Influence of Tantra in the Rituals of Shree Jagannath

Total Page:16

File Type:pdf, Size:1020Kb

Influence of Tantra in the Rituals of Shree Jagannath Odisha Review ISSN 0970-8669 Influence of Tantra in the Rituals of Shree Jagannath Dr. Sarbeswar Sena hree Jagannath, the Lord of the Universe is Sworshipped in the form of Daru Devata (wooden-incarnation) in Shreemandir of Nilachal Dham (Puri). He is world famous as Daru Brahma. In the body of the deity the Brahma (the mystic syllable of Om) is placed; so He is Daru Brahma. But people address Him in thousand names. Similarly followers of different religions have tried their best to establish Jagannath as their tutelary deity but still He is mysterious. No one is able to guess His beginning or end. His supper human power is beyond any thought, belief and imagination. Yogis remaining So the learned have accepted Daru in meditation for years together are not able to Brahma as the puranapurusha (a progenitor, meet the almighty, Shree Jagannath. He is the God) and worship Him with deep devotion. paramount ruler and under His direction and will Shree Jagannath is a symbolic deity. the whole world is governed. He is the source of Hence He has become an easy accept for all all powers because Brahma is the only truth and religions. For Vedic Aryans He is Bhu, Bhurva, the world is meaningless.(Brahma Satyam, Swah, for Buddhist, Buddha, Dharmo, Sangho, Jaganmithya). Brahma is hand and legless but for Yogis, ida (an artery supposed to run on the inspires all to move, without eyes sees everything left side spinal cord), pingala (a particular tubular and being earless listens to the supplication of the vessel of the body), sushumna (the name of an devotees. This has been narrated in artery of the body), for Shaibas, parvati, Shiva, Swetaswetara Upanishad, Ganesh and for the wise He is Maha Laxmi, “Apanipadojavanagrahita Maha Kali and Maha Saraswati. In the Veda Pashyatachakshuhsashrunotwakarnah Jagannath is described as chaturddhamurtti Sabettibedyanatasyastibetta (four fold incarnations) i.e. Balabhadra, Tamahuragyampurushampuranam.” Subhadra, Jagannath and weapon Sudarshan. July - 2016 69 ISSN 0970-8669 Odisha Review In Bhagavadgita Bhagavan Shree Krishna has word. Among its other synonymous words, narrated before Arjun, Nirmalya and Kaivalya are familiar ones. According to the tantric doctrine Asta Shakti “Jejatha mam prapadyante, (eight powers) safeguard the religious centre. Tamstathaibabhajamyahm Same is also marked in Jagannath temple. Mama batmranubartantemanushyaha, Mangala, Vimala, Sarva Mangala, Parthasarbashah.” Ardhashosini, Alamchandi, Kalaratri, (In the way the devotees reciprocate me Marichika, Chandarupa are the eight powers Partha, I also reciprocate in the same way, for placed in the south east, west, north west, north, people in all respect follow my path.) Hence, Shree north east, south, east and south west direction Jagannath is above all religious concept. respectively of Jagannath temple. Originally the name of Jagannath is not Kapalamochana, Jameswar, Isaneswar, mentioned in the Vedas but mentioned in the Markandeswar, Bileswar, Nilakantha, Tantric scriptures. Moreover the system of idol Bateswar and Mahesha (Loknath) are the eight worship is not there during the Vedic age, though Rudras protecting the temple. Jagannath is the names of many Gods are mentioned in it. They regarded as Vairav and Vimala the Vairavi. The are worshipped only through Jajna (a religious paintings of Dasha Maha Vidya, Vagadarshini, offering). But in tantric method of worship an Chhaya Maya and Kali in Vimala temple are image is very much essential. Hence the tradition the Tantric Devis. In temple enclosure and outside of idol worship in Shreemandir is nothing but a images of many tantric side deities are displayed. tantric method. It is also pertinent to mention that Just like a tanric deity on a Yantra (an not only now but also long time ago Indian implement), Balavadra, Shuvadra and religious concept has been dependant on two Jagannath are inhered on the Tara, cultures i.e. Nigam (the Vedic) and Agama Bhubaneswari and Shyama Yantra respectively, (Tantric). Shree Jagannath is the tantric deity, inscribed on Ratna Singhasan. although different scholars have made an attempt Bamachar method of tantric worship is to establish Him of the religion and culture of narrated in the ritual of Shree Jagannath. Shavara, Vedic, Brahmanya, Buddhism and Accordingly Pancha Ma Kara (fine objects used Jainism. The side deities, system of their worship in tantric worship) such as wine, fish, meat, in Jagannath temple are the clear symbol of the maithuna (sexual union) and mudra (gesture) are tantric concept. offered to the deity.Indirectly it is also observed Shree Jagannath is worshipped on in the worship of Jagannath. Nutmeg juice and Vairava Chakra and known as Vairav. The coconut water in bell metal plate, Birhi (a kind of offering to Him is Mahaprasad. It is also a tantric pulse)-cake, ginger, raw sugar, half naked dance 70 July - 2016 Odisha Review ISSN 0970-8669 of devadasi and yoni mudra exhibition are the Only Indian joint 3rd month Ashadha is accepted symbol of Pancha Ma Kara that are offered to for Navakalevar ritual. People in general are with Jagannath. Mendha Mundia Khechudi (a the conception that it occurs in every 12 years is hotchpotch of rice and spices) is used in the a wrong one. As per historical records joint adoration of the deity in the specific Thali (metal Ashadha falls in 8, 11, 19 and 27 years difference. plate). Some are in the opinion that in the past the Last Navakalevar ritual has been observed in head of sheep has been offered to Jagannath. 1996 and after 19 years the same is performed in All the above facts justify that tantric concept in 2015. the temple service are pre-eminent. Similarly the Navakalevar ritual is deeply influenced most important ritual, Navakalevar is also by Vaishnavism but impact of tantric worship influenced by the same concept. also plays an important role. The first phase of Navakalevar (the periodical renewal of the said ritual is Banajaga and it begins from the the wooden body-divine of the deities) is the most tenth lunar day of bright fortnight in the 12th Indian important ritual in Jagannath culture. As per month Chaitra. A group from the different classes Hindu religious tradition the same ritual is observed of priests and servants attached to Jagannath in Joda Ashadha (a joint third Indian month, June- temple like Daita, Pati Mohapatra, Purohita, July), usually called Malamasa (an intercalary Viswakarma (an epithet of the architect of gods), month)/Adhimasa (an excess month). Generally, Lenka, Kahalia (a trumpeter) and some temple in between two Sankrantis (the passage of sun police start in a procession in quest of Daru for from one zodiac sign to another/ the first day of the construction of new deities. They take rest in Indian month) if double Amabasyas (the day of Jagannath Vallabha math, and then proceed for the new moon) fall, then it is accepted as the Deuli math of Kakatpur situated by the bank of intercalary month. The same month is narrated in river Prachi. Once upon a time the same was Hindu scriptures as Purusottama month. The the abode of Mangala. Later on a new temple is intercalary month is determined as per astrological built and Mangala has been shifted to it. It is only calculation, based on the movement of the Moon. a legendary belief. Mangala of Kakatpur, The Moon takes 27 days 7 hours and 43 minutes Bhagabati- Banapur, Charchika-Banki, for revolving once in the zodiac. By that time the Sarala-Jhankada, Ramachandi-Konark, sun also revolves in the same. Hence for the Harchandi-Brahmagiri, Alamchandi- meeting of the both, the Moon takes Atharanala and Ugratara-Bhusandapur are approximately 29 and 1/2 days. As per the solar the eight pillar-powers that guard Shreekshetra. demonstrated calculation after 2 years, 8 months, They are the tantric goddess. Among them the 16 days and 16 Danda (6 hours and 24 minutes), role of Mangala of Kakatpur in Navakalevar the lunar month is of four fortnights instead of two. ritual is the most important one. Without her grace July - 2016 71 ISSN 0970-8669 Odisha Review the search of Daru is impossible. For her Baikuntha, Patala Baikuntha, Leela benediction the Banajaga team first moves to Baikuntha, Brahma Baikuntha, Ananta Mangala and completely surrender them before Baikuntha and Naba Baikuntha. Kaivalya her. Then the worship of the goddess is performed Baikuntha is popularly known as Koili in tantric process. After purification of the temple, Baikuntha. Baikuntha is the abode of Lord the Smarta Brahmins recite ‘Samputachandi’ Vishnu and Koili the degenerated word of and other Brahmins pray her in Swapnavati Kaivalya that means the relinquishment of the organ Mantra. At the same time the Daitas completely of sense and sole existence of soul. During surrender them to get the blessings of the goddess. Navakalevar ritual the construction of new Being pleased Mangala indicates the direction of deities, consecration of Brahma in them and divine Darus. Accordingly the Banajaga team proceeds burial rituals of old images are performed in Koili and collects Darus for four deities after completion Baikuntha. The old deities take heavenly rest. of all sorts of worship and traditions. Not only in Hindu mythologies have described it as ‘Golaka Mangala temple but also in Banajaga near Vishram’. All those rituals in Koili Baikuntha selected Daru tantric Mantras are recited and are related to tantric concept. Besides,during the special sacrifice of pumpkin-gourd near it are consecration of deities, fish offering to Dasha some aspects of tantric system. After collection Digapal in the North East corner of the of Darus those are brought to Shreemandir consecration arbour are just like the tantric through the north gate and kept in the Daru Sala practice. After sacrifice of Magura and Sheula (an edifice meant for construction of deities) at (kinds of fishes) the blood and fish are offer to Koili Baikuntha (the rest abode of Jagannath) eight powers, the Varahi, Nrusinghi and and worshipped daily.
Recommended publications
  • Sacred Union
    SACRED UNION Awakening to the Consciousness of Eden Also by Tanishka The Inner Goddess Makeover Sacred Union: Awakening to the Consciousness of Eden, Volume One: Creating Sacred Union Within Coming Soon Sacred Union: Awakening to the Consciousness of Eden, Volume Three: Creating Sacred Union in Community SACRED UNION Awakening to the Consciousness of Eden By TANISHKA Volume Two: Red Tantra Creating Sacred Union in Partnership Copyright © 2014 by Tanishka All rights reserved. No part of this book may be reproduced by any mechanical, photographic or electronic process, or in the form of a phonographic recording; nor may it be stored in a retrieval system, transmitted, or otherwise copied for public or private use—other than 'fair use' as brief quotations embodied in articles and reviews— without the prior written permission of the publisher. The intent of the author is only to offer information of a general nature to assist in personal growth and self-awareness. In the event you use any of the information contained within this book, as is your legal right, no responsibility will be assumed by the publisher for your actions. First Printing: 2014 ISBN: 978-0-9874263-3-8 Published by Star of Ishtar Publishing P.O. Box 101, Olinda VIC 3788 Australia www.starofishtar.com Dedication To those who are dedicated to restoring the sacred balance of opposites here on Earth. Acknowledgements I would like to thank the Christ, the Magdalene, Ishtar, Gaia, Luna and Sol for pouring their teachings through me as a channel, as well as their patience and faith in me to birth this book.
    [Show full text]
  • Redgrove Papers: Letters
    Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 .
    [Show full text]
  • HV¶Cv SZX Sc`Eyvc Z >RYR+ Dyzg DV R
    67 * $/ 8$ 9*1 &8$ 9*1 9 !&''!( !"#$% &!")$* 7 :7,7 7 ! " # ""#$!#% %#%#% 77 ; ,, < +50 , #&#%%# !) 0( = %$& 11*$/* ! "#$ #%&!%'&( ) R R " Q$R Q R hief Minister Naveen CPatnak on Monday rub- bished Congress president Rahul Gandhi’s allegation of a he Central Government is ‘secret understanding’ between Tyet to release a total pend- Patnaik and Prime Minister ing amount of 6,400 crore for Narendra Modi. Odisha with hardly one month On the sidelines of an offi- left for the current financial he ruling saffron alliance cial meeting in New Delhi, year to end, said Chief Minister Tpartners on Monday when reporters asked him Naveen Patnaik on Monday. !"### indulged in posturing over a about Gandhi’s allegation dur- After reviewing the pend- $ %&" '() possible tie-up between them !" # ing his recent visit to ing issues with the Government $ *" +## for the forthcoming Lok Sabha Bhubaneswar that Modi of India officers at the Odisha $ % , polls, with the Shiv Sena con- and 22 seats respectively in the but said, “We have not received remote-controls Patnaik, the Bhawan, Patnaik said more -)# $ &$%*% tending that it was a “big broth- State. The two parties had put any proposal from the BJP. Nor Chief Minister replied in Union Minister Dharmendra Asked about his sister Gita than 1,000 crore for housing, / * / er” in Maharashtra and the BJP up a spectacular performance has any BJP leader met Uddhav his style that the accusation Pradhan’s claim that Patnaik is Mehta declining the Padma over 375 crore for health, retaliating that it was not “help- in the polls by together winning Thackeray in this regard”.
    [Show full text]
  • 247 Medieval Devanganas : Their Individual Motif
    247 CHAPTER - VI DEVANGANA SCULPTURAL IMAGE STUDY PART-II - POST GUPTA AND MEDIEVAL DEVANGANAS : THEIR INDIVIDUAL MOTIF ANALYSIS 1. SVASTANASPARSA 2. KESHANISTOYAKARINI 3. PUTRAVALLABHA 4. KANDUKAKRIDA 5. VASANABHRAMSA 6. MARKATACESTA 7. VIRA 8. DARPANA 9. PRASADHIKA 10. ALASA 11. NATI-NARTAKI 12. NUPURAPADIKA-SANGITAVADINI 248 CHAPTER - VI DEVANGANA SCULPTURE IMAGE STUDY PART - II : VI. 1 POST GUPTA AND MEDIEVAL DEVANGANAS : THEIR INDIVIDUAL MOTIF ANALYSIS 13 The overlapping of meaning in the imageries of Salabhanjika, nadi devis, nayika-kutilaka group, mithunas, aquatic motifs, varuna etc.j implicit in their representation on religious architecture now lead us to the study of individual devangana imageries. In doing so our attention will focus on their varied representations and the contexts in which they have been placed on temple architecture. The aquatic connection emerges as major connecting link between the graceful imageries of celestial womeni often interpreted by scholars as representations of nayikas in stages of love and exhibiting their charms. Often looked at by scholars as apsaras, those infamous alluring 1 snarelike characters of the puranas, who when depicted on the temples^ perform their graceful charms on the spectators. The antithesis between woman and wisdom, sorrow lurking behind the sensual; are observed by some as the reasons why the so called apsaras are carved in profusion on the temple walls. This does not appear convincing. The intention with which I have built up the base, bridging the Salabhanjika, yaksini, nadidevis and apsaras, is to unravel the more chthonfc level of meaning which can be traced back to the Vedic sources. The presence of the woman is ever auspicious and protective, her nourishing aspect and the sensual aspect fuse together or imply fertility, and these concepts have remained in the Indian human psyche 249 perenninally, It is only the contemporary representation which changes the form and hence,? Khajuraho devanganas appear over sensuous than Jaga"t or Matnura yaksis.
