Qatar Plans 1,000 Berths for Private Ships, Boats
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AB 1578: the End of Marijuana Prohibition As We Know It?, 49 U
The University of the Pacific Law Review Volume 49 | Issue 2 Article 15 1-1-2018 AB 1578: The ndE of Marijuana Prohibition as We Know It? Trevor Wong Follow this and additional works at: https://scholarlycommons.pacific.edu/uoplawreview Part of the Legislation Commons Recommended Citation Trevor Wong, AB 1578: The End of Marijuana Prohibition as We Know It?, 49 U. Pac. L. Rev. 449 (2017). Available at: https://scholarlycommons.pacific.edu/uoplawreview/vol49/iss2/15 This Legislative Review is brought to you for free and open access by the Journals and Law Reviews at Scholarly Commons. It has been accepted for inclusion in The nivU ersity of the Pacific Law Review by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Interaction Between State and Federal Law Enforcement AB 1578: The End of Marijuana Prohibition as We Know It? Trevor Wong Code Section Affected Health and Safety Code §§ 11362.6 (new); AB 1578 (Jones-Sawyer). TABLE OF CONTENTS I. INTRODUCTION ............................................................................................ 450 II. LEGAL BACKGROUND .................................................................................. 452 A. California’s Law Prior to AB 1578 ....................................................... 453 B. Federal Guidelines for Handling Marijuana Law ................................ 456 C. Economic Context ................................................................................. 459 D. Constitutionality ................................................................................... -
Trump's Deadly Legacy: the First Six Months
Trump’s Deadly Legacy: The First Six Months, Timeline of US Policy Changes, News Highlights Mainstream Media Review (January 20-July 19, 2017) By Michael T. Bucci Region: USA Global Research, July 20, 2017 michaelbucci.com Note: With few exceptions, sources are from mainstream media. GR Editor’s Note: This compilation does not constitute an endorsement of the mainstream media stories below. The list of news headline stories is intended to reveal the details of a political timeline, namely a sequence of key policy decisions taken since the inception of the Trump administration on January 19, 2017. These key policy decisions have been the object of mainstream media coverage. * * * January 20, 2017 Trump Inauguration (Friday): – Trump signs first executive action canceling Obama’s FHA mortgage rate premium cuts https://www.bloomberg.com/news/articles/2017-01-20/trump-administration-overturns-obam a-s-fha-mortgage-fee-cut – Trump signs executive order to roll-back Obamacare hours after taking office http://www.cnn.com/2017/01/20/politics/trump-signs-executive-order-on-obamacare/ – Trump writes memo temporarily banning new federal government regulations. http://www.cnn.com/2017/01/20/politics/reince-priebus-regulations-memo/ January 21, 2017 (Saturday) – Massive Women’s March in U.S. and World. https://www.nytimes.com/interactive/2017/01/21/world/womens-march-pictures.html http://www.cnn.com/2017/01/21/politics/trump-women-march-on-washington/ http://www.nbcnews.com/news/us-news/peace-positivity-massive-women-s-march-make-voi ces-heard-d-n710356 http://www.cbsnews.com/news/womens-march-washington-chicago-massive-turnout-change | 1 -of-plans/ http://www.aljazeera.com/news/2017/01/women-world-protest-president-trump-1701211344 24671.html http://thehill.com/blogs/blog-briefing-room/news/315442-massive-womens-march-crowds-sw arm-dc-metro – U.S. -
SPARTAN DAILY - EDICIÓN EN ESPAÑOL SEE FULL STORY on PAGE 3 Information from Weather.Gov
