The Tuba: Contrabass, Bass, and Tenor by Brendan Ige A dissertation presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2020 Doctoral Committee: Arthur F. Thurnau Professor Fritz A. Kaenzig, chair Associate Professor Karen Fournier Dr. Joel Howell Professor David Jackson Professor Adam Unsworth Brendan Ige
[email protected] TABLE OF CONTENTS ABSTRACT iii RECITAL #1 1 Recital #1 Program 1 Recital #1 Program notes 2 RECITAL #2 7 Recital #2 Program 7 Recital #2 Program notes 8 RECITAL #3 15 Recital #3 Program 15 Recital #3 Program notes 16 ii ABSTRACT Three recitals were performed in lieu of a dissertation. Recital #1: Milestones in Tuba and Euphonium Repertoire Three Miniatures for Tuba and Piano (1990) by Anthony Plog (b. 1947); Encounters II for Solo Tuba (1966) by William Kraft (b. 1923); Concert Piece for Tuba and Piano (1995) by Libby Larsen (b. 1950); Sonata for Tuba and Piano (1980) by Trygve Madsen (1940);Fantasia for Euphonium (1974) by Gordon Jacob (1895-1984). Amy Ige, piano. Recital #2: The 6/4 CC Tuba as a solo voice Grand Duet (1959) by Galina Ustvolskaya (1919-2006) arr. Brendan Ige; Postcards V for Solo Tuba (world premiere) by Anthony Plog (b. 1947); Capriccio for Solo Tuba (1980) by Krzysztof Penderecki (b. 1933); Three Furies for Solo Tuba (1993) by James Grant (b. 1954). Amy Ige, piano. Recital #3: Tuba and Euphonium in Different Settings The Liberation of Sisyphus (1990) by John Stevens (b. 1951); Sonata for Tuba (1987) by Bruce Broughton (b.