Walkable Greenways Are on the Way! NC Music
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Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Big Al's R&B, 1956-1959
The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6. -
J. D. Thomas Accession
JD THOMAS CULTURAL CENTER, INC. PAST-PERFECT CONTENT INDEX Charles “Madhatter” Collection Series 1: Awards Exhibit/Display Artist: Award: 1. The Fat Boys - “Cruisin” Platinum Sales Award 2. Jodici -“Forever My Lady” Multi-Platinum Sales Award 3. Levert -“The Big Throwdown” Gold Sales Award 4. M.C. Hammer -“Let’s Get it Started” Platinum Sales Award 5. Southern M.U.S.I.C. “Butterball Friendship Award” 6. Charles “MadHatter” Merritt Framed charcoal portrait 7. Charles “MadHatter” Merritt Self Photo 8. Charles “MadHaatter” Merritt Self Photo 9. Blues & Soul Blues Summit Honorium Award 10. Jasmine Guy - Actress Photo to MadHatter *(autographed) Box 1: Artist: Album: 1. Bobby Brown My Prerogative 2. New Edition Christmas All Over the World 3. Bobby Brown Every Little Hit 4. New Edition Heart Break 5. Lou Rawls Let Me Be Good To You 6. Lou Rawls At Last 7. Lou Rawls Live at the Mark Hellinger Theatre, NYC 8. Commodores Caught in the Act 9. Commorores Brick House 10. Commodores Rock Solid Box 2: Artist: Album: 1. L.L. Cool J I’m That Type of Guy 2. Nancy Wilson A Lady With A Song 3. ‘LaBelle & The Bluebells Merry Christmas From LaBelle 4. Myrna Summers/Rev. Wright We’re Going To Make It 5. Shirley Caesar I Remember Mama 6. Hannibal Visions of a New World 7. Manhattans Love Talk 8. St. Augustine’s College Choir The Divine Service 9. Lou Rawls Family Reunion 10. Hall & Oates Live at the Apollo (with David Ruffin & Eddie Kendricks) Box 3: Artist: Album: 1. Glady’s Knight LIFE 2. -
ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors. -
1435 2012 ^ Five Dollar 435
BLACK RADIO - CLUSIVE BLACK ENTERTAINMENT'S PR '' 36YEARS ISSN in-1435 2012 ^ FIVE DOLLAR 435 o 'I-47 3500 4 Featuring the final recorded performances from the late music icon WHITNEY HOUSTON _LtBRATE ORIGINAL N^mON pirTI IPF SOUNDTRACK FEATURING NEW MUSIC FROM JORDIN SPARKSAND WHITNEY HOUSTON ON THE URBAN ADULT RADIO HIT PRODUCED BY R. KELLY "CELEBRATE" AND A SOUL -STIRRING RENDITION OF WHITNEY HOUSTON ON "Li le Mir IC cM TUC QPAPDOW" 13 -SONG SOUNDTRACK ALSO INCLUDES CEE LO GREEN ON "I'M A MAN," GOAPELE ON "RUNNING," AND CARMEN EJOGO AND TIKA SUMPTER JOINING JORDIN SPARKS ON "SOMETHING HE CAN FEEL" WITH THREE NEW SONGS BY JORDIN SPARKS AVAILABLE EVERYWHERE JULY 31 ON it,14 RECORDS/SONY MUSIC From the Movie Directed by SALIM AKIL in Theaters Nationwide AUGUST 17TH The state of magazines is sticky, 43 minutes per issue sticky. Media continues to proliferate. ',Attention spans continue to shrink. And free content is available everywhere, from the Internet to the insides of elevators. Why then are 93% of American adults still so attached to magazines? Why do so many people, young and old, spend so much time with a medium that's paper and ink, a medium you actually have to pay for in order to read? In a word, engagement. Reading a magazine remains a uniquely intimate and immersive experience. Not only is magazine readership up, readers spend an average of 43 minutes per issue. Further, those 43 minutes of attention are typically undivided. Among all media-digital or analog-magazine readers are least likely to engage in another activity while reading. -
Biography -- Printable Version
Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled. -
Sensational Soul Cruisers Song List the Tramps
Sensational Soul Cruisers Song List The Tramps - Disco Inferno - Hold Back The Night KC and the Sunshine Band - Sound Your Funky Horn - Get Down Tonight - I‛m Your Boogie Man - Shake Your Booty - That‛s The Way I Like It - Baby Give It Up - Please Don‛t Go The Moments - Love On A Two Way Street The Bee Gees - You Should Be Dancin - Night Fever Harold Melvin & The Blue Notes - The Love I Lost - If You Don‛t Know Me By Now - Bad Luck - I Don‛t Love You Anymore The O‛Jays - Love Train - I Love Music - Back Stabbers - Used To Be My Girl The ChiLites - Have You Seen Her - Oh Girl Gladys Knight - The Best Thing That Ever Happened To Me - Midnight Train To Georgia Earth, Wind & Fire - September - Sing a Song - Shining Star - Let‛s Groove Main Ingredient - Everybody Plays The Fool Johnny Nash - I Can See Clearly Now Isley Brothers - Work To Do - It‛s Your Thing - Shout - Twist & Shout Tavares - It Only Takes a Minute - Free Ride - Heaven Must Be Missing an Angel - Don‛t Take Away The Music The Foundations - Now That I‛ve Found You Barry White - Can‛t Get Enough of You Babe - You‛re My First My Last My Everything - What Am I Gonna Do - Ecstasy (When You Lay Down Next To Me) Edwin Starr - 25 Miles The Platters - Only You Soul Survivors - Expressway Billy Ocean - Are You Ready George Benson - Turn Your Love Around Billy Ocean - Are You Ready Heat Wave - Boogie Nights - Always and Forever - Groove Line Bell & James - Livin It Up (Friday Night) Peter Brown - Dance With Me Jigsaw - Skyhigh Tyrone Davis - Turn Back the Hands of Time The Stylistics - -
Jimmie Vaughan More Blues, Ballads and Favorites Bio
Jimmie Vaughan More Blues, Ballads and Favorites Bio For Jimmie Vaughan, too much of a good thing is a concept that simply doesn‟t exist. The legendary Texan guitar dynamo was so pleased with the response to his 2010 album Blues, Ballads and Favorites that he decided to follow it up with a brand new collection he‟s calling— what else?—More Blues, Ballads and Favorites! Packed with 16 covers of classic tunes that are close to his heart, the album—recorded, like the previous one, in his hometown of Austin, Texas—reunites Vaughan with the same cast of musicians that helped him out on the previous set. Also returning for round two, to assist with the vocals, is Lou Ann Barton, whose powerful pipes grace several tunes on the new release. “The first album was a success,” says Vaughan, “and what happened is I never really stopped. Even after I turned the first one in I was still recording. I‟ve decided that, as long as I feel like it, I‟m going to do that from now on.” Jimmie Vaughan—who first came to prominence as co-founder of the pioneering Texas blues- rock band the Fabulous Thunderbirds in the ‟70s— has certainly earned the right to do whatever he wants whenever he wants to do it. Since he was a kid, Vaughan has dedicated his life to mastering his axe and reminding folks what American music is all about—music, he says, that need not be categorized. “When I talk about country and blues, they‟re the same thing,” he says. -
Longtime Friend Bob Riley Looks Back on a Long Career the Manhattans Were Very Much Into Like All Families, We Sometimes Went In
the manhattans A PERSONAL COMMENT Longtime Friend Bob Riley Looks Back On A Long Career The Manhattans were very much into Like all families, we sometimes went in what I commonly refer to as "my kind of different directions; but all the while work- music," the ballad - filled with that old ing toward the ultimate goal - making The street corner churchy harmony. I had Manhattans. The times were rough! I took listened to them for years on Jo Evans' Car- them into some little back woods club in the nival Records. But in 1972, there we were, middle of corn fields, way out in the middle face-to-face in the Starday-King Record's of nowhere. Blue and the fellows often want- office in Nashville, Tenn. ed to strangle me, but we always found My normal function with King had been something comical about the situation - strictly national R&B promotion. That par- like as many people sometimes looking ticular morning, Hal Neely, the president, through cracks in the walls as there were had requested that I make certain I was in paying people inside. There has always the city for I was to meet with The Manhat- been something warm enough and strong tans and their manager, Hermi Hanlin. enough between us to carry us through the I walked in expecting to meet another most difficult situations. cocky group with a manager full of "why Strange Experiences Hots" and "how comes." My notes were Perhaps the two things that stand out in ready to cover the last single release, "A my mind most vividly from The Manhattan Million To One," the "why Hots" and "how yesteryears are the night in Chattanooga comes." Instead, here sat five guys smiling when things had been going so bad, so and an oval -faced, jovial female who im- terribly bad - places with just a few people mediately said, "okay Bob Riley, when do - and even when there was a good house, Leo Graham in the studio. -
For Immediate Release Contact
FOR IMMEDIATE RELEASE CONTACT: Tracey Shavers or Jacci Woods 313.309.4610 [email protected] or [email protected] MotorCity Casino Hotel Presents ‘70s Soul Jam The Stylistics, The Manhattans and The Main Ingredient featuring Cuba Gooding Sr. Sound Board September 19, 2014 (Detroit – August 29, 2014) MotorCity Casino Hotel presents, ‘70s Soul Jam: The Stylistics, The Manhattans, and The Main Ingredient featuring Cuba Gooding, Sr., to Sound Board on Friday, September 19, 2014 at 8 p.m. Take a musical ride back to the ‘70s in a night replete with classic soul jams from an era of intricate two- steps, heavenly harmonies, and songs with heartfelt meaning. Airrion Love, Herbert Murrell, Eban Brown, and Jason Sharp, collectively known as The Stylistics, formed in Philadelphia, Pennsylvania, in 1966 from two groups, "The Percussions" and "The Monarchs." The group has had a string of US hits and U.S. R&B top ten hits, including "Stop, Look, Listen", "You Are Everything", "Betcha by Golly, Wow", "People Make the World Go Round", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New". To read more about The Stylistics, please visit http://www.thestylistics.org. Legend has it that George "Smitty" Smith, Edward "Sonny" Bivins, Winfred "Blue" Lovett, Kenneth Kelly and Richard Taylor came to call themselves the Manhattans because, as teenage singers in Jersey City, New Jersey, they dreamed about the big time while gazing across the Hudson River at the Manhattan skyline. It's a nice story, but unfortunately it is not true. -
Jukebox Decades – 100 Hits Ultimate Soul
JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here -
May Washington Blues Society Bluesletter Calendar Note: Please Confirm with Each Venue the Start Toast 8PM Highway 99 Blues Club, Seattle - Chris Eger Time and Price
In This Issue... Read About Chris Eger’s CD Release Party! Welcome Back, Shemekia Copeland! Coming to Sunbanks: Hamilton Loomis (Photo by Judy Tilley) (Photo by Joseph A. Rosen) (Photo by James Westveer) Letter from the President 2 Bellevue Jazz & Blues Festival 5 Chris Eger Band CD Release 12 On the Cover: Sarah Brown 2 Spring Sunbanks Preview 8 Winthrop Blues Festival Update 13 Letter from the Editor 3 2016 BB Award Winners 10 June Blues Festival Updates 13 Officers and Directors 4 One Nominee’s Reaction 11 Membership Opportunities 14 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, A thousand of us it becomes $200,000. Two her help in getting sponsors for the Best of the thousand it becomes $400,000! That is the “Power Blues award show, and Roy Brown for his talents This month I am writing about the importance of of Numbers. This is a very reasonable amount to as an emcee. You all rocked and I grateful to all of supporting the Save KPLU campaign and keeping donate for most of us and because of the power of you for all your efforts! it in its existing format, but as a community non- numbers it carries a huge impact! Please give this profit. The clock is ticking and the time is now to some serious thought and check our Washington For those of you who missed this event be sure to write your check in support of this worthy effort. Blues Society Facebook page for the upcoming make time next year to come and support our great By keeping KPLU as it is not only will we be shows and pick the show that you want to attend! Pacific Northwest talent.