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Noahidism Or B'nai Noah—Sons of Noah—Refers To, Arguably, a Family
Noahidism or B’nai Noah—sons of Noah—refers to, arguably, a family of watered–down versions of Orthodox Judaism. A majority of Orthodox Jews, and most members of the broad spectrum of Jewish movements overall, do not proselytize or, borrowing Christian terminology, “evangelize” or “witness.” In the U.S., an even larger number of Jews, as with this writer’s own family of orientation or origin, never affiliated with any Jewish movement. Noahidism may have given some groups of Orthodox Jews a method, arguably an excuse, to bypass the custom of nonconversion. Those Orthodox Jews are, in any event, simply breaking with convention, not with a scriptural ordinance. Although Noahidism is based ,MP3], Tạləmūḏ]תַּלְמּוד ,upon the Talmud (Hebrew “instruction”), not the Bible, the text itself does not explicitly call for a Noahidism per se. Numerous commandments supposedly mandated for the sons of Noah or heathen are considered within the context of a rabbinical conversation. Two only partially overlapping enumerations of seven “precepts” are provided. Furthermore, additional precepts, not incorporated into either list, are mentioned. The frequently referenced “seven laws of the sons of Noah” are, therefore, misleading and, indeed, arithmetically incorrect. By my count, precisely a dozen are specified. Although I, honestly, fail to understand why individuals would self–identify with a faith which labels them as “heathen,” that is their business, not mine. The translations will follow a series of quotations pertinent to this monotheistic and ,MP3], tạləmūḏiy]תַּלְמּודִ י ,talmudic (Hebrew “instructive”) new religious movement (NRM). Indeed, the first passage quoted below was excerpted from the translated source text for Noahidism: Our Rabbis taught: [Any man that curseth his God, shall bear his sin. -
MEIEA 2017 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 17, Number 1 (2017) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor Butler University Ben O’Hara, Associate Editor (Book Reviews) Australian College of the Arts Published with Support from Business Sense Arrow Straight: An Examination of Brand Community and Philanthropy Bordering on Social Entrepreneurship as Primary Reasons for the Success of Vans Warped Tour Joe Bogdan Columbia College Chicago https://doi.org/10.25101/17.5 Abstract Vans Warped Tour (“Warped”) is the largest and longest-running touring music festival in the United States. Held in non-traditional ven- ues such as fairgrounds, parking lots, and fields—and sponsored by shoe manufacturer Vans since the tour’s inception in 1995—it has been known as “Vans Warped Tour” since 1996. This article discusses the interplay of brand communities and philanthropy bordering on social entrepreneurship as underpinnings of the philosophy of Warped’s founder, Kevin Lyman. It identifies both Lyman and those factors as the primary reasons for the longevity and other successes of Warped, both as a music festival and an entrepreneurial venture. Keywords: entrepreneurship, leadership, brand communities, mar- keting, music festivals, entertainment, music business Methodology and Research Design The methodology and research design for this case study were three- fold. First, the author reviewed more than ten years of Warped and Kevin Lyman-related journalism for the purpose of learning the history, reported successes, and failures of the entity. Second, the author researched schol- arly journal discussion of music festivals, brand communities, and entre- preneurship for the purpose of putting in place a framework comprising factors that influence whether music festivals and entrepreneurs succeed or fail. -
The Direct Action Politics of US Punk Collectives
DIY Democracy 23 DIY Democracy: The Direct Action Politics of U.S. Punk Collectives Dawson Barrett Somewhere between the distanced slogans and abstract calls to arms, we . discovered through Gilman a way to give our politics some application in our actual lives. Mike K., 924 Gilman Street One of the ideas behind ABC is breaking down the barriers between bands and people and making everyone equal. There is no Us and Them. Chris Boarts-Larson, ABC No Rio Kurt Cobain once told an interviewer, “punk rock should mean freedom.”1 The Nirvana singer was arguing that punk, as an idea, had the potential to tran- scend the boundaries of any particular sound or style, allowing musicians an enormous degree of artistic autonomy. But while punk music has often served as a platform for creative expression and symbolic protest, its libratory potential stems from a more fundamental