Works in Wood Architecture and Ecology in Japan
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Conference Program Table of Contents Agenda 3 Conference Chairs 12 Moderators & Speakers 14 Our Partners 42 Exhibitors 44
AIMSE 2017 Fall Conference October 11–12 Princeton Club New York CONFERENCE PROGRAM TABLE OF CONTENTS AGENDA 3 CONFERENCE CHAIRS 12 MODERATORS & SPEAKERS 14 OUR PARTNERS 42 EXHIBITORS 44 As a participant in the CFA Institute Approved-Provider Program, AIMSE has determined that this program qualifies for 5 credit hours. If you are a CFA Institute member, credit for your participation in this program will automatically be recorded in your CE tracking tool. AGENDA OCTOBER 11, 2017 12:00 pm – 6:00 pm Registration 1:15 – 1:30 pm Welcome Remarks James Madison Room CONFERENCE CO-CHAIRS Tim Hill Vice President, Sales & Marketing Q- Emerging Markets Corp. Michael Gillis Senior Vice President, Business Development Greystone Managed Investments, Inc. AIMSE PRESIDENT Carolyn Patton, CFA Head of Distribution Americas First State Investments 1:30 – 2:10 pm What’s Going On? James Madison Room To kick off the conference we will hear from leading industry thinkers about the state of the industry today and where it is headed tomorrow. What are investors thinking given the ever-changing global investment landscape and how will that lead to changes in portfolio allocations? MODERATOR Bart Marchant Institutional Regional Director, Southeast WisdomTree Asset Management SPEAKERS Safia Mehta, CFA Senior Vice President, Portfolio Manager Progress Investment Management Company, LLC Timothy Ng Chief Investment Officer Clearbrook Timothy Taylor Senior Investment Officer, Global Equity Florida State Board of Administration Mark Yusko Chief Executive Officer & Chief Investment Officer Morgan Creek Capital Management 3 2:15 – 3:10 pm New York State of Mind James Madison Room With over a trillion dollars of investable assets in pension plans, endowments, foundations and family offices, the State of New York is home to one of the largest pools of capital available to investment managers. -
Managed Futures Outlook 2017
Choppy Currents or AlternaRCMt ves Smooth Sailing? Managed Futures Outlook 2017 621 South Plymouth Court | Chicago, IL 60605 | 855-726-0060 www.rcmalternatives.com | [email protected] RCM Alternatives: Managed Futures Outlook 2017 RCM Managed Futures 2017 Outlook This non correlated investment stuff sure can be frustrating, can’t it? Fig. 1: Asset Class Performance 2016 There you are in mid-February of last year thanking your lucky stars for diversifying into non correlated managed futures investments as they sat up 5% on the year while stocks were down -5%; only to finish the ASSET CLASS 2016 year like this: See fig. 1 U.S. Stocks 11.81% Yes, after a flat year in ’15, and despite some real value provided to Commodities 9.94% start the year - ’16 was pretty much a fail… with the SG Managed U.S. Real Estate 7.02% Futures Index down -2.66% after starting out so strongly. Beyond the World Stocks 4.31% index, bellwethers such as AQR – Managed Futures Strategy Fund Bonds 2.45% (-8.43%) and Aspect – Diversified Fund (-9.16%) couldn’t escape the Hedge Funds 0.70% down year, although there were winners in the alternative space, both Cash 0.15% amongst established names such as Quantitative Investment MGMT Managed Futures -2.66% (GIM) Global Program QIM (+16%) and in the emerging space with funds such as the Attain Relative Value Fund (+16%). And while the Past performance is not indicative of future results. absolute value wasn’t so bad, anyone can live with a small single digit *Source information can be found on pg. -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
Painting in the Dutch Golden
NATIONAL GALLERY OF ART | DIVISION OF EDUCATION Age Golden Dutch the in Painting DEPARTMENT OF EDUCATION PUBLICATIONS Painting in the Dutch Golden Age Classroom Guide Classroom Guide NATIO N AL GALLERY OF OF GALLERY AL A RT, WASHI RT, NATIONAL GALLERY OF ART NG WASHINGTON TO N Painting in the Dutch Golden Age Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON Contents How to Use This Booklet 1 1 Profile of the Dutch Republic 3 BACKSTORY Topography 4 A Unique Land 5 The Challenges of Water Today 7 BACKSTORY Cities 8 Location, Location, Location 9 BACKSTORY Government 13 A New Republican Government 15 Parallels between Dutch and U.S. Independence 16 Terms, Supplemental Materials, and Other Resources 18 2 A Golden Age for the Arts 21 BACKSTORY 22 What Do You Know and What Can You See? 23 Why Do We Like It? 25 Forged! 27 Where We Look at Art 29 Stories behind the Art 29 Terms, Supplemental Materials, and Other Resources 30 3 Life in the City and Countryside 31 7 Portraiture 59 BACKSTORY 32 BACKSTORY 60 One Skater, Two Skaters... 35 Fashion, Attitude, and Setting — Then and Now 61 Seventeenth-Century Winters 36 What Might Each Picture Tell You about Terms and Other Resources 38 Its Subject? 63 Supplemental Materials and Other Resources 64 4 Landscape Painting 39 BACKSTORY 40 8 History Painting 65 Approaches to Landscape Painting 41 BACKSTORY 66 Narrative and Non-narrative Painting 43 Rembrandt and Biblical Stories 68 Terms and Supplemental Materials 44 Contrasting Narrative Strategies in History Painting 69 5 Genre Painting 45 Picturing the -
2020 Annual Report
2020 Annual Report 2 Riverside Park Conservancy Impact 3 Working side by Riverside 5 Year in Review 8 COVID-19 Impact 9 In the Press 12 Park Projects 13 Field House 14 Greenway Slope Restoration 15 Joan of Arc Island 17 Skate Park Opening 18 95th-97th Street Paving 19 Step Ramps 20 Jenny’s Path at 139th Street 21 Tree Inoculations 22 Basketball Court Improvements 24 Overseers of Olmsted’s Vision 25 Zone Gardener Initiative 26 Legacy Society 27 Goddard Riverside Green Keepers 28 Advocacy 31 Welcome our New Trustees 34 Riverside Park South 38 Special Events and Public Programming 39 Summer on the Hudson 41 Multi-Sport Summer Camp 42 Riverside Clay Tennis Association 43 Bike New York Education Center 44 Fireside Chat 46 Volunteer Program 47 Dedicated Volunteers 49 Teen Corps Program 50 Group Volunteering 51 User Groups 54 In Memoriam 58 Financials 62 Riverside Park Champions 63 Board of Trustees 64 Advisory Board 66 Riverside Park Conservancy Staff 73 Mission Statement & Contact Us Table of Contents Cover photo credit: George Courtney From the President & CEO Dear Neighbors and Friends of Riverside Park: While the past year has presented major challenges, Riverside Park Conservancy ensured that the Park continued to thrive. We understand the critical role that public space plays for our mental and physical health, and that is even more true in the midst of a global pandemic. That is why I am so proud that in 2020, we did more for the Park than any year in our 34-year history, saw a record number of donors, and redoubled our efforts to support the historically-underserved areas north of 120th Street. -
Jeffrey Taylor Art Forgers and the Deconstruction of Genius
ISSN: 2511–7602 Journal for Art Market Studies 1 (2021) Jeffrey Taylor Art Forgers and the Deconstruction of Genius ABSTRACT ment at modern art and their incredulity at the system of attribution which sus- Since the art market’s inception, art for- tained its market. The mid-century would gery has been a constant presence. The contain no shortage of important forgery phenomenon derives from the market’s cases, but the topic did not become such prioritization of canonical masters. The significant fodder for popular culture art forger’s work often represents a resent- again until the explosion of Elmyr de Ho- ment by latter-day contemporary artists ry’s revelations in the late 1960s. In doing who often believe that their work deserves so, he launched the single greatest institu- equal praise and equal valuation to that tional critique of the genius artist and the of earlier master. A key role in the process system of expertise that controlled their of distinguishing fake from the authentic market. No one had yet achieved quite so would be played by the role of the expert. profound an attack on the art market’s One of the first public events to literally prioritization of geniuses and the opinion place the reigning connoisseurship sys- of experts. Duchamp, Warhol, and Hirst all tem on trial would be the Hahn v. Duveen mocked the art world, but Elmyr shook it lawsuit over two versions of a purported to its very foundations. His life represents Leonardo da Vinci. The trial captured the a Gesamtkunstwerk of artifice, and one general public’s attention, resulting in a that influenced multiple followers. -
Economic Warfare: Risks and Responses
Economic Warfare: Risks and Responses Analysis of Twenty-First Century Risks in Light of the Recent Market Collapse Kevin D. Freeman, CFA Cross Consulting and Services, LLC Originally published June 2009 The views and conclusions contained in this document are those of the author and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the Government. The report was originally published under contractual arrangement with a sub- contractor of the Department of Defense Irregular Warfare Support Program (IWSP) per contractual arrangement between the sub-contractor and Cross Consulting and Services, LLC. Per that contract, ―IWS(P) may use the work product and reports in related government support efforts with proper attribution.‖ This copy is provided to IWSP with full permission to distribute to the Financial Crisis Inquiry Commission for their review and inquiry. The author and Cross Consulting and Services, LLC retain copyright and other intellectual property rights. Kevin D. Freeman, CFA Cross Consulting and Services, LLC Tel: 866-737-2728 Fax: 877-201-2637 E-mail: [email protected] Economic Warfare: Risks and Responses Executive Summary Serious risks to the global economic system were exposed by the crisis of 2008, raising legitimate questions regarding the cause of the turmoil. An estimated $50 trillion of global wealth evaporated in the crisis with more than a quarter of that loss suffered by the United States and her citizens. A number of potential causative factors exist, including sub-prime real estate loans, a housing bubble, excessive leverage, and a failed regulatory system. Beyond these, however, the risks of financial terrorism and/or economic warfare also must be considered. -
So Valuable, It Could Almost Be Real
AUTHENTICATION IN ART Art News Service So Valuable, It Could Almost Be Real By PATRICIA COHEN December 31, 2013 A personal escort — flying first class to be well rested and alert — will accompany the painting “The Head of Christ” from the moment it leaves the Boijmans Van Beuningen museum in Rotterdam, the Netherlands, until it is safely locked in the vault at Springfield Museums in Massachusetts this month, when it will be exhibited in the United States for the first time. A 24-hour escort is not an unusual requirement for valuable international museum loans. What makes the security arrangements — estimated to cost more than $31,000 — notable in this case is that the painting is a fake. And it is not just any fake, but an imitation Vermeer by the most notorious forger of all: Han van Meegeren, the World War II-era painter whose counterfeits were so convincing that, Although it is a fake and not a real Vermeer, a personal escort will after the war, he had to create one for witnesses accompany Han van Meegeren’s “Head of Christ” from the moment it to avoid harsh punishment for selling a national leaves the Boijmans Van Beuningen museum in Rotterdam, the Netherlands, until it is safely locked in the vault at Springfield Museums, treasure to the Nazi leader Hermann Göring. where it will be exhibited in the United States for the first time, along with other fakes and forgeries. Credit: Museum Boijmans Van Beuningen, Rotterdam Clearly, some forgeries are more equal than others. In New York, buyers of some of the dozens of multimillion-dollar fakes sold through the Knoedler & Company gallery, now shuttered, have filed lawsuits, complaining that their vaunted Modern masterpieces are now “worthless.” But the Boijmans loan, “The Head of Christ,” and other famous fakes with which it is being exhibited in a traveling show retain a valuable mystique. -
Object Lessons: De Sole V
AiA Art News-service Part II: Object Lessons: De Sole v. Knoedler & Company Monday, March 7, 2016 The Forger’s Art In a case involving the sale of a fake or forged work of art, typically the first order of business is for the plaintiff to establish that the work is, in fact, not authentic, with each side marshaling its experts. In the case of the De Sole Rothko, this step was unnecessary. Before the trial commenced, Rosales entered a plea, admitting guilt, in a criminal action brought by the U.S. government. In a statement read into the record at the time of her plea, Rosales admitted that “I agreed with others to sell works of art claimed to be created by various expressionist artists, including Mark Rothko, Jackson Pollock, and Robert Motherwell, and to make false representations as to the authenticity and provenance of those works…All of the works I sold to [Knoedler Gallery] …were, in fact, fakes.”[1] Rosales’s accomplices – her boyfriend, art dealer Jose Carlos Bergantiños Diaz, his brother, Jesus Angel Bergantiños Diaz, and the actual forger, Pei Shen Qian[2] – were also indicted.[3] All three men fled the United States – the Diaz brothers to Spain and Qian to China. [4] There are two distinct roles in every forgery scheme – the artist and the con man. Some forgers, like Han Van Meegeren,[5] Elmyr de Hory,[6] Eric Hebborn,[7] Ken Perenyi,[8] and Wolfgang Beltracchi,[9] combine both in a single person. They are impresarios of fraud. But this is not always the case. -
Mannheimer: an Important Art Collector Reappraised
Mannheimer: an important art collector reappraised History of ownership from 1920-1952: From Mannheimer to Hitler; recuperation and dispersion in Dutch museums, based on archival documents.1 Main Collection: Rijksmuseum, Amsterdam Kees Kaldenbach (author) Email [email protected] This Word version, 12 November, 2014, 9320 words See http://kalden.home.xs4all.nl/mann/Mannheimer-article.html See the Online Menu of related Mannheimer articles. In the years following World War II, more than 1400 art objects formerly belonging to the German-born banker Fritz Mannheimer (1890-1939) came into the possession of Dutch museums, especially the Amsterdam Rijksmuseum. Highlights of this remarkable collection include top-quality paintings by Rembrandt, Crivelli, Frans van Mieris, and Jan van der Heyden; German applied art objects of the highest quality; master drawings by Fragonard, Watteau, and Boucher; sculptures by Houdon and Falconet; best-of-kind furniture by Röntgen and classic French furniture makers; a world-class array of Meissen porcelain; exquisite silver and gold art objects, ornate snuff boxes and much else. Like many collections belonging to Jews who lived in countries occupied by the Nazis, the Mannheimer art objects were coveted by Adolf Hitler, Hermann Göring, and associated figures from the time of the German invasion of the Netherlands in May 1940. The subsequent ownership history of these extraordinary works of art, both during and after the war, sheds light on the conflicts, greed, breaches of the law, and lingering consequences of that dark and troubled era in world 1 history. The Amsterdam Rijksmuseum had indeed been most enriched in 1952 by receiving the lion’s share of the Mannheimer estate. -
