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Conference Program Table of Contents Agenda 3 Conference Chairs 12 Moderators & Speakers 14 Our Partners 42 Exhibitors 44
AIMSE 2017 Fall Conference October 11–12 Princeton Club New York CONFERENCE PROGRAM TABLE OF CONTENTS AGENDA 3 CONFERENCE CHAIRS 12 MODERATORS & SPEAKERS 14 OUR PARTNERS 42 EXHIBITORS 44 As a participant in the CFA Institute Approved-Provider Program, AIMSE has determined that this program qualifies for 5 credit hours. If you are a CFA Institute member, credit for your participation in this program will automatically be recorded in your CE tracking tool. AGENDA OCTOBER 11, 2017 12:00 pm – 6:00 pm Registration 1:15 – 1:30 pm Welcome Remarks James Madison Room CONFERENCE CO-CHAIRS Tim Hill Vice President, Sales & Marketing Q- Emerging Markets Corp. Michael Gillis Senior Vice President, Business Development Greystone Managed Investments, Inc. AIMSE PRESIDENT Carolyn Patton, CFA Head of Distribution Americas First State Investments 1:30 – 2:10 pm What’s Going On? James Madison Room To kick off the conference we will hear from leading industry thinkers about the state of the industry today and where it is headed tomorrow. What are investors thinking given the ever-changing global investment landscape and how will that lead to changes in portfolio allocations? MODERATOR Bart Marchant Institutional Regional Director, Southeast WisdomTree Asset Management SPEAKERS Safia Mehta, CFA Senior Vice President, Portfolio Manager Progress Investment Management Company, LLC Timothy Ng Chief Investment Officer Clearbrook Timothy Taylor Senior Investment Officer, Global Equity Florida State Board of Administration Mark Yusko Chief Executive Officer & Chief Investment Officer Morgan Creek Capital Management 3 2:15 – 3:10 pm New York State of Mind James Madison Room With over a trillion dollars of investable assets in pension plans, endowments, foundations and family offices, the State of New York is home to one of the largest pools of capital available to investment managers. -
Managed Futures Outlook 2017
Choppy Currents or AlternaRCMt ves Smooth Sailing? Managed Futures Outlook 2017 621 South Plymouth Court | Chicago, IL 60605 | 855-726-0060 www.rcmalternatives.com | [email protected] RCM Alternatives: Managed Futures Outlook 2017 RCM Managed Futures 2017 Outlook This non correlated investment stuff sure can be frustrating, can’t it? Fig. 1: Asset Class Performance 2016 There you are in mid-February of last year thanking your lucky stars for diversifying into non correlated managed futures investments as they sat up 5% on the year while stocks were down -5%; only to finish the ASSET CLASS 2016 year like this: See fig. 1 U.S. Stocks 11.81% Yes, after a flat year in ’15, and despite some real value provided to Commodities 9.94% start the year - ’16 was pretty much a fail… with the SG Managed U.S. Real Estate 7.02% Futures Index down -2.66% after starting out so strongly. Beyond the World Stocks 4.31% index, bellwethers such as AQR – Managed Futures Strategy Fund Bonds 2.45% (-8.43%) and Aspect – Diversified Fund (-9.16%) couldn’t escape the Hedge Funds 0.70% down year, although there were winners in the alternative space, both Cash 0.15% amongst established names such as Quantitative Investment MGMT Managed Futