THE TUFTS DAILY Where You Read It First Wednesday, November 17,1993 Vol XXW, Number 47 I KENNY G, EAT YOUR HEART OUl? EPIIC to host panel, simulation covering changes in Yugoslavia by DAVID MEYERS tion.” Ths year, 17 local secondary Daily Editorial Board The participantsin the program schools, including Medford High Education for Public Inquiry will be asked to consider the PO- School, are participating in the and International Citizenship litical and psychological factors program. (EPIIC) will be holding a panel involved in ethnic conflict and how “INQUIRY’S university-school discussion concerning the former to address ethnic minoritieswithin collaboration provides a dynamic Yugoslavia on Thursday, Nov. 18, states and the protection of minor- and tangible process that empha- according to Assistant Director ity rights. sizes an unusual educational pre- Heather Barry. Also, they will discuss the hu- paratory process that providesboth This panel will be part of the man rights dimension of ethnic teachers and students with exten- INQUIRY Secondary School Out- conflicts, the validity of self-de- sive and sophisticated, but acces- reach Program which “has had termination movements, how con- sible,syllabus materials ... and with considerable success and been flict resolution can be fostered and opportunities to meet the authors enthusiasticallyembraced over the encouraged, and the role of the of their readings,” Teichman said. last two years -- both in the high international community and the Assistant Superintendent for schools and by EPIIC’s students,” emerging norms of intervention. BostonPublic High SchoolsAlbert Barry said. INQUIRY challenges second- D. Holland is interested in keep- Thursday’s event will be the ary school students to perform at ing the Boston schools active in first gathering of all of the high their highest ability while promot- the program. school delegations at Tufts Uni- ing ethical choices and leadership ‘With the tremendous increase versity. The students will be intro- at the secondary school level. It Of foduY’s problems* I that duced to the simulation topic and encourages a collaboration be- INQUIRY is a the simulation roles will be dis- tween secondary school teachers curriculum which presents inter- tributed at 6:30 p.m. and university-level faculty. Following the simulation, the see INQUIRY, page 12 students will stay for a panel and discussion on “The Fall of Yugo- I slavia: The Resurgence of His- tory,” which is open to the entire Tufts community. “In consultation with the par- Daily file phofo ticipating teachers, we have cho- (Strikeus the band! Let’s hear some ofthat good old Dixieland iazz. sen the former Yugoslavia for this year’s simulation topic,” Barry said. Wellesley is divesting EPIIC Director Sherman Teichman said, ‘We believe that exploring the ethnic, religious and from Hydro-Quebec national tensions that have split by GAYLE BERKOWlTZ cently, and there has been little Yugoslavia will help the students Senior Staff Writer student debate on the issue. understand the complex issues The administrationat Wellesley One senior at Wellesley, behind the headlines as well as the College has announced intentions Roopali Phadke, who leads the continuing dilemma of United EPIIC Director Teichman Dairy file phofo to divest its bond holdings of student alliance in the fight to pro- States and international interven- roughly $17,000 from Hydro-Que- tect the James Bay region, stated, bec, making it one of the first “I think it is important to note that colleges in the northeast to do so. we are not quite sure why our E=Mailchanged to ease students’ Hydro-Quebec is a multi-na- administration has decided to sell tional corporation that is construct- its bonds. We would like to think ing large-scale hydro-electric that it is because of the environ- access to system for course work plants in the northern, James Bay mental implications of the invest- by CAROLINE SCWFER able at Tufts. However, through While students use E-Mail to con- region of Quebec, which is home ment, but there is a strong possi- Daily Editorial Board JumboNet, studentshave been able verse with Tufts students as well to Cree and Inuit Indians. bility that it is for economic rea- Citing a “flooded” computer to obtain personalE-Mail accounts as friends and family in other ar- Opposers of the project argue that sons, instead.” system, AcademicComputing Ser- since the beginning of the semes- eas of the country and world, ad- the plants cause irrepwable dam- Phadke also expressed concern vices and a faculty committee on ter, Finlon said. ministrators and faculty use the age to the environment, such as over the fact that although the Computer Usage recently decided Since September, the number program for memos and inter-of- the contamination of water and the school has said it will sell its bonds, to restrict students’ personal ac- of E-mail accounts at Tufts has fice communication. emission of greenhouse gases. no action has been taken. ‘We still cess to electronic mail (known as exceeded 3,000, and interest in “I have gotten complaints from Wellesley, Boston University, want to draw attention to the situ- E-Mail). This restriction extends new accounts remains consistent, both students and faculty because Brandeis, Harvard, and Tufts are ation because we want to see [di- to TALK, the Internet system Finlon said. of the restricted access to personal among the many universities that vestment] actually happen. We which allows students to “con- “The response has been over- accounts,” Finlon said. have invested large sums of money don’t just want lip service,” she verse” directly with someone else whelming. We never anticipated SophomoreMaxWeinstein said in Hydro-Quebec.Dartmouth Col- said. on another computer between 9 such a high demand so quickly. that the restrictions on the per- lege had invested approximately Colleges all over the northeast a.m. and 5 p.m., according to As- We have had over 1,OOO requests sonal accounts limit the student $6.8 million, and became the first have been pressuring their schools sociate Director of Academic for new personal accounts,” Finlon communication,but also students’ school to divest in December in to divest from Hydro-Quebec be- Computing Services Mary Ann said. E-Mail accounts can be ob- ability to obtain academic infor- tained free of charge by all stu- 1992. cause of the project’s adverse en- Finlon. mation. dents with a valid Tufts ID, and The decision for Wellesley to VirOnmental implications. The Despite the fact that the restric- “I feel that they’re cutting off allow students to use E-Mail ei- divest comes as a surprise to many campaign at Tufts has been going tions attempt to relieve the com- an entire world of information at a students, as the campaign to pro- puter traffic, students have had ther on their own personal com- school where they stress the im- tect James Bay started only re- see WELLESLEY, page 12 mixed reactions to the recent deci- puters provided they have a mo- portance of education and acquir- sion. dem or one of the terminals in the ing information,” Weinstein said. ‘We needed to alleviate some Tufts computer labs. He added that though the personal of the demand on the system. Stu- Accounts tap into the Pearl sys- accounts are not designated to one 1 Inside~ -. - dents and faculty members were tem, which is located at the Ad- course, they offer students differ- Features ...... Pa3 having difficulty logging onto the ’ ministrative Tab Building. ent types of operations and pro- columnist reflects on the latest How- Our system during the day for come ever, the Pearl system is old and grams that the accounts for course ofournation’ssex scandals, and Israeli work do not. dancing is a hot new pasttime. work,” Finlon said. cannot accommodatethousands of According to Finlon, there are accounts simultaneously, Finlon Freshman Brian Novack, who has a personal E-Mail account, A&E p. 5 two types of E-Mail accounts, one said...... “The system got flooded. Pearl also expressedannoyance over the 10,OOO Maniacs releases the next designated for personal commu- nication and the other for course had more users than it could recent restrictions. album of MTV’s Unplugged series, “I’m upset by the fact that you and Jurassic Park lives in Boston. work. The course work accounts handle,” Finlon said. . have three purposes: professors’ Though the restrictions are in- can’t use TALK during the day, especially on Saturday and Sun- sports p. 7 assignment of homework, stu- tended to better servestudents who ...... dents’ turning-in of this homework, use E-Mail for course work, many day,” Novack said, adding that The Tufts hoopstem are geared up needs a “more efficient sys- for a shiny new season, and Sailing and general student-faculty com- students and faculty have com- Tufts prepares for its regatta in Japan. munication. Previously, only plained about the recent restric- course work accounts were avail- tions. see EMAIL, page 13 page two THE TUFTS DAILY Wednesdav. November 17.1993 THETUFTS DAILE Letters to the Editor Elin M. Dugan Viewpoint contained calling,and column counting of the atroci- but bulimiaas well, which exists on campus Editor-in-Chief ties committed on both sides does nothing on a more evasive fashion.] That is very inaccurate statements but turn a deaf ear to the needs, visions, scary. Do you know how many women that Managing Editor: Caroline Schaefer To theEditor: and reasoning entrenched in the voices is on the Tufts campus? Not 1)O. Not 200. Associate Editors: Nadya Sbaiti, Marc Sheinkin and threatened humanity of both peoples. Not even 400. But 563 wornenthat we see Editorial Page Editor: Stephen Murhnot We are responding to Mohammed Sarhan’s article (“The Facts about Israel,” There is no listening, no contemplationof every day. I myselfknow seven people with Production Managers: Michael B. Berg, Daily, 11- 11 -93). Many of Sarhan’s “facts” the other’s cries and finger-pointing. eating disorders. If you don’t know some- Leah Schwartz, Ryan Otto contain falsehoods. Some are corrected Rather, there is only knee-jerk anger aimed one now, I promise you that you will befoie NEWS below. more at refuting statements than produc- you’re done here. Editor: David Meyers, Jessica Rosenthal Sarhan says: “[Tlhe Zionist movement... ing understanding, creating an endlesstally AND THE NmBERS ARE NOT Assistant Editor: John OKeefe advocated a policy of force toward the of grievances. GE’ITING SMALLER. Everyone I show Wire Editor: Ashley Burkart indigenous Palestinian population... Its This letter is in no way a call to both those signs to says “I bet it’s more than 1 in goal was never to live in peace.” Yet the Arab and Jewish students to forget history 4.” Eating problems basically occur in VIEWPOINTS first Zionist Congress adopted the follow- and just kiss and make up. But it is an women, but they affect the men who care Editor: Michael J.W. Stickings ing resolution: “The goal of Zionism is the appeal to both groups to acknowledge the about those women as well. It is NOT a establishment for the Jewish people of a distrust, hatred, and dehumanization that women’s issue, it is OUR issue. How will FEATURES Editors: Rachel Levine, Jessica Ruu. home in Palestine guaranteed by public exists within both of our populations. you approach someone about whom you Assistant Editor: Sharon Jedel law.” The methods stated for reaching that We must meet to discuss the economic, are concerned? What if you were. the one goal: colonization of Palestine by Jewish social, political, and spiritual disaster that who couldn’t stop making food the center ARTS di ENTERXAINUENT laborers; establishing organized Jewish in- lies ahead in war. We must come to the of your life, who felt alone and afraid, but Editors: Madhu Unnikrishnan, stitutions,encouraging Jewish national sen- table and be willing to hear each other out, didn’t know how to get out? That’s the Megan Bre~-White Assistant Editor: Matt Carson timent, and achieving official government and be offended, and be hurt. Allow our- reality of an eighth of this campus. WEEKENDER recognition. Nowhere does a policy of selves this awakening from the one-sided Learn how you, man or woman, can help Editors: John McGuire, Christopher Stripinis force, or any policy towards Palestinians, education handed down by the cultivators yourself or another, now or in the future. Production Manager: Jamie Fink exist. of our anger. If not, we secure blindfolds Get real suggestions, not just the same old SPORTS Sarhan says: “Vladimir Jabotinsky, the around our eyes, and weapons to our hands, facts you’ve heard before. Come hear about Editors: Doug Katz, John Tomase, founder of Revisionist Zionism... bluntly shooting blindly into the darkness. the Hidden Pain in two women’s lives -- Jeff Geller set forth the principles of Zionism and one a Tufts grad. Find out in Miller’s Main advocated [violent] policies for dealing Brian Richards LA’95 Lounge on Thursday, Nov. 18,8 p.m. We PHOTOGRAPHY with the Palestinians.” The Revisionists know the facts about eating disorders.Now Editors: ire^ Fayngold, Jennifer McCarthy Assistant Editors: Tara Kerndan, were a radical group of Zionists who, as it’s time to deal with the reality. Before it Matilde Pereda, Anni Recordati early as 1932, weredefeatedinelectionsat deals with us. the Zionist Congress. This essentially ex- cluded Jabotinsky from power in the Zion- Bethlyn Vergo LA’95 PRODUCTION Concert tickets to be ayout Editors: Mark Leman, Stephanie Vogel ist movement. Therefore,his views do not Classifieds Editor: Beth McGregor, represent Zionism as a whole. refunded this week Katherine Winder Sarhan says: “[By]... May 15, 1948... To the Editor: Copy Editors: Elana Vatsky, theZionistarmies andmilitias [had]seized Cheryl Horton, Yael Belkind The Tufts Concert Board will be re- 75% of Palestine, forcing 780,000 Pales- funding tickets to the Rage Against the SCOPE leaders give tinians out of the country... The Palestin- v Machine concert previously scheduled for Gizem Ozkulahci ians were driven out by a process of vil- their thanks Executive Business Director November 6. Refunds will only be avail- lage-to-village exterminationby the Zion- able this Thufiday, November 18 and Fri- To the Editor: Business Manager: Phil Ayoub ists which was intended toeither kill Pales- day, November 19 from 9 to 5 p.m. Please On behalf of the Students of Color Out- Advertising Manager: Dean Gendron tinians or cause them to flee.”By May 15, return your ticket to the InformationBooth reach Program (SCOPE), we would like to Office. Manager: Lyle Mays Jewish forces controlled only the areas thank the faculty, staff, students, and spe- Subscriptions Manager: Monika Voeh in the Mayer Campus Center to receive Receivables Manager: Melissa Tapply granted them by the U.N. partition plan. your refund. Note that complimentarytick- cial interest houses who volunteered their While 300,000 Palestinians had fled or time during our fall open houses. The three The Tufts Daily is a non-profit newspaper, published ets are not refundable. - indaythroughFridayduringtheaca~cyearanddis~~ been displaced by then, there was never a For the past week, the Concert Board programs hosted over 150 guests. Your d free to the Tufts community. The Daily is entirely systematic extermination of villages. In had been speaking to the band’s agent in an help has been vital to the success of these dent-run;therearenopaideditorialpositions.TheDailyis programs and we look for your continued oted at Charles River Publishing, Charlestown. MA. several instances theZionists offered to let effort to determine whether the concert The Daily is located at the back enhance of Curtis Hall the Arabs remain, but they were ordered to could be rescheduled. This determination support in the spring. Once again, thank hfts University. Our phone number is (617) 627-3090. leave cities such as Tiberias, Haifa, and you. siness hours are 900 am. - 6:00 pm, Monday hugh depended upon the health of Rage Against day, and 1:OO p.m. - 600 p.m on Sunday. JafFa by the British Army, the Arab Mufti the Machine drummer Brad Wilk, who The policies of The Tufts Daily are established by the (located in Egypt), and the Arab High suffered excruciating pain due to a herni- Michelle Ng LA’97 torial board. Editorials appear on this page, unsigned. Committee respectively. Danielle Lazore LA’96 Evidual editors are not necessarily responsible for. or in ated disc in his back on November 4 in eementwith, thepolicies andeditorialsofIheTuftsDaily. Our information is taken from histori- New York. However, since this injury usu- Members, SCOPE Executive Board The content of letters, advertisements, signed columns, cal sources, including texts from Professor ally requires surgery, Rage Against the toons andgraphicsdoesnotnecessarilyreflecttheopinion Fawaz’ History of the Middle East class . tk Tufts Daily editorial board. Machine decided to cancel all dates through Letters to the Editor Policy and Wessell library. We hope this clarifies December 18 and later dates with Cypress The Tufts Daily welcomes letters from the readers. The some details of Israeli history and elimi- Cutbacks only annoy ers pageis anopenfonunforcampus issues and comments Hill. For this reason, rescheduling is not but the Daily’s coverage. nates any misinformation included in possible. To the Editor: Letters must include the writer’s name and a phone Sarhan’s article. On a brighter note, the Concert Board I am writing in response to the recent nber where the writer can be reached. All letters must be ified with the writer before they can be published. is currently planning a concert to benefit changes implemented by Academic Com- The deadline for letters io be considered for publication Amy Willis LA’ 94 Spare Change, the newspaper written and puter Services (ACS) regarding access to he following day’s issue is 400 p.m Yvette Neisser LA’95 Pearl. By restrictingthe student body’s use Due to space Limitations, letters shouldbe no longer than distributed by the homeless. Sparechange )words. Any submissionsover this length may be edited Members, Tufts Friends of Israel is facing financial hardship and needs as- of the system, ACS has made it more diffi- the Daily to be consistentwith the limit Letters shouldbe sistance. The Concert Board will be co- cult, inconvenient,and time-consuming for ompanied by no more than eight signams. The editors reserve the right to edit letters for clarity. sponsoring this show with numerous cam- students to access informationand commu- )lication of letters is not guamnteed. but subject to the Opinions are neither pus organizations in an effort to save this nicate with others. cretion of the editors. most valuable newspaper which helps the For those who are unfamiliar with Tufts’ Letters should be typed or printed from an IBM or IBM- npatible computer in letterquality or near-letterquality correct nor incorrect homeless to empower themselves. Details computer services, Pearl is a computer sys- de. Letters written on Macintosh computers should be To the Editor: about the show will be available in the near tem which is used for various classes as aght in on disk - files should be saved in ‘’text-only” well for students’ E-mail, newsgroup, mat, and disks should be brought in with a copy of the After reading Mohammed Sarhan’s ar- future. as Er. Disks can be picked up in the Daily business office the ticle (“The facts about Israel,” Daily 11- and other Internet access. Through this lowing day. Adam Lewis LA’ 94 system, students can access an incompre- Letters should address the editor and not a particular 11-93), I feel that there are some messages lividual. While letters can be critical of an individual‘s that need to push their way into the con- Randolph Williams III LA’94 hensible quantity of information. The ions, they should not attack someone’s personality traits. sciencesof both Arab and Jewish students. Co-Chairs, fifts Concert Board Internet is a world-wide web of computer The Daily will not accept anonymous letters or pen systems which has discussions, computer nes except in exmm circumstances if the Executive The first is the constant misrepresentation ard determines that there is a clear and pnsent danger to of “facts” with opinions, in Daily articles programs, articles, and much more. author. The Daily will not accept letters regarding the written by members of both groups as While almost every other school in the exage of other publications, unless their coverage itself Become educated on country, from elementary to university level, i become a newsworthy issue that has appeared in the when Sarhan claims that Zionism equals ily. The Daily will accept letters of thanks, if space “racism... an expansionist policy.” These eating disorder facts is increasing free access to state-of-the-art mits, but will not run letters whose sole purpose is to are opinions, not right or wrong, but the computer facilities for all students,Tufts is {ertise an event. To the Editor: essentially cutting back. Considering that When writers have group affiliations or hold titles or opinions of an Arab student. The same My name is Bethlyn Vergo. I am an RA dtions related to the topic of their letter, the Daily note the Pearl system is already obsolete, run- will misuse can be found in articles written by in Miller. I have something to say about .tfollowingtheletter.Thisisto provideadditionalidom- Jewish students. The truth is that facts and ning an operating language which is out of n and is not intended to detract from the letter. SamanthaLevine’sviewpoint (“Thinkbe- style, cutbacks in student time should be Classi6eds Information quotations can be found, or taken out of fore you starve,” Daily, 11-16-93). As she All Tufts students must submit classifieds in person, context, to back up any belief, or prove or the last thing to be considered. :paid with cash or check All classifiedsmust be submitted observes so well, “something terrifying is ACS claims that it has restricted stu- 3 p.m the day before publication. Classifieds may also be propagandize any viewpoint. Written from going on -- women on this campus have ught at the Information Booth at the Campus Center. dents’ time on-line (you now have to call an Arab student’s perspective, Sarhan in- stopped eating.” I wish I could be writing ssif~edssubmitted by mail must be accompanied by a terprets the ideas of Zionism to mean ex- between 5:OO p.m. and 9:OO a.m.) so that xk. Classifieds may not be submitted over the phone. to say that I feel she’s overreacting, that those students who are taking classes that NoticesandLostBr FoundsarefreeandrunonTuesdays pansionism, colonialism, and racism, ig- there is no campus-wide eating problem. I iThursdaysonly.NoticesarelimitedtotwoperweekpeI noring the fact that Zionism was born in utilize Pearl’s capability can enjoy faster pmiaion and run space permitting. Notices must be can’t say this, though. itten Daily forms and submitted in Notices ideas of nationalism,cultural safekeeping, processingtime. Meanwhile, those students on person. You may have seen signs for a program who use Pearl for accessing information lnotbeusedtosellmerchandiseoradvertisemajorevents. and imminent survival needs. In the same that myself and fellow RATaraMcGovern The Tufts Daily is not liable for any damages due to way, Jews constantly turn the Palestinian not only have to wait until nighttime, but we graphical errors or misprintings except the cost of the are running. These signsdon the title “Hid- also have to deal with much slower access don,which is Myreiimdable. We reserve the right to plight for freedom and self-determination den Pain” and assert “1 in 4 women you fuse to print any classifiedswhich contain obscenity,are of into one of terrorism and crazed hatred. (and fresuently busy phone lines) since overtly sexual nature, or are used expressly to denigrate a know has an eating disorder.” [Note: eat- .sonor pup. This bickering back and forth, name ing disorders include not only anorexia, see LE”ER!3, page 13 Wednesday, November 17,1993 THE TUFTS DAILY page three FEATURES He felt a tug? Animals of the world, chill out Move over, Amy Fisher. There’s a new psycho in town. What? Yo[ Biology convention is aiming to reduce animal testing weren’t expecting it? The journalistic climate was ripe, ready, anc rarin’ to go for a brand new sex scandal. The press (and the attorneys by RACHEL LEVINE Center for Animals and Public forced... and [they] are turned off and the television stations, and the movie industry) milked the Amy Daily Editorial Board Policy at Tufts University Sohool by the experience.” Joey-Mary Jo thing for a hell of a lot more than it was worth. Now tha. Morethan 3,000biology teach- of Yeterinary Medicine, Andrew Further, Rqwan says,“For those the “Lawn Guyland Lolita” story has finally (and I fervently hope: ers, 13e scientists, and educational Roirvan, who will offer a presenta- who oppose dissection on moral died down, how else is a pool policy makers are expected to at- tion on “The Ethics of Animal Use grounds, there needs to be a vali- Jessica Rutz editor to fill a page? tend a five-day convention this in Biomedical Research, Testing dation of their feelings, even if one Enter The Bobbitt. weekend at the Marriott Copley and Education.” disagrees with the position.” If only They were Brains It’s not a Tolkien novel. Since Place Hotel entitled “Biology in According to a press release, at Rowan also says that “about 80 the name hasn’t yet become 2 the ’90s: New Directions, New the convention Rowan will dis- percent of Americans believe that household epithet, let me tefresh your memory. A husband. A wife Challenges,” sponsored by the cuss attitudes toward animal dis- animals have ‘rights.’ However, A fillet knife. A penis. Ring a bell? National Association of Biology section and the need to incorpo- most people also take a utilitarian It’s hard for me to tell if Virginia is in as much of an uproar ovei Teachers (NABT). rate ethics and values in science view of animals, whereby their John and Lorena as New York was over Amy and Joey. After all, 1 According to a press release, education. benefits to humanity are weighed lived on the Island of Ignominy when Amy shot Mary Jo. I left for my the conventionseeks to enable“life According to Rowan, ‘There against animals’ rights and suffer- freshman year at Tufts during the height of the scandal. When people sciences teachers in elementary, are many educators who claim ing. As the moral status of animals found out I was from the general area (not even the same county, mind middle, and high schools and col- great benefits are gained from the continues to rise in the mind of the you,just the same land mass), they squealed, “Like, omigod! !Did you leges to interact with the research ‘experience of dissection and American public, so, too, is the ,knowAmy Fisher???’ Remember, folks, more people live on Long community and educationalpolicy watching a dissection .... [but] debate escalating over the use of Island than in Montana. makers, as well as to exchange choice needs to be an integral part animals in science and teaching. I usuallyjust smiled sweetly, winked, and said, “Know her? Wanna ideas about how to meet the chal- of this educational experience.” “As students are encouraged hearasecret?ZreallyshotMaryJo. Amy wasjust acover. She worked lenge of providing scientific lit- Citing a recent study of stu- to develop critical thinking skills, cheap - all I had to do was buy her a new beeper.” Ask a stupid eracy to all Americans.” dents who participated in animal discussions of ethics and values question... A featured speaker of the con- ’.dissectionsin high school and col- and of ethical decision-making At any rate, there are some disturbing similaritiesbetween the two vention is a professor of environ- lege, Rowan notes that there is need to be incorporated into the stories. For quite some time, no one was really sure whether or not mental studies and director of the “little benefit when students are science classroom,” Rowan said. Amy and Joey had an affair, but few would argue the indisputable fact that Amy put a bullet through Mary Jo’s skull. While John Bobbitt was acquitted of marital sexual assault, many believe that he did in Enthusiastic instructor and eager fact rape his wife; whether he did it or not, it’s undeniable that she castrated him. In both cases, the facts were and are buried beneath the media’s pupils make Israeli dancing fun sensationalist coverage. The Buttafuocco tragedy -- and no matter how much of a moron folks think Mary Jo is for standing by her Cro- A variety of dances are taught, both recent and ancient is Magnon, the bullet lodged in her brain a tragedy -- was obscured by JASMINE CHANG ,; by the elevation of Amy Fisher to near-superstar level. Contributing Writer Even now, when Sir Buttafuocco has been convicted of statutory Bored of the same old dance rape, the focus was still on the demurely dressed, soft+poken villain- club scene?Lookingfor someiew ess. Our girl Amy, who read from a statement so very obviously dance moves in a happy, enthusi- prepared for her by a speechwriter (philosophy and three-syllable astic atmosphere? Well, get, ,gut , , .‘. words just ain’t her style), had the last word. those dancing shoes becaus$ Is- Never mind the woman, Mary-what’s-her-name, whose face is raeli dancing has come to Tufts! twisted and whose children must surely be suffering the side effects From 7:30-8:30 on most ‘ ,%I- of Joey B.’s sexual prowess with agirl young enough to betheir sister. day evenings, the Tufts Frien”$ s of The same thing seems,to be happening with Lorena and John Israel sponsors a group instruc- Bobbitt, and this time it’s even more complicated. No matter whose tion of both traditional and qn- story you choose to believe, no one gets to live happily ever after. temporary Israeli dancing. hy- If John Bobbitt did indeed rape his wife (the jurors’ decision, one interested is welcome to$in remember, is based only on their impression of John Bobbitt’s in this treat. I, innocence; only two people know for sure whether he did or not, and The dance lessons are t&ht they just can’t seem to agree on the subject), then he deserves what he by instructor JoanHantman whose got, minus the reuniting surgery. exuberant energy makes thegoup On the other hand, if castration was merely Lorena Bobbitt’s all the more enthusiastic. Th’is is twisted idea of revenge for the disintegrationof their marriage, her act helpful because the dancing ,gets can be deemed no less than despicable. She took the law -- and her better and better, not to mention husband’s sexual and reproductive future, not to mention her own more enjoyable, when the group freedom -- into her own hands. Either way, the odds are that we’ll members express more zeal, and never know what really happened. ardor. The participants form a Why, in both cases, did the media go so far overboard? Granted, circle, sized according to the num- we haven’t heard quite as much about John and Lorena as we did ber of dancers. Often hol,ding about Amy and Joey, but just give it time. Besides, these things take hands, they execute the newly- longer to filter up from Virginia than they do from New York. (And learned dance steps. The steps are what a way to put Manassas on the map!) If past behavior is any not too difficult and even people indication -- remember Donna Rice and Gennifer Flowers -- the with “two left feet” can leam the media will chew up this latest sex scandal and spit it out all over OW various moves. Being in a circle is morning papers, radios, and television screens. supportive because one cannot They ain’t no dummies; they wouldn’t write it if we didn’t read it help moving along with the rest of (hell, you’re still reading). In its own backwardly Puritanical Way, the the group. Besides, if ever lost, the American public is fascinated with and consumed by sex. Reading dancers can always look at some- newspaper coverage, which borders on the tabloid-like as soon as the one else’s feet. S-word enters into the picture, is a safe way for us to indulge in a bit Everythingfalls into placeonce of vicxjous voyeurism. After all, nobody would criticize ~Omeone the music starts. The beautiful eth- for reading the Boston Globe over Cheerios and coffee. Penrhouse nic music of Israel is the heart of high spirits. Each dance step and dancers hop, jump, and skip in might look a little weird. the dances. For example, with the music beat come together. By place to the powerful music, one yep, the media knows what it’s doing. AS long as Our happy dance Hora Or. the music is full of watching the joyful dance as the can Sense the richness of the Is- citizensprovide fodder for the sex scandal grist mill, the reporters and writers will keep on making sure we get the most for our time and money. I can’t wait for the next one. II

Bmok ested in some dancing fun, check This is better than Cousin David’s Bar Mitzvah out Israeli dancing. page four THE TUFTS DAILY Wednesday, November 17,1993 THE TURKEY SHUTTLE.

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ALL RESERVATIONS ARE TENTATIVE AND BUSES WILL RUN ON A FIRST COME BASIS WHENEVER NECESSARY+ Wednesday, November 17,1993 THE TUFTS DAILY page five ARTS & ENTERTAINMENT ‘Musketeers’ offers a Better than the usual Maniacs? by MEGAN BRENN-WHITE The pure simplicity of the energeticperformance is testimony Daily Editorial Board band’s acoustic instruments, which to a band that is not solely a prod- refreshing diversion Following in the footsteps of were supplemented by nine extra uct of studio maneuverings. by MEG HOURI” Furter in The Rocky Horror Pic- 4nnie Lennox, Eric Clapton and musiciansplaying everythingfrom “Trouble Me” stays true to the Senior Steff Writer ture Show provides an outstand- ithers, 10,000 Maniacs has re- bassoons to banjos, created the original -- and with a song that has perfect background for Merchant’s The Three Musketeers is the ing performance as the insidious - 1 become such an instant classic, latest film following the current Cardinal Richelieu, plotting to voice and 10,OOO Maniacs’ heart- that is -perhaps not such a bad Hollywood trend of making mov overthrow King Louis and ascend felt songs. The actual band mem- thing. The addition of a banjo may the throne himself. 1 ED ReviewA‘bum bers, Jerome Augustyniak(drums, seem a little strange at first, but it Though the acting is quite good percussion), Rob Buck (acoustic sounds great. FlReview throughout the film, the script it- :ently released a new CD of an guitar), Dennis Drew (piano, Other versions that were done self is a little tedious. It is evident WTV Unplugged concert perfor- Hammond organ, pump organ), particularly well in this perfor- 1 I that the prodcuers sought to create mance. Not only is this a rare and Steven Gustafson (acoustic mance are, “Because the Night,” ies from nineteenth century nov- a linguistically updated version of qportunity to hear the band go bass), seemed to switcheffortlessly “Hey Jack Kerouac,” “Candy Ev- els. It is also the latest in a long line the film while retaining its period acoustic, but their break-up this to this acoustic format. erybody Wants,” and the finale, of filmed versions of the same setting and costumes. Instead of past year makes this the last op- “Noah’s Dove.” In one of the rare story, this being the fifth remake of creating an interesting juxtaposi- portunity for 10,000Maniacs fans The 14 tunes performed on this strayings from the music, Mer- The Three Musketeers since the tion between old and new, the char- to add to their collections. CD were chosen from past 10,OOO chant gives a brief introduction to 1921 silent version starring Dou- acters’ use of modern slang and The concept of Unplugged is Maniacs CDs and especially from “Gold RushBrides,”fromthe book glas Fairbanks. Of all the versions, colloquilisms simply transforms to create a more persona perfor- their most recent studio album, Women’sDiaries of the Westward this one claims to be the truest to the film from serious to silly at mance by taking away a band’s Our ZTme in Eden. 10,OOO Mani- Journey by Lilian Schlissel. the original Alexander Dumas times. electric toys and having them per- acs are not The Grateful Dead and The only song that really falls novel, with actors approximately On the whole though, it is an form in front of small, live audi- they do not take the opportunity of flat on this CD is “Eat for Two.” the same ages as their characters entertaining movie. The sword ences in an MTV studio. While a live show to take rambling musi- The pace is too slow and thepound- in the original. Filmed on location fights are well choreographed and the shows have not always been cal interludes that bear little re- ing bongos and buzzing bassoons in England and Austria, the movie exciting to behold, the costumes the stuff of dreams, they have pro- semblance to the originals. The make it sound more like a funeral creates an authentic seventeeth are excellent recreations of the duced sdme great musical mo- differences between the studio dirge than anything that would be century feel with a twentieth cen- dress from the time period, and the ments (Eric Clapton even won versions and the Unplugged show played on the radio. This is prob- tury twist. cinematography is superb. Cin- Grammys last year for singing are more subtle, but suit the band’s ably the only case where the origi- The lead role of D’Artaganan ematographer Dean Semler, who some of the same songs he’s been style perfectly. nal is really much better. is played by Chris O’Donnell,who won an Oscar for his work in doing for the past 20 years!). Particular standouts on this al- was last seen with A1 Pacino in Dances with Wolves, effectively 10,000Maniacs is one of those bum are the acoustic versions of For fans of 10,000 Maniacs’, Scent of a Woman. As the young, captures the beautiful surround- groups that have always seemed the hits “These Are Days” and this unplugged album provides ex- over-zealous fourth musketeer, ings and action without being abra- like they’d be better in concert, “Trouble Me.” “These Are Days,” cellent versions of old favorites 0’ Donne11 really shines, bringing sive or forward. The techniques he and their Unplugged show did is the opening song, and the that go beyond the average studio charm and boyish good-looks to uses create a very natural feel. nothing to disprove that theory. announcer’s introduction with a CDs. For new listeners, this CD is the over-confident yet still inno- Natalie Merchant’s trademark clapping audience helps to create a good compilation that serves as cent character. O’Donnell also The Three Musketeers com- voice emerges in this album more that pre-concert excitement. The a great introduction to the band. works well with the slightly older bines action and drama in a hu- clear, strong, and full of emotion accompaniment by the acoustic Either way, this is a must-have for other leads (Keiffer Sutherland, morous, light-hearted manner. It than on any of the studio albums. strings with Merchant’s especially any CD library. Charlie Sheen and Oliver Platt, won’t win any Oscars, but it is not who star as Athos, Porthos and that type of movie, and refresh- Aramis, respectively). ingly, doesn’t pretend to be. It is Museum of Science reveals the These three veteran actors ex- mindlessly amusing and entertain- ude more experience than ing, offering up cheap jokes that O’Donnell’s D’Artagnan, which keep the audience smiling. While complexities- of ‘Jurassic Park’ lends credibility to their perfor- it will not likely go down in history by DAN WEGIEL in the film, all of the dinosaurs pressive part is still to come. A tall mances as the dashing, sword- with Disney classics such as Maly Contributing Writer $-’ were made to actual scale (the gate, identical to the one in the fighting musketeers. Tim Curry, Poppins or The Little Mermuid, it At first glance, the Jurassic Park Tyrannosaurs Rex was forty feet movie, leads the way to a minia- immortalized as Dr. Frank N. is nevertheless a good movie. exhibit at the Boston Museum of tall and weighed 9000 pounds). ture version of Jurassic Park. This Science looks like a huge promo- Next, one comes upon a table is where all of the children present tion for the movie, Jurassic Park. laden with actual movie props and open their mouths and eyes wide I 3P’s futuristic ‘Henceforward’ in Everywhere one looks all one sees models of the structures in Juras- and shout ‘Wow, look at that!” or are scenes from the film and Juras- sic Park. Up to this point, there is ‘That’s awesome!”Palmtrees and Balch Arena Theater this weekend sic Park emblems. However, upon nothing exciting to see unless one other jungle flora abound in the Pen, Paint, and Pretzel’s fall major production, Henceforward, closer examination, this exhibit really enjoyed the movie and massive room. The setting stays will be performed tomorrow, Friday and Saturday in the Balch Arena proves to be a decent source of wanted toknow more about it. But true to the setting of the film, even Theater. Each show begins at 8:00 p.m. Tickets are $4.00 for entertainment with a little educa- this is where the exhibit gets good. down to the electrical fence and Thursday’s show, $5.00 for Friday’s and Saturday’s. tion thrown in. A comer of the massive first room the broken-down jeep. Written by Allan Ayckbourn, Henceforward is about a composer The exhibit begins with a rather is dedicated to an explanation of Every dinosaur in the movie is (Josh Weintraub) who finds himself artisticallyblocked after his wife impressive cast of a dinosaur and the DNA process used to clone the displayed in a life-like, actual size (Michelle Six) leaves him, taking their daughter (Victoria Strouse) a pictorial list of the actors in the dinosaurs. A television screen dis- model, except the Tyrannosaurs with her. In an effort to gain visitation rights to his daughter, the movie. The first few sights are plays the scene from the film in and Brachyosaurus. Some of the composer hires an actress (Jessica Wilson) to play his girlfriend and structured to give a behind-the- which the DNA is obtained. Mem- models on exhibit are the Tricer- don a facade of orderly domestic bliss at a meeting with his daughter’s scenes look at the making of Ju- bers of the museum staff person- atops, Velociraptor, and social worker (David Nathaniels). rassic Park. A short film describes ally discuss this scene in greater Struthionimes.Beside each stands Henceforward takes place in the future, and deals with themes of how the dinosaurs were con- detail. All of the staff members are a TV screen showing scenes from artistic inspiration,deception, and how increasing technology makes structed,how they moved, and how knowledgeable and friendly, will- the movie where the particular di- the truth increasingly easy to manipulate. The play employs a good the film was shot. This portion of ing to answer any questions. nosaur was first introduced. All of deal of audio and video technology; the composer works primarily the exhibit is filled with interest- -At this point, theexhibit is half with vocal samples, and video monitors are incorporated into the set. ing tidbits of trivia. For example, over, but the best and most im- see DINOSAURS, page 11 IMichael Jackson is hiding at Waldo’s place Drug addiction is an ugly thing. It is perhaps not as ugly is such a weirdo. Whichever way this case ends up going, intotheatmosphere.Butreaderskeepinhalingthose fumes. among fabulously wealthy celebrities as it is among aver- it won’t come as a surprise to anyone, really. It’s a chickedegg type phenomenon; does the public read age folks. Given the choice of hitting bottom on the As I write this, I keep glancing back to that word, stuff like this because the press writes it, or does the press bathroom floor of a palatial Beverly Hills mansion or in a reprehensible. I feel like it should be in enormous, day- write it because the public reads it? My opinion is that the filthy gutter in the combat zone, I know which I’d opt for. glow letters. REPREHENSIBLE!That’s whatMichael is latter was once true, but has gotten way out of hand. The So now Michael Jackson has announced that he’s if he did molest that kid. If he didn’t, the word belongs to press abuses its constitutional freedom. addicted tothepainkill- the kid’s family and their lawyer. And what about Michael’s A worldwide manhunt for Jackson is being mounted by Matt Carson ers he started taking af- alleged addiction? If it’s true, I extend my sympathy to Mr. the tabloid press. Myself, I don’t care what country he’s in. ter his most recent batch Jackson. But what if it’s nothing but a ploy to keep Michael Wherever he goes, there he is. When he shows up again, Flick This of surgical procedures. in hiding until the pedophilia scandal blows over (which there he’ll be. Eventually he’ll have to show his face in The painkillers got out will take a while)? court somewhere,unless his lawyers settle that molestation of hand because of the stress caused by those recent The people at Pepsi Co. don’t figure into the equation. case out of court, which would be read by the press as an accusations of child molestation, Jackson claims. Michael Jackson canceled the tour they were sponsoring, admission of guilt, ergo career suicide. I shouldn’t care if Michael sexually abused that kid or so now there’s nothing left to sponsor. It’s that simple. It’s Ultimately the issue of drug addiction will, by itself, not not, but I must admit that as seedy and reprehensibleas this certainly not like they’re abandoning Michael Jackson in be substantially detrimental to Michael Jackson’s career. If whole story is, I want to see how it all turns out. If he’s his time of need. From a business standpoint, ditching he’s found guilty of molesting that kid, his career will be exonerated, everyone will pat Michael on the back and say Michael was Pepsi’s only option. With no tour in progress, ruined anyway, drug addict or not. If he’s innocent, he’ll be ‘We knew it all along.” and a lawsuit as well as a criminal investigation against praised for his courage in shaking the monkey off his back, If he’s found guilty, everyone will look down his or her him, his value as an advertiser is nil. and become a role model for recovering addicts every- nose at him and say, well, “We knew it all along.” Specu- And then there’s the press, myself included, fanning where. Drug addiction didn’t hurt Drew Barrymore’s ca- lation is worthless at this point, because Michael Jackson these flames and sending the noxious fumes of this scandal reer much, did it? ,age six THE TUFTS DAILY Wednesday, November 17, l!

Housing and Residential Life oflice 993-94

Information Sessions Wednesday, November 17

A 11 ALL ., TMts information Hill Hall Lounge University sessions is firmly are open Wednesday, December 1 committed to all 3:OO p.m. to apolicy interested Start House of equl applicants. opportunity Please and urges take note 7:OO p.m. . all that you Lewis -Hall Lounge qualified must applicants attend a Wednesday, December 8 to apply. session in 3100 p8m8 order to South Hall Lounge apply.

Miller'Io0 Halp.". Lounge Wednesday, January 19 3:OO p.m. Hodgdon Hall Lounge 7:OO p.m. Carmichael Hall Lounge Wndnnulav Nnvemher 17-1993 DAILY uage seven 1. U’yU-yU..J’ A , - - THE TUFTS .-. -. -- -1 SPORTS A confident coach sings praises of well-prepared men hoopsters by BEN MARGOLES win the starting spot will be asked outside to man the two-spot. Dur- Senior Staff Writer to fill the $ole of sixth maq. . . ing the 1992-93 season, in addi- Bob Sheldon. insists he is no - Chapinsawaction in only seven tion to hisone steal a game, Wolf‘s Lou Holtz. You see, unlike the games last year because he went 50 treys more than doubled the famedleader of Notre Dame foot abroad second semester. During number posted by the rest of the his limited time on the Court, the team combined. Men’s senior averaged 5.1 points and 1.9 There is a very good reason Basketball rebounds a contest. This Year why Wolf is competing for a place Chapin is here for the long haul in the backcourt rather than the and will have a chance to realize starting three-spot. Small forward ball who constantly heaps praise his full potential. Chris McMahon is, quite simply, Daily file photo on opposing teams regardless of Wolf‘s versatility and his Skill Tuft’s best player. After recording Whmtnvnr? ? ? .. “YIl .-1 ... their abilitv. the Tufts Universitv from bevond the three-point arc 19.6 ooints and 9.5 boards a game men’s bascetballcoach chooses tb are cleahy his best attributes. At last ieason, he was duly honored 6’3“, the long-range bomber has as a member of the All-New En- setting sail for scattle lau~~~~~~~~~fident,and he both the height to play smdl for- should be. His top six stat men are ward and the shooting touch from see IIooPs~page l4 Team prepares for upcoming Nationals back, and the team hopes to end by SmPm ARBU”OT was relatively low, fkie team had the year with an NCAA Division Daily Editorial Board difficulty adjustingits sailing style I11 tournamentbid. But first comes Preparing to send three sailors to the Lightning -- the boat being the regular season. ‘We are going to Seattle this weekend for the used in this regatta -- in order to to win 20 games,” predicts Singlehanded Nationals, the sail- sail fast. Sheldon. “After the first day, they did The job of directing the team fine,” Legler said. Indeed, Tufts downthe roadtosuccess will again finished first and second consis- be given to sophomore Chad i tently on Saturday. Despite the Onofrio. The talented point guard effort, the team still finished the put up some lofty numbers as a ing team has just come off two three-day regatta with 43 points, freshman last year when he led the weekends of major regattas: Tufts seven points behind St. Mary’s. team with5.2 assists and 2.2 steals sailors placed fifth at the Sloop Romp at ACs a game. Nationals Nov. 5-6 and won two At the various Atlantic Coast This season Onofrio is a year of three Atlantic Coast Champi- Championships last weekend, the older and more experienced, so onships last weekend. coed and freshmen teams soundly it’s likely his stats will grow ac- Sailing against nineother com- won their events, while the cordingly. Free throw percefltage petitors at Gull Lake Michigan, women’s team struggled and is perhaps the only area in ahich the team of Mark Mendelblatt, placed third after a tie-breaker. the six footer will have trguble Scott Carson and Tanya Haddad Racing at the Coast Guard improving. Last season he made placed disappointinglyin midfleet, Academy, the team of Josh Adams 89 percent of his foul shots t&iank beaten by St. Mary’s, Old Domin- and Tanya Haddad in A-division, fourth in the nation from the char- ion University, the College ’of and Nick Trotman and Victoria ity stripe. Charleston, and the University of Wadsworth in B-division earned During the preseason ShiAdon Hawaii. only 167points, with second place has been particularly impressed Coach Ken Legler took some Dartmouth in distant second with with Onofrio’s‘‘befierattitude” and of the blame for the team’s lack- 203 points. While Trotman won plans to run plays designed to in- luster performance: “The three Of his division with 82 points in the crease the guard’s scoring oppor- them were overpowered on the 16-boatfleet, Adams finished sec- tunities. ‘We knew he was good, first day with no one to tell them ond with 85 points, nine points just not how good,” claims the what to do about it.” behind ODU. coach. According to Legler, Tufts gar- The freshmen team of Graeme Who exactly will be Onofrio7s nered 21 points on Friday alone, Woodworth and Kiri Wilson in A- backcourt mate has not yet been averagingaseventhplace, and fin- division and Tim Fallon and decided. Right now, Sheldon has ishing the first day of racing in MarthaCarletoninB-divisionalso two quality shooting gua& in ninth place overall. Because the blew out the commtition. finish- Andy Chapin and Michael Wolf. .. . _.. Daily___ file ,, pho - to Men’s hoops coach BobI melaon- says mat mls year’s team will “win wind on Friday was SO strong, and see SAILING a e 11 Both should see plenty of mihutes because the Tufts crew’s weight ’Pg because which ever player dgesn’t 20 games.” HockeJ officials walk out in frdnt of uncaring League byDOUGLA KATZ tioned the validity of referee Don contestedMontreal-Ottawagame. team that was susceptible to the and if he can stay healthy (which Daily Editorial Board Koharski’s calls during the game. The tilt featured a knmkTdown, injury bug and if they were bitten, he has never done) he could possi- In April of 1992, the National Following Schoenfeld’s drag-out fight bet%een Cahadien their play would take a turn south. bly live UP to the potential he had WkeY League Players Associa- bleepidy-bleeps, the regularly- LyleOdeleinand Some guy named ,yell, they gotbitten, and nowthey when he was the first overall pick tion staged a walkout that lasted scheduled officiatingcrewdecided Townshed for the Senators. Be- bite. in the 1985 entry draft. to take the night off in protest. The sides that, the game Progressed Their lack of depth is certainly If he can keep his back (and league had no idea this was going pretty smoothlyandtherewaslittle their biggestproblem and with the knees and elbows and feet and to happen, so when the game differencefroma“normal1y”offi- injuries to Borschevsky, Pearson, ears and...) intact, and if Gilmour started they were at a little bit of a ciated game. and Bzel, the Maple Leafs are and Dave Andreychuk can con- loss. Not wanting to delay the game It will be fun to watch games in reeling. After winning their first tinue to score, the Leafs fight still two weeks. For the fortnight there any longer, the league got three which ex-OHL referees officiate; ten games, the Leafs have gone 2- be in range. But if any of wasnoicehockey, andfansaround Midget (sort of like American not because they are poor zebras, 3-4 to the joy of coach Pat Burns. those three goes down with an the league Seemed to be slightly Legion Baseball for those not in but they are akin to allowing a Burns has debatably the best injury, they will simply slip out of bothered by the arrangement. theknow)refsto officiatethegame. certain bit oflatitudewhen itcomes goaltender in the league in Felix the central Division’s hotly-con- Nowadays the National Hockey It was horrible. Not only could to fights. Fight fans can’t wait to Potvin, and center Doug Gilmour tested race. League Officials Association is they not call the game worth a see a Detroit-Winnipeg game is one of the game’s best. But with Toronto has been decimated staging a walkout. As long as this dime, but they didn’t even have (Probert-Domi 11). all of those injuries, the Leafs are with injuries to several players, contractual impasse lasts there will stripped jerseys (the Devils lent Superstars are hurting having a hard time competing with but an injury to one man has threat- be ice hockey played, and nobody them yellow practice sweatshirts). In other news, injuries remain the league’s better teams. Case in ened the of another team. seems to care. This time around the league is the biggest story in ice hockey. p6int: Edmonton 5,Toronto 5 -- in ~~i~ Lindros, centericeman “LOA chief negotiator Don prepared -- in fact, it is Mario Lemieux’s back has been Maple Leaf Gardens, no less. for the Philadelphia Flyers, hkhan is asking for a 100 Per- 0verprepared.Theygatheredover reevaluated and doctors told That’s sad. strained knee ligaments and he cent raise for the league’s on-ice 70 officials to fill the 58 slots. The SuperMario that he won’t be able With both Borschevsky and will be out ofaction for keet0six Officials and Gary Bm.mm the scabscomefromtheInternational, to play until late January. Detroit’s Pearson out, the scoring burden weeks. NIL‘S COmmissioner and chief American, Ontario, Alberta Ma- zerman and Bosto~’sJoe has been passed down to team Last year when the Next One negotiator, offered them a jor A, and Western Hockey miss the next captain Wendel Clark and elder went down with injuries to his whoppin’ 15 Percent. so here we Leagues. Even former Olympic eau with a nas- itatesman Glenn Anderson. Clark other knee, the Broad Street Bul- sit with no officials-- oh no! !What and Canada CUP officials have tily banged up jaw. Edmonton’s has responded and Anderson has lies played to a lethargic 7-14-3 will we do? What will we do? been called upon to make Sure Dave Manson, Vancouver’s Pave1 not. record -- not good. The Flyers are The last time On-iCe Officials order reigns in the Bure, and Toronto’s Nikolai Anderson has all of six points more prepared to deal with his walked out the league received a ~~0 nights ago the league Borschevsky, Rob Pearson, and (only two goals) while appearing departure this time around, but big 01’ black eye. The incident playedthreegameswiththestrike- Peter Zezel are all sidelined with in dl 18 of Toronto’s games. On regardless ifMi&l Renberg and occurred during the 1988 Stanley breakers. Bob Morley (notziggy’s an array Of injuries. the Other hand, the Oft-inJured Josef Beranekscore azillion goals, cup Playoffs. After a third round dad), a veteran of the Ontario Not to sound too “I told YOU SO- Wendel Clark has turned into a &c*s presence on the ice and in game, then New Jersey head coach Hockey League and international ish,” but an astute writer noted that sniper ofthe most dangerousmode. the locker room cannot be re- Jim Schoenfeld... let’s say, ques- competition, officiated the hotly- the Toronto Maple Leafs were a Hehasnetted l6goalsin 17games, placed. page eight THE TUFTS DAULY Wednesday, November 17,1993 INTERNATIONAL RELATIONS FALL RECEPTION

WEDNESDAY, NOVEMBER 17, 1993

COOLIDGE ROOM, BALLOU HALL

4:OO - 6:OO p.m.

ARE YOU AN I.R. MAJOR?

THINKING ABOUT IT?

DO YOU HAW QUESTIONS FOR PRE- RE G I STRATI 0N?

JUST INTERESTED IN I.R. COURSES?

The.1.R. Fall Reception is a good place to meet your faculty, advisors and other students interested in the I.R. major.

Refreshments will be served. TUFTS UNIVERSITY

Studio Art Courses Spring 1994

k

COURSES OFFERED SPRING 1994 Held on the Tufts Campus and at 230 The Fenway, Boston Studio Art Courses the Museum School in which a student with the appropriate Dean at Tufts. A dents taking courses at the Museum Winterhill) until you get to Route 28 The School of the Museum of Fine takes approximately three quarters of properly signed petition is signed by the School. Students have to pay the same (Monsignor McGrath Highway). Arts, in cooperation with the Department their courses in studio art and art history student's advisor plus the course instruc- rate as Museum members who have vaP Take a right onto Route 28 and foC of Fine Arts at Tufts University, offers a and one quarter in liberal arts subjects. tor, Don Grey or the Academic Dean at dated parking tickets. This rate is avail low it until you get to Storrow Drive (iust broad range of studio art courses to Tufts the Museum School. If this procedure is able to students upon presentationof beyond the Science Museum). University students. Courses in drawing, not followed, either a grade of W or a their Museum School ID to the parking lot Take a right onto Storrow Drive and go West to the Back Bay/Copley Square painting, design, calligraphy, photogra- teacher certification program takes an ad- failing grade may be given. 8, attendant when ihey pay for their park- ing. After 3:30 and on Saturdays, there is Route 28s exit. This is a left hand exit. phy, sculpture and watercolor (at both ditional one half year beyond the BFA to Studio Locations Then, almost immediately- basic and intermediate levels) are taught complete. Course meeting places are indicated a Rat fee for student parking. Call the Take a right onto Beacon St. and foC on the Medfard campus. Advanced and in this catalog adjacent to the course de- Parking Garage Office at 267-9300 Course Levels x657 for information. low it to Massachusetts Ave. specialized courses are taught at the Studio art courses taught at Tufts scriptions. Most courses meeting on the School of the Museum Fine Arts, 230 Take a left on Mass. Ave. and follow of (FAM courses) are divided into two cat- Tufts University campus meet in the stu- Studio Use at Tufts it until you get to Huntington Ave. at The Fenway, Boston, MA 021 15. egories, "Foundation" or "Introduction" dios located on the main floor of lane Students may use the studios in lane Courses taught at the Museum School Symphony Hall. courses that are the first courses that stu- Hall. Photography courses meet in the Hall when the building is normally open Take a right an Huntington Ave. FoC take place weekdays, evenings and on dents should take in a given medium. darkroom located in the basement of and when classes are not in session. low it about 5 blocks to the Museum of Saturdays. Far information on additional Students who want to continue in a me Jackson Gym. Courses which meet at the Darkroom Use at Tufts Fine Arts, which will be on your right. Museum School courses not listed in this dium may do so by enrolling in courses Museum School, 230 The Fenway, Bos- booklet, call Don Grey at 267-6100 The Art Department's darkroom can Just beyond the Museum, take a titled "Continued": eg. "Drawing: Contin- ton will have their studio locations posted only be used by Tufts students currently right onto Museum Road. The Museum x640. ued'', or if there is no "Continued" sec- in the lobby of the Museum School. enrolled in-photography courses that School is at the end on the left. Fine Arts Distribution tion, they should sign up for the same Calendar Differences meet either at Tufts or the SMFA. The Studio art courses fulfill the Univer- course ogain. This may be done for as The calendars of the Museum School darkroom hours will be posted in the From the Museum School to Tufts sity's arts distribution requirement. Two many semesters as the student wants to and Tufts University may not exactly coin- darkroom. The darkroom can not be used Follow the Fenway toward Storrow studio courses will fulfill this requirement, continue in the course. cide. Tufts students taking courses which when a class is meeting. Drive, but take the Commonwealth Ave. but the total number of studio courses All courses taught at the Museum 1 meet at the Museum School in Boston exit. which may be taken by Tufts students as Studio Use at Museum School (FAMB 8 FAMD courses) are pri- are expected to participate fully in those School At the bottom of the exit ramp, can- electives is not restricted. Art History ma- . marily multiple leve/,cpurses and can be tinue straight ahead, cross Comm. Ave, .'I ! courses ond wilbbe responsible far as- The studios at the Museum School iors may apply two-studio courses toward taken repeatedly. and take the first right onto Marlborough j. signed work dudng periods of calendar are available for Tufts students use from the fulfillmenf of the Fine Arts concentra- Course Counseling conflict. Courses which meet at Tufts fol- 8:OO AM-]1 :00 PM Monday through Frii Street. tion requirement. Students who have questions about low the Tufts University calendar. day, Saturdays from 8:OO ~~-6:00PM, At the next intersection, tuke a left - onto MassachusettsAve. Art Education studio courses or need help in planning a Changes and on Sundays from 1 :00 to 9:OO PM, Alternatives Fallow Mass. Ave. across Harvard comprehensive program of study should Information contained in this bulletin providing that they are not being used by Tufts undergraduate students who are Bridge and the Charles River to the Corn contact Don Grey at 267-6100 x640. is subject to change. scheduled classes. interested in the studio arts have the fol- Questions can be answered over the bridge side. Take a right onto Memorial lowing alternatives through the Tufts/ &est ions Woodshop, Metals and Drive. phone or an appointment made to meet Stained Glass Boston Museum School Affiliation: i.'All questions should be directed to Fallow Memorial Drive along the river at the Fine Arts Department at 11 Talbot These shop areas can only be used the Continuing Education office at the to Msgr. McGrath Highway (Route 28). 1. Studio Art for Art Distribution Avenue. During the period of registration, when a monitor is present and only those M,useum School by calling 267-121 9. Take a left on Msgr. McGrath High- Requirement Mr. Grey will be at 11 Talbot Avenue at students who are enrolled in the classes way to Medford St., Highland Ave hit Students who have an interest in art, times that will be pasted there. When Course Materials in the medium may use the facilities. where you should exit from Route 28. primarily as a means of rounding out classes are in session, he is available at Students will need to supply most of Hours are posted. After exit, keep left at blinking lights their personal development, should take 1 1 Talbot Avenue 2 halfdays each week. the materials they will use in the studio Transportation to the on to Highland Ave. at least the two courses which will satisfy courses. The only courses which deviate Registration Museum School Follow Highland Ave. until you get to their arts distribution requirement. It Students enrolling in any FAM or from this are the Clay/Ceramics and Art Shuttle Bus I , Davis Sq, in Davis Sq. take a right onto,. would also be advisable for them to take as Process courses in which all of the ma- ~ , FAMB studio course listed in this catalog College Avs. and follow it through as many additional courses as would be preregister at Tufts through the regular tHials are supplied to the students. A shuttle bus that runs between Tufts, the Museum School and the New England Powderhouse Circle to Tufts. .~ necessary to take one art medium Tufts registration procedure using the ss Cancellation Comewatory of Music is available to stu-

through to an advanced level. This experi- course numbers listed in the Announce- asses held at Tufts are cancelled MBTA ""I dents taking courses at the Museum ,! J~- ence will give them a good insight into ment of Courses booklet. If a student is wknever Tufts cancels classes. Classes Take Bus, 894 or #96, from the . Scbool. A copy-ofthe shuttle bus sched and understanding of the creative process interested in taking a FAMD course (a held at the Museum School are cancelled 1'5 Main Gate at Tufts to the Red line T sto- as well as a strong backgiaund in the weekday course offered at the Museum byhe Museum School. If classes are can- ule can be obtained at the Fine Arts De . tion in DavisSquare. Take the Red line to craft of the medium they have interest. School), they will hove to register at the telled at the Museum School it will be partment Office at 11 Talbot Ave. or at Park Street station. At Park Street, the Academic Dean's Office at the Mw change to the outbound Green line Hun- 2. Studio Art Minor Museum School when the Museum broodcast over radio stations WHDH and School's shrdents register. This registro- WBZ. A message will also be put on an seum School. tington Avenue (E line) streetcur. Get off Students who are very interested in at the Ruggles St./Museum stop. Walk tion will take place on Thursday, January dwering machine at 442-5597 which DRIVING 1 art, but have a stranger interest in an- 13rd at 1O:OO AM.Students should go to cafbe called to check on cancellations. one block up Museum Road which runs other subject and do not want to work From Tufts to the Museum School the Continuing Education office, when beside the Museum. The School is at the towards a combined BA/BFA degree, can Pkrking at the Museum Take Broadway from Powderhouse they arrive at the Museum School, to end on the left, across from the minor in studio art. The minor requires Skhool Square towards Boston. start the registration process. , - The parking lot and garage at the Museum's parking lot. . the student to earn 5.0 Tufk' credits in , Follow Broadway (up and over studio art courses. One credit must be Waiting Lists Museum are available for the use of stu- ,. -1 i earned by taking the Art Foundations/Art A large hmber$'courses normaUy - as Process course. (Two semesters at end up with a waiting hst. This should not Tufts or ane'semester at the Museum ,' discourage students from adding their Tufts University Classes SMFA Evening Classes SMFA Day Classes School) An additional one half credit must names to the waiting list. It has been our i be earned by taking a drawing course. experience that from '/z to y4 of those January I This requirement can be waved and an- students who preregister never show up 13 Thursdoy . Regstrotion, 1000 AM other course substituted, if the student's to class, therefore just about everyone studio advisor believes that the student who is on a waiting list gets added into a 17 Monday No Classes ( H o I i.-d; a y 1 has had sufficient background in this me class. Those on waiting lists should show 18 Tuesdav Classes Begin up for the first two classes. We save dium. The balance of 3.5 credits can be 19 Wednesday Classes Begin 7 Classes Begin earned by taking any of the studio art space for nll those who preregister courses offered at Tufts or the Museum through the second class meeting. At the Februan .. .. , .~ School. Additional information an the mC second class meeting we fill all the vacaw 21 Mondav No :C I a j's e s '( H o I i d a ~''1 nor can be obtained by calling Don Grey cies left by noshowers with those on the 23Wednesday Substi'tute Monday's Class Schedule at 267-61 00 x640. waiting list. ~ .: 3. BA/BFA Combined Degree Dropping or Adding March Proaram Courses " 21 Mondoy Spring Recess Begins Spring Recess Begins Spring Rek Begins Space in a course far preregistered Students who have equal interests in stu students is held until the second class ses- 28 Monday Classes Resume Classes Resume '4 (lase, Resume dio art and in another subject can work sion. If a preregistered student does not towards a combined degree. For ex- .,.::I.+ '_I show up for either the fint or second dm ... ample, they may get a BA in art history . . ,. , session,Ms or her s"pac&ll be filled '..'?I., li or any' other concentrationoffered a'i by a student on the courses' waiting list. Tufts, and a BFA in studio art. This pm 21 Thursdav S-u b.s't.i t u t--ee;M 0-n da'~..'.s ,I l.,o s s S c.h-'e:d.u I e . .. Only during the first two weeks of gram takes five years. 25 Mondoy last Day of (lasses class may a student add or draD courses 4. BFA and BFA with Teacher without petition. After this time and until 26 Tuesday .I Review Boards Begin Certification : one week following the date that May 1. Students interested in art as their vo mid-semester grades far frbhman are 2 of Classes cation will normally work towards getting due, a course may be added 01 diopped Mondav Last Dav ' a BFA degree. This is a joint program with only by filing a properly signed petition 12 Thursday Last night of (lasses ' .L i

.. , 1. . .I. Medium ond Course lumber Time Block ond Locotion Instructor Medium and Course Number Time Block ond Locotion Instructor ANATOMY (See Drawing) MULTIPLE/MIXED MEDIA (CROSSCURRENTS) ANIMATION (See Computer and Electronic Art EL Film and Animation) .Bumps on the Woll FAMBO81 1 W4 SMFA TH 6:30-9:30 Goss ARCHITECTURAL DESIGN - 9 Ceremony and Celebration FAMB 052 A W4 SMFA TH 6:30-9:30 Raymond .Design: Architecturol FAM 022A W1W3 TUFTS M, W 6:30-9:30 McBride .lmoge os lelter, letter as Image FAMB 053 A W1 SMFA M 6:309:30 Klein Design: Architecturol, Continued FAM 022 B W1W3 TUFTS M, W 6:30-9:30 McBride .Mixed Medio ond lmoge FAMB051 1 W4 SMFA TH 6:30-9:30 Rosenberg ART FOUNDATIONS, DESIGN AND COLOR Development MUSICAL INSTRUMENTS .Art os Process FAM 003 1 Y5 TUFTS F 9:30-12:30 Goss 8 lonigro .Art as Process FAMB 003 1 W1W3 SMFA M, W 6:30-9:30 Rosenberg, .Musicol Instrument Design FAMB 098 M W4 SMFA TH 6:30-9:30 Stand Siegelmon 8 and Construction McConon PAINTING* .Color FAMBO14 1 SAT SMFA S 1:00-4:00 FikPotrick .Pointing: Introduction FAM 053A Y5 TUFTS F 9:30-12:30 Belton .Design: Foundotion FAM 020A 2123 TUFTS M, W 1:30-4:30 FikPotrick .Pointing: Introduction FAMB 055 A W3 SMFA W 6:30-9:30 Zonies .Design: Foundotion FAM 021 A W2W4 TUFTS T,TH 6:30-9:30 Derr Pointing: Introduction, Continued FAM 053 B Y5 TUFTS F 9:30-12:30 Belton .Design: Continued FAM 020 B 2123 TUFTS M, W 1:30-4:30 FikPotrick .Pointing: Introduction, Continued FAMB 055 B W3 SMFA W 6:30-9:30 Zonies Design: Continued FAM 021 B W2W4 TUFTS T,TH 6:30-9:30 Den .Pointing: Foundation FAM 055 A Z123 TUFTS M, W 1:30-4:30 Stopforth 9 Design FAMBO20 1 SAT SMFA S 9:00-12:OO FikPotrick .Pointing: Foundation FAM 056A W1W3 TUFTS M,W 6:30-9:30 levin CALLIGRAPHY .Pointing: Foundation FAMB 056 1 W2W4 SMFA 1, TH 6:30-9:30 Anderson, I. .Colligrophy FAM 005A W2W4 TUFTS T,TH 6:30-9:30 Broman-Wright .Pointing: Continued FAM 055 B 2173 TUFTS M, W 1:30-4:30 Stopforth Colligrophy: Continued FAM 005 B W2W4 TUFTS T,TH 6:30-9:30 BromonWright .Pointing: Continued FAM 056 B W1W3 TUFTS M, W 6:30-9:30 levin CARTOONING (See Drawing) .Pointing: lntermediote FAMB 057 1 W2W4 SMFA 1, TH 6:30-9:30 Rizzi CERAMICS* .Pointing: Advonced FAMB 058 1 W1W3 SMFA M, W 6:30-9:30 Syrbick .Cloy/Ceromics FAMBOO9 1 WIW3 SMFA M, W 6:30-9:30 Mother Humon Figure in Londscope FAMB 060 1 W4 SMFA TH 6:30-9:30 McForlone .Clay/Ceromics FAMB 010 1 W2W4 SMFA T,TH 6:30-9:30 Cooper ond Architeciurol Space COLOR (See Art Foundations) Realist I' FAMB059B SAT SMFA S 9:00-12:00 Bobb COMPUTER AND ELECTRONIC ART .Realist FAMBO59C SAT SMFA S 1:00-4:00 Babb t Portroit Pointing 8 Drowing FAMB 071 1 W2W4 SMFA 1, TH 6:309:30 Corter .Computer Art: Introduction FAMB 015 1 W3 SMFA W 6:30-9:30 Shofron . Pointing Critique FAMBO61 1 W2 SMFA T 6:30-9:30 Bergstein .C Programming longuoge FAMB 016 1 W2W4 SMFA 1, TH 6:30-9:30 Aroush . ~ ~___ for Visual Artists .Wotercolor FAM 093 A 2224 TUFTS 1, TH 1:30-4:30 Adoms .Advonced C Progromming FAMB 018 1 W1 SMFA M 6:30-9:30 Aroush .Woterco1or:Continued FAM 093 B 2224 TUFTS T,TH 1:30-4:30 Adoms longuoge 8 Computer Art .Watercolor FAMB 093 1 W1 SMFA M 6:30-9:30 As0 9 Computer Animotion FAMB 017 1 W2W4 SMFA 1, TH 6:30-9:30 Johnson, 1. .Watercolor ,- FAMB 094 1 W2 SMFA T 6:30-9:30 Whitmon DESIGN (See Art Foundations) Watercolor ri: FAMB 095 1 W3 SMFA W 6:30-9:30 AS~ DRAWING* PAPERMAKING* Anotomy: Muscles FAMBO21 1 W5 SMFA F 6:00-9:00 Syrbick . .Papermaking FAMB 062 1 W2 SMFA T 6:30-9:30 Somour .Cartooning FAMBOO7 1 SAT SMFA S 9:OO-12:OO White PERSPECTIYE (See Drawing) Drawing: Introduction FAM 025A 25 TUFTS F 1:30-4:30 Moncuso ' PORTRATURE (See Drawing or Painting) .Drowing: Introduction, Continued FAM 025 B 25 TUFTS F 1:30-4:30 Moncuso PHOTOGRAPHY* Drowing: Foundation FAM 026A 2113 TUFTS M, W 1:30-4:30 Syrbick . .Photographi: Foundotion FAM 064A 2173 TUFTS M, W 130430 Thurber Drawing: Foundation FAM 027A 2224 TUFTS T,TH 1:30-4:30 Derr . .Photogrophy: Foundotion FAM 065A 2224 TUFTS T,TH 130430 Angier Drowing: Foundation FAM 028A W1W3 TUFTS M, W 6:309:30 Copochietti . Photogrophq: Foundation FAM 066A W2W4 TUFTS 1, TH 6:30-930 Angier Drowing: Foundotion FAM 029A W2W4 TUFTS T,TH 6:30-9:30 Lyman ' . .Photogrophy: Foundotion FAMB 064 1 W1W3 SMFA M, W 6:30-9:30 Mussino Drowing: Continued FAM 030A W2W4 TUFTS 1, TH 6:30-9:30 Copochietti . .Photograph,y: Continued FAM 067 A W1W3 TUFTS M, W 6:30-9:30 Angier Drowing: Introduction FAMB 027 1 W1 SMFA M 6:30-9:30 Flynn . .Photogrophy: Continued. FAMBO67 1 W2W4 SMFA T,TH 6:30-9:30 Burke .Drawing: Introduction FAMB 028 1 W2 SMFA T 6:30-9:30 Boyhon PRINTMAKING* Drowing: Introduction FAMB 029 1 W4 SMFA TH 6:30-9:30 Boyhon . .Orowing ond Printmoking FAMBO31 1 W2W4 SMFA T,TH 6:309:30 Scott8Stopforth Drawing: Foundation through FAMB 026 1 W1W3 SMFA M, W 6:30-9:30 Metcolf lntermediote .Etching FAMB 074 1 W2 SMFA T 6:309:30 Scott .Drowing lntermediote through FAME 030 1 W2W4 SMFA T, TH 6:309:30 Flynn 8 Mencoff Lithography FAMB 044 1 W1 SMFA M 6:3&9:30 Brennon Advonced Mixed Medio in Printmoking FAMB 072 1 W3 SMFA W 6:30-9:30 Brennen .Illustrotion for 3-D Designs FAMB 042 1 W2 SMFA T 6:30-9:30 Tonzi .Monoprinting/Monotype FAMBO731 SAT SMFA S 9:00-12:00 Siegelmon .Perspective Drowing FAM 063 1 25 TUFTS F 1:30-4:30 Boyhon .Silkscreen FAMB 082 1 W1 SMFA M 6:30-9:30 lianko .PomOit Drawing 8 Pointing FAMB 071 B W3 SMFA W 6:309:30 Corter .Silkscreen Printing Workshop FAMB 083 1 W3 SMFA W 6:3&9:3D lianko FILM AND ANIMATION* SCULPTURE/fD MEDIA' .Film: Animation FAMB 035 1 W2W4 SMFA T,TH 6:30-9:30 Cofozzo .Sculpture: Introduction FAMB 076 1 W1 SMFA M 6:30-9:30 Star .Film: Animotion: Continued FAME 036 1 W3 SMFA W 630-9:30 Cofozzo Sculpture: Foundotion FAM 077A 2224 NFTS T,TH 1:30-4:30 Star GRAPHIC DESIGN, ILLUSTRATION AND BOOKS .Sculpture: Continued FAM 077 B 2224 NFTS T,TH 1:30-4:30 Star .Grophic Design FAM 039 A W1W3 TUFTS M, W 6:30-9:30 Pope .Bumps on the Woll FAMBOBll W4 SMFA TH 6:30-9:30 GMS .Grophic Design: Continued FAM 039 B W1W3 TUFTS M, W 6:30-9:30 Pope .Cowing in Stone 8 Wood FAMB 079 1 W2 SMFA T 6:30-9:30 Uchido .Grophic Design FAMB 039 1 W3 SMFA W 6:30-9:30 londry .Cowing in Stone 8 Wood FAMB 080 1 W4 SMFA TH 6:30-9:30 Uchido .Grophic Design and Typogrophy FAMB 040 A W1 SMFA M 6:30-9:30 Montie .Fifteen Figures FAMB 077 1 W2 SMFA T 6:30-9:30 Helmick an the Computer .The long Pose FAMB 078 1 W4 SMFA TH 6:309:30 Helmick .Grophic Design ond Typogrophy FAMB 040 B SAT SMFA S 9:00-12:00 Delfino 8 on the Compvter Jackson .wood FAMBO96 1 W1W3 SMFA M, W 6:30-9:30 Rnzi .Children's Book Workshop FAMBODB1 SAT SMFA S 1:OWOO White STAINED GLASS* .Illustrotion FAMB041 1 W1 SMFA' M 6:30-9:30 londry StainedGlass FAMB085 1 SAT SMFA S 9:001200 Bushway lllUStrflOn fOr 3-0 klgM FAMB 042 1 W2 SMFA I 6:3&9:30 Tonzi VIDEO* INTERNSHIP .Music Video FAMB0881 SAT SMFA S 1:OM;OO Hudson.leff .Viol Arts Internship FAM 099 1 TUFTS Arranged, Coll267-1219 METALS' * Additii~lweekday classes are avoilabb that can lot be preregistered for at Tufts but can be r 'stered for at the School of-the Museum of Fine Arts on January 13th Call .Jewelry and Obi& Making FAME 046 1 W1 W3 SMFA M, W 6:30-930 Hughes 247-1 2;%1for information. Jewelry and Metakmithing FAMB 047 1 W2W4 SMFA T,TH 6:30-930 Priest . Note: CONTINUED and FAMB courses may be taken Illustrotion for 3-0 Designs FAMB 042 1 W2 SMFA T 6:30-9:30 Tonzi for credit an unlimited number of times. Anatomy C Programming FAMB 016 1 Design: Foundation, PAM 020 B (See Drawing) Language for Visual Artists Continued Animation Aroush, CV: 1 Tues. & Thun. 6:30-9:30 FitrPatrick, CV: 1 Mon. &Wed. 1:30-430 (hComputer and Electronic Art & Prerequisite: Computer experience recommended (W2W4) SMFA Prerequisite: FAM 020 A (2123) Lane Hall Film and Animation) The personal computer con ossist on ortist with drawing, painting, de Design: Foundation, PAM021 B signing 3-D obieck, and onimating, to name iust o few applications. Continued Some of the best art work is done by ortists who write their own pra- Derr, (v: 1 Tues. 8 Thurs. 6:30-9:30 grams; only they can toke true control of their machine. This course is a Prerequisite: FAM 021 A (W2W4) Lone Hall Art as Process FAM 003 B first step to becoming o programmerortist. This course is a continuation of Design: Foundotion and is intended for Goss & Lonigro, CV: .5 Fri. 9:30-1230 This course introduces the student to the C progromming language, the serious student who wants to develop 2-D and 3-D design skills. Ele Prerequisite: None Lone Hall (YS) but students also come to understond how the software works, how it is ments of design encountered in the first semester will be re-examined to it iu Art as Process FAMB 003 1 developed, what takes write programs, and how the hardware functions. see how they con be used in new situations, including commercial applica- The fundamentals of 2-D ond 3-D computer grophics are taught. We Rosenberg, Siegelman, & Mdarron, CV: 1 Mon. & Wed. 6:30-930 tions. The use of o variety of media ond participation in critiques is en- Prerequisite: None (WlW3) SMFA use the Mac, but students are oble to use their own computer as well. couraged, giving students o firm foundotion for other disciplines. Note: Students should plon on ottending every closs and two to three hours This workshop is for beginners os well as advanced ortists wlio want Continued courses may be taken for credit an unlimited number of times. work on their own each week. Some knowledge of how to use a computer the challenge of investigoting ways of making ort. We focus on the cre is recommended. Design FAMB 020 1 otive process rather than on a planned and calculated end product. The FitzPatrick, CV: .S Sot. 9:00-12:00 unpredictable is encouraged. Advanced C FAMB 018 1 Prerequisite: None (SAT) SMFA Exploration and experimentation in painting, drawing, sculpture and Programming Language & Computer Graphics Design is the process of selection and orrangement of visual ele printmaking (monotypes) is emphosized. Projects include the tronsposii ments: line, value, color, shope, texture, mass ond volume. Visual sensii tion of 2-D and 3-D forms, as well os innovative ways of interpreting envi Aroush, CV: 5 Fri. 600-900 Prerequisite: FAMB 016 1 or equivalent (W5) SMFA tivity and vocabulary are developed by solving o series of 2-D and 3-D ronmental stimuli, and unconventional use of moteriols and space. problems, employing a voriety of media and materials. Principles learned This course is taught by a team of instructors and visiting ortisix This This course is designed for students who have a basic knowledge of C programming and wont to develop it further along with advanced com- in this course have direct application to all art media and provide a foun- unique course exemplifies the open and exciting opprooch to ort at the dation and direction for learning in other courses. Museum School. puter grophics progromming. The course will begin by introducing students to the concept of how to produce simple 24images, ond to create the Students working on a minor in studio art must take 2 periods or 1 DESlGN/ARCHITECTURAL CV of Art as Process. This can be done by taking FAM 0031 for 2 basic progromming tools and routines for the more advanced programs to come. Next, advonced topics in C will be introduced as will how to display semesters or FAMB 0031 for 1 semester. , simple 3-D wirefrome objects. From here students will be introduced to Design: Architectural PAM 022 A McBride, CV: 1 Mon. &Wed. 6:30-9:30 CALLIGRAPHY the concept of solid 3-D objects creotion and anirnotion and finally how to I I add shading, lighting effects, shadows and textures to the obiects. We Prerequisite: Drawing, Design or Equivalent (WlW3) lane Hall The Main obiective of this course is to introduce bosic principles of or- Calligraphy FAM 005 A will examine the concept of smooth onimotioR and how to create them. We will study ways to enhance and reconstruct a damaged or underde chitectural design through design projects. The course begins with projects Broman-Wright, 01: 1 TUH. & Thun. 6~30-930 addressing some principles of threedimensional design and representu Prerequisite: None (W2W4) Lone Hall veloped image and map an image into on irregulor object. Finally, we will see how ray tracing is done and why it can create very realistic looking tion, models, drawing and Observation; then moves to slightly more com- This course introduces o way of seeing line, form and space - basics imoges. Along with this process, students will be learning about the con- plex and involved architectural problems. There is no definitive path or of design - through pen-drawn letters. Concentrating on the basic Italic cept of progromming o grophicol user interfoce (GUI) on the Mac. The linear progression for making architecture and the course investigates form and touching on the Square Roman copitols, emphasis will be on course will be lecture and workshop oriented in which demonstrations and many of its aspects in these projects. Each project will oddress: developing rhythm and freedom of line, as well os layout and design. ' examples will be presented. Students should plon on ottending every Skills: Drowing and other means of graphic representation, model Several projects will be completed in the semester, exploring the expres- building, research, reading and interpreting maps. sive possibilities of contemporary calligraphy. class on time and doing on odditional three to four hours work on their own each week. Assignments and projects will be ossigned. Students Creation: Experience in the strong connection between drawing and Calligraphy: Continued FAM 005 B must have a basic knqwledge of C programming or hove taken the c thinking. Broman-Wright, CV: 1 Tues. 8 Thun. 6:30-930 Programming Language for Visual Artists course. Ideas: The poetic notion which gives sense ond meoning to architec- Prerequisite: FAM 005 A (W2W4) Lane Hall tural forms. Computer mimation FAMB 017 1' This course is o continuation of the previous one. The student will oc- Context: Historical, cultural, physical, and topologicol. Johnson, L, 1 I Tues. & Thun. 630-9:30 quire a working knowledge of other existing scripts, based on historic ex- CV: Tectonics: Structure, material, order and organization. Prerequisite: See description (W2W4) SMFA amples, and will incorporate eoch one in o creative design using color and The noture of the closs is o studio course - much studeni work is done This course focuses on making video animations with the Amigo com- decoration. As a culmination of the semester's work, students will design, in class, but $ere is about eight hours of work a week outside of class. puter. Students use 3-0 animation progroms to produce work $at can be, write and bind o manuscript. shown on computer screens or video tape. The class studies the best com- Design: Architectural, PAM 022 B Continued Cartooning puter animation work of the post and present, some principles of tradi (See Drawing) tionol animotion, ond computer technology. Previous experience in McBride, CV: 1 Mon. 8 Wed. 630-9:30 Prerequisite: FAM 022 A (W1W3) Lone Hall traditional animation, computer graphics or both would be helpful, but is not required. Students who wont to continue in Architecturol Design should sign up for this course. They will continue to build upon the skills they learned dur- Additional day classes in Computer and ing the first semester and to expand the creative applications of their Electronic Art are available. Register at ClaylCeramics FAMB 009 1 SMFA 1/13. skills to the area of Architecturol Design. Mother, CV: 1 Mon. 8 Wed. 630-930 Prerequisite: None (W1 W3) SMFA IDESIGN AND COLOR I ClaylCeramics FAMB 010 1 Anatomy: Muscles FAMB 002 1 Cooper, CV: 1 Tues. 8 Thun. 6:30-9:30 Color FAMB 014 1 Prerequisite: None (W2W4) SMFA FitzPatrick, CV: .5 Sat. 1:OO-4:00 Syrbick, CV: .5 Fri. 6:00-9:00 Prerequisite: Anatomy: Skeleton recommended (WS) SMFA This course, for beginning through advanced students, covers tech- Prerequisite: None (SAT) SMFA This is second part of a twoport course in humon anotomy specifically niques of handbuilding, wheelthrowing, glaze application, and kiln firing, This course concerns itself with the fundamentals of color creation, emphasizing the development of individual expression within the ceramic functions and application. It is useful for anyone who wants to understand designed to give the art student a working knowledge of the skeletal and muscular structure. The foll term covers the skeleton and the spring term medium. Demonstrations, lectures and museum visits are held on a regv and use color more effectively in any media. lor bosis with the purpose of assisting students to create a context for in- A free, personal view of color harmony is developed through apprecio- covers the muscles. The muscle structures and their effect on the surface dividual expression. All clay, glaze, and firing costs are included. tion of color os o phenomenon. The student learns how color con create appearance of the body will be studied through illustroted lectures and illusions of space ond light, ond discovers how one color influences others. through drawings and observations from models. There will also be perii Additional day classes in Ceramics are odic slide presentations, memory drawings, and brief quizzes. Homework available. Register at. SMFA 1/13. The beginner develops o foundation that is both solid and bosic, while the advonced student receives specific knowledge and direction. (1 hour per week minimum) is required. Students should gain, among other things, an improved sense for observation, structure, volume, space, ICOMPUTER AND ELECTRONIC ART I Design: Foundation PAM 020 A clarity of articulation, as well as for the visual dynamics of body move FitzPatrick, CV: 1 Mon. & Wed. 1:30-4:30 ment and resultant formal changes. Prior drawing experience is highly rec- Computer Art: Introduction FAMB 0 15.1 Prerequisite: None (2123) Lane Hall ommended but not required. Shofran, CV: .5 Wed. 6:30-9:30 Since the study of the muscles requires considerable reference to the Prerequisite: None (W3) SMFA Design: Foundation FAM 021 A Derr, 1 Tues. 8 Thurs. 6:30-930 skeleton, it is strongly recommended, olthough not required, that students An introduction to creoting images on the computer. Students should CV: Prerequisite: None (W2W4) Lane Hall first take Anatomy: Skeleton or its equivalent. hove a bosic working knowledge of the Mac Computer. Students are in- troduced to drawing on the computer, manipulating photographic imoges, Design is the process of selection of all visual elements used by artists Cartooning FAMB 007 1 and outputting those images as prints and slides. The closs is sensitive to to express themselves. These elements are shope, volue, texture, color, White, CV: .5 Sat. 900-1200 the needs of photographers os well as other ortists interested in learning line and moss. Visuol sensitivity and a working knowledge of the design Prerequisite: None . . (SAT) SMFA elements is developed by solving a series of 2-D and 3-D problems, about computer image making. Some ort or photography background is We cover various aspects of cartooning, including caricatures, editorial helpful but not essential. Most of the work can also be done in class. employing o voriety of media and materials. Principles learned in this -cartoons, one-panel gag cartoons and comic strips. We deal briefly with Macintosh computers will be used. Students are introduced to artists using course have direct opplicotion to all art media and provide a foundation the history of the art from the Reformation to present day (Diker to the computer os a medium. and direction for learning skills in other courses. Materials ore ossigned Doonesbury) and analyze present day cartoonists. A sense of humor is as needed. the only prerequisitefor the course. We do coricatvres of each other from life and caricatures of notable figures from Dhotoclraahs.. ". We create onmanel editorial cartoons. one Additional day classes are available and must be registered for at the School panel gog cartoons and o comic skip. We'olso touch on adventure comic of the Museum of Fine Arts on January 13th. Call 267-1219 for information. drawing, fashion illustrotion caricature, satire, and the "Fine" Ark. Drawing: Introduction FAM 025 A Drawing: Introduction FAMB 027 1 Portrait Painting and FAMB 071 B Mantuso, CV: .5 Friday 1:30-4:30 Flynn, CV: .5 Man. 6:30-9:30 Drawing . Prerequisite: None (25) Lane Hall Prerequisite: None (Wl) SMFA Carter, CV: .5 Wed. 6:30-9:30 This is on introductory course in drawing which is offered for half This is a beginning drawing course. Through classroom exercises, stu- Prerequisite: None W3) SMFA credit. Emphasis is placed on drawing as a creative tool and as o means dents explore a range of experiences and materials which expand their The portrait is first a painting/drawing - involving similar technical, of learning to see. Problems will center around rendering, composition, understanding of what drawing is and can be. Primarily using the human organizational, spiritual and philosophical concerns of any good work of the use of perspective, design, and the figure. A variety of materials will figure, the class studies line, mark, gesture, value and composition. While art. The initial objective is to produce a physical resemblance to the model be used in specific assigned problems. the primary emphasis is on developing confidence and facility with draw- - but more importantly progress toward the elusive "other" ...inner life (at times at the expense of that physical likeness.) Several approaches are Drawing: Introduction, FAM 025 B ing mediums, students are also asked to consider the products of the class Continued as personal, social, and cultural expression. Discussion is an important as- introduced in order to help the individual discover an appropriate direction. Mantuso, (v: .5 Friday 1:30-4:30 pect of this class. Additional day classes in Drawing are Prerequisite: FAMB 025 A (ZS) Lane Hall Drawing: Introduction FAMB 028 1 available. Register at SMFA 1/13. This course is the second semester continuation of Drawing: Introduc- Boyhan, CV: .5 Tues. 630-930 Students interested in Drawing might also be interested in: tion. It should be taken after Drawing: Introduction by those stu- Prerequisite: None (W2) SMFA Mixed Media and Image Development dents who want to receive a full credit in drawing. It will build upon and Drawing: Introduction FAMB 029 1 (Under MULTlPLE/MlXED MEDIA) (FAMB051 1) expand the technical and expressive skills acquired by the student in the first semester. Upon completion of this course the student will be eligible Boyhan, CV: .5 Thurs. 6:30-9:30 Prerequisite: None (W4) SMFA FILM AND ANIMATION for Drawing: Continued. I I This course is an introduction to figure drawing as a creative function Drawing: Foundation FAM 026 A and a means of learning to see. It covers drawing techniques such as per- Animation FAMB 035 1 Sybritk, CV: 1 Mon. 8 Wed. 1:30-430 ception, perspective, modeling, space and articulation. Using models as Cafazzo, CV: 1 Tues. 8 Thurs. 630-930 Prerequisite: None (2123) Lane Hall subject matter and points of departure, problems with rhythm, movement Prerequisite: None (W2W4) SMFA This beginning course is structured. Different assignments or exercises and gesture are presented to develop the student's response to form. De Develop your basic skills of animation. Inexpensive alternative meth- give a complete introduction to the nature of drawing. The exercises focus sign is stressed and use of a variety of media encouraged. ods of animating are taught, bringing high quality personal animation on various aspects including gesture, rhythm, spontaneity, contours, This course may be taken either one or two evenings per week. within reach of the student. Basics of animation theory, motion and tech planes, perspective, portrait, anatomy, light and shade, hatch lines, nique are taught through a series of demonstrations and exercises. hob Drawing: Foundation FAMB 026 1 memory drawing, 2-0 and 3-0 space, volume, positive ii negative space, through Intermediate lems in abstract and natural motions, physics, and metamorphosis will be proportion, tonal composition, etc. Group crits, book illustrations, illustra- solved by the animator in flipbooks. line animation, cells, pixillation, Metcalf, (v: 1 Mon. 8 Wed. 6:30-9:30 tions by the instructor and full attendance are integral parts of this course. Prerequisite: None (WlW3) SMFA rotoscoping, cycles, lip synchronization, and drawing onto film are COY Students are required to purchase a modest but varied list of materials, ered. Experimentation with vorious media, such as pastel, watercolor, This course is for students at the beginning and intermediate levels. which will be discussed at the first class. Homework is not required but Xerox, cutouts, clay and sand is encouraged. Prior knowledge of filmmak- Through a series of projects we will introduce and re-examine the fundo- optional. ing or drawing not necessary. Work is done in both Super 8mm and video mental skills and tools needed for drawing. Our sources will include the Despite the structure, drawing is treated as a highly personal experii (VHS Format). human figure, objects and interior space: these will form the basis for in- ence in which each student develops his/her own way to draw and to vestigating significant visual issues. Students will be encouraged to de Animation: Continued FAMB 036 1 "see." The student is taught to observe factually and respond creatively velop a personal approach through individual attention and group Cafazzo, (v: .5 Wed. 6:30-930 to subiect, form and media, as draftsmanship and expressive abilities are discussion. Bring an 18x24" drawing pad, pencils, charcoal and anything Prerequisite: FAMB 035 1 (W3) SMFA developed simultaneously. else you like to the first class. The class emphasizes completion of a semester long project, i.e. a Drawing: Foundation FAM 027 A film and soundtrack of your creation. You are encouraged to produce a Drawing: Intermediate FAMB 030 1 Derr, (v: 1 Tues. & Thurs. 1 :30-4:30 through Advanced mare personal or self portrait type of film in super 8 or 16mm format. Prerequisite: None (2224) Lane Hall Flynn & Mentoff, (v: 1 Tues. 8 Thurs. 6:30-9:30 Time is set aside for individual and group assistance on storyboard ses- This beginning course in drawing will cover the principles of drawing Prerequisite: Beginning or Foundation Drawing (W2W4) SMFA sions, lip sync and sound mixage. including gesture, draftsmanship, three-dimensional concepts, planes This course is for the more advanced student an#k based upon the Additional day classes in Film and (simple and complex), perspective, anatomy, tone and modelling, premise that drawing, on any level, is the observation and interpretation Animation are available. Register at twodimensional observation, proportion and measurement, positive and of sight, thought and experience through marks. Thwbility to "see" is SMFA 1/13. negative space, placement and value composition. The course is struc- developed and a visual means for personal expression through this me tured and new problems and exercises are given for each class. The study dium is nurtured. A model is used, with changing set-tips, as a point of 1GRAPHIC DESIGN, ILLUSTRATION 1 of drawing will be treated as an individual personal experience where all departure for the creation of images. Students are expected to take risks AND BOOKS students should see their abilities and potential by semester's end. Stu- and challenge their knowledge and experience. dents learn to observe factually and respond creatively as principles of Graphic Design FAM 039 A Drawing and Printmaking PAMB 031 1 draftsmanship and expressive abilities are developed simultaneously. Pope, CV: 1 Man. 8 Wed. 6:30-930 kott 8 Stopforth, (v: 1 lues. 8 Thun. 630-9:30 Prerequisite: Design: Foundation suggested (WlW3) Lane Hall Drawing: Foundation FAM 028 A Prerequisites: None (W2W4) SMFA This is a commercially oriented course in visual communications that Capathietti, CV: 1 Mon. 8 Wed. 630-930 This course consists of two periods, one in the drawing studio and one Prerequisite: None (W1 W3) Lone Hall will cover the conception, design, layout, typography, illustration, in the printshop. Students will be drawing and working on problems in the pasteup and production of graphic arts pieces. Students will work indi- This course is for all students with an interest in a visual drawing ex- Tuesday class with materials which will be taken directly into the vidually on graphic communications problems. The basic skills needed to perience, even those who haven't taken a drawing course before. The printshop on Thursday to be printed. The printmaking part of the course prepare work for publication will be taught through a series of lectures, course will cover basic information, probing into the inner and outer struc- will cover many of the fundamentals of monoprinting, drypoint and relief class critiques and trips to printing houses. ture of basic geometrical forms, still-life, portrait and figurative drawings, printing. New problems as well as a wide range of materials will be intro through the creation of 3-D illusion on a two-dimensional surface by duced consistently during this program. There will be regular discussions GraphidDesign: Continued PAM 039 B means of line, texture, value, and shape. Composition, design, plus tonal as the class develops ideas and as we discover ways of working. This is Pope, (v: 1 Man. 8. Wed. 630-930 values will also be emphasized throughout the course. Oiierent tech- on ideo1 course for foundotion-level students wanting to develop their Prerequisite: FAM 039 A (WlW3) Lane Hall niques and hondling of materials will be investigated. Each student will be drawing and to learn the bosics of printmoking. It is a useful course for This is an advanced course in advertising design covering advanced encouraged to express and develop hisher own potential. Students will intermediate/advanced students who wish to expand their ranges of media. design techniques, practical applications of new materials and current be expected to attend every session and to solve, within their capacity, communications theory. Students will work individually on graphic design Illustration for 3.D Design FAMB 042 1 every problem given. From this experience, students will be able to problems and will further develop their awareness of how design en- handle any drawing situation. Attendance is important. There will be work Tanzi, CV: .5 Tues. 6:30-9:30 Prerequisite: None (W2) SMFA hances communication in all printed media. Class critiques, lectures and outside of class for at least four weeks of the course. trips to printing houses are an important part of the course and regular Using the basic principles of drawing three dimensional form, we will attendance is imperative. Note: Continued courses may be taken for credit Drawing: Foundation FAM 029 A explore through color pencil, wash, marker and gouache ways to commu- an unlimited number of times. Lyman, (v: 1 Tues. 8 Thurs. 6:30-9:30 nicate ideas for jewelry design and 3-D objects. Whether this is useful for Prerequisite: None (W2W4) Lane Hall keeping a personal sketchbook or communicating ideas with a teacher, Graphic Design FAMB 039 1 This introductory course in drawing will stress drawing as a creative model maker, or client, the visual vocabulary acquired should allow one to Landry, 01: .S Wed. 630-930 function and as a way of learning to see. The course will use the model quickly explore design possibilities and enhance one's presentation. Prerequisite: None (W3) SMFA as a point of departure to explore basic drawing issues including line, This intensive course presents a broad range of design assignments Perspective Drawing FAM 063 1 value, shape, composition and personal imogery. A range of drawing ma- based on realistic project case histories. Students are taught to carry a terials will be used. Slide presentations are a regular part of the class as. Boyhon, CV: 1 Fri. 1:30-4:30 Prerequisite: None (Z5I Lane Hall number of assignments at once by breaking them dawn into logical proce are class critiques and discussions. Although some outside assignments dure steps - including problem analysis, creative concept development, This course is designed for art students who want to give their work a are given, the vast majority of the work is done in the class, making at- mock-up development, and finished ort and mechanical. the course greater degree of realism through the use of perspective and for students As tendance important. progresses, emphasis shifk from idea generotion and design mech interested in architectural design and rendering. The course teaches the theacy to anical art, the reproduction camera, typesetting and other technical skills. Drawing: Continued FAM 030 A methods used by artists to give convincing illusion of 3-D volume and Slide lectures on creativity, design and color theory, graphic design and Capathietti, CV: 1 Tues. 8 Thurs. 6:30-930 space on a 2-D surface. This is accomplished by the employment of parallel letterform history, typography, sign system and environmental graphics, Prerequisite: Drawing: Foundation (W2W4) Lane Hall and converging lines, the determination and control of size, the location and the work of internationally prominent designers are a regular part of This course will deal primarily with the figure. The student will be en- relationships among 3-0 forms end the representation of light and the re the course. Students may bring and concentrate on special projects of their couraged to experiment with new materials and ideas. Composition and sulting prediction of shadow shapes for the clarification and enhancement own in the class. The course is designed to accommodate both beginners placement will be stressed. Each student will receive individual attention. of visual images. The conventionol representational vocabulary of single, who want to develop basic design thinking and skills, and more advanced Selfmotivation will be an essential factor. Included will be the expansion double and multiple vanishing points along with measuring points, scale, students who may want to utilize the course to develop their portfolios. of the concept of drawing. Considerotion towards the light source should etc., will be explained and illustrated in demonstrations and assigned be given, so as to create a more dynamic image within the picture plane. problems. Problems in perspective will be regulorly assigned and must be Attendance is important. This course may be repeated for as many times completed by the student outside of class. This course may be repeated. Graphic Design, Illustration and Books as a student wants to continue. courses continued on next pge Graphic Design and FAMB 040 A Image as Letter, FAMB 053 A Typography on the Computer Letter as Image Montie, Cy: .5 Mon. 6:30-930 Jewelry and FAMB 046 1 Klein, CV: .5 MOR. 6~30-930 Prerequisite: See description (W1) SMFA Object Making Prerequisites: None (Wl) SMFA This "user friendly" course in design and production on the Mac may Hughes, CV: 1 Mon. 8 Wed. 6:30-9:30 In this course we will exomine the affinity of letters ond imoges and

be token by students with some grophic design course experience, or os o Prerequisite: None I (WlW3)SMFA some of the multiple possibilitiesthis conjunction offers for creating art, componion course, to be token concurrently, with Graphic Design This closs covers the fundomentols of jewelrymokin$ and both thot mode by others and thot which we con moke. Initiolly, we will FAMB 039 1 (Wed. 6:30.9:30) metolsmithing. Techniques include bosic forming, forging, cold connec- study historicol and multiculturol exomples of the fusion of letter and Im The course covers o ronge of design problems, from logo to publicu tion, patterning, soldering ond construction, plus incorporating the use of age in the ideograms of Chino, the Moyon glyphs of Mesoomerico, and tion design, with on emphasis on typography and the possibilitiesof cre other moteriols. There is strong emphosis on personol design development the Runes of Northern Europe. Then we will look at the work of twentieth ative poge loyout, using "Aldus PogeMoker" ond "Aldus FreeHond."lt os o tool in creating individual stotements in metol. century American artists who hove treoted the letter os imoge and corn olso includes an overview of Moc grophic design copobilities os well os on pore their vorious uses of this fusion. Throughout the course students will Jewelry and FAMB 047 1 introduction to the "Adobe Photoshop" progrom. The course hos porticulor Metalsmithing be involved with honds-on work and will complete a project using on imoginotive combination of Image and tetter. For this project the students interest for "computerphobic" professionols wonting to shift their trod^ Priest, CV: 1 Tu~s. 8 T~UIS.6:30-930 tionol drowing and mechonicol skills to the computer, ond for "desk-top" Prerequisite: None (W2W4) SMFA con select whotever medio or moteriols they wont to work in. professionols in need of some professionol grophic design ond typogrophy Metal is o beautiful medium to work with. Its noturol properties ea training. Students may bring projects of their own in order to use the closs oble o wide ronge of objects - weoroble, functionol ond sculpturol- to MUSICAL INSTRUMENTS os o portfolio development workshop. be mode. We will explore the chorocter of norfenous metol and it's obiC Graphic Design and FAMB 040 ity to be formed, stretched, bent and cost. Troditionol techniques of sow Musical Instrument FAMB 098 W B Design & Construction Typography on the Computer ing, piercing, silver soldering, forming or forging, and stone setting will %nul, .5 Thur~.630-930 Delfino 8 Jackson, CV: .5 Sot. 9~00-1200 be tought. CV: Prerequisite: Graphic Design SMFA Prerequisite: Basic woodworking skills (W4) SMFA Illustration 3-D Design FAMB 042 1 This "User Friendly" introductory course in design ond production on for Musical instruments hove olwoys merged design ond oesthetic consid Tonzi, CV: .5 Tu~s. 630-930 the Moc may be token os on independent course, for students with some erotions with the procticol requirements of sound production, the more Prerequisite: None (W2) SMFA graphic design course experience, or os o componion course to successful products being on exalted blend of art, physics ond function. A Graphic Design DES 030 (01. Using the bosic principles of drowing three dimensionol form, we will wide voriety of woodworking skills ond techniques ore developed to reo1 The course will cover o ronge of design problems from logo to publico explore through color pencil, wash, morker and gouache woys to commv ize these design objectives. Often they involve shoping, bending, ond joia tion design, with on emphasis on typography ond the possibilities of cre nicote ideas for jewelry design and 3-0 objects. Whether this is useful for ing diophonously thin wood into delicote yet omozingly strong structures. otive poge loyout, using "Aldus PogeMoker" "QuorkXPress" ond "Aldus keeping o personol sketchbook or communicoting ideos with o teocher, These skills con olso be opplied to o wide ronge of other wood fobricu FreeHond". It olso includes on overview of Moc graphic design copobilities model moker, or client, the visuol vocobulory thot will be ocquired should tions and sculptures. Students ore expected to moke o functional and oes- os well os on introduction to the "Adobe Photoshop" progrom. Along with ollow one to quickly explore design possibilities and enhonce one's pre theticolly satisfying instrument which, depending on their interest ond its interest for intermediote design students, this course may hove porticu sentotion. woodworking experience, may ronge from o simple folk instnrment (e.!. lor interest for "computerphobic" professionals wonting to shift their tru Additional day classes in Metals are dulcimer, drum, kolimbo) to o more ambitious project. ditionol drowing ond mechonicol skills to the computer, and for available. Register at SMFA 1/13. "desk-top" professionols in need of some professionol graphic design ond typography training. In addition to regulor closs assignments, students MULTIPLE/ MIXED MEDIA may bring projects of their own to the class ond use the class os portfolio I (CROSSCURRENTS) I Painting: Introduction PAM 053 A development workshop. Belton, CV: .5 Fri. 9:30-1230 Prerequisite: None (YS) Lane Hall Children's Book Workshop FAMB 008 1 Bumps on the Wall FAMB 081 1 Goss, CV: .5 Thurs. 630-930 Beginning pointers will explore pointing issues ond techniques in a White, CV: .5 sot. 1:oo-400 ployfully serious way. Process, not product, is stressed. Experimentotion Prerequisite: None (SAT) SMFA Prerequisite: See description (W4) SMFA For sculptors, poiqers, people who drow, and photogrophers who ond openness ore required. Students learn to enjoy pointing by mastering The objective of the workshop is the creation of o children's book bosic skills. Working in either oil or acrylic points, students explore the "dummy" which will be suitoble for submission to o publisher. Eoch wont to reolize their ideos in o 3-D, wall sculpture formot, The course is designed to encompqy the needs of those who ore working in two or basics of how to build o pointing, including concepts of line, voluei color, monuscript is continuoily crossiriticized by the other students os well os composition of 2-D and 3-D spoce, etc. We will do these things working the instructor until it is sufficiently polished. We discuss subject motter, more disciplines ond wont to focus all of these opprooches into one art experience: wall sculpture. For some, it entoils risks with the tronsformu with the live model, still life, etc., os the interests of the class dime. We relations with editors/publishers, comrnunicotion with children, poge lay- will olso see contemporory work in locol galleries and museums. Previous out, role models, ottention to current sociol issues, porents' concerns, re tion of pointed and drown imoges into "real" spoce and the mechanics of such oction. For others it presents the chollenge of literally bouncing 3D, drowing experience is preferred but not required. Instruction will be lotion of visuol presentotion to text, ond comporisons with children's geored to individuol needs of the students. literoture in the past. ideos off the wall and seeing if they stick. The closs investigates newwnys of assemblage, color and fastening techniques. Eoch student should hove Painting: Introduction FAMB 055 A Illustration FAMB 041 1 previous art experience in ony of the four medio thot will be combined. Zonies, CV: .5 Wed. 630-9:30 lnndry, CV: .5 ' Mon. 630-930 This is o great course for those who have token ktas Process ond Prerequisite: None (W3) SMFA Prerequisite: None (W1 1 SMFA wont to continue their explorotion. This course introduces the beginning student to the expressive potea An intensive course in pictorial comrnunicotion with weekly ossigr Mixed Media and FAMB 051 1 ti01 of point (oil or acrylic). Students develop their visuol perception and ments, slide lectures, and critiques. The course covers ideo generation, Image Development expressive copobilities os well os o working knowledge of moteriols ond personol style, studio methods and the reproduction comero. Slide lec- Romberg, CV: .5 T~UIS.6130-930 techniques of pointing. Projects include still life, londscope and figure. An tures present the work of illustroton, pointers and sculptors of porticulor Prerequisite: None (W4) SMFA independent project is encouraged. Issues of drowing, color, light, spoce, significonce for illustrotors. Class projects will include theoreticol ossigr Students ore introduced to new ideos and techniques to creote, mu composition ond the orchestration of o pointing ore addressed. Instruction ments, and the illustration of editorials, short stories, book jackets, and nipulote and develop imoges os well os transform one piece of art work is indviduolized with periodic closs critiques. posters. The choice of o murol design or children's book project is pre into another. Participants experiment using vorious drowing ond pointing sented os the final class assignment. Students may bring special projects Painting :Introduction, PAM 053 B moteriols and explore the vast possibilities of combining media in colloge Continued of their own to the class. The course is designed to be responsive to ind- and construction. Students moy start from scratch with new moteriols, or viduol student needs, and to occommodote both beginners, seeking foua Belton, CV: .5 hi. 930-1230 from pointings, drawings, prints or sculptures that don't 'work," to Prerequisite: FAM 053 A or FAMB 055 A (Y5) Lane Hall dotion skills, and more advonced students, who may wont to utilize the just Y creote new imoges. Emphais is on the individual using moteriols in o per- course to develop their portfolios. Phting :Introduction, FAMB 0558 sonol ond expressive way. Open to students on all levels. Continued Illustration for 3-D Design FAMB 042 1 Ceremony and Celebration FAMB 052 A Zonies, .5 Wed. 630-930 Tonzi, .5 TUS. 630-930 CV: CV: Raymond, Q: .5 Thur. 630-930 Prerequisite: FAM 053 A or FAMB 055 A (W3) SMFA Prerequisite: None (W2) SMFA Prerequisite: None (W4) SMFA This course is the continuotion of Pointing: Introduction and should be Using the bosic principles of drowing three dimensionol form, we will Many artworks thot we look at in stosis -Joponese tea bowls, token ofter Pointing: Introduction in order to acquire the equivolent of o explore through color pencil, wosh, morker and gouache woys to cornmu- Joponese puppets, Inuit masks -were octuolly meont to be seen ond full 1 foundation course in pointing. It builds upon and exponds the nicote ideas for jewelry design ond 3-D objects. Whether this is useful for CV used OS ports of ceremonies ond celebrotions. This course will begin with technicol ond expressive skills ocquired by the student in the prior semes- keeping o personal sketchbook or communicating ideos with o teocher, reoding about, and looking ot, videos of troditionol ceremonies. We will ter (FAM 053 A or FAMB 055 A). Note: Continued courses may be token model moker, or client, the visuol vocobulory ocquired should ollow one J look ot some theories ond discuss our relotionships to them - personol, for credit on unlimited number of times. to quickly explore design possibilities ond enhonce one's presentation. fomiliol, religious, and cuhurol. We will explore, both criticolly and os a Painting: Foundation FAM 055 A Additional day classes in Design and source for inspirotion, some ottempts at twentieth century revivals of Illustration are available. Register at Stopforth, (v: 1 Man. 8 Wed. 1:30-4:30 rituol, such os Mendieto's personal ritual pieces, Welfore Stote's pag Prerequisite: None (2123) Lone Hall SMFA 1/13. eants, ond Breod and Puppets porode ond chorode. From this explorotion, This course is on introduction to the moteriots and methods of point- we will creote events - individual, intimate, and communal, including iiiEizq ing. The fromework of the course emphosizes the importonce of indmduol I some for the Museum School community itself. Porody, pmtest, and responses ond ideas, therefore no prior experience is required. ,L mourning will not be excluded. ' .j Visual Arts Internship FAM 099 1 Aaylic point is used in exploring a wide ronge of subject motter, from Arranged Call 267-1219 ordinary, everydoy objects to the human figure and face. Work in progress is discussed consistently with eoch indiiuol and with the group M a whale. The purpose of the course is to develop both o brood understunding of color, shape, stnrcture ond spoce, ond the confidence to recognize and Additional day classes are available and must be registered for at volue the extraordinary process of moking ort. the School of the Museum of Fine Arts on January 13rd. PaMag comes cortkrrd Call 287- 1219 for information. 011 88xt pge Painting: Foundation PAM 056 A Painting: Critique FAMB 061 1 Watercolor FAMB 093 1 Levin, Cy: 1 Mon. &Wed. 6:30-930 Bergstein, CV: .5 Tues. 630-930 Aso, CV: .5 Mon. 6:30-930 Prerequisite: None (WlW3) Lane Hall Prerequisite: Minimum of 3 credits in painting (W2) SMFA Prerequisite: None (W1)SMFA This is on introductory course in the theory and proctice of pointing. This course offers group critiques to ofists/students working indepen- Watercolor FAMB 095 1 Projects include direct studies from both still-life objects and the live dently ot mony levels of experience. We discuss, in depth, the work of Aso,(v:.5 Wed. 630-9:30 model, using oil or ocrylic point. Emphosis will be placed on understonb three students in eoch meeting, providing at leost three critiques per se Prerequisite: None ,I (W3) SMFA ing the use of color, light, composition ond point hondling. Specific point- mester for eoch dass member. Discussions ore designed to spur growth in A generol introduction to watercolor, using on Eostern opprooch to the ing assignments will be given and closs critique will toke place regulorly. students' work, breadth of vision and depth of knowledge by encouroging medium, which focuses on the vision of expressing nature through trons- them to look at their own mork and the work of others in new woys. Painting: Foundation FAMB 056 1 porent, pure and stondord wotercolor media. It will cover ospects of ob Slide talks and museum trips augment critiques where oppropriote. Anderson, I., (v: 1 Tues. & Thurs. 6:30-9:30 stroct os well os representational ort ond will chollenge students to Prerequisite: None (W2W4) SMFA Realist FAMB 059 B discover new ospects of the medium. A short lecture of general informo- Pointing, os the monipulotion of color, form, content, techniques, tex- Babb, 0:.5 Sat. 9:OO-12:OO tion on watercolor ond o wider knowledge of ort will be given during eoch ture and spoce, is tought in o series of graded projects. We examine the Prerequisite: Drawing experience recommended (SAT) SMFA closs. No previous training is necessary. Students may register for one or basic elements of point ond composition, and work from still life, found Realist FAMB 059 C two closs sessions of this course per week. objects, life models, and imagination. Emphosis is placed on individuol Babb, Cy: .5 Sat. 1:00-4:00 Additional day classes in Painting are . responses to set projects. Students ore introduced to a criticol fromework Prerequisite: Drawing experience recommended (SAT) SMFA available. Register at SMFA ,1113. for exomining whot they ore doing. Although this course is on introductory This course consists of iniloss work from the model ond still life, ocrylic pointing closs, those students who hove some background ond Students interested in Painting might also be interested in: other subjects, interiors, cityrcopes ond londscopes in which the potential wont to use the closs os o forum for developing their own iconogrophy Mixed Media and Image Development of the use of photographs ond preliminory drawings ore explored. Atti- ore welcome. (Under MULTIPLE/MIXED MEDIA) (FAMB 051 1) tudes toward subject matter, subjectivity and obiectivity, visual percep Painting: Continued PAM 055 B tion, illusionism, naturalism, idealism, etc., ore discussed and the Stopforth, CV: 1 Mon. & Wed. 1:30-4:30 formolisms of design, composition ond color ore related to the structuring Prerequisite: Introduction or Foundation Painting (2123) Lane Hall ond interpreting of spoce. No prerequisites, but drawing experience is rec- (rdPIRMIKIHOI This course is on extension of Pointing: Foundation with o much ommended. Papermaking FAMB 062 1 greater emphasis on independent and personol directions. The exploration Portrait Painting and FAMB 071 B Somour, CV: .5 Tues. 630-9130 of moteriols will include the use of oil point and o more voried monipula PreRquisite: None JW2) SMFA tion of scale. Consideration will olso be given to relief constructions in :'a Wed. k30-9:30 This class explores the possibilities of poper os o direct ond mulleoble conjunction with collage. The ossignments set ore more chollenging ond Prerequisite: Painting experience recommended ' (W3) SMFA art moteriol. By coloring pulp, forming it aver ormotures and combining it require more imoginotive solutions developed through discussion and The porhoit is first o pointing/drowing - involvhg similar technical, with found moteriols, students creote both 24 and 3-D pieces. Prepora evoluotion of work in progress. Note: Continued courses may be repented orgonizotionol, spirituol and philosophicol concerns Gf ony good work of tion of different pulps, basic sheet forming, colloging, vocuum forming tech- for os mony times as o student wonts to. ort. The initio1 objective is to produce o physicol resemblance to the model niques, pulp sproying ond the use of coloring ogents ore taught. Students Painting: Continued FAM 056 1 -but more importontly progress toward the elusi ore encouraged to explore their own applications of this versotile medium Levin, CV: 1 Mon. & Wed. 6:30-9:30 times at the expense of thot physicol likeness.) os they gain technical experience. Prerequisite: Introduction or Foundation Painting (W1W3) Lane Hall introduced in order to help the individuol discov This course builds on Pointing: Introduction or Foundation, ond is in- on the Wall 081 1 Bumps > :: AMB tended for students with some pointing background. Instruction is specifi- Goss, CV: .5 Thu~6130-9~30 IPHOTOGRAPHY I cally designed to meet the individual needs of the students, to develop Prerequisite: See description (W4) SMFA their technicol skills ond increase their expressive visual vocobulory. For sculptors, pointers, people who draw, ond phbtogrophers who Photography: Foundation PAM 064 A Projects ore designed to offer students in-depth involvement in color, wont to realize their ideos in o 3-0, wall sculpture formot. The course is Thurber, CV: 1 Mon. & Wed. 1:30-430 Prerequisite: None (2123) Jackson Gym spoce and composition. Note: Continued courses may be token for credit designed to encompass the needs of those who ord'korking in two or on unlimited number of times. more disciplines and wont to focus 011 of these op@&hes into one art Photography: Foundation PAM 065 A Painting: Intermediate FAMB 057 1 experienre: woll sculptvre. For some, it entails risks with the transformo- Angier, CV: 1 Tues. & Thurs. 1:30-4:30 Ron Rizzi, CV:l Tues. 6:30-930 tion of pointed and drown imoges into "reol" spocttond the mechanics of Prerequisite: None (2224) Jackson Gym such oction. For others it presents the chollenge of.yh&dly bouncing 3-D Prerequisite: Minimum of 1 credit in painting. (W2W4) SMFA Photography: Foundation PAM 066 A ideos off the wall and seeing if they stick. The closhvestigotes new ways The Polish poet Roziewicz hos said "poetry is o struggle for breath". of ossembloge, color, and fastening techniques. Edth" student should hove Angier, (v: 1 Tues. 8, Thurs. 6:30-9:30 The creation of visual imoges can be equolly vital, relevant, ond powerful. Prerequisite: None (W2W4) Jackson Gym previous art experience in any of the four medio th6) will be combined. The course will focus on pointing of ond from the figure but will include This is o great course for those who hove token Ailas Process and These foundotion courses will cover fundamental ospeq of ptptogra- other forms of imoge moking os well. Students will acquire competence ' wont to continue their ofistic exploration. phy os o means of personol expression: croft, seeing/perception, design,' in the monipulotion of the medium while exploring the range of conven- 3- critiquing, history ond hard work. The acquisition of basic skills in the croft tions with which form, spoce, and light con be depicted. Watercolor ,t FAM093A of photography necessary to moke technically good block and white prints The meanings of the pointer's longuoges, the poetics of pointing, will Adorns, CV: 1 Tyes. & Thurs. 1 :30-4:30 will be emphasized along with the development of o photogrophic oes- be exomined and we will ossess the impoct the moss media, photogra Prerequisite: None (2224) Lane Hall thetic. Critiques will be held to ossist students in judging their work. The phy, film, ond computer technology ore having on imoge moking. An introduction to watercolor pointing for be course will olso give bosic historicol informotion to provide o context in Memory, imagination and observotion all ploy o role in the generation of niques ond the chorocteristics innate to the wo which the students will be working. imoges and students will proctice ond integrote these modes in their plored. Frequent exercises will develop the individual's understanding of Stlidents must hove on odjustoble comer0 ond provide film and print- work. We will point from the model, analyze and evoluote paintings in the medium in technicol, expressive, and historico1,terms. Greot wotercol- ing poper. The school will provide chemicols ond darkroom focilities. Ap group critiques ond examine the work of o range of contemporary point- orists will be studied. There will be a tip, to see mtsferpiecesfrom the proximate cost of supplies will be $1 50. Three to six hours of lob time ers. Students will develop the vocobulory and criterio to moke objective Museum of Fine kits' wbtercolor cotledion. Bosic sliilk wll in outside of closs will -be required. I '// I :I assessments of their accomplishments and progress, and will be encour- color techniques, light (indoor and outdoor), figur&iound re1 Photography: Foundation FAMB 064 1 aged and supported in their search for styles ond language thot express and color (mixing, layering, theory, perspective). Mussina, 1 Mon. 8 Wed. 630-9:30 effectively their ideos, feelings ond needs. CV: Watercolor: Continued ,* FAM093B Prerequisite: None (WlW3) SMFA Painting: Advanced FAMB 058 1 Adorns, 01: 1 Tues. & Thurs. 1:30-4:30 This introductory course in the ort ond croft of photography empho- -.- Syrbick, CV: 1 Mon. &Wed. 630-930 Prerequisite: FAM 093 A (2224) Lone Hall sizes the use of the comero os o creotive tool. Students ore taught to use Prerequisite: Minimum of two credits in painting (WlW3) SMFA Students will develop the expressive and technicol skills acquired the all types of cameras and related equipment, to properly expose ond de Assuming thot students ot this level hove o bosic working knowledge first semester and expand their understanding of tfie elements thot work velop film, and to creote good block and white prints. Once students at. of the pointer's croft, odditionol pointing skills will be tought os needed togetheLto moke o pointing. Note: Continued courses moy be token for quire these basic photogrophic technical skills, they shift focus from by the individual student. Generally, the closs environment is non-struc- credit on unlimited number of times. photogrophic croft to the ort of photogrophy. Students must hove o fully tured, much like o workshop; however, for those who moy wont more Watercolor FAMB 094 1 odiustoble comero. structure, o brood syllabus of technical and theoretical assignments will be Whitman, CV: .5 TUB. 6:30-9:30 Photography: Continued PAM 067 A available for individual students to select from and work on in coordina- Prerequisite: None (W2) SMFA Angier, Cy: 1 Mon. 8 Wed. 630-930 tion with the instructor. The only group ossiynment is the optional home- This painting course open to Inqnning through hedwatercolor stw Prerequisite: Foundation Photo or Consent (Wl W3) Jackson Gym work. is -- dents. %me dmwing expeience is necenary. paint direclty from mcl- Students ore free to work abstractly or figurotively from imagination, students the This course presumes a basic working knowledge of photogrophic fiaure. The focus of the entie come is on work with color, drawing and corn teriols and processes: how to expose develop film and haw to print stilHfe, etc., or from models. There will be periodic slide lectures os well and podtion. Thwe ore, however, exercises to help develop famliriiy os group crits where eoch student con present o body of present and post students and the negatives. The technicotospectof the course is geored toward finer skill with paint, paper, and lnuihes. Expenmenrotionwith other wnterM work (or slides) for on in-depth review ond feedback. control of exposures ond materials. media (such OS gouache, WY(K), E Wdl OS Wok & dlOWing lTl0tdSand FAMB 060 1 collage ore emqged;frequentgrpup.dixmrio'ons, didqmem,ond - in Landkcape and reviews of work done wtside of daa. This come amphoszes both kyiibc Architectural Space see and development of individual expression. McFarlane, (v: .5 hrs. 6:30-9:30 Prerequisites: None (W4) SMFA courses moy lie token for credit an unlimited number of times. This course is designed to direct students in the technicol use of water media (watercolor, ocrylic, etc.) os o means of expressing the figure. Some closses ore held outside for direct observotion in nature. We point Note: CONTINUED AND FAMB directly from o model indoors. Works by Corovoggio, Fischel, lames courses may be taken Weeks, Romore Beorden and Jacob Lawrence ore onolyzed. This course is for credit an unlimited Photography courses good for beginning through odvonced students. number of times. continued on next puge

