut #5 Billboard Heatseekers (US) #7 Americana Album Charts (UK) #18 Top Current Rock Albums (US) #73 Top Current Albums (US) ROBYN HITCHCOCK’S NEW SELF-TITLED LP IS OUT NOW! - THE MOST CRITICALLY ACCLAIMED ALBUM OF ROBYN’S ILLUSTRIOUS CAREER. ! ! PRESS NPR Music premiere of "I Want To Tell You About What I Want" Salon feature and "Raymond and The Wires" video premiere Billboard feature and EPK premiere US: Paste, American Songwriter, Nashville Scene, The Stranger, Consequence of Sound, Brooklyn Vegan, AP & more SXSW: NPR Music, Paste, American Songwriter & more International: Daily Mail, The Quietus, Q Magazine, Big Take Over Mag, Sunday Times, Record Collector, Americana UK, Uncut, MOJO, Wire Magazine! (pt 1, pt 2), The Independent, DPA & more ! RADIO #45 on Americana Chart #30 on College NACC Top 200 #27 on FMQB AAA Top 200 Non-comm Featured plays on key international radio stations around the world In Studios Confirmed: KCSN, Sirius XM The Loft, KEXP In Studios Completed: The Current, KDHX, WDET, WYEP, WVTF KUTX interview with Jody Denberg and David Fricke @ SXSW Marc Riley and Gideon Coe played "I Want To Tell You About What I Want” on 6 Music Artist of the week on Bayern2 radio (DE) “Autumn Sunglasses” is KCRW’s Top Tune WATCH THE OFFICIAL VIDEO FOR “RAYMOND AND THE WIRES” ! WATCH THE EXCLUSIVE PERFORMANCES FOR SAWYER SESSIONS FIND TOUR DATES HERE FIND TOUR DATES HERE FIND TOUR DATES HERE . -
THE ANNUAL FICTION EDITION Edited by Julianne Schultz Griffithreview34
Griffith 34 A quARTeRly oF wRiT inG & ideAs The AnnuAl GriffithReview34 The annual Fiction edition FicTion Claire aMan Mrs Dogwether’s bird moment ediTion roMy asH underwater e •the Re z ri g p r Tony BirCH The lovers ’ i s f f r i t GeorGia Blain enlarged + heart + child e h t i r KaTHleen BleaKley islands r v e w v i g e sally Breen sunny lodge w n i g e r m BarBara BrooKs searching for Monty ie e W H CHonG an abstract art CraiG CliFF offshore service w Dianne D’alpoiM archipelago Georgia Blain aMy espeseTH Free lunch 34 Craig Cliff asHley Hay elsie’s house ashley Hay Xavier HenneKinne The new capital Xavier Hennekinne KaTe laHey The big one-eyed dork Annual Fiction The Benjamin law BenJaMin laW post-nuclear Melissa lucashenko Maya linDen Forgetting Favel parrett niColas loW octopus Melissa luCasHenKo Friday night at the nudgel Chris Womersley MarGareT Merrilees sighting rottnest and more raCHael s MorGan Tryst Favel parreTT no man is an island JosepHine roWe The tank Julianne sCHulTz Time to don the bat wings THoMas sHapCoTT His grandfather Cory Taylor Continental drift elena WilliaMs Finding a florist in lidcombe Jane WilliaMs a matter of instinct CHris WoMersley The middle of nowhere e dition picTuRe GAlleRy MirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water www.griffithreview.com online-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, ournal Mette Jakobsen and Miriam zolin J erly erly T ‘as engaging as it is prescient.’ Weekend Australian Cover image by Jennifer Mills. -
Annual Report 2017–2018
Annual Report 2017–2018 LIVE PERFORMANCE AUSTRALIA Cover: 2018 Helpmann Awards Act II Finale - Funny Girl - The Musical Inside: 2018 Helpmann Award Winner - Mona Foma In 2017, the Australian live performance industry generated $1.88 billion in ticket sales with over 23 million attendances - that is more than the combined attendances at AFL, NRL, soccer, Super Rugby and cricket.* ( LPA Ticket Attendance and Revenue Survey 2017) *Australian Sporting Attendances 2017, Stadiums Australia ANNUAL REPORT 2017 – 2018 1 Contents About About Page 3 President & Chief Executive’s Report 4 Major Achievements 5 Industry Wide Initiatives 6 Workplace Relations 8 Live Performance Australia (LPA) is the peak body for Australia’s Policy & Programs 10 live performance industry. Established 101 years ago in 1917 Annual Ticket Attendance and registered as an employers’ organisation under the Fair and Revenue Report 11 Work (Registered Organisations) Act 2009, LPA has over 400 2017 Centenary Awards 12 Members nationally. We represent commercial producers, music 2018 Helpmann Awards 14 promoters, major performing arts companies, small to medium Member Services 18 companies, independent producers, major performing arts LPA Staff 20 centres, metropolitan and regional venues, commercial theatres, Financial Report 21 stadiums and arenas, arts festivals, music festivals, and service Executive Council 42 providers such as ticketing companies and technical suppliers. Members 44 Our membership spans from small to medium and not-for-profit Acknowledgements 46 organisations to large commercial entities. Current LPA Member Resources 48 LPA’s strategic direction is driven by our Members. LPA Members are leaders in our industry and their expertise is crucial to ensuring positive industry reform, whether by providing input to submissions or serving as a Member of LPA’s Executive Council. -
JOURNAL of the ROYAL HISTORICAL SOCIETY of QUEENSLAND The
JOURNAL of the ROYAL HISTORICAL SOCIETY OF QUEENSLAND Volume XIII, No. 8 November 1988 The Clem Lack Oration The Dawn of the Satellite Era in Australia by Cameron Hazlehurst Presented 24 March, 1988 With few exceptions, the coming of domestic satelhtes to Austraha has not yet engaged the attention of historians. The story began little more than a decade ago and it still unfolds as a significant issue in the political life of both the Commonwealth and the states. But where the phenomenon is so recent, the sources remain restricted, the actors are mostly reticent about their roles, and the historical profession is confronted by subjects of intimidating technical complexity, it is scarcely surprising that we await anything more than tantalisingly short narratives and manifestly tendentious ideological critiques. For anyone dependent, as most citizens are, on tabloid newspapers, popular magazines, and commercial television newscasts, the coming of the AUSSAT satellites may have seemed like a simple and heroic tale of technological progress and Dr Hazlehurst is a Fellow in History in the Research School of Social Sciences, Australian National University. He previously held senior public service posts and his books include Menzies Observed (1979) and Gordon Chalk (1987). 270 entrepreneurial inhiative. From this point of view, the inevitable progress would have been swifter, if governments had had the wisdom and discretion to keep their own interference to the absolute minimum. The popular media — self interested in this matter as its proprietors were — gave some glimpses of dissent and debate but characteristicahy left the ordinary person unenlightened about events and issues which were the subject of intense speculation, controversy, and contumely. -
Public Leadership—Perspectives and Practices
Public Leadership Perspectives and Practices Public Leadership Perspectives and Practices Edited by Paul ‘t Hart and John Uhr Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/public_leadership _citation.html National Library of Australia Cataloguing-in-Publication entry Title: Public leadership pespectives and practices [electronic resource] / editors, Paul ‘t Hart, John Uhr. ISBN: 9781921536304 (pbk.) 9781921536311 (pdf) Series: ANZSOG series Subjects: Leadership Political leadership Civic leaders. Community leadership Other Authors/Contributors: Hart, Paul ‘t. Uhr, John, 1951- Dewey Number: 303.34 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by John Butcher Images comprising the cover graphic used by permission of: Victorian Department of Planning and Community Development Australian Associated Press Australian Broadcasting Corporation Scoop Media Group (www.scoop.co.nz) Cover graphic based on M. C. Escher’s Hand with Reflecting Sphere, 1935 (Lithograph). Printed by University Printing Services, ANU Funding for this monograph series has been provided by the Australia and New Zealand School of Government Research Program. This edition © 2008 ANU E Press John Wanna, Series Editor Professor John Wanna is the Sir John Bunting Chair of Public Administration at the Research School of Social Sciences at The Australian National University. He is the director of research for the Australian and New Zealand School of Government (ANZSOG). -
Sydney Is Singularly Fortunate in That, Unlike Other Australian Cities, Its Newspaper History Has Been Well Documented
Two hundred years of Sydney newspapers: A SHORT HISTORY By Victor Isaacs and Rod Kirkpatrick 1 This booklet, Two Hundreds Years of Sydney Newspapers: A Short History, has been produced to mark the bicentenary of publication of the first Australian newspaper, the Sydney Gazette and New South Wales Advertiser, on 5 March 1803 and to provide a souvenir for those attending the Australian Newspaper Press Bicentenary Symposium at the State Library of New South Wales, Sydney, on 1 March 2003. The Australian Newspaper History Group convened the symposium and records it gratitude to the following sponsors: • John Fairfax Holdings Ltd, publisher of Australia’s oldest newspaper, the Sydney Morning Herald • Paper World Pty Ltd, of Melbourne, suppliers of original newspapers from the past • RMIT University’s School of Applied Communication, Melbourne • The Printing Industries Association of Australia • The Graphic Arts Merchants Association of Australia • Rural Press Ltd, the major publisher of regional newspapers throughout Australia • The State Library of New South Wales Printed in February 2003 by Rural Press Ltd, North Richmond, New South Wales, with the assistance of the Printing Industries Association of Australia. 2 Introduction Sydney is singularly fortunate in that, unlike other Australian cities, its newspaper history has been well documented. Hence, most of this short history of Sydney’s newspapers is derived from secondary sources, not from original research. Through the comprehensive listing of relevant books at the end of this booklet, grateful acknowledgement is made to the writers, and especially to Robin Walker, Gavin Souter and Bridget Griffen-Foley whose work has been used extensively.