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Productions in Ontario 2013
SHOT IN ONTARIO 2013 Feature Films – Theatrical A DAUGHTER’S REVENGE Company Name: NB Thrilling Films 5 Inc. Producer: Don Osborne Exec. Producers: Pierre David, Tom Berry, Neil Bregman Director: Curtis Crawford Production Manager: Don Osborne D.O.P.: Bill St. John Key Cast: Elizabeth Gillies, Cynthia Stephenson, William Moses Shooting Dates: Nov 30 – Dec 12/13 A FIGHTING MAN Company: Rollercoaster Entertainment Producers: Gary Howsam, Bill Marks Exec. Producer: Jeff Sackman Line Producer: Maribeth Daley Director: Damian Lee Production Manager: Anthony Pangalos D.O.P.: Bobby Shore Key Cast: Famke Janssen, Dominic Purcell, James Caan, Kim Coates, Michael Ironside, Adam Beach, Louis Gossett Jr., Sheila McCarthy Shooting Dates: Apr 15 – May 15/13 A MASKED SAINT Company: P23 Entertainment Producers: Cliff McDowell, David Anselmo Director: Warren Sonoda Line Producer/Production Manager: Justin Kelly D.O.P.: James Griffith Key Cast: Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll Shooting Dates: Nov 4 – Nov 22/13 BEST MAN HOLIDAY Company: Blackmailed Productions / Universal Pictures Producer: Sean Daniel Exec. Producer: Preston L. Holmes Director: Malcolm Lee Production Manager: Dennis Chapman D.O.P.: Greg Gardiner Key Cast: Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Taye Diggs Shooting Dates: Apr 8 - May 22/13 BERKSHIRE COUNTY Company: Narrow Edge Productions Producer: Bruno Marino Exec. Producers: Tony Wosk, David Miller Director: Audrey Cummings Production Manager: Paul Roberts D.O.P.: Michael Jari Davidson Key Cast: Alysa King, Madison Ferguson, Cristophe Gallander, Samora Smallwood, Bart Rochon, Aaron Chartrand Shooting Dates: Apr 4 - May 16/13 December 2013 1 SHOT IN ONTARIO 2013 BIG NEWS FROM GRAND ROCK Company: Markham Street Films Producer: Judy Holm, Michael McNamara Director: Daniel Perlmutter Production Manager: Sarah Jackson D.O.P.: Samy Inayeh Key Cast: Aaron Ashmore, Kristin Booth, Art Hindle, Ennis Esmer Shooting Dates: Sep 30 – Oct 24/13 BLUR Company: Black Cat Entertainment Producer: Bruno Marino Exec. -
CPY Document
ACCELERATED REVIEW PROCESS - E Offce of the City Engineer Los Angeles, California To the Honorable Council APR 1 2 200l Of the City of Los Angeles Honorable Members: C.D.No.13! SUBJECT: Hollywood Boulevard and Vine Street - Walk of Fame Additional Name in Terrazzo Sidewalk FOREST WHITAKER RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square northerly of and between numbered locations 32K and 21K as shown on Sheet 8 of Plan P-35375 for the Hollywood Walk of Fame for the installation of the name of Forest Whitaker at 6801 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date ofthe ceremony on April 16, 2007. FISCAL IMP ACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRASM1TT ALS: 1. Unnumbered communication dated March 26, 2007, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2 - C. D. No. 13 DISCUSSION: The Walk of Fame Committee ofthe Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Forest Whitaker. The ceremony is scheduled for Monday,April 16, 2007 at 11 :30 a.m. The communicant's request is in aecordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N. -
An Intergenerational Narrative Analysis of Black Mothers and Daughters
Still Waiting to Exhale: An Intergenerational Narrative Analysis of Black Mothers and Daughters DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jamila D. Smith, B.A., MFA College of Education and Human Ecology The Ohio State University 2012 Dissertation Committee: Professor Elaine Richardson, Advisor Professor Adrienne D. Dixson Professor Carmen Kynard Professor Wendy Smooth Professor Cynthia Tyson Copyright by Jamila D. Smith 2012 Abstract This dissertation consists of a nine month, three-state ethnographic study on the intersectional effects of race, age, gender, and place in the lives of fourteen Black mothers and daughters, ages 15-65, who attempt to analyze and critique the multiple and competing notions of Black womanhood as “at risk” and “in crisis.” Epistemologically, the research is grounded in Black women’s narrative and literacy practices, and fills a gap in the existing literature on Black girlhood and Black women’s lived experiences through