c Photography: Continued FAMB 067 1 Silkscreen FAMB 082 1 Fifteen Figures FAMB 077 1 Burke, CV: 1 Tues. & Thurs. 6:30-9:30 lianko, Cy: .5 Mon. 630-9:30 Helmick, Cy: .5 Tues. 6:30-9:30 Prerequisite: FAME 064 1 or equivalent. (W2W4) SMFA Prerequisite: None (W1) SMFA Prerequisite: None (W2) SMFA During the first half of the semester, assignments, critiques, and illus- This course offers a completely new and non-toxic approach to The figure and the clock are the only constants in this broad-based trated lectures provide a forum to explore critical issues pertaining to pho- printmaking using water-based inks and a screen for creating monotypes exploration of 3-D expression. Each week presents a different life model, tography. Also advanced film exposure, development controls, and and editions of images. In the beginning, emphasis is on learning the bo- a different pose, a different material approach, a different conceptual printing techniques are covered. During the semester's second half em sic techniques. We start with monotypes and explore color and textural challenge, resulting in a sculpture completed in three hours. The fast pace phasis is on the creation of a cohesive body of work. lab time available effects as well as basic composition planning. From there we continue and fresh approaches are designed to stimulate new ways of sculpting the during the course. with edition printing using lithocrayons, blockouts and film. Although figure. Basic working skills in various media are taught, including clay, projects are assigned, students are encouraged to invent their own. Group direct plaster, constructed wood, founhbiect assemblage and more. De- Additional day classes in Photography are available. Register at SMFA 1/13. discussions held regularly. signed for beginning ond intermediate students, this course may also ben- Screen Printing Workshop FAMB 083 1 efit the advanced sculptor seeking new possibilities in the human form. IPRINTMAKING I Lianko, Cy: .5 Wed 6:30-9:30 The Long Pose FAMB 078 1 Prerequisite: None (W3) SMFA Helrnick, (y: .5 Thurs. 6:30-9:30 Drawing and Printmaking FAMB 031 1 This course is for students who already have some basic understand- Prerequisite: None (W4) SMFA Scott 8, Stopforth, Cy: 1 Tues. & Thurs. 6:30-9:30 ing of the process, but want to further develop their skills and explore One life model, one pose, fifteen sessions. This course focuses on the Prerequisites: None (W2W4) SMFA new ideas. The emphasis is on extensive experimentation. We combine complete evolution of a )hlife-size figurative sculpture, from determining This course consists of two periods, one in the drawing studio and conventional screening methods with alternative materials using collage, the pose, through quick studies in clay, through armature construction, one in the printshop. Students will be drawing and working on problems manoprinting and photo images. This course also offers an opportunity for clay modeling, to mold-making and plaster-casting. "The long Pose" is in the Tuesday class with materials which will be taken directly into the those students who want to explore photo screen printing more exten- designed for the intermediate or advanced student with some experience printshop on Thursday to be printed. The printmaking part of the course sively as well as far those who would like to print on fabric. The course is in sculpting the figure. During the model's breaks we explore basic as- will cover many of the fundamentals of monoprinting, drypoint and relief run as a workshop where individual consultation and group discussion are pects of anatomy, the figure in art history, and the role of the human printing. New problems as well as a wide range of materials will be intra- an important part of the process. Only not-toxic inks are used. farm in late 20th century sculpture. duced consistently during this program. There will be regular discussions Additional day classes in Printmaking Wood FAMB 096 1 as the class develops ideas and as we discover ways of working. This is an are available. Register at SMFA 1/13. Rizzi, (y: 1 Mon. &Wed. 630-9:30 ideal course far foundation-level students wanting.to develop the 1, . Prerequisite: None (WlW3) SMFA ing and to learn the basics of printmaking. It is also a useful co ,,< - Throughout history, wood has provided a sensuous, eap&ve and intermediate/advanced students who wish to expand their range fr . functional medium for the masks of the African Dogon, the chairs of the Etching FAMB 074 1 PAM 077 A Shakers, the sculptures of'hancusi and the boxes of Cornell. hom con- Scott, CV: .5 Tues. 630-9:30 Tues. & Thurs.l:30-4:30 strucoon gpde lumber to exotic hardwoods, every species offers the artist Prerequisite: None (W2) SMFA Prerequisite: None (2224) lane Hall both resistance snd suggestion, and every type of:consfwtion its unique This is a course for theintermediate to advanced stu In this course a basic vocabulary of sculpture will be covered in,g sei:; , appeal-This couw is for those who appreciate the beauty, utility and are to explore the medium in greater depth as well as for th ries of projects designed to demonstrote formal values and stimulate per- t \, tisticpotential of woodond who want to aquire thikbasickkilbuf work- dent who wants a thorough exposure to the range of possibfitiesthe me sonal expression. Simple methods and materials will allow us to , ,.:K! ldg it:Whde explbiing tbe histbritaldnd cmtem dium has to offer. Aside from learning the basic techniques of hard experience a variety of approaches -abstract, conceptual; figuratiw-tG e ffidenti wittbei@urageil to ae9kl6p'ajid exp mound, soft ground and aquatint, there will be demonstrotions of sugar artmaking. The course progresses from simple exercises, to workingfrom . niol cincI'ieithe$lre3durces With'WfiicTi their .- \ fil white ground, chine colle, multiple plate color printing and registra- the model, to whatever conceptual distance students ca tik,-mlor viscosity printing, photo etching, and relief etching techniques. Sculpture: Continued 9 vrsh f Students are enccwoged to bring into class ideas they are inteiested in .,.t -I.,- Star, CV 1 Iddl "I -.. ._ .working on. Also meview oftheir work done prior to tki

Mixed Media FAMB 072 1 have previous art experience in any of the four me@ that wilt be combined. aged to exploredifferent technigues such as sandblasting, painting, lami- I in Printmaking This is a great course for those who have taken Art as Process-and , noting and layering. &.students become more familiar with the technical ! Brennan, CV: .5 nue thiep artistic exploration. aspects of the medium the course shifts its principal focus to the art of Prerequisite: None FAMB 079 glass, emphasizing color, light, and the translation of student's ideas into This course is offered to students interested in working and learning Stone & Wood the language of glass. Materials are not included in tuition. Glass and about a variety of processes in printmaking. For the beginning student it Uchida, CV: .5 Tues. 6:30-9:30 other supplies are purchased by the student from the school as needed. is the opportunity to create a woodcut, bite an etching plate, or discover Prerequisite: None (w2) Additional Day Classes in Stained Glass the technique of callograph printing. Advanced students have the entire are available. Register a1 SMFA 1/13. studio at their disposal and are encouraged to expand skills already under- Carving in FAMB 080 stood. Developing ideas into prints is our purpose. Finding what you want Stone & Wood to express and the best way to say it - in print - is our goal. Uchido, CV: .5 Thurs. 6:30-9:30 Fl Prerequisite: None (W4) SMFA Monoprintingmonotype . FA~B073 1 Exploring the universe of three dimensions through carving is a very , M*sic Video FAMB 088 1 Siegelman, Cy: .5 Sat. 9:OO-1200 special way to encounter form, line and volume. Through the subtractive ' Hudsonhfft Sot. 1:00-4:00 Prerequisite: None (SAT) SMFA technique of carving, a mass of material is reduced in size until the es- Prerequisite: None (SAT) SMFA Monoprinting and monotype are exciting ways to combine drawing sence of the form is attained. This is valuable learning for artists who In this course, we produce finished artistic music videos. Footage may and painting with printmaking. Bath are ways of making single unique want to create work of visual and tactile depth and dimension. The Course originate on Super-8 film, 1bmm film and video. Each student is guided prints and act as a natural introduction to printmaking. Each is a very ver- COVelS instruction in the techniques of stone and wood coNing from the through the entire process of making o music video from development of satile and flexible medium offering a wide range of possibilitiesfor per- roughing out of a piece to the final finishing. Sharpening and mainte a treatment, budget, storyboards; through preproduction planning, sets, sonal expression. The class is run as an open studio where students are nonce of tools is included. Students initially use traditional hand tools and shooting, and finally to editing in video. The goal Of each student is to encouraged to experiment and thoroughly explore the medium. Demon- progress to using power tools. Students are encouraged to experiment finish 0 music video on 0 deadline date. strations of monoprinting techniques are given, leaving ample time for and find their own personal language in their chosen material. Students Additional d work, group discussions and critiques. - may register for one or two class sessions per week. -4 .

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5- Note: CONTINUED and FAMB courses Additional day classes are available and must be registered for at the may be taken for credit an unlimited School of the Museum of Fine Arts on January 13th. number of times. Call 267-12 19 for information. Wednesday, November 17,1993 THE TUFTS DAILY page nine Mugging vigilante in NYC fires shots in his self defense agers covered an outside wall: (AP) -- It seemed black youths he felt were menac- Boone told investigators he which was a replica of a .45 Colt, NEW YORK “R.I.P. B-Boy and Tz.” like a perfect night for a mugging. ing him when they asked him for thought the BB gun -- unloaded, it and the real .44. The wallet, which Down the block, neighbors of The street was dark, the hour late, $5 on a subway train. turned out -- was real and that he contained $20 and some credit Boone sat on stoops and talked theBrooklyn neighborhoodrough. In a case that divided the city feared Pell might discover his own cards, was found on Pell’s body. But the teen-age boys who on issues of race, crime and gun weapon. So he pulled his .44 and Authoritiesrevealed later that Pell about the incident. They refused stalked Arthur Boone as he left a control, Goetz was acquitted of fired three times. had been arrested for a robbery in to give their names, saying they comer market Sunday missed one attemptedmurder and served eight James died a short time later at the same area last month. feared reprisals from the neigh- thing: the .44-caliber Magnum months in jail for illegal posses- a hospital from a gunshot wound The next day, blood still stained borhood toughs. But one older man tucked in his belt. sion of a weapon. to the head; Pell, hit twice in the the sidewalk, mixing with shards offered the consensus: One of the muggers, nicknamed This time all parties involved chest, died at the scene. of glass from a broken rum bottle. “He should have shot two or “B-Boy,” put &-barrel of a BB were black. Boone, a father of two Police recovered the BB gun, A spray-paintedtribute to the teen- three more of them.” gun to Boone’s head. The other, daughters Who has worked at a “Tz,” reached for his wallet. Domino sugar factory for more Then Boone fired three shots than a decade, had one arrest: in heard ‘round the city. 1989for drunkendriving,authori- In what investigators are call- ties said. ing a swift act of self-defense, “He was a very mild-mannered Boone shot and killed his assail- person,” said Yvonne Knox, a ants with the unlicensed .44. longtime neighbor. “Never vio- He waited for police to arrive, lent -- never.” told them he was a victim of past ButBoonelivedintheBedford- muggings and quietly surrendered. Stuyvesant neighborhood, where As news of the incident spread violence is a way of life. throughthe crhe-wearycity, some Family and friends said Boone hailed the 41-year-old machine had been robbed three times in the worker as a hero. neighborhood where he lives in a The muggers ‘’used poor judg- three-story row house. ment and I’m delighted they did,” Young thugs hang out near a said Jerry Preiser, president of a 24-hour market at the end of his city gun club that sent Boone a block, waiting to see if customers $500 “courageous victim” pulloutlargebills, neighborssaid. award.”I think they got what they -0 teen-agers apparentlywere deserved.” waiting at 3 a.m. Sunday when Boone was arraigned on Boone stopped at the market on charges of criminal possession of his way home from work to buy a weapon and freed Monday with- cigarettes. out bail. As Boone emerged on a side- He left without speaking to re- walk illuminatedonly by the flash- porters and has not been heard ing yellow and red light bulbs lin- from since, building a mystique ing the market’s facade, 15-year- that evoked inevitable compari- old Carl “B-Boy” James pressed a sons to the ‘‘subway vigilante,” BB gun to his temple, Boone later Bernhard Goetz. told police. Meanwhile, James’

In 1984, Goetz, a whiteelectri- partner, 19-year-o1dMettaz“Taz” AWSenkcdtheUSMCantSav*c cal engineer, shot four unarmed Pell, pulled out his wallet, he said. bld yar state FwStex ONLY YOU CAN PREVENT FOREST fl

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‘w . 4 - F page ten THE TUFTS DAILY Wednesday, November 17,1993

SHABBAT HAPPENS- HIDDEN 'PAIN EVERY WEEK!