source. Punk, at its core, is a form of direct action. Instead of petitioning the powerful for inclusion, the punk movement has built its own elaborate network of counter-institutions, including music venues, media, record labels, and distributors. These structures have operated most notably as cultural and economic alternatives to the corporate entertainment industry, and, as such, they should also be understood as sites of resistance to the privatizing 0026-3079/2013/5202-023$2.50/0 American Studies, 52:2 (2013): 23-42 23 24 Dawson Barrett agenda of neo-liberalism. For although certain elements of punk have occasion- ally proven marketable on a large scale, the movement itself has been an intense thirty-year struggle to maintain autonomous cultural spaces.2 When punk emerged in the mid-1970s, it quickly became a subject of in- terest to activists and scholars who saw in it the potential seeds of a new social movement. -
Wertheimer, Editor Imagining the Seth Farber an American Orthodox American Jewish Community Dreamer: Rabbi Joseph B
Imagining the American Jewish Community Brandeis Series in American Jewish History, Culture, and Life Jonathan D. Sarna, Editor Sylvia Barack Fishman, Associate Editor For a complete list of books in the series, visit www.upne.com and www.upne.com/series/BSAJ.html Jack Wertheimer, editor Imagining the Seth Farber An American Orthodox American Jewish Community Dreamer: Rabbi Joseph B. Murray Zimiles Gilded Lions and Soloveitchik and Boston’s Jeweled Horses: The Synagogue to Maimonides School the Carousel Ava F. Kahn and Marc Dollinger, Marianne R. Sanua Be of Good editors California Jews Courage: The American Jewish Amy L. Sales and Leonard Saxe “How Committee, 1945–2006 Goodly Are Thy Tents”: Summer Hollace Ava Weiner and Kenneth D. Camps as Jewish Socializing Roseman, editors Lone Stars of Experiences David: The Jews of Texas Ori Z. Soltes Fixing the World: Jewish Jack Wertheimer, editor Family American Painters in the Twentieth Matters: Jewish Education in an Century Age of Choice Gary P. Zola, editor The Dynamics of American Jewish History: Jacob Edward S. Shapiro Crown Heights: Rader Marcus’s Essays on American Blacks, Jews, and the 1991 Brooklyn Jewry Riot David Zurawik The Jews of Prime Time Kirsten Fermaglich American Dreams and Nazi Nightmares: Ranen Omer-Sherman, 2002 Diaspora Early Holocaust Consciousness and and Zionism in Jewish American Liberal America, 1957–1965 Literature: Lazarus, Syrkin, Reznikoff, and Roth Andrea Greenbaum, editor Jews of Ilana Abramovitch and Seán Galvin, South Florida editors, 2001 Jews of Brooklyn Sylvia Barack Fishman Double or Pamela S. Nadell and Jonathan D. Sarna, Nothing? Jewish Families and Mixed editors Women and American Marriage Judaism: Historical Perspectives George M. -
Notes CHAPTER 1 6
notes CHAPTER 1 6. The concept of the settlement house 1. Mario Maffi, Gateway to the Promised originated in England with the still extant Land: Ethnic Cultures in New York’s Lower East Tonybee Hall (1884) in East London. The Side (New York: New York University Press, movement was tremendously influential in 1995), 50. the United States, and by 1910 there were 2. For an account of the cyclical nature of well over four hundred settlement houses real estate speculation in the Lower East Side in the United States. Most of these were in see Neil Smith, Betsy Duncan, and Laura major cities along the east and west coasts— Reid, “From Disinvestment to Reinvestment: targeting immigrant populations. For an over- Mapping the Urban ‘Frontier’ in the Lower view of the settlement house movement, see East Side,” in From Urban Village to East Vil- Allen F. Davis, Spearheads for Reform: The lage: The Battle for New York’s Lower East Side, Social Settlements and the Progressive Movement, ed. Janet L. Abu-Lughod, (Cambridge, Mass.: 1890–1914 (New York: Oxford University Blackwell Publishers, 1994), 149–167. Press, 1967). 3. James F. Richardson, “Wards,” in The 7. The chapter “Jewtown,” by Riis, Encyclopedia of New York City, ed. Kenneth T. focuses on the dismal living conditions in this Jackson (New Haven, Conn.: Yale University ward. The need to not merely aid the impover- Press, 1995), 1237. The description of wards in ished community but to transform the physi- the Encyclopedia of New York City establishes cal city became a part of the settlement work. -
The Congregation's Torah
CONGREGATION ADATH JESHURUN aj newsNovember/December 2019 • Heshvan/Kislev/Tevet 5780 Vol. 104 • No. 2 Building with a Purpose by Rav Shai Cherry IT’S THAT TIME AGAIN! In the Tower of Babel story, the crime of their Israel experiences also includes a high school semester generation is unclear. Many commentators with Alexander Muss or Tichon Ramah Yerushalayim. We need to update our records! assume it was their hubris in wanting to build Please see the form on page 7, fill it such a tall tower in order to storm the heavenly My adult education class is off to a strong start. It’s such a out, and mail it to AJ. Alternatively, gates. That seems plausible, but something else delight to see folks so curious about how we got to where you can use the digital form in bothers me. The people set about making bricks we are. The Adult Education committee is also working on the weekly email and email it to before they had decided what to do with them. bringing in outside teachers for both ongoing classes and [email protected]. That’s backwards. It’s like searching for nails single lectures. But we don’t want to overlook the wealth since the only tool you have is a hammer. of talent that we have within our own ranks. If you are an expert on something you find absolutely fascinating — We’ve done it the right way. We’ve spent a year working and you think there’s a chance someone else will, too — on the AJ New Way Forward. -
“EYDELE, the REBBE”” Justin Jaron Lewis Available Online: 05 Jun 2008
This article was downloaded by: [University of Manitoba Libraries] On: 09 September 2011, At: 10:08 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Journal of Modern Jewish Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cmjs20 ““EYDELE, THE REBBE”” Justin Jaron Lewis Available online: 05 Jun 2008 To cite this article: Justin Jaron Lewis (2007): ““EYDELE, THE REBBE””, Journal of Modern Jewish Studies, 6:1, 21-40 To link to this article: http://dx.doi.org/10.1080/14725880701192304 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and- conditions This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan, sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Justin Jaron Lewis “EYDELE, THE REBBE” Shifting perspectives on a Jewish gender transgressor TaylorCMJS_A_219152.sgm10.1080/14725880701192304Modern1472-5886Original200761000000MarchJustinjjl@post.queensu.ca JaronLewis and& JewishArticle Francis (print)/1472-5894Francis 2007 Studies (online) Eydl of Brody was a nineteenth-century woman who took on the normally male role of a Hasidic Rebbe, perhaps with tragic consequences. -
The High Holidays & Fall Program Catalog 5780 / 5781
The Pharisee Underwritten by a generous grant from the TBH-BE Sisterhood. VOLUME 63 • NUMBER 1 SEPTEMBER 2020 ELUL-TISHRI 5780-81 The High Holidays & Fall Program Catalog 5780 / 5781 שָׁ נָׁהטוֹבָׁה ּומְתּוקָׁ ה A Good & Sweet Year 1001 Remington Road | Wynnewood, Pennsylvania | www.tbhbe.org 1 From the President Joel Freedman generation of members – from the all of our parents down to the youngest congregants preschoolers. to join us in לדור ודור our celebrations of the holidays. Even though we will not all be As synagogue president, I have had together in person, we will e are all familiar with the W the pleasure of attending many of definitely be together in spirit as we Hebrew phrase L’dor V’dor, the varied activities that take place continue to follow the teachings of commonly translated as “from in our shul. My Shabbat’s have L’dor V’dor - both from older to generation to generation”. been enriched by my visits to Tot younger and younger to older. Traditionally, this refers to the Shabbat and the Oreo Minyan. I responsibility of passing on have celebrated the religious school spiritual knowledge and culture opening day with our families, the from one generation to the next – ECC Back to School Picnic and L’shanah tovah grandparents and parents to even had a brief stint as a dodgeball children and grandchildren. We referee. In each interaction, I have tikateivu recite these words during the Bar/ learned much from our younger Bat Mitzvah ceremony and in the families. The young adults and v’teichateimu Kedushah. -
10 Stanton St., Apt,* 3 Mercer / OLX 102 Forayti * 307 Mtt St 307 Mott St
Uza 93 Grand' St. Scott 54 Thoaas", 10013 ^ •Burne, Tim -Coocey, Robert SCorber, Hitch 10 stanton St., Apt,* 10002-••-•-677-744?* -EinG,' Stefan 3 Mercer / \ - • • ^22^-5159 ^Ensley, Susan Colen . 966-7786 s* .Granet, Ilona 281 Mott SU, 10002 226-7238* V Hanadel, Ksith 10 Bleecl:-?4St., 10012 . , 'Horowitz, Beth "' Thomas it,, 10013 ' V»;;'.•?'•Hovagiicyan, Gorry ^V , Loneendvke. Paula** 25 Park PI.-- 25 E, 3rd S . Maiwald, Christa OLX 102 Forayti St., 10002 Martin, Katy * 307 MotMttt SStt ayer. Aline 29 John St. , Miller, Vestry £ 966-6571 226-3719^* }Cche, Jackie Payne, -Xan 102 Forsyth St/, 10002 erkinsj Gary 14 Harrieon?;St., 925-229X Slotkin, Teri er, 246 Mott 966-0140 Tillett, Seth 11 Jay St 10013 Winters, Robin P.O.B. 751 Canal St. Station E. Houston St.) Gloria Zola 93 Warren St. 10007 962 487 Valery Taylor 64 Fr'^hkliii St. Alan 73 B.Houston St. B707X Oatiirlno Sooplk 4 104 W.Broedway "An Association," contact list, 1977 (image May [977 proved to be an active month for the New York art world and its provided by Alan Moore) growing alternatives. The Guggenheim Museum mounted a retrospective of the color-field painter Kenneth Notand; a short drive upstate, Storm King presented monumental abstract sculptures by Alexander Liberman; and the Museum of Modern Art featured a retro.spective of Robert Rauschenberg's work. As for the Whitney Museum of American Art, contemporary reviews are reminders that not much has changed with its much-contested Biennial of new art work, which was panned by The Village Voice. The Naiion, and, of course, Hilton Kramer in the New York Times, whose review headline, "This Whitney Biennial Is as Boring as Ever," said it all.' At the same time, An in America reported that the New Museum, a non- collecting space started by Marcia Tucker some five months earlier, was "to date, simply an office in search of exhibition space and benefac- tors."^ A month later in the same magazine, the critic Phil David E. -
In the 1980S, a Group of Artists, Musicians and Free Thinkers Formed
Words Andy Thomas In 1986, if you walked east along discussions. They overlooked Rivington Street, in New York’s Lower everything that was not strictly for East Side, you would be confronted profit and tried to pretend it didn’t by a hulk of metal that twisted into exist,” says Kantor. “While highbrow the air like a giant spider hauling museum scholars wrote their essays itself from the earth. It was welded on auction winners, bestsellers and together, over many dope-fuelled gallery favourites, we had parties in nights, by a collection of artists, abandoned buildings and empty lots.” musicians and outsiders known Although critics and cultural as the Rivington School, who had historians overlooked the Rivington salvaged the abandoned cars and School, it was an important strand scrap metal that littered their to 1980s New York art. “It might neighbourhood. They christened sound contradictory, but the it the Rivington Sculpture Garden. Rivington School was not part A year later it was bulldozed by the of the downtown art scene,” says city, eager to capitalise on the area’s Kantor. “The downtown art scene property boom – which in turn was mostly meant the East Village driven by the art scene at the end of wannabe galleries and nightclubs, the street, where artists such as Keith seeking recognition and money, Haring and Jean-Michel Basquiat dominated by fashion and cheap were gaining international glamour. The Rivington School recognition. Visit the corner of was a guerrilla-style art community Rivington and Forsyth today and camping in the ruins of a remote you’ll find luxury condos, built in area in the Lower East Side.” 1988, worth millions of dollars. -
S Ling S Ho T
SLINGSHOT in·no·va·tion (noun) • a mode of operating, of finding new ways to create impact We are pleased to partner with Slingshot Introduction to bring you this edition of Slingshot, which highlights innovative organizations in and around Los Angeles. s funders active in Los Angeles, we are pleased to partner with Slingshot to bring you this editionA of Slingshot, which highlights some of the most innovative organizations in and around L.A. As you will experience in the pages of this guide, there is a tremendous amount of innovation happening in all areas of Jewish life across the community, some of which you may not even be aware. We are thrilled to showcase 26 projects in this largest-ever local edition of Slingshot. We hope this guide inspires you to find new programs in which you, your family and your friends can become involved. Visit these organizations’ websites, go to their activities and support them financially. We are so inspired by the Jewish innovation in this region. Join us in celebration and help Jewish life continue to thrive in L.A. and beyond! Simone Freidman Head of Philanthropy and Impact Investment, EJF Philanthropies Courtney Mizel Mizel Family Foundation Alexandra Shabtai Associate Director, Diane and Guilford Glazer Philanthropies Slingshot also acknowledges the Jewish Community Foundation Los Angeles for their support in making this guide possible. elcome to the 2017 Los Angeles for the rest of the country in new ways. edition of Slingshot. In 2016, the We hope that you will use this book as a nationalW Slingshot Guide featured more resource to inspire a deeper connection to L.A. -
Name Website Address Email Telephone 11R Www
A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc.