Social Responsibility and Sustainability Report 2015 Chairman’S Message
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Enrique Iglesias' “Duele El Corazon” Reaches Over 1 Billion Cumulative Streams and Over 2 Million Downloads Sold Worldwide
ENRIQUE IGLESIAS’ “DUELE EL CORAZON” REACHES OVER 1 BILLION CUMULATIVE STREAMS AND OVER 2 MILLION DOWNLOADS SOLD WORLDWIDE RECEIVES AMERICAN MUSIC AWARD FOR BEST LATIN ARTIST (New York, New York) – This past Sunday, global superstar Enrique Iglesias wins the American Music Award for Favorite Latin Artist – the eighth in his career and the most by any artist in this category. The award comes on the heels of a whirlwind year for Enrique. His latest single, “DUELE EL CORAZON” has shattered records across the globe. The track (click here to listen) spent 14 weeks at #1 on the Hot Latin Songs chart, held the #1 spot on the Latin Pop Songs chart for 10 weeks and has over 1 billion cumulative streams and over 2 million tracks sold worldwide. The track also marks Enrique’s 14th #1 on the Dance Club Play chart, the most by any male artist. He also holds the record for the most #1 debuts on Billboard’s Latin Airplay chart. In addition to his recent AMA win, Enrique also took home 5 awards at this year’s Latin American Music Awards for Artist of the Year, Favorite Male Pop/Rock Artist and Favorite Song of the Year, Favorite Song Pop/Rock and Favorite Collaboration for “DUELE EL CORAZON” ft. Wisin. Earlier this month, Enrique went to France to receive the NRJ Award of Honor. For the past two years, Enrique has been touring the world on his SEX AND LOVE Tour which will culminate in Prague, Czech Republic on December 18th. Remaining 2016 Tour Dates Nov. -
Mediaset España Comunicación, S.A. and Subsidiaries
Mediaset España Comunicación, S.A. and Subsidiaries Consolidated Financial Statements for the year ended 31 December 2020, prepared in accordance with International Financial Reporting Standards as adopted by the European Union (EU-IFRSs), and Consolidated Directors’ Report DISCLAIMER: The English version is a translation of the original in Spanish for Information purposes only. In case of a discrepancy, the Spanish original will prevail. Mediaset España Comunicación, S.A. and Subsidiaries CONSOLIDATED STATEMENT OF FINANCIAL POSITION AS AT 31 DECEMBER 2020 (In thousands of euros) ASSETS 31/12/2020 31/12/2019 NON-CURRENT ASSETS Property, plant and equipment (Note 6) 49,880 55,372 Intangible assets (Note 7) 175,396 182,408 Audiovisual property rights (Note 8) 129,356 170,805 Goodwill (Note 9) 294,508 290,809 Investments accounted for using the equity method (Note 10) 7,719 8,613 Non-current financial assets (Notes 11 & 13.2) 359,753 220,792 Deferred tax assets (Note 18.5) 79,197 69,954 Total non-current assets 1,095,809 998,753 CURRENT ASSETS Inventories 12,986 12,855 Accounts receivable 263,051 247,983 Trade receivables for sales and services (Note 13.2) 250,959 228,677 Trade receivables from related parties (Note 13.2) 313 601 Sundry accounts receivable (Note 13.2) 1,443 1,117 Employee receivables (Note 13.2) 67 71 Receivable from public authorities (Note 18.3) 5,989 1,876 Current tax assets (Note 18.3) 4,280 15,641 Other current assets (Note 12) 27,415 32,668 Other current financial assets (Note 13.2) 4,267 1,894 Cash and cash equivalents (Note 14) 321,181 128,993 Total current assets 628,900 424,393 TOTAL ASSETS 1,724,709 1,423,146 The accompanying Notes 1 to 24 are an integral part of this Consolidated Statement of Financial Position for the year ended 31 December 2020. -
Shakira Announces El Dorado World Tour, Presented By
For Immediate Release SHAKIRA ANNOUNCES EL DORADO WORLD TOUR, PRESENTED BY RAKUTEN The World Tour Includes Stops Throughout Europe and North America with Latin American Dates Forthcoming Tickets On-Sale Friday, June 30th; Citi Presale Begins Tuesday, June 27th; Viber Presale Begins Wednesday, June 28th; Live Nation Presale Begins Thursday, June 29th 11th Studio Album “EL DORADO” Certified 5x Platinum Los Angeles, CA (June 27, 2017) – Twelve-time GRAMMY® Award-winner and international superstar Shakira has announced plans to embark on her EL DORADO WORLD TOUR, presented by Rakuten. The tour, produced by Live Nation, will feature many of her catalog hits and kicks off on November 8th in Cologne, Germany. It will feature stops throughout Europe and the US including Paris’ AccorHotels Arena and New York’s Madison Square Garden. A Latin American leg of the tour will be announced at a later date. “Thank you all so much for listening to my music in so many places around the world. I can’t wait to be onstage again singing along with all of you, all of your favorites and mine. It's going to be fun! The road to El Dorado starts now!” Shakira said. The tour announcement comes on the heels of Shakira’s 11th studio album release, EL DORADO, which hit #1 on iTunes in 37 countries and held 5 of the top 10 spots on the iTunes Latino Chart within hours of its release. The 5x platinum album, including her already massive global hits - “La Bicicleta,” “Chantaje,” “Me Enamoré,” and “Déjà vu”- currently holds the top spot on Billboard’s Top Latin Albums, marking her 6th #1 album on this chart. -
The Debt of Sogecable and Prisa: Analysis and Genesis of a High Risk Global Business Strategy1
The debt of Sogecable and Prisa: analysis and genesis of a high risk global business strategy1 Núria Almiron . This article analyses the financial debt of the groups Introduction Sogecable and Prisa within the context of their cor- porate history. The aim is to evaluate the results of a To date, the Sogecable group, now fully integrated in commercial and business strategy applied within a accounting terms into the Prisa group, has been the largest framework, namely that of financial capitalism, that audiovisual corporate adventure undertaken with private encourages ‘colossalism’ or media empires and con- capital in Spain. Originally founded as Sociedad de centration in sectors of intense production, as is the Televisión Canal Plus in 1989, it represents the principal case of cultural industries. The article studies the economic commitment of the Prisa group’s majority share- investment that has led to the current extent of debt of holders in their strategy to diversity and expand nationally Sogecable and concludes that, driven by a growth as a multimedia communication platform, as well as pene- strategy typical of large global communication groups, trate the sectors of radio, press, local television, publishing the Prisa group has achieved appropriate levels of and the Internet. However, none of these areas equals the financial risk that nonetheless don’t come close to size of the financial efforts made at Sogecable, especially either to the size or results of these groups. since 1996, the time when Canal Satélite Digital (now Digital Plus) was set up. This financial effort forms an integral part of the growth strategies that have reigned in leading communication groups the world over (Segovia 2005), mainly based on Keywords alliances, mergers and acquisitions, although neither Sogecable, Prisa, debt, corporate strategy, financial Sogecable nor Prisa has ever achieved a size comparable capitalism, risk. -
MEIEA 2017 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 17, Number 1 (2017) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from Business Sense Arrow Straight: An Examination of Brand Community and Philanthropy Bordering on Social Entrepreneurship as Primary Reasons for the Success of Vans Warped Tour Joe Bogdan Columbia College Chicago https://doi.org/10.25101/17.5 Abstract Vans Warped Tour (“Warped”) is the largest and longest-running touring music festival in the United States. Held in non-traditional ven- ues such as fairgrounds, parking lots, and fields—and sponsored by shoe manufacturer Vans since the tour’s inception in 1995—it has been known as “Vans Warped Tour” since 1996. This article discusses the interplay of brand communities and philanthropy bordering on social entrepreneurship as underpinnings of the philosophy of Warped’s founder, Kevin Lyman. It identifies both Lyman and those factors as the primary reasons for the longevity and other successes of Warped, both as a music festival and an entrepreneurial venture. Keywords: entrepreneurship, leadership, brand communities, mar- keting, music festivals, entertainment, music business Methodology and Research Design The methodology and research design for this case study were three- fold. First, the author reviewed more than ten years of Warped and Kevin Lyman-related journalism for the purpose of learning the history, reported successes, and failures of the entity. Second, the author researched schol- arly journal discussion of music festivals, brand communities, and entre- preneurship for the purpose of putting in place a framework comprising factors that influence whether music festivals and entrepreneurs succeed or fail. -
Rafa Nadal, Bertín Osborne Y Dani Rovira, Los Mejores Jefes Con Los Que Los Trabajadores Españoles Querrían Emplearse
#MejorJefeAdecco #EmpresasFelices II Encuesta Adecco sobre Mejores Jefes y Empresas más felices para trabajar Rafa Nadal, Bertín Osborne y Dani Rovira, los mejores jefes con los que los trabajadores españoles querrían emplearse Entre las empresas más felices para trabajar los españoles eligen Google, L´Oréal y Apple Madrid, 15 de marzo de 2016.- “Elige un trabajo que te guste y no tendrás que trabajar ni un día de tu vida”. Con esta frase atribuida, entre otros, al pensador chino Confucio, puede resumirse la idea de que la felicidad laboral es tan importante para las personas como su felicidad personal y que ambas están intrínsecamente ligadas. Realizar un trabajo que te hace feliz es una de las claves para conseguir el éxito personal con el que todo el mundo sueña. Y dentro de las relaciones laborales, la figura del líder o jefe, es una de las más influyentes en esa felicidad, así como el entorno de trabajo en el que se relacionen las personas (políticas de Recursos Humanos dentro de la empresa, reconocimiento a los trabajadores, condiciones salariales, posibilidades de desarrollo profesional, medidas a favor de la conciliación laboral y personal…). 