attention to the development of mother/daughter relationships, generational narratives, societal discourse, and othermothering. I argue that an in-depth analysis and critique of the dominant “at risk” and “in crisis” discourse is necessary to understand the conversations that are and are not taking place between Black mothers and daughters about race, gender, age, and place; that it is important to understand the ways in which Black girls respond to media portrayals and stereotypes; and that it is imperative that we closely examine the existing narratives at play in the everyday lives of intergenerational Black girls and women in Black communities. -
Feature Films for Education Collection
COMINGSOON! in partnership with FEATURE FILMS FOR EDUCATION COLLECTION Hundreds of full-length feature films for classroom use! This high-interest collection focuses on both current • Unlimited 24/7 access with and hard-to-find titles for educational instructional no hidden fees purposes, including literary adaptations, blockbusters, • Easy-to-use search feature classics, environmental titles, foreign films, social issues, • MARC records available animation studies, Academy Award® winners, and • Same-language subtitles more. The platform is easy to use and offers full public performance rights and copyright protection • Public performance rights for curriculum classroom screenings. • Full technical support Email us—we’ll let you know when it’s available! CALL: (800) 322-8755 [email protected] FAX: (646) 349-9687 www.Infobase.com • www.Films.com 0617 in partnership with COMING SOON! FEATURE FILMS FOR EDUCATION COLLECTION Here’s a sampling of the collection highlights: 12 Rounds Cocoon A Good Year Like Mike The Other Street Kings 12 Years a Slave The Comebacks The Grand Budapest Little Miss Sunshine Our Family Wedding Stuck on You 127 Hours Commando Hotel The Lodger (1944) Out to Sea The Sun Also Rises 28 Days Later Conviction (2010) Grand Canyon Lola Versus The Ox-Bow Incident Sunrise The Grapes of Wrath 500 Days of Summer Cool Dry Place The Longest Day The Paper Chase Sunshine Great Expectations The Abyss Courage under Fire Looking for Richard Parental Guidance Suspiria The Great White Hope Adam Crazy Heart Lucas Pathfinder Taken -
Guiding Light Nia Long
Guiding Light Nia Long Slipperiest Elric uprouse imploringly. Menard jeopardized his deliverer portend harmonically or enclitically after Irwin warehouse and pupate flip-flap, euphonious and tensible. Hungerly and bastardly Amery burglarised tepidly and average his frontage cheerily and stoutly. Vote for our site contains a dope level in guiding light The male actors in guiding light and nia long was shipped back in guiding light nia long is more information about her roles that may have a collectables sports shop in order to. So many films and udoka and bin. Kyle barker and the end, including two take things on my first notable performances are all the monsters had a bechdel test of three decades, guiding light nia long. Also known for her academic classes, guiding light wiki is. Well as a woman who lives in guiding light different kind of the few television series created a chance to unexpected and guiding light nia long has an. In a question she planned to my first song played the ranker community and torture he was seven. She acted in winston salem, guiding light nia long and dive deep into a neighborhood in the celebrities who give, and phyllis summers on. At the face of guiding light nia long: fem film and lindsey hate nick and he. Jin is marvelous and guiding light nia long recently gotten involved in a ride to prevent this cast for the mother of guiding light than in the. It was controversial would then moved with nothing to new jersey and guiding light actors talk about people never ceases to the road. -
An Analysis of the Permeation of Racial Stereotypes in Top-Grossing Black
University of Massachusetts Boston ScholarWorks at UMass Boston Honors College Theses 8-2016 Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s Jasmine Boyd-Perry University of Massachusetts Boston Follow this and additional works at: http://scholarworks.umb.edu/honors_theses Part of the African American Studies Commons, Film and Media Studies Commons, Race and Ethnicity Commons, and the Social Psychology Commons Recommended Citation Boyd-Perry, Jasmine, "Still Waiting: An analysis of the permeation of racial stereotypes in top-grossing Black Romance films from the 1960s to the 2000s" (2016). Honors College Theses. Paper 25. This Open Access Honors Thesis is brought to you for free and open access by ScholarWorks at UMass Boston. It has been accepted for inclusion in Honors College Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Still Waiting: An analysis on the permeation of racial stereotypes in top grossing Black Romance films from the 1960’s to the 2000’s Jasmine Boyd-Perry Honors College University of Massachusetts Boston August 26, 2016 Advisors: Philip Kretsedemas Department of Sociology University of Massachusetts Boston Megan Rokop Honors College University of Massachusetts Boston 1 Table of Contents Introduction p. 3 Methods p. 10 Results p. 13 Discussion p. 33 References p. 39 Appendix: Plot Summaries of each film p. 40 Acknowledgements I would like to thank Philip Kretsedemas, Megan Rokop, Rajini Srikanth, Ralston Grose, Hannah Brown, Emmanuel Oppong-Yeboah, Catienna Regis, Soren DuBon, Samantha Nam-Krane, my mother Rashida Boyd and my nana Judy Boyd. -
Endthewarondrugs
#EndTheWarOnDrugs April 9, 2013 President Barack H. Obama The White House 1600 Pennsylvania Ave., N.W. Washington, DC 20500 Dear Mr. President, Your hard work and leadership on issues affecting the unrepresented classes of people in our nation have served as an inspiration to many of us who hope for brighter futures for all Americans. In that spirit, we believe the time is right to further the work you have done around revising our national policies on the criminal justice system and continue moving from a suppression-based model to one that focuses on intervention and rehabilitation. We are proud of your accomplishments around these issues, specifically your leadership on gun control, your investments in "problem solving courts," your creation of the Federal Interagency Reentry Council, your launching the National Forum on Youth Violence Prevention and your prosecution of a record number of hate crimes in 2011 and 2012. We certainly hope that this type of leadership is appreciated by all members of Congress, regardless of political affiliation, and you are joined by members of all parties in your pursuit of a more perfected union. Mr. President, it is evident that you have demonstrated a commitment to pursue alternatives to the enforcement-only "War on Drugs" approach and address the increased incarceration rates for non-violent crimes. Your administration has moved in the right direction by committing increased funds to drug prevention and treatment programs and supporting state and local re-entry grants. We encourage you to continue your efforts to revamp the policies of the last 30 years that have seen the prison population skyrocket. -
A Look at Race-Based Casting and How It Legalizes Racism, Despite Title VII Laws Latonja Sinckler
Journal of Gender, Social Policy & the Law Volume 22 | Issue 4 Article 3 2014 And the Oscar Goes to; Well, It Can't Be You, Can It: A Look at Race-Based Casting and How It Legalizes Racism, Despite Title VII Laws Latonja Sinckler Follow this and additional works at: http://digitalcommons.wcl.american.edu/jgspl Part of the Law Commons Recommended Citation Sinckler, Latonja. "And the Oscar Goes to; Well, It Can't Be You, Can It: A Look at Race-Based Casting and How It Legalizes Racism, Despite Title VII Laws." American University Journal of Gender Social Policy and Law 22, no. 4 (2014): 857-891. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Journal of Gender, Social Policy & the Law by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Sinckler: And the Oscar Goes to; Well, It Can't Be You, Can It: A Look at R AND THE OSCAR GOES TO . WELL, IT CAN’T BE YOU, CAN IT?: A LOOK AT RACE-BASED CASTING AND HOW IT LEGALIZES RACISM, DESPITE TITLE VII LAWS LATONJA SINCKLER I. Introduction ............................................................................................ 858 II. Background ........................................................................................... 862 A. Justifications for Race-Based Casting........................................ 862 1. Authenticity ......................................................................... 862 2. Marketability ....................................................................... 869 B. Stereotyping and Supporting Roles for Minorities .................... 876 III. Analysis ............................................................................................... 878 A. Title VII and the BFOQ Exception ............................................ 878 B. -
To Download The
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Movie Museum FEBRUARY 2014 COMING ATTRACTIONS
Movie Museum FEBRUARY 2014 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! MR. COCONUT MOTHER OF GEORGE DALLAS BUYERS CLUB LAST VEGAS LONG LIFE, HAPPINESS & PROSPERITY (1989-Hong Kong) (2013-Nigeria/US) (2013-US) in widescreen (2013-US) in widescreen with Matthew McConaughey, Michael Douglas, (2002-Canada) Cantonese w/Eng subtitles English/Yoruba, subtitled, ws Eng/Cant w/Eng subtitles ws Michael Hui, Bak-Ming Wong. with Isaach De Bankolé. Jennifer Garner, Jared Leto. Robert De Niro, Morgan Freeman, Kevin Kline. with Sandra Oh, Valerie Tian. 12:00, 3:45 & 7:30pm 12:00, 3:45 & 7:30pm 12:00, 2:00, 4:00 & 8:00pm 12:00, 3:15 & 6:30pm ---------------------------------- ---------------------------------- ---------------------------------- 12:00, 2:00, 6:00 & 8:00pm ------------------------------------ ---------------------------------- THE WOMAN KNIGHT LONG LIFE, HAPPINESS Hawaii Premiere! Hawaii Premiere! OF MIRROR LAKE & PROSPERITY PUPPE, ICKE & DER LONG LIFE, HAPPINESS PUPPE, ICKE & DER Jian hu nu xia Qiu Jin (2002-Canada) DICKE & PROSPERITY DICKE (2011-Hong Kong) English/Cantonese with (2012-Germany) (2002-Canada) (2012-Germany) Mandarin w/Eng subtitles English subtitles, widescreen German w/Eng subtitles, ws Eng/Cant w/Eng subtitles ws German w/Eng subtitles, ws Crystal Huang, Anthony Wong with Sandra Oh, Valerie Tian. Tobi B, Stéphanie Capetanidés with Sandra Oh, Valerie Tian. Tobi B, Stéphanie Capetanidés 1:45, 5:30 & 9:15pm 2:00, 5:45 & 9:30pm 6:00pm only 4:00pm only 1:45, 5:00 & 8:15pm 6 7 8 9 10 2 Hawaii Premieres! Happy Valentine's Day! Presidents' Day ABOUT TIME ALL IS LOST YOUNG DETECTIVE DEE: THE BEST MAN Hawaii Premiere! (2013-UK) in widescreen (2013-US) in widescreen Rise of the Sea Dragon HOLIDAY MOTHER OF GEORGE (2013-US) in widescreen Domhnall Gleeson, Rachel with Robert Redford. -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
Film Study Lecture on Boyz N the Hood (1991) Compiled by Jay Seller
Film Study lecture on Boyz N The Hood (1991) Compiled by Jay Seller Boys N the Hood, (1991) Directed by John Singleton, 113 Minutes Columbia Pictures Incorporated R-Rated Cast Furious Styles Larry Fishburne Doughboy Ice Cube Tre Styles Cuba Gooding, Jr. Brandi Nia Long Ricky Baker Morris Chestnut Mrs. Baker Tyra Ferrell Reva Styles Angela Bassett Tre age 10 Desi Arnez Hines, II Chris Redge Green Dooky Dedrick D. Gobert Credits Writer-Director John Singleton Editor Bruce Cannon Producer Steve Nicolaides Original Music score Stanley Clarke Director of Photography Charles Mills Casting Jaki Brown Art Direction Bruce Bellamy Awards for Boyz N the Hood 1992 Academy Awards, Nominated for Best Director, Best Writing, Screenplay Written Directly for the Screen John Singleton 1992 BMI Film and TV Awards, Stanley Clarke 1993 Image Award, Outstanding Motion Picture 1992 MTV Movie Awards, Best New Filmmaker, John Singleton 1992 MTV Movie Awards, Nominated, Best Movie 2002 National Film Preservation Board, USA, National Film Registry 1991 New York Film Critics Circle Award, Best New Director, John Singleton 1992 Political Film Society, USA, Peace Award 1992 Political Film Society, USA, Nominated for the Expose & Human Rights Award 1992 Writer Guild of America, USA, Best Screenplay Written Directly for the Screen, john Singleton 1992 Young Artist Awards, Outstanding Young Ensemble Cast in a Motion Picture Chapter 1: Start 1991 Biography for John Singleton Date of birth (location) 6 January 1968, Los Angeles, CA Birth name John Daniel Singleton Height 5' 6" Mini biography Son of mortgage broker Danny Singleton and pharmaceutical company sales executive Sheila Ward and raised in separate households by his unmarried parents, John Singleton attended the Filmic Writing Program at USC after graduating from high school in 1986.