WEEKLY WEATHER WIREE ¡Próximamente! BAILE FOLKLORICO TUE WED THU FRIF — El 23 de febrero del 2017 — H 60 H 57 H 56 H 57 L 53 L 38 L 38 L 42 SPARTAN DAILY - EDICIÓN EN ESPAÑOL SEE FULL STORY ON PAGE 3 Information from weather.gov FOLLOW US! /spartandaily @SpartanDaily @spartandaily /spartandailyYT Volume 148. Issue 11www.sjsunews.com/spartandaily Tuesday, February 21, 2017 ANTI-TRUMP Not My President’s Day takes San Jose by storm BY KYLEE BAIRD AND chants demonstrators yelled. members of the crowd to ELIZABETH RODRIGUEZ Attendees also held signs come up and share their STAFF WRITERS which read “Be the change stories or express themselves. you want to see in the world” The crowd later moved to WATCH THIS VIDEO ON accompanied with a photo the sidewalk where people YOUTUBE AT SPARTANDAILY of Mahatma Gandhi and a held their signs. Cars honked banner which read “Not My as they passed. In the heavy rain, protesters President.” Similar to other protests came out with waterproof “I am so disgusted by since Trump won the signs to object President him,” said Danielle Perri, an presidency back in Donald Trump for the administrative specialist and November, people continued “Not My Presidents Day” San Jose State University to raise awareness for several demonstration at San Jose alumna. “I am so glad to other issues including City Hall on Monday. see you. We are not done immigration, women’s rights, The event was co- marching, we are not done LGBTQ rights, Black Lives sponsored by South Bay fi ghting. And we will win.” Matter, education and the resistance groups, Orchard As the rain poured the Dakota Access Pipeline. -
Analysis of the Global-Local-Global Strategy in K-Pop Music Videos
Analysis of the global-local-global strategy in K-pop music videos Yasmine El Ouahi Hajji Tutor: Núria Vergés Bosch Bachelor’s Degree in International Business Faculty of Economics and Business University of Barcelona ABSTRACT K-pop music videos are a global sensation that are breaking YouTube streaming records since the virality of the hit single ‘Gangnam Style’ by PSY in 2012. After that, South Korean pop music artists and bands such as BTS or BLACKPINK kept dominating international charts and winning the admiration of millions of fans through their music videos. According to academic researchers, this was made possible because of a unique internationalization strategy called global-local-global which consists of the hybridity of cultural product by combining global production factors to a South Korean product with the goal of reaching an international audience by using a foreign distributor channel (YouTube). To understand the characteristics and evolution of this method, K-pop music videos with most YouTube views of each year from 2012 up to 2020 where analyzed. The aspects discussed and their respective evolution throughout the years were the nationality of the K-pop music videos producers, the identification of Korean and foreign elements in the visuals, the use of English in the lyrics, music style, the artists looks and also the use of YouTube digital tools. From the analysis of the music videos, the factors that did help with the popularity of K-pop where the progressive increase of English in the lyrics compared to Korean, the quality camerawork and great scenography together with the use of choreographies and YouTube hashtags and subtitles. -
Jan. 26, 2017, Vol. 59, No. 4
• MIGRACIÓN CUBANA • OSCAR LÓPEZ RIVERA 12 San Francisco Workers and oppressed peoples of the world unite! workers.org Vol. 59, No. 4 Jan. 26, 2017 $1 ‘Resist Trump’ goes global Millions join women’s marches By Monica Moorehead It is estimated that more than 4 million people, the have so many people come out in the streets on the same vast majority of them women, participated in women’s day in solidarity and resistance — this time with wom- Consider these astounding numbers: 750,000 in Los marches in more than 500 U.S. cities. They also protest- en’s rights the major focus. Due to the sheer numerical Angeles; 500,000 in Washington, D.C.; 500,000 in New ed in more than 100 cities outside the U.S. — on every magnitude of these demonstrations, the J21 marches York City; 250,000 in Chicago; 150,000 in San Francis- continent, including Antarctica. These estimated num- could not be ignored by the mainstream media or the co; 150,000 in Boston; 150,000 in Denver; 100,000 in bers were compiled by Jeremy Pressman (@djpressman) incoming Trump administration. Oakland; 100,000 in London. These numbers represent at the University of Connecticut and Erica Chenoweth (@ What started out as a modest call for a Jan. 21 march some of the largest demonstrations that took place on ericachenoweth) at the University of Denver based on nu- against Trump by one Hawai’i-based woman on Face- Jan. 21, ignited by the inauguration of the racist, mi- merous media reports, including Facebook and Twitter. -
When Do Peaceful Protesters Support Political Violence in the United States?
When do peaceful protesters support political violence in the United States? Michael T. Heaney University of Glasgow [email protected] Paper presented at the 116th Annual Meeting of the American Political Science Association, held in San Francisco, California, and virtually, September 10‐13, 2020. Abstract: Political violence has become an increasingly salient element surrounding peaceful protests in the United States in recent years. This study examines the attitudes of peaceful protesters towards various conceptions of political violence. Drawing on surveys of participants at major protest events in Washington, DC in 2017 and 2018, it shows that protesters are more inclined to endorse the use of violence for political purposes when they are less satisfied with the way that democracy works in the United States. They are also more likely to support violence when they are identified with the left side the ideological spectrum than when they are identified with the right side of the spectrum. These views are reversed when protesters themselves are the target of violence. In this instance, the interaction of democratic satisfaction and ideology helps to explain attitudinal variations. Keywords: Political violence, protest, social movements, satisfaction with democracy, ideology, United States Acknowledgments: This study was supported by funding from the National Institute for Civil Discourse and, at the University of Michigan, the Institute for Research on Women and Gender, the Undergraduate Research Opportunity Program, the National Center for Institutional Diversity, and the Organizational Studies Program. For helpful suggestions, thanks are owed to Chris Carman, Vince Hutchings, and seminar participants from the Glasgow Quantitative Methods Group. This research would not have been possible without the involvement of the many research assistants, surveyors, and survey respondents that are too numerous to be named individually. -
Juvenile Protection and Sexual Objectification: Analysis of the Performance Frame in Korean Music Television Broadcasts1
ACTA KOR ANA VOL. 16, NO. 2, DECEMBER 2013: 329–365 JUVENILE PROTECTION AND SEXUAL OBJECTIFICATION: ANALYSIS OF THE PERFORMANCE FRAME IN KOREAN 1 MUSIC TELEVISION BROADCASTS By CEDARBOUGH T. SAEJI2 The wide-spread sexual objectification of women in Korean popular music performance subconsciously teaches men and boys that women and girls are sexual objects that exist to please them. Simultaneously sexual objectification disempowers girls and women by emphasizing superficial beauty. Although many decisions related to K- pop choreography, costumes, or lyrics may be attributed to music management companies, this article analyzes how music television programs Inkigayo (Seoul Broadcasting System) and Music Core (Munhwa Broadcasting Company) contribute to the sexual objectification of women through the ways that emcees frame performances and the ways the camera draws attention to sexualized body parts. In August 2012 racy performances by the girl group Kara raised public debate and spurred calls for amendments to the Juvenile Protection Law. At that time commentary focused on the impact of sexually provocative performances on young people. The law places responsibility for monitoring content onto the content producers and broadcasters, yet frame analysis of Kara’s performances, compared with performances in early 2013, demonstrated that neither Inkigayo nor Music Core had changed the sexually objectifying performance frame on their shows. The final version of the revised law, 1 This research was supported by Hankuk University of Foreign Studies Research Fund of 2013. 2 Author’s Note: Thank you to the editor and enormously helpful anonymous reviewers at Acta Koreana as well as friends and colleagues with whom I discussed aspects of this paper: my gratitude to Logan Clark, Timothy Gitzen, Meredith Perry, Jungwon Kim, Jisoo Hyun, Thea Suh, Go Gwanyeong, and the audience for my presentation at the 2013 International Association for the Study of Popular Music conference. -
The Globalization of K-Pop: Is K-Pop Losing Its Korean-Ness?
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Yun-Jung Choi Teacher at the Writing Center (Yonsei University, Seoul) The Globalization of K-Pop: Is K-Pop Losing its Korean-ness? The recent news of Korean boy and girl bands making headlines in Eastern and Southern Asia, Europe and the US are sending new hopes and energy through the K-Pop (short for Korean Pop) industry following the surge of pride when the Korean Wave first hit Japan and China in the late 1990s and early 2000s. The spread of Korean music and the increasing popularity of its singers is mainly due to the three major entertainment companies that dominate the K-Pop market: SM Entertainment (SM), YG Entertainment (YG) and JYP Entertainment (JYPE). SM is the oldest and largest entertainment company in the Korean music scene. It gave birth to the first generation of K-Pop boy and girl groups, including H.O.T, Shinhwa and S.E.S. It now produces the more recent teenage idols, TVXQ, Super Junior, SHINee and Girls’ Generation. YG is known for its hip-hop and electronic sounds that are well represented by its current acts Big Bang and 2NE1. JYPE also has a lineup of idol groups under its name: Wonder Girls, 2AM, 2PM and miss A. As K-Pop’s influence and popularity continues to spread, the three entertainment companies are keenly trying to keep up with the demand and expectations of K-Pop audiences around the world. The three K-Pop powerhouses are incorporating experienced foreign—more precisely, Western—talent for both music and choreography in order to make K-Pop more appealing abroad. -
Girls' Generation? Gender, (Dis)Empowerment and K-Pop
Girls' Generation? Gender, (Dis)Empowerment and K-pop Stephen Epstein (Victoria University of Wellington) and James Turnbull (Dongseo University) The hottest phrase in Korea nowadays is undeniably 'girl group.' But girl group fever is more than just a trend: it's symbolic of a cultural era that is embracing the expulsion of authoritarian ideology." So reads the content blurb for a story on the rise of girl groups in the March 2010 issue of Korea, a public relations magazine published under the auspices of the Korean Culture and Information Service. Nonetheless, despite official, top-down promotion and cheerful assertions that this phenomenon is a liberating pop movement, a reading of the lyrics and visual codes of the music videos of popular contemporary Korea girl groups raises serious questions about the empowering nature of "Girl Group Fever." In this paper, we will engage in a close analysis of the music and videos of groups such as the Wonder Girls, Girls' Generation, KARA, T-ara and the discourse that has surrounded their rise to popularity in South Korea in order to deconstruct the notion that contemporary consumer society is making a radical break from more traditional, deeply embedded power structures. We will argue that a set of recurrent tropes in the studied media and marketing presentation of Korean girl groups undercuts claims to a progressive ethos. In particular, as we hope to demonstrate, girl group videos and lyrics often fall into one of three categories: first of all, while girl group singers can express desire in potentially empowering fashion, the viewer is generally constructed as male, and expression of desire is accompanied by a coyness and feigned innocence that returns power to men (Girls' Generation's "Gee" and "Oh"; T- ara's "Like the First Time"; KARA's "Mister"). -
Clive Vignola Ruder Master T
Abstract The purpose of this thesis is to research Jimmy Fallon’s audience’s relationship with democracy through the jokes he makes during a political crisis. Looking at previous research such as Christie Davies Jokes and Targets, suggests that more jokes being made about politics illustrate dissatisfaction with the political system. Also, that the jokes themselves can lead to an understanding of how people relate to their political system. This thesis will go through different available theories, such as superiority, incongruity and release, on why people laugh. Not only that, the thesis will also go through semantic script theory of humor in order to be able to constitute what is and is not a joke. This same theory will also give the tools necessary to go into more depth with each individual joke. To assess what those jokes actually mean, Framing Theory as specified by George Lakoff. Through that, I will be able to better assess the meaning of the jokes being made and what they mean, which will be used to answer the problem formulation. This entire process will show that the jokes do not show an overtly negative view on democratic institutions on a whole. That said, there are jokes that criticize some aspects of democracy that perhaps need improvement. Also, it also suggests that Trump has become or is becoming an example of what a president should not be. 1 Contents Introduction .................................................................................................................................................. 5 What’s -
Secret Service FOIA Documents Release Before And
DEPARTMENT OF HOMELAND SECURITY UNITED STATES SECRET SERVICE WASHINGTON, D.C. 20223 Freedom of Information Act Program Communications Center 245 Murray Lane, S.W., Building T-5 Washington, D.C. 20223 Date: 6/29/2021 Nikhel Sus Email: [email protected] File Number: 20210320 -L Dear Requester: This is the first interim response to your Freedom of Information Act (FOIA) request, originally received by the United States Secret Service (Secret Service) on January 21, 2021, for information pertaining to: 1. All records from December 1, 2020 to January 6, 2021 reflecting any plans for demonstrations, gatherings, disruptions, attacks, or riots in Washington, D.C. on January 6, 2021 that were identified by any DHS component—including without limitation the Office of Intelligence & Analysis (“I&A”) and the Federal Protective Service (“FPS”)—or other agencies through social media monitoring, threat assessments, or other means. 2. All records from December 1, 2020 to January 6, 2021 reflecting any tips, complaints, referrals, allegations, or reports submitted to any DHS component—including without limitation I&A and FPS—regarding planned demonstrations, gatherings, disruptions, attacks, or riots in Washington, D.C. on January 6, 2021. 3. All records from December 1, 2020 to January 6, 2021 reflecting DHS’s communication to other agencies—including without limitation the U.S. Capitol Police, the D.C. Metropolitan Police Department, the Federal Bureau of Investigation, the Department of Justice, or the Department of Defense—of the risks or threats posed by planned demonstrations, gatherings, disruptions, attacks, or riots in Washington, D.C. on January 6, 2021. 4. All records from December 1, 2020 to January 6, 2021 relating to any DHS component— including without limitation I&A and FPS—providing assistance or support to the U.S. -
Trickle-Down Bullying and the Truly Great American Response
TRICKLE-DOWN BULLYING AND THE TRULY GREAT AMERICAN RESPONSE: CAN RESPONSIBLE RHETORIC IN JUDICIAL ADVOCACY AND DECISION- MAKING HELP HEAL THE DIVISIVENESS OF THE TRUMP PRESIDENCY? MAUREEN JOHNSON* I.Introduction .................................................................................... 446 II.The Impact of an American President ........................................... 453 A. Trickle-Down Bullying: What’s Good for the Goose is Good for the Goslings .................................................... 455 B. “System One” Thinking: How and Why Deeply Ingrained Values and Beliefs Are so Difficult to Shake ................. 460 C. A Unique Opportunity: Could President Trump Set an Example that Would Guide His Supporters to Reject Their Own Implicit or Explicit Bias? ....................................... 464 III.The “Twelfth Man” – The Impact of the American Public on Judicial Decision-Making ...................................................... 468 A. The Spontaneous Collective Grassroots Response to the Trump Presidency ........................................................... 470 B. The Flip of the Coin: Trumpism, Evangelist Values and the Distrust of the Judiciary ............................................ 473 * Maureen Johnson is an Associate Clinical Professor at Loyola Law School, Los Angeles. Prior to teaching, the author practiced law at Mayer, Brown LLP and Kaye Scholer, LLP. The author thanks all of her colleagues at Loyola, specifically including Assistant Dean Cindy Archer, Professors Jean Boylan, Mary Culbert and Adjunct Professor Stephanie Williams. The author also thanks University of Nevada at Las Vegas (William S. Boyd School of Law) for hosting the 2016 West Coast Rhetoric Conference, where this paper was presented. Special thanks to all participants, including Terrill Pollman, Kenneth Dean Chestek, Lori Johnson, and Kristin Murray. A special final thanks to Meaghan Mixon, Executive Editor, and the rest of the Journal of Gender, Social Policy & the Law, Vol. 26 staff.