EDWARD DOLNICK for Lynn It Is in the Ability to Deceive Oneself That the Greatest Talent Is Shown
THE FORGER’S SPELL A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieths Century EDWARD DOLNICK For Lynn It is in the ability to deceive oneself that the greatest talent is shown. —Anatole France We have here a—I am inclined to say the—masterpiece of Johannes Vermeer. —Abraham Bredius CONTENTS Epigraph iii Preface ix Part One OCCUPIED HOLLAND 1 A Knock on the Door 3 2 Looted Art 6 3 The Outbreak of War 9 4 Quasimodo 14 5 The End of Forgery? 18 6 Forgery 101 22 7 Occupied Holland 26 8 The War Against the Jews 30 9 The Forger’s Challenge 33 10 Bargaining with Vultures 40 11 Van Meegeren’s Tears 44 Part Two HERMANN GOERING AND JOHANNES VERMEER 12 Hermann Goering 51 13 Adolf Hitler 55 vi con t e n t s 14 Chasing Vermeer 57 15 Goering’s Art Collection 62 16 Insights from a Forger 66 17 The Amiable Psychopath 77 18 Goering’s Prize 82 19 Vermeer 85 20 Johannes Vermeer, Superstar 88 21 A Ghost’s Fingerprints 93 Part Three THE SELLING OF CHRIST AT EMM AUS 22 Two Forged Vermeers 105 23 The Expert’s Eye 109 24 A Forger’s Lessons 115 25 Bredius 121 26 “Without Any Doubt!” 127 27 The Uncanny Valley 132 28 Betting the Farm 137 29 Lady and Gentleman at the Harpsichord 139 30 Dirk Hannema 145 31 The Choice 150 32 The Caravaggio Connection 163 33 In the Forger’s Studio 167 34 Christ at Emmaus 170 35 Underground Tremors 173 con t e n t s vii Photographic Insert 36 The Summer of 1937 179 37 The Lamb at the Bank 186 38 “Every Inch a Vermeer” 192 39 Two Weeks and Counting 198 40 Too Late! 201 41 The Last Hurdle 203 42 The Unveiling 207 -
USCIS - H-1B Approved Petitioners Fis…
5/4/2010 USCIS - H-1B Approved Petitioners Fis… H-1B Approved Petitioners Fiscal Year 2009 The file below is a list of petitioners who received an approval in fiscal year 2009 (October 1, 2008 through September 30, 2009) of Form I-129, Petition for a Nonimmigrant Worker, requesting initial H- 1B status for the beneficiary, regardless of when the petition was filed with USCIS. Please note that approximately 3,000 initial H- 1B petitions are not accounted for on this list due to missing petitioner tax ID numbers. Related Files H-1B Approved Petitioners FY 2009 (1KB CSV) Last updated:01/22/2010 AILA InfoNet Doc. No. 10042060. (Posted 04/20/10) uscis.gov/…/menuitem.5af9bb95919f3… 1/1 5/4/2010 http://www.uscis.gov/USCIS/Resource… NUMBER OF H-1B PETITIONS APPROVED BY USCIS IN FY 2009 FOR INITIAL BENEFICIARIES, EMPLOYER,INITIAL BENEFICIARIES WIPRO LIMITED,"1,964" MICROSOFT CORP,"1,318" INTEL CORP,723 IBM INDIA PRIVATE LIMITED,695 PATNI AMERICAS INC,609 LARSEN & TOUBRO INFOTECH LIMITED,602 ERNST & YOUNG LLP,481 INFOSYS TECHNOLOGIES LIMITED,440 UST GLOBAL INC,344 DELOITTE CONSULTING LLP,328 QUALCOMM INCORPORATED,320 CISCO SYSTEMS INC,308 ACCENTURE TECHNOLOGY SOLUTIONS,287 KPMG LLP,287 ORACLE USA INC,272 POLARIS SOFTWARE LAB INDIA LTD,254 RITE AID CORPORATION,240 GOLDMAN SACHS & CO,236 DELOITTE & TOUCHE LLP,235 COGNIZANT TECH SOLUTIONS US CORP,233 MPHASIS CORPORATION,229 SATYAM COMPUTER SERVICES LIMITED,219 BLOOMBERG,217 MOTOROLA INC,213 GOOGLE INC,211 BALTIMORE CITY PUBLIC SCH SYSTEM,187 UNIVERSITY OF MARYLAND,185 UNIV OF MICHIGAN,183 YAHOO INC,183