    [Show full text]
  • List of Elligible Candidates to Appear Written Examination in The
    List of elligible candidates to appear written examination in the Recruitment-2019 for the post of Jr-Clerk/Jr-Clerk-Cum-Typist for D.L.S.A, Rayagada and TLSCs scheduled to be held on 08.12.2019(Sunday) Sl. No. Name of the Applicant Father's name Gender Category Present Address Roll No. At-Muniguda, Po-Muniguda, 1 JC/JT-001 G.Binay Kumar G.Nageswar Rao Male SEBC Dist- Rayagada, Pin-765020 Adarsh Nagar, Lane-4, Po- Haris Chandra 2 JC/JT-002 Uma Maheswari Bauri Female SC Gunupur, Dist- Rayagada, Pin- Bauri 765022 At- Haripur, Po- Kabirpur, Ps- 3 JC/JT-003 Sankarsan Das Raghunath Das Male UR Kuakhia, Jajpur, 755009 At-Bariabhata, Po- Sodabadi, Ps- 4 JC/JT-004 Debendra Khara Nila Khara Male SC Bandhugaon, Dist- Koraput Pin-764027 At-Bariabhata, Po- Sodabadi, Ps- 5 JC/JT-005 Sanjeeb Kumar Khora Nila Khora Male SC Bandhugaon, Dist- Koraput Pin-764027 Priyanka Priyadarsini At- Nuasahi, Bidanasi, Po/Ps- 6 JC/JT-006 Jayaprakas Das Female UR Das Bidanasi, Dist- Cuttack, 753014 At- Nuasahi, Bidanasi, Po/Ps- 7 JC/JT-007 Jyoti Ranjan Das Jayaprakas Das Male UR Bidanasi, Dist- Cuttack, 753014 Balamukunda At- Gouda Street, Po- Bissam- 8 JC/JT-008 Deepty Khuntia Female UR Khuntia cuttack, Dist- Rayagada, 765019 Balamukunda At- Gouda Street, Po- Bissam- 9 JC/JT-009 Tripti Khuntia Female SEBC Khuntia cuttack, Dist- Rayagada, 765019 Biswanath Nagar- 1st Lane, Po- Panchanana 10 JC/JT-010 Manas Satapathy Male UR Lanjipalli, Gosaninuagaon, Satapathy Berhampur, Ganjam, Odisha, Pin-760008 Ramatalkies Backside, Rayagada, Santosh Kumar 11 JC/JT-011 Sadasibo Tripathy Male UR Near M.S.M.E Office Rayagada Tripathy Pin- 765001 L.P-86, Stage-1, Laxmisagar, 12 JC/JT-012 Punyatoya Sahoo Ranjan Sahoo Female UR B.D.A Colony, Laxmisagar, Bhubaneswar, 751006 At- Jeypore Sambartota, Dist- 13 JC/JT-013 Sudhakar Sahu Uma Charan Sahu Male UR Koraput, 764001 Late At/Po- Omkarnagar, 14 JC/JT-014 Kunja Bihari Pattnaik Debendranath Male UR Purunagada, Jeypore, Dist- Pattnaik Koraput, 764003 At- Rrit Colony, Q.R No.
    [Show full text]
  • Aghoreshwar Bhagawan Ram and the Aghor Tradition
    Syracuse University SURFACE Maxwell School of Citizenship and Public Anthropology - Dissertations Affairs 12-2011 Aghoreshwar Bhagawan Ram and the Aghor Tradition Jishnu Shankar Syracuse University Follow this and additional works at: https://surface.syr.edu/ant_etd Part of the Archaeological Anthropology Commons Recommended Citation Shankar, Jishnu, "Aghoreshwar Bhagawan Ram and the Aghor Tradition" (2011). Anthropology - Dissertations. 93. https://surface.syr.edu/ant_etd/93 This Dissertation is brought to you for free and open access by the Maxwell School of Citizenship and Public Affairs at SURFACE. It has been accepted for inclusion in Anthropology - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract Aghoreshwar Mahaprabhu Baba Bhagawan Ram Ji, a well-established saint of the holy city of Varanasi in north India, initiated many changes into the erstwhile Aghor tradition of ascetics in India. This tradition is regarded as an ancient system of spiritual or mystical knowledge by its practitioners and at least some of the practices followed in this tradition can certainly be traced back at least to the time of the Buddha. Over the course of the centuries practitioners of this tradition have interacted with groups of other mystical traditions, exchanging ideas and practices so that both parties in the exchange appear to have been influenced by the other. Naturally, such an interaction between groups can lead to difficulty in determining a clear course of development of the tradition. In this dissertation I bring together micro-history, hagiography, folklore, religious and comparative studies together in an attempt to understand how this modern day religious-spiritual tradition has been shaped by the past and the role religion has to play in modern life, if only with reference to a single case study.
    [Show full text]
  • Nabakalebara (The Function of New-Embodiment)
    Odisha Review July - 2013 Nabakalebara (The Function of New-Embodiment) Durgamadhab Dash God is Nirakara. He has no form. Yet, He is omnipresent. He is all-powerful and pervades the entire universe. In this sense, He is the foremost supreme energy of the cosmic creation. But in the popular customary sense, the Lord in the Grand Temple at Puri has a divine body. He has a definite divine form. His peripheral deities have also their own individual divine forms. The Lord, peculiarly enough, is also subject to decay and dissolution. He is said to decamp from the Temple after a certain period of time. This ritual is ceremoniously observed in the Grand Temple. It is written in the “Bhagabat”, a popular Dharma Shastra of the Hindus that everybody in this Nabakalebara is thus an important universe is perishable in nature. Even the inanimate function of the Grand Temple. In the etymological objects are subject to decay and destruction. The sense, it is a ritual pertaining to the new world, in this sense, is transient in nature. But embodiment of the deities. This ritual is normally ‘Atma’ that exists in everybody is self-existent. celebrated in a year having “double-Ashadha” or It has no death. It is eternal. It was there in the two Ashadhas in the Hindu almanac. Generally, past. It persists in the present. It will also subsist such occasions arise at long intervals varying from in future. It is always permanent. Body perishes nine to nineteen years. The Nabakalebar function but not the soul. In the analogy of this spiritual is necessarily unavoidable as a consequence of truth, the four divine deities of the Grand Temple the fact that the images of the Jagannath Temple - Sri-Balabadra, Devi Subhadra, Sri Jagannath are made of Neem wood and such wooden and Sri Sudarsan-relinquish their old bodies.
    [Show full text]
  • Awakening the Feminine Force Shakti Tantra in Contemporary Amsterdam
    Awakening the Feminine Force Shakti Tantra in Contemporary Amsterdam Student: Jessica de Fauwe; Student number: 10346295; Supervisor: Marco Pasi; Second reader: Manon Hedenborg White; Master’s thesis: Religious Studies; Track: Western Esotericism; Date: 13-08-2019 Contents 1. Introduction ......................................................................................................................................................... 3 Aim and research question ................................................................................................................................. 4 Contribution of this study .................................................................................................................................... 5 Outline ...................................................................................................................................................................... 6 A note on spelling and definitions .................................................................................................................... 6 2. Theoretical background................................................................................................................................... 8 Feminism and the question of femininity ........................................................................................................ 8 The politics of spirit and sex ..............................................................................................................................
    [Show full text]
  • 51 History and Culture of Indian Temples:An
    ISSN:2277-7881; IMPACT FACTOR :6.514(2021); IC VALUE:5.16; ISI VALUE:2.286 Peer Reviewed and Refereed Journal: VOLUME:10, ISSUE:3(7), March:2021 Online Copy Available: www.ijmer.in HISTORY AND CULTURE OF INDIAN TEMPLES:AN OVERVIEW G.Shravanya PhD Scholar, Department of A.I.H.C & A Osmania University, Hyderabad, Telangana State, India ABSTRACT The artistic techniques and architectural patterns of the Shaiva temples of coastal belt of Odisha are the important parts of the Hindu temple art of Odisha in Eastern India. The earlier art historians and senior scholars had outlined the art and architecture of some notable temples of Eastern Odisha like Sun temple, Sovanesvara temple, Jagannatha temple , Lingaraj temple, Muktesvara temple ,Madhavananda temple , Mangala, temple, Varahi temple, etc. The extant temples of Eastern Odisha possess the features of Kalinga style of temple architecture of Odisha. Really, some Shaiva temples of the eastern part of Odisha have to be discussed here are very important considering their religious significance and artistic techniques. In fact, the artisticfeatures and architectural patterns of the five Shaiva temples of Eastern Odisha draw the attention of scholars, art historians and archaeologists to commence the research work. The five Shaiva temples taken here for discussion are such as 1. Trilochaneshvara Temple at Sadansa, 2. Brahmeshvara temple at Brahmana- sailo, 3. Bateshvara temple at Khandala, 4. Balunkeshvara temple at Orei, and 5. Dakshineshvara temple at Kunja.The aim of this article is to focus on artistic techniques / designs, architectural features along with the religious significance of the above five Shaiva temples of Eastern Odisha.
    [Show full text]
  • Srividya Upasana Rahasyam
    Srividya Upasana Rahasyam SRI RAJARAJESHWARI KRIPA Srividya Upasana Rahasyam file:///C|/Documents%20and%20Settings/sbalijepalli/Desktop/Srividya%20Upasana%20Rahasyam.htm (1 of 35)4/19/2005 5:44:02 AM Srividya Upasana Rahasyam Shakta school holds Advaita as the ultimate reality in an equal perspective and of the same ideal as of the monastic Vedanta. This is evident from the sacred and mysterious monosyllable (Pranava) attributed to each thought and consisting of the corresponding seed-letters (Bijaksharas). The Pranava of Vedic thought is AUM. Correspondingly, the Shakta and Shaiva schools use ‘Hrim’ and ‘Aham’ respectively. Since all the Pranavas end in the Bindu, it is natural that the Bindu is the material cause for all the factors. It is the unconditional Brahman or the all- pervading Supreme Truth from which emanate all the conditional entities. Paraa- Bindu is the immeasurable entity into which this entire manifestational phenomenon finds repose. This power of creation and absorption, quite inseparable from its holder Shiva, is called Shakti. The magnificence, grace and beauty of this primordial Power make up eternal bliss. In consequence, there is a latent agreement among all mankind and this truth must be the one we seek. Accordingly, religions in general are at one with each other. Each has a philosophy antagonistic to the special dogma of the other. The Vedic Rishis have already declared, “The Brahman is surely different from the known, and again, it is above the unknown – such was the utterance we heard of the ancient teachers who explained it to us” (Kena 1.4). Shiva is the transcendent self, the divine power of conservation and Shakti is immanent, the divine energy of pulsation (Spanda).
    [Show full text]
  • Pancha Maha Bhutas (Earth-Water-Fire-Air-Sky)
    1 ESSENCE OF PANCHA MAHA BHUTAS (EARTH-WATER-FIRE-AIR-SKY) Compiled, composed and interpreted by V.D.N.Rao, former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India, now at Chennai. Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‗Upanishad Saaraamsa‘ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities Essence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Maha Narayanopashid; Essence of Maitri Upanishad Essence of Vidya-Vigjnaana-Vaak Devi; Essence of Bhagya -Bhogya-Yogyata Lakshmi Essence of Soundarya Lahari*- Essence of Popular Stotras*- Essence of Pratyaksha Chandra*- Essence of Pancha Bhutas* Note: All the above Scriptures already released on www.
    [Show full text]
  • Indian Hindu Iconography of Twenty-Three Narasimha Images from Some Temples of Eastern Odisha Pjaee, 17 (5) (2020)
    INDIAN HINDU ICONOGRAPHY OF TWENTY-THREE NARASIMHA IMAGES FROM SOME TEMPLES OF EASTERN ODISHA PJAEE, 17 (5) (2020) INDIAN HINDU ICONOGRAPHY OF TWENTY-THREE NARASIMHA IMAGES FROM SOME TEMPLES OF EASTERN ODISHA Dr. Ratnakar Mohapatra Assistant Professor, Department of History, KISS, deemed to be University, Bhubaneswar, PIN-751024, Odisha, India Email: [email protected] Dr. Ratnakar Mohapatra, Indian Hindu Iconography of Twenty-Three Narasimha Images from Some Temples of Eastern Odisha -- Palarch’s Journal of Archaeology of Egypt/Egyptology 17(5), 1767-1782. ISSN 1567-214x Keywords: Indian, Hindu, Iconography, Art, Narasimha, Images, Eastern Odisha ABSTRACT The study of extant Narasimha images of Eastern Odisha is one of the fascinating aspects of the Hindu Sculptural art of India. The region of Eastern Odisha is an important historical place of India. The worship of Lord Vishnu is prevalent in Eastern Odisha since the early medieval period. Narasimha, is the avatar of the Hindu god Vishnu who incarnates in the form of part lion and part man to destroy evil and end religious persecution and calamity on earth, thereby restoring Dharma. In the Hindu religion, Narasimha is the fourth avatarar of Lord Vishnu, the preserver god in the Hindu ‘Trimurti’ (Trinity), who appeared in ancient times to save the world from an arrogant demon figure. Narasimha or Nrusimha became the most popular god of the people of Odisha in the early medieval period. After the visit of various Vaishnava preachers to Odisha and establishment of different mathas, worship of Lord Vishnu in the form of Madhava (Madhavananda), Rama, Narasimha, Krushna, Narayana, Varaha, etc.
    [Show full text]