One of everyfou~.womenyou i ita know has an eating disorder. The Shabbat Dinner Gourmet; If you are concerned about yourself Kosher Cooking Contest Presents: or how to approach a friend or girlfried come, listen, and learn.. . French and Jewish Cuisine from a speaker who is a recent Tufts' grad and a survivor. Chefs: Yoav Schreiber and Jason Weingrah4,.

Miller Main Lounge Thurs. Nov. 18, 8pm Following dinner there will be a discussion of the play "Ghetto " led by Lawrence Senelick.

When? ' Friday~Nov. 19, -6:4$:p.m. Where: Curtis Hall Lounge .

Please make a dinner reservation by Wednesday ... November 17, by. calling the Hillel office at 627-3242. .. Challah, wine, chicken, eternal life, singing, new friends !

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-* Ex Collcgc 22s Introduction to Women's Studies ...... -.Rfohnson STUDY ABROd!!! Anthropology 185 Women, Rrligion, and Pow in Africl ...... R Shaw Chinese 192 Woman, Genda, and Issues of Modernity in 20th Century Chincsc L.itaamrc ...... X. Zhong Ckssics 135 Womenin Antiquity ...... B. Halpcm Dace 70 Pcnpcctives of Dance ...... A. Trda Education 191A Educatingwomen in Amaig ...... Wda English 92 The Invisible Spectacle: Hollfwmd and the Production of Modern Scxudties ...... L. Edch English 132 Women & Fiction ...... L. Bank TUFTS-IN-TUBINGEN English 147 Amcxiun Women Writen ...... R Srikylth English 192 Thc Gay Nineties: Queer Theory, CUI& . Studies, and the Politics of Everyday Lifc ..... L. Edch French 032- Masterpieces of French Litcraturc II (with sped Information Session (Section C only) emphasis on' femininity and exoticism) ...... C. Martin French 192D 19th Century French Novel: The Heroine's Plot (in French) ...... 1. Naginski Gaman 7s Grimm's Fairy Tale: Ideology and Politics ...... C. Nelson Guman 178 Gumyl Litcramre Since 1945 (in Gem) ...... C. RDmero History 72 Modem &a: Historid Penpectives on Contemporary Crisis h Mu...... J. PCnVCMC History 93 Women in 20th Century America ...... V. Drxhmm History 105WWC Historical Consuuction of Scxudty: Themes in Lesbian& Cay History ...... H. Solomon Wednesday, November 17,1993 Jcwish Studies 78 Jewish Women ...... G. Ascha Phys Ed 50 &If Dcfcnx for Women ...... A. Scbleski or ...... S. Wachslcr & R Fiiha 4:OO pm, German House Phitosophy 46 Fcminist Philosophy ...... : .. C. Sch~ssberga 21 Whitfield Road I Psychology 55 Human Sexual Behavior...... 2. Lurk & J. DeBold soaology 126 Contemporary Feminist Social Thought ...... A. Russo

A slide presentation will be followed by a question and answer session with past program participants. Courses okdthrough the -tal College and selected. seminars in various departments may count towards Women's Studies Interdisciplinary Minor. For infodonabout the Women's Studies hterdisaphary Minor, contact Professor bmaJoohnson, Ccntcr for lntadisaplinary Studies, 628-5000 at. 2955. - -__. For other questions and concerns, contact the Office of Women's Prognms, 55 Talbot 3184 or at. 3184. ._ Refreshments will be served.

...... t Wednesday, November 17,1993 THE TUFTS DAILY page eleven - Sailors will head to Japan - Not just a hideous Friday night TV show - SAILING DINOS URS continued from page 7 University of Washington. Thc continued from page 5 At the end of the exhibit, there is a To see the exhibit, take the three sailors each qualified for thc gift shop with dinosaur models, Green Line to the Science Park ing with only 78 points, far ahead event last month at the New En the high-tech gizmos used in the toys, books, puzzles, and T-shirts. stop. Tickets cost $11, which in- of Georgetown’ssecond place and gland SinglehandedNationals anc movie are described in the same cludes another exhibit of your 122 points. are three of four New Englanc way. The DinosaursofJurassicPark choice in the Museum. The Omni Theregatta, hosted by Harvard, sailors attending the regatta. Near the end of the exhibit, one is truly a sight to see. In a word, it Theater, Planetarium, and main was much like a “typical home Legler said he expects all threc or two of the museum staff give is impressive. It is directed mainly exhibit halls are all fascinating if regatta,” said Legler, referring to to finish in the top ten, and furthe short lectures about individual di- toward children and in that respect you’re not interested in dinosaurs. the familiarity the Tufts team has said that he expects two of thc nosaurs. They speak about how it’s a winner. Many portions oftht with the sailing conditions of the sailors to finish in the top five archaeologists go about finding exhibit are educational for bott Charles River. Trotman placed second at the Na fossils and how scientistsdiscover young and old. Unfortunately The women’s team, racing at tionals last year, and the last year’ a dinosaur’s traits; their describe the whole idea is a bit too commer. St. Mary’s College in Maryland second through seventh place fin things ranging from speed to eat- cial. Too much of the exhibit i$ was comprised of Carisa Harris ishers will also be competing thi ing habits. dedicated to the movie and not tc and Sarah Terry in A-division, with year. The lectures are told in simple dinosaurs. However, the informa. Jenny Nelson and Ellen Mastoras Following the Nationals terms so that children can under- tive lectures and qualified stafi sailing the first four B-division Trotman and Mendelblatt will joii stand. In fact, most ofheexhibit is make up for the promotional as- races, and Laura Dunn and Alix fellow sailors TanyaHaddad, Josl geared toward children. After the pects of the exhibit. At the veq Manley sailing the remainder of Adams, Jag0 Macleod, Caris( lectures, one can use any of the least, The Dinosaurs of Jurassic the division. Harris, Laura Dunn, Alix Manleq touch-screen computers to look Park and the movie together have According to Legler, the wind as well as 1993 Tufts graduate up indicesor glossaries with infor- sparked a new interest in dino- was “light and shifty” on the first Brett Davis and Cara Harries ii mation on any aspect of the differ- saurs, especially among children day of racing, with the teamfinish- their flight to Yokohama, Japan tc ent dinosaur ages, from climate who can find something they want ing fifth overall. They “rallied on compete in the Goodwill Game and geography to flora and fauna. to learn more about. ON-CAMPUS C&ASS the second day,” enabling them to over Thanksgiving. FOR DECEMBER GIG finish tied for second overall, The Games, which will matcl BEGINS lW6. Legler said. both American and Japanese col DECEMBER’€&& Upcoming Singlehanded legiate sailors, is touted by Legle CiAssEs Nationals as “the most important event of thc START loa? Nick Trotman, Mark fall season,” even though it won’ Mendelblattand Scott Carson will count for the overall rankings. SAVE $55! all fly out to Seattle tomorrow Of the 50 American sailors se

.. , night to represent Tufts at the lected for the Games, Tufts man . .. Singlehanded Nationals at the aged to have ten sailors selected ..

3riendi of Israel invites everyone to share their memories about the I;tnd-of Nfi & Hbnq. Come see what’s new in Talloires this summer! Informational Slide Presentation Bring your pictures, your stories, and let’s celebrate the land of Israel. Tomorrow Thurs., 11/18, 6:OO - 7:45p.m.; 12 Olin aefreshents ad3oodWiU6e Served! a P R 0 G R A M S: 4New Programs: France and European Identity The classic six-week Tufts in Talloires program Intensive French Language Institute Arcbeological Dig of Roman Ruins Hiking in tbe French Alps 1.r

TUFTS IN TALLOIRES...... Write Arts! Write Features!! ‘Wait a minute, even better, come down &@ne= bo For more g+ and write all of our final term 99‘ information contact: papers!!! Yeah, and then some cute % Tufts in TaIloires45, 2’ love notes telling us how great we % 108 Packard Avenue 0 Medford, MA 02155 a*Ce are and how much you care, and.... (617) 627-3290 page twelve THE TUFTS DAILY Wednesday, November 17,1993

Local school -praises program~ ~ INTERESTED IN STUDYING IN INQUIRY continued from page 1 all help to broaden their under- PARIS YOUR JUNIOR YEAR? standingof complex world issues,” national issues to high school stu- Martha Zimmerman of the Lex- dents in a suitable manner which ington High School’s Social Stud- they will be able to comprehend,” ies department said. Mrs. Virginia Remmers Holland said. According to Teichman, re- Director of the in Paris Program sources for the conferenceinclude Tufts Lexington High School partici- Congressional Research Service pated in the program last,year and reports and chronologies, CIA Will hold an informational meeting on will continue to do so this year. documents and maps, and Pew ‘Thestudents said that the qual- Case Studies. The students will ity of the materials and the assis- also have extracts from the literary tance’of the Tufts students who works of NobelLaureate Yugosla- Wednesday, November 17,1993 vian author Ivo Andric. at 2:OOpm worked with Lexington students Leader urges Thfts to follow Coolidge Room U WELLESLEY continued from page 1 long to even address the issue.” Ballou Hall A President’s ad hoc commit- on for one and a half years, when tee has been set up to investigate students became aware of the Tuft’s investment in Hydro-Que- Prospective students and former students cordially invited. University’s $2 million investment. bec, and recommendationswill be Andrew Epstein, a co-chair of given to the president, and then to If unable to attend, please call the Programs Abroad Office at 627-3152 to Tufts Environmental Conscious- the Board of Trustees, which an ness Outreach (ECO), said, ‘We makes the ultimate decision. schedule individual appointment. are extremely unhappy with how Epstein stated, “We are calling Mrs. Remmers will be on the Medford campus from November 17-19th. the situation has been handled. It for stricter guidelines for invest- has taken [the trustees] far too ing and the formation of a perma- nent committee for investigating questionable investments.” He added, “Tufts has earned an inter- national reputation for its commit- ment to environmental causes, and its investing in Hydro-Quebec is clearly hypocrisy.” Is Nonviolence Possible in a THE Violent World? PRINCETON REVIEW 81 We Score More 7’55 8-2 82 8 Peace & Justice Studies in collaboration with Boston Research Center for the 2Vt Century - U.NDERGRADUA7ES present INTERESTED “The American Tradition of Nonviolence” Middle School or High School a slide show presentation by Teaching Professor Michael True Department of English Assumption College The Education Department is now accepting applications for its undermaduate teacher certification procrram.

Author of Justice Seekers, Peacemakers: 32 Portraits in Couraqe (1985) and To Construct Peace: 30 More Justice Seekers, Peace Makers (1992) For more information about this program and applicationprocedures or about programs Wednesday of graduate study leading to certification as November 17 teachers or as school psychologists, COME to 7:OO p.m. an informational meeting. Eaton Hall 206 Date: November ?7, 1993 Time: 4 pm- A PJS Event Place: Campus Center, Zumporelfi Room Wednesday, November 17,1993 THE TUFTS DAILY page thirteen Students upset with changes in E-mail system E-MAIL “You can’t get through to any- the choice of logging into Pearl or date more accounts -- both per- ing process completed by January. continued from page 1 one anymore,” one student said. two other systems: Jade and the sonal and academic -- in the fu- “In terms of upgrading, we de- tem.” However, not all students have Computer Sciencedepartmentsys- ture. cided that sooner was better than SophomorePaul Cochranesaid had problems with therestrictions. tems. So said that it is possible for ‘We are definitely working on later,” Finlon said. thattherestrictionsare“definite1y” In fact, two students wishing to students to get accounts on the upgrading the system,and expand- annoying, since “it is impossible remain anonymous said that other systems, but most Tufts stu- ing the capacity of the system so According to Finlon, Academic to get into the System after five” though they have personal ac- dents use Pearl. we can remove the restrictions. Computing has “been in contact” when the System is available for counts, they have been able to log “The answer is probably to That is a top priority for this of- with the Digital corporation about students’ personal use. into the Pearl system between 9 upgrade Pearl,” So said, adding fice,” Finlon said. improving the situation. Senior Dan Levi commented a.m. and 5 p.m. Further, some stu- that E-Mail is becoming “more Originally, the system was to “Digital has agreed to loan us a that during the hours where Per- dents find the restrictions not only popular than ever.” be upgraded over the summer of memory board which should help sod usage is not restricted be- appropriate,but important,as well. Finlon said that Tufts is cur- 1994. However, due to high de- to temporarily alleviate some of tween 5 p.m. and 9 a.m., it is much senior scottso said that the rently working to upgrade the Pearl mand, Finlon said that the univer- the stiess on the system,” Finlon “harder to get into the system” and restrictions are “a good thing” for system so that they can accommo- sity is aiming to have the upgrad- said. “logging in takes much longer. him, since he is an assistant teach- “Oftentimes, you get a mes- ing assistant for Psychology 3 1, a sage saying that there’s already statistics course which utilizes E- Corn uter system is annoying the maximum amount of users, mail accounts to run the Statistics LETTERB access to the technology of the and to try again later,” Levi said. Package for Social Sciences continued from page 2 ties. The fact is, though, that just about every college, public and present? In response to student com- (SPSS) program. I hope that ACS and the Tufts plaints about limited personal ac- “If we can’t get onto Pearl, we everyone now uses the system at private, in the United States has night rather than spread out been having trouble making ends Administration realize the impor- count use, Finlon said that “stu- can’t use the lab. It was a real tance of expanded computer ac- dent course work is the primary hassle before these restrictions,” throughout the day. meet. Nonetheless, they continue The first defense that I expect to expand their facilities to keep cess for everyone. Something has purpose of the system.” So said. to be done soon if wants to to hear is that Tufts is having fi- up with technology. How can stu- . Tufts “The students are paying a lot So said that he thinks there are remain a modem university. of money to take their courses and two possible solutions to the E- nancial trouble and cannot afford dents be prepared for the technol- they should be allowed to get their Mail traffic. to upgrade the computer facili- ogy of the future if they have no Max Weinstein LA’96 work done,” Finlon said. “Tufts either needs to upgrade Several non-E-mail using stu- the Pearl system, or get students to dents have complained that since get E-Mail accounts that are not the only time to use E-mail is after on the Pearl system,” So said. five, their friends’ telephone num- Currently, when students want bers are busy all night, because to use E-Mail, they first call their modems are in use. JumboNet. They are then given I do your Christmas^ shoppingoaufy. Then come to free .-; 1 Reseweat Caficino’show. Relaxation and Meditation We have the perfect room for your Christmas party. And we have some very tempting Italian specialties for lunch WORKSHOPS! or dinner. So instead of having a party with the platters . usual led by Maiy Slurlcrani and hors &oeuvres, treat your guests to thedelicious excitement of Three Star Dining at Capucino’s. For more information call now. Our chefs will make your party a specid occasion.

klue fs always on our mmy. I Pkq& iit &+ FUN, FUN, FUN. And you can [ I do it, too. For thc hi?,bi? cmt ~~$19.9~,6s well 6s GC kid BROOKLINE CAMBRIDGE Free Valet Parkmg FRAMINGHAM SAUGUS word to the Editor-in-Chief and her recalcitrant board of editors. 617-731-4848 617-547-8228 in Cambridge. 508-872-1231 617-233-376:

ME GO WHERE YOU GO LONDON $139 AMSTERDAM $215 2 WEDNESDAY NIGHT SPECIALS BARCELONA $255 CASABLANCA $255 JOHANNESBURG $613 BELIZE $205 MEXICO $199 *16 PIECE JUMBO WING *24 PIECE ares are from Boston, each way, wzdonarcundtnppurchase Taxes *LARGE TWISTER FRIES JUMBO WING- I surchar es not tncluded Restnc- ons appSy befares may require n International Student ID andor are *2 SODAS ALMOST 3 1/2 POUNDS! ge restncted $8.45 $8.45 SA fE$2.00 nston $10.75 fmU€ rpeoylstonst 66-1F?6 1384MassAve DAVIS SQUARE ixtlWxteJll U 497-1497 I Student Cb MU- %anon %dent Cb FREE DELIVERY 24-6665 425-9555 666-9000 page fourteen THE TUFTS DAILY Wednesday, November 17,1993 More Around Campus Jumbos basketball is focused to win HOOPS (9.5 rpg), but the senior’s greatest opening game at home against continued from page 7 continued from page 16 strength is shot blocking. Brown’s Anna Maria next Tuesday, the gland team. The junior can do it will hit the road for eleven Exhibition of Johnathan 3.5 rejections per game ranked squad Sainsbury, “Trains of Thou ht”. all, as evidenced by his 41 steals him third-best in the country dur- straight contests. Despite this Tomorrow Koppelman Gallery, Aidehan and 30 blocks a year ago. Accord- ing the ‘92-93 campaign. “crazy schedule,” Sheldon feels Arts Ctr, 5:00-8:OOp.m. ing to Sheldon, “McMahon could thatthe Jumbos’ determinationwill Coach Sheldon is blessed with ‘ Race Awareness Discussion leave here with all the scoring a deep bench this season. Senior carry them towards their goals. GrouD Art Gallery WeeCly meetin : “Visual Contact” Gallery Talk;! records.” ‘ ,,:r,: captain John Skerry will back up ENVIRONMENTAL RACIS~. Tich Gallery, Aidekman Arts Ctr, Eric Emmert will start in the Onofrioand even play some shoot- The coach cited a recent prac- Campus Ctr., Zamparelli Rm, 7:30p.m. low post for the Jumbos. Coming ing guard. Also seeing some ac- tice in which the players were so ’’ 8:OOp.m. off the bench last year, the sopho- tion in the backcourt this season focused that a fight occurred. Then Women’s Week more averaged over ten points and will be Greg Michel and Dan when the team v&ked off the court, TUFTS SKI CLUB Jackson Jills and Wheaton Last chance to sign for Mount Whims. five rebounds a contest. If he can Ragsdale. everyone remained friends. “Bot- Snow, Killington, and Big Sky, Trios Cafe, 8:OOp.m. stay out of foul trouble, Emmert’s tom line is, they want to win,”says Montana. playing time and production are At power forward, freshman Sheldon. Eaton 201, 10:OOp.m. Women’s Week sure to increase. The 6’6“, 235- David Sullivan out of Milton, Assistant coach and former Women’s Studies 0 n House. pound power forward will also could see some minutes. Women’s Center 102 Eaton, 9:30-10:%a.m. Mass. Jumbo point guard Pat Skerry sees Women’s Studies 0 n House. spend some time at center when Meanwhile Jeff Holden will con- the intensity as well. “This team Center for Inter %“isciplinary Career Planning Center Khari Brown needs a breather. tend with Wolf for time as the plays harder than any team since Studies- 102 Eaton, 9:30- New York University. Tisch Brownisaforceinthepaintfor reserve three-man. I’ve been here, top to bottom. If 10:30a.m. School of Art. the Jumbos. He is a fine scorer The men’s basketball team is Career Planning Ctr, 10:OOa.m.- they get on a roll, they’ll be tough Tufts in Talloires: Summer 12:OOp.m. (13.9 ppg) and talented rebounder ready for a big season. After their to beat.” Programs in France. Infomational slide presentation. TASA 12 Olin, 6:OO-7:45p.m. General Meeting. Eaton 202 9:OOp.m. Noon Hour Concert Tufts University Chamber Dance Program Singers, directed by William 0 en Dance Classes for Dance Wnght. Robyn Liebman and 2ovement Creative Process. Mer Claudine Boga e. +Women invited to participate t GoddardChape?, 12:30-1:00p.m. view. Jackson Gym. 11:30 + The U.S. Embargo Against Cuba: 1:05p.m. Chaplain’s Table Religion. and Ethnicity- Hillel Perspectives from an Asian Jewish Women’s Collective The Sharpening Public Debate American Christian”. Women’s Center. 55 Talbot MacPhie Conference Rm, 5:OO- 6:OOp.m. 7:OOp.m. Pen, Paint, & Pretzels Islamic Society at Tufts Henceforward. Balch Arent General Meeting. Theater. 8:W.m. Large Conference Rm, Campus Ctr, 7:30-8:30p.m. TUFTS Architectural Society Information on minors ir Women’s Center Architectural Studies and Women’s Disc. Group. architectural Engineerin Free Women’s Ctr, 55 Talbot Ave, Pizza. Art History Dept. tiunge . 3:30-5:OOp.m. Art Gallery Opening for MFA Thesis