1 #MejorJefeAdecco #EmpresasFelices Es por ello que Adecco, líder internacional en la gestión de Recursos Humanos, ha querido saber qué personalidades del mundo de la economía, la comunicación, el deporte, el mundo del espectáculo y el panorama internacional serían los jefes ideales con los que trabajar, para los españoles. De igual modo, ha querido conocer qué empresas consideran más felices para emplearse y presenta los resultados de la II Encuesta Adecco sobre Mejores Jefes y Empresas más felices para trabajar1 en la semana en la que se celebra el Día Internacional de la Felicidad. -
Fy2020 Results Presentation
FY2020 RESULTS PRESENTATION February 24, 2021 0 Disclaimer The information contained in this presentation has not been independently verified and is, in any case, subject to negotiation, changes and modifications. None of the Company, its shareholders or any of their respective affiliates shall be liable for the accuracy or completeness of the information or statements included in this presentation, and in no event may its content be construed as any type of explicit or implicit representation or warranty made by the Company, its shareholders or any other such person. Likewise, none of the Company, its shareholders or any of their respective affiliates shall be liable in any respect whatsoever (whether in negligence or otherwise) for any loss or damage that may arise from the use of this presentation or of any content therein or otherwise arising in connection with the information contained in this presentation. You may not copy or distribute this presentation to any person. The Company does not undertake to publish any possible modifications or revisions of the information, data or statements contained herein should there be any change in the strategy or intentions of the Company, or occurrence of unforeseeable facts or events that affect the Company’s strategy or intentions. This presentation may contain forward-looking statements with respect to the business, investments, financial condition, results of operations, dividends, strategy, plans and objectives of the Company. By their nature, forward-looking statements involve risk and uncertainty because they reflect the Company’s current expectations and assumptions as to future events and circumstances that may not prove accurate. -
Austrian Music Export Handbook
Austrian Music Export Handbook Table of Contents Imprint.................................................................................................................................................................................................. 5 Introduction........................................................................................................................................................................................ 6 PART 1 - GENERAL INFORMATION.................................................................................................................................................... 7 Geogr p!ic l # t nd Tr n$port In%r $tructure.............................................................................................................. 7 Gener l In%ormation ................................................................................................................................................................ 7 Town$ nd Citie$ ...................................................................................................................................................................... ( Admini$tr ti)e #i)i$ion$......................................................................................................................................................... * Tr n$port +Touring in Au$tri ,.............................................................................................................................................. * Import nt Cont ct$, Re" ted Lin.$ .............................................................................................................................. -
Diplomarbeit / Diploma Thesis
DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis El género cinematográfico y la serialidad en Torrente, El brazo tonto de la ley, de Santiago Segura verfasst von / submitted by Evelyn Weinberger angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. Phil.) Wien, 2019 Studienkennzahl lt. Studienblatt / degree A 190 333 353 programme code as it appers on the student record sheet Lehramtsstudium UniStG Studienkennzahl lt. Studienblatt / degree UF Deutsch UniStG programme code as it appers on the student UF Spanisch UniStG record sheet Univ.-Prof. Dr. Jörg Türschmann Betreut von / Supervisor 1 Erklärung Ich erkläre eidesstattlich, dass ich die Arbeit selbständig angefertigt, keine anderen als die angegebenen Hilfsmittel benutzt und alle aus ungedruckten Quellen, gedruckter Literatur oder aus dem Internet im Wortlaut oder im wesentlichen Inhalt übernommenen Formulierungen und Konzepte gemäß den Richtlinien wissenschaftlicher Arbeiten zitiert, durch Fußnoten gekennzeichnet bzw. mit genauer Quellenangabe kenntlich gemacht habe. Ich habe mich bemüht, sämtliche Inhaber der Bildrechte ausfindig zu machen und ihre Zustimmung zur Verwendung der Bilder in dieser Arbeit eingeholt. Sollte dennoch eine Urheberrechtsverletzung bekannt werden, ersuche ich um Meldung bei mir. Wien, am 17.06.2019 2 3 Agradecimientos En primer lugar, me gustaría darle las gracias a mi supervisor, Univ.-Prof. Dr. Jörg Türschmann, que siempre ha dejado sus puertas abiertas para cualquier duda. Con sus consejos me ha animado a dar un paso más allá de lo obvio y me ha dado la posibilidad de elaborar este trabajo según mis ideas. En segundo lugar, quiero darles las gracias, especialmente, a Dr. -
Nuevas Voces Del Feminismo Chileno
ANÁLISIS NO 9/2017 CHILE Nuevas voces del feminismo chileno María Francisca Valenzuela Tapia (Ed.) DICIEMBRE 2017 En Chile, como en otras partes del mundo, se ha visto en los últimos años un fuerte renacer de organizaciones, colectivos y personas que enarbolan la lucha social y política del feminismo. Este fenómeno ha tomado particular fuerza en nuestro país de la mano con los movimientos estudiantiles. Esta publicación, que es producto de un Encuentro de Jóvenes Feministas realizado el 17 y 18 de agosto de 2017, se propone dar a conocer las nuevas ideas, perspectivas y propuestas que existen en las nuevas generaciones de feministas, para motivar el diálogo y la construcción entre distintas generaciones, organizaciones y movimientos, y también con los partidos políticos. Índice Presentación ...................................................................................................................... 3 Nuevos desafíos feministas ............................................................................................. 4 Silvia Lamadrid Las porfiadas herederas: Mujeres jóvenes reflexionando sobre la violencia ............. 5 Priscila González Badilla La emergencia de la regla Reflexiones sobre la mesa “Salud y Derechos Reproductivos” .................................. 9 Mónica Molina Torres Medios de comunicación y publicidad .......................................................................... 14 Myriam Aravena Rumbo a una educación no sexista en Chile ............................................................... 21 María -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
The Linguistic Debate in Chile: Ideologies and Representations of Languages and Multilingual Practices in the National Online News
The linguistic debate in Chile: ideologies and representations of languages and multilingual practices in the national online news HANNA SLIASHYNSKAYA Thesis submitted for the degree of Doctor of Philosophy Newcastle University School of Education, Communication and Language Sciences July 2019 ii Abstract Linguistic ideologies, or beliefs about languages and their use, are key to dynamics and changes in language choice, language minorisation and death. Linguistic ideologies, especially those of monolingualism, have long been part of nation-states’ policies (Shohamy, 2006; Fairclough, 2015) despite the prevalence of multilingualism in social domains (Meyerhoff, 2008). Chile, the context of this research project, is a multilingual country with a surprisingly limited amount of language legislation (Leclerc, 2015) most of which focuses on governmental plans to make Chile bilingual by 2030 (Minsegpres, Mineduc and Minec, 2014) and the foreign language education in schools, namely, the teaching of English, the only foreign language taught in public schools since 2010. At the same time, the use of indigenous languages is not regulated, and Spanish is the de facto official language. In view of such laissez-faire regulations of Chile’s linguistic setting, it is crucial to explore public domains beyond language policy to explain the ongoing minoritisation of indigenous languages and the growth of the dominant languages. Thus, this thesis examines how dominant and minoritised languages are represented in popular national online newspapers. The collected data includes 8877 news articles published in ten most widely-read Chilean online newspapers between 2010 and 2016 and containing references to Chile’s local (Mapudungún, Rapa Nui, Aimara, Quechua, Yámana, Huilliche, Qawasqar, Kunza and Spanish) and foreign languages (English), as well as variously labelled multilingual practices, such as bilingualism and multilingualism.