Earn a Master of Science in Management From Boston University... .inIsrue1

Get a global perspective in Business .I Administration/ Management. Combine the excellence of a Boston University Tuesday, November 2 education with the excitement of study 62 7:30pm in Israel. in HilIel House Master’s Degree awarded jointly by SPEAKERS: David Olson, ~nsronFor P-, hktisnt Dher Boston Universiry Boston University and Ben-Gurion University of the Negev 233 Bay State Road Call 353-2982 language of instruction... English for more informacion Donna Walker, witnos to pprto0 hr P- hanger hb Option of one year full-time degree program, or two years part-time Undergraduate Degree in business not required BEN.GURION UNIVERSITY WHEN: Thursday, November 18, 1993 -- 7:30 pm OF THE NEGEV 1ooO/0 of.Graduates working in and professional positions YErlOPOlITAW COLLEGE 751 Commonwulrh Avc. Admissions September, January, and May Boston, MA 02215 MHERE: Barnurn 008 Tuffs University IF YOU’RE INTO DOPE, YOU MlliiHT AS WUL SMOKE TIUS. Medford Campus Wednesday, November 17,1993 THE TUFTS DAILY page fdteen Navy must now accept gay man ousted from Annapolis h Steffan was among 10 outstand- stiff resistance from the military ruling this year favoring the rights ing students who had been chosen and its supporters in Congress, of homosexuals to serve openly in to be battalion commanders. He who argued that homosexuality is the military. had sung the national anthem as a incompatible with military service, “What you see in the last year is soloist at two Army-Navy football especiallyin war. They said it could a red concentrated set of cases games and had been cited for “con- destroy unit cohesion. whek courts have said it’s likely stant dedication to superior per- The result was Clinton’s policy that this policy is unconstitutional,” formance.” under which homosexuals would said William Rubenstein, director But the day after he said he was have to keep secret their orienta- of the ACLU’s Lesbian and Gay gay, academy officials lowered his tion if they did not want to risk Rights Project. military performance grade from discharge, but the military would an A-minus to an F, according to not initiate investigations on the In separatecases,f0urU.S. dis- his lawyer, Marc Wolinslq. subject. trictjudges have enjoinedthe mili- Steffan, 29, is now a third-year Pentagon spokeswoman tary from discharging gay service- law student at the University of KathleendeLaski said the Defense men on the basis of their homo- Connecticut. Department “will follow the or- sexuality. Three of these judges Tuesday’s decisiondid not deal der.” She said officials have not were appointed by Carter and the with Clinton’s new “don’t ask, yet decided whether to appeal. fourth by President Reagan. don’t tell” policy on homosexuals White House spokeswoman In two California cases, the in the military. But under the Dee Dee Myers said the case could judges have declared the president’s compromise policy, have “some implications” for Pentagon’s policy unconstitu- Steffancouldhavebeendischarged Clinton’s policy, although she tional. ’hofederal judges in Wash- for having told a friend he was gay. noted that the suit was filed against ington issued preliminary injunc- Clinton ran for office pledging the old standard. “The Justice tions barring the discharge of a to lift the 50-year-old ban against Department and the White House Navy petty officer and a Marine homosexuals in the military. But (lawyers) are reviewing it now.” while their lawsuits challenging when he took office he ran into The decision was the fifth court the policy were heard. IlClassif ied! ClassifiedsClassifieds ’lassifiedsl 3assifiedsl ilassifieds TUFTS FAMILY THANKSGIVING TUTORING Join a healthy study If you can’t spend Thanksgiving with Charming 3 Bdrm Apt That investigates the effect of fat 11 Personals W/skylights. 1 1/2 miles from cam- Need help with Chemistry (MC, your family, spend it with a member Organic), Math(1nd stab). Physics and fiber on estrogen metabolism. VIENNA TABLE of the tufts Family. Alumni will be pus, on busline. French doors, hard- Seeking healthy females, non-smok- SeniorsinvitedtotheNovember 14th hosting interested students in their wood floors, view1 Eat-in kit w/dish Services or Therm07 MIT Chem Eng Grad student avail year round for tutoring ing. non taking estrogen. Receive viennatablethe ACTUAL dateis this homes forthe holiday. For moreinfo, washer. Newly painted. Pkg. Pets 20 meal plan for only $500. Spring Friday November 19th. Same time, OK. $825.893-6361. on Tufts campus. Call Mike at 395- or to reserve a spot, contact Man 0723. $lWhr. semester 93. Call now Emily TUSM same place: see you there. Stein in the Senate Office, ~2433or 956-6176 Housemate Wanted for Spring 3646. Back Country Excursions Tour I CHRIS, MOLLY, AND LAUREL ‘94 YOU ARE QUALIFIED for a funkyBASSIST gig. Exp. NEEDED not a must. If CenterAodge How many glasses in 4 liters? May ARE YOU AFRICAN? Live with Nicole and Yvette on But No one knows it. I can help you we have many more nights like it1 WinthropSt.inagreat roomwflotsof write resumes and cover letters that Guided day-long adventures: Mtn And willing to answer questions Biking, Cycling, Canoeing, X-Skiing, interested call Seth 629-2426 or Love, Amy about your count@ For a 3rd grade windows. Rent is $233/mo + utils. get you interviews. Don’t wait until Frank 628-3875. Call us at 396-9075. Ask for Jake. another deadline passes. Hiking-Whne Mtns. 2 Day Package unit on Africa. Please call Amy 666- Breakfast, Lodging, Snacks onIy$65 AREYOUCONCERNED 2772 391-3587 MAGAZINE WRITING INTERNS that a friend, girlfriend, or you may APARTMENTS FOR RENT p.person. RentalsandStudentgroup ratesavailable. Just 2 hrs.fromTufts WANTED have an eating disorder but don‘t 2 bedrm $650.3 bedrm $750. Heat Aspiring Screenwriters Tuftonia, the universGs new glossy know how to approach them? Come and hot water incl. 8min walk to Want your script read by a represen- Info 2074258189 or write B.C.E. 2 BOX 365LIMERICK. ME alumni magazine, will debut in early hear Tufts’ alum. and survivor campus. Avail.immediately.Cal1 herb tative for a real-live NYC film pro- RFD For Sale 04048 1994. lntems are needed immedi- Thurs.Nov181h,8pm,Miller or Armand. Days 396-8386, Eves ducer? Call 629-9370 and leave your ately and for the spring semester to Main Lounge. 4931 045 or 391-60% name and phone number. -IGC FORMAL- GET OFF FOR LESS write, proofread, track down photos, Open to the entire campus. nckets fly as a courier to East/West Eu- etc. Flexible hours. Some work study JEN WOLFE sale at info booth for $15 each. Live with some Unemployed available. Call Debbie Halber, edi- I so excited that you are my Big on Dudes rope fmm $199 A/T South America am You will not get into the formal with- from $220 R/T. Far East from $395 tor, Tufts Communications. Sweet Sister. Thanks for already making out a tidcet. Huge room avail. for spring sublet. Hall, at 627-3250 pledging more special. Beth Across street from campus. 145 A/T, Mexico $199 WT.Super-cheap Weekly standby flights to West coast and GREAT CAR! College Ave. $325/mo + util. Call JJ you Kuwaiti at 628-7387 more. Now Voyager (212)431-1616. Am ... 1984 Ford Mustang LX;very good DOT AND DASHES or have you been educated in Ku- condition, low mileagein last4years. Word processing, notary and fax SPRING BREAK wait? Fletcher student doing re- I black, great college car. Call 629- Want to Uve In the Arb House? search paper Kuwait education We have spaces for next semester1 services. Affordable. Located at 7 7 nights fmm $299. Indudes: Air, on 11 Birthdays 8099. Hotel, Transfers, Parties, and morel system. Now scheduling interviews. Fun, cooperative emn’ronment with Davis Square. Call Dot at 628-5622. NASSAU -- PARADISE ISLAND - If interested, please call (617)625- SOFWARE FROM CD students dedicated to all art and all 0564. Please leave message. CHRIS students dedicated to supporting the GRAD SCHOOL APPLICATIONS CANCUN -- JAMAICA - SAN JUAN. PppM...uhhh .... is it your birthdafl MASTERS EXPERTLY TYPED Organizeasmallgroup--eam FREE CD-ROM. Interactive Multime- arts. Pick up an application at 37 Earn 25OO-Fme Trips1 Happy 20th Mr. Primary. Love, on Sawyer Ave. before Thanksgiving. (Law, Medical, Business) trip plus commission1 1-800-GET- Sabine. dia, Virtual Reality products from “396-1 124- SUN-1. Student Holidays,thenation’s leader $29.95. Games:“Seventh guest” Second Floor. four bedroom Are your grad school applications in Spring Break vacations, seeking I %55.95, Tutorial Software. Fact/ enthusiastic, highly motivated stu- Green Cab Word Happy Birthday Stevel apt piled high on your desk? Are you Finally youcancometo barswithusl References, Fantasy, Music titles, wondering how you’re going to fit all 396-4040 for reservation to Logan dents and fraternities to be the Clipart. CDROMsystems. (508)943- FOR RENT. Avail 12/1. near Davis At least one of us will be legal. Love and Teele Squares. Call Mary be- your info in those tiny spaces? Are Airport. 396-8888 between 6pm-9pm TUFTSreps. EARNHIGHESTCOM- 2450. Fx949-0072. MISSIONS AND TRAVEL FREE1 your neighbor BUDS in the 370’sl tween 7 and 8pm. 625-5018 you wncemed where you’ll find the For nexl day service. time to do it all before the deadlines? Canwnl Daytona Beach1 Call now Wendy WHY PAY RENT? Are your Personal Statement & Re- SHOCK, SCREAM & RUN 1-800-360-TRIP1 If you are paying more than $1 11 MI0 BEDROOMS NEEDED I’d like to wish you an unhappy birth- 5/ Spring semester- preferably fur- sume professionally typeset 8 laser Women’s Self Defense Video Tape. day, because you’re evil and you lie. mo for 3-4 bedrooms you are paying printed on high quality paper in a Toordercall (1-800-967-3194 x101) CRUISE SHIP JOBS! too much. For the same money you nishedfortwo neat andquiet women. -- A birthday greeting from The Call Shiv at 623-8801 type style that’s attractive? No need Guys-(Think about it) It’s not too Students needed1 Earn $2000+ Smith’s and me. Love, Lisa can OWN a house right next to cam- to fret - CALL FRAN AT 396-1 124. a expensive. It‘s appropriate for any monthly. SummerholidaysMtlltime. pus. For more details call and ask for specialist in making your applica- woman1 It’s peace of mind for her. World travel. Caribbean,Hawaii, Nick -623-2500 HOUSEMATE NEEDED for spring semester. 1 bedroom in 3 tions, personal statement, &resume Women-(Think about it) Don’t forget Europe, Mexico. Tour guides, gift as appealing as possible. yesterday’s fmnt pagel Don’t rely on shop sales, deck hands, casino Hey Papas Fritas Fans1 bedmom apt. Great condition. com- pletely furnished. near Carmichael. someone else for your safety1 Don’t workers,etc. No experience neces- .Careers for Culture Lovers’, (the ”RESUMES” think it can never happen to you, and sary. Call (602)680-4647, xC147. concept album that will break your Female, nonsmokerpreferred. $267/ mo. + util. Please call 628-5284 LASER TYPESET one morethought... Don’t beastatis- Events heart) is now available for consump $25.00-396-1124 tic1 (P.S.-Call while you’re thinking tion. Call 6259847 or come by 87 Impressive LaserTypeset Resumes, about itl) Electric Ave., just a few blocks from SPRING SUBLETI One bedroom avail in 4 person apt. featuring computer storage for fu- campus. ture updating. Your choice of DAYTONA BEACH- SPRING Notices ENVIRONMENTAL RACISM practically on campusl Looking for type female non-smoker. Call 666-3926 styles. incl. bold, italics, bullets, etc BREAK is the topic of this week’s RACE MODEMS INEXPENSIVE on Strathmore paper. Have your First Class, oceanfmnt hotel on the Women’s Shrdii Open House AWARENESS DISCUSSION IBWPC internal 2400 baud $47.00; SPRING SUBLET cover letters done to match your beach, pool deck fun, nightclubs, Center for Interdisciplinary Studies. GROUP meeting. Thursday, 8:00. IBM/PC internal 2400 baud w/ fax Resumel 1day service avail. 5 min. sunshine. Includes roundtrip 102 Eaton Hall. Coffee and bagels. in the Campus Center Zamparelli $62.00; Macintosh 2400 baud Sublet a niceapt. Practicallyoncam- pus 2 rooms + kitchen and bath- from Tufts. (Member of PARW: Pm- motorcoach trans. With on campus Thus, Nov 18.9:30-10:30am. Room (main floor). All are welcome $90.00; Macintosh 2400 baud w/ fax fessional Assoc. of Resume Writ- Dick UD and dmoff. onlv $239.00 and encouraged to listen or share $125.00; MacintoshllBWC 14400 room. Great for 1 or 2. You won’t believe the price. Call 666-9403 ers. Call for FREE ‘Resume/Cover quad dccp., depart 3/18/9k return 3/ ISLAMIC SOCIETY AT TUFTS opinions or knowledge. baud $133.00. Call 629-9458. Ask Letter Guidelines.”) 27/94. Call for free brochure 1-800- ’ WEEK 3 SCHEDULE: for Josh Also, word processing or typing of ODAYTONA, M-F. 8-6. 5:30-6:15: Dinner whmam (MacPhie WOMEN’S DISCUSSION GROUP SomenrillMedford Great2bedtosharewtiemale22.w/ student papers. grad school appli- Dining Hall). 620-655: Individual ON THURSDAYS GRE Workbooks, Princeton cations, personal statements, the- Meeting whmam (209Campus Cen- Topic: Families, stress, and the holi- d, mod. kit and bath, Iiv, din, dish w, Review cable, hardwood floors. furnished. ses, multiple letters, tapes tran- ter). 700-8:00: Imam’s discussion days. Women’s Ctr., 55 Talbot Ave, GRE Study Guide and GRE Study scribed, laser printing, Fax Service, (209 Campus Center). 8:15-915: Thursday, Nov.18 3:305:00pm. disc -for sale. Total package for one Safeneiahborhood. OnMvstic River. 400/mo.- Females only.~CallAmy etc. CALL FRANCES ANYTIME AT Aqueeda Class w/lmam (Islamic price. Essential material for getting 396-1 124. Center). IF YOU LIKE SOCCER.. an 800 on the GRE Test. Call 859 628-1672. come cheer for the Italian National 0390. Leave message. Wanted Somervllle College Ave FEELING STRESSED? Team with the Italian Club tonight at Then come to the free Relaxation Oomenico’s Cafe. FomAuumll Excellent location. 1 bedroom, 2nd floor. private bath, extras. Avail 111 and Meditation Workshop. Call and Nissan Sentra reserve a space at 627-3027. Wed, COME SUPPORT STUDENT 5sp. 88K, new clutch, brks. stereo $365/mo includes all utils. Call Mrs. Help Wanted Energetic Daycare Buckley (617)729-8151 Nov17,6-7:30pm. EastHallLounge. THEATER ... system, a/c. good cond. $2200/BO, ‘..TYPING AND WORD- Provider Bring pillow or cushion. Henceforward- Nov. 18,19,20 atthe KATE 629-81 33 PROCESSING SERVICE Completetutorialand activitysched- ArenaTheater.Tixonsaleatthe~x ROOMMATE WANTED 3961124 uling for 2 children aged 2-4 years. 3 minute walk to campus or walk to “Visual Contact” Gallery Talk Office $4 on Thurs.. $5 on Fri 8 Sat. Packard Bell 386~x116 Student papers, theses, grad school 45 hourweekstartingJanuary 1994. Come hear artists Joyce McDaniel, Enjoy the Show1 124MB floppy, one 1.44 MB floppy, Davis Sq. 6 rm, 4 bedrm apt., with applications, personal statements, Recent Grads or Grad. students front and rear porch. Large sunny Pamela Reynolds.Rajpal and Su- Internal9600/2400 send and receive tape transcription, resumes, gradu- wdcome. Very negotiable salary plus san McDonald White discuss their fax modem (Hayes Comp.), mouse. apt. with; eat-in kitchen, refrigerator, atdfaculty projects, multiple letters, room and board in large Victorian livingrwm with ceiling fan, ceramic work. Nov 18.1993,7:30pm. Tisch Leukemia Swim Software: DOS 5.0. Windows, Word AMCAS foms.Thorough knowledge home. 12 minutes to Boston on com- Gallery, Aidekman MsCenter. If you haven’t already turned your for Windows 1.1, Lotus Works. Lo- tile bath, wall to wall carpet and off of APA. MIA and Chicago Manuals muter rail, 1 block from bus line in street parking or walk to campus money in, please do so by Friday 8 tus 123 Student Edition, Quick Link, of Style. All documents are Laser Winchester. Please call for more Women’s Discussion Group the LCS Office in back of the Int’l Fax2. $400.00 firm. No monitor. Call available Dec.1 350. inc. heat and Printed & spellchecked using details. (617)729-4562. hot W/ Call 776-3847. Topic: Families, Stress and the Holi- House or call Susan 629-9210 or 573-5746 (d) 625-2810 (e) Wordperfect 5.1. ReasmbleRates. days. Women’s Cap, 55 Talbot Thais 629-9219. thank yOUl Quick turnaround. Serving Tufts stu- OWN YOUR OWN BUSINESS Ave. Thursdays 3:30pm. dents 8 faculty for 10 years. 5 min. Sell 8 support an inexpensive elec- ENERGY, MONEY, El VALUES semester from Tufts. CALL FRAN ANYTIME, tronic product that helps students Contexts for understanding Hydro- Housing 396-1124. (Member of NASS-Na- train to read significantly faster with Quebec. An interactive discussion tional Assodationof SecretarialSer- the same (better) comprehension. Lost and vices) AAA WORD PROCESSING Forinformationcall 1-800-557-6417. moderated by Scotty McLennan, WANTED LARGE AND SMALL APTS University Chaplain. Monday, Nov People interestedin crafts and corn Found 22. 7:30-9:30,Barnum 008. Spon- AVAILABLE TSR AEROBICS GREEKS AND CLUBS munal living to fill positionsavailable Great condition ,within walking dis- sored by the Ex College, the Pro- in CRAFTS HOUSE for the upcom- in Hill Hall has started. Pick up a Rdse up to $1000 injust one week1 tance to campus. Rents are very schedule at the Campus Center Info A SENSE OF HUMOR vost, CEM, and the Lincoln Filene ing semester. If interested. pick up reasonable. Call day or night. Ask For your fraternity, sorority 8 club. one).(This wouldIf found assume please that I return~lcehad to Center. an application at the Crafts House, for Camillo or Lina 625-7530. Gff Desk or call TSR at 627-3224 for Plus $1000foryoumlfl And afree t- 14 Professors Row, ASAP. campus living is best. times. shirt just forcalling. 1-800-932-0528, Heather Berger‘s secret sister. ext.75.

’- r

I, ige sixteen THE TUFTS DAILY Wednesdav. November 17.195

~~ ~

Doonesbury BY GARRY TRUDEAU A round Campus

East Hall Lounge. 8:30 pm. Meditations: ATimeFortheSpirit “Serving the Community.” Today Goddard Chapel, 12-1:00 pm.

Hispanic American House Health Education Program Muevelo. Relaxation and meditation workshop. 8-10 Whitfield Rd, Milne House, East Hall Lounge. 6-7:30 p.m. 1O:OO-11:OO p.m. English Department Women’s Week Colloquium: ProfessorClydeTaylor- Eating Disorders and Body hqe. The Death of the Aesthetic (In Fact Place TBA,7:30 p.m. and in Metaphor). East Hall Lounge. 530 pm. Calvin and Hobbes by Bill Watterson Women’s Week Take Back the Night. Environmental House Roof Top. 9:30 pm. Composting workshop with Center Library for Environmental Management. Women’s Week . E-House, 12 Dearborn. 7:OO pm. Feminism and Faith. 333 Eaton Hall, 8:30 p.m. Tufts Friends of Isreal Israeli Storytelling. Japanese Culture Club East Hall Lounge, 8:30 pm. Japanese Conversation Group. Olin 113.8:00-9:00 p.m. Lesbian, gay & Bisexual Resource Center Film Series and Hispanic Women Who Love Women; Videos American Society and Pumpkin Pie. Movie: “High Heels.”Free popcorn! 134A Lewis Hall, 7:30 pm. MacPhie Pub, 9:30 pm. Lesbian, Gay & Bisexual Resource Monty Python Society . Center FoxTrot by Bill Amend General meeting. Conversations on the Hill peer 14 Professors Row, 9:30 p.m. swtPUP. Lewis Hall, 430-530 p.m. CMON, DWT 134A HEY, PAIGE - You WANT To Start House Wednesday Eye- WNAA 5EE NO. SEE MN A NO! Opener Peace and Justice Studies LITTLE IT? THE MYSTERY I OF L “Being Hindu in America,” an The American Tradition of Non- NOVEL I’M informal discussion with Prof. Violence. R ajar am Krishnan -(Economics Eaton 206.7:Q.m. Dept). Start HOUW,4-500 pm. Speech and Debate Society Important meeting. Tufts Friends of krael Miner 10.7:3op.m. Israeli StorytellingHour- Comeshare your memories. see AROuhiD, page 14

~~ Weather Report . DILBERTB Rscott‘5. Adams TODAY I TOMORROW, DiLDERT WONT BUILD YEAH, THAT WOULD BE L GUESS IT5 PCAOEMIC _- A PHAS€R PISTOL FOK LJRONG . . . UNLESS ME SINCE I WN’T HAVE ME. HE THLNKS IT’S PEOPLE YOU ZAP ARE A PHASES. WRONG TO ZAP THEMSELVES LRflORAL > HERE, BORROW PEOPLE FOR WHICHCASEYOU IN MINE. , Cloudy WOULD DE ONTHE I Partly sunny High:59, Low:42 High54, Low:40 The Daily Commuter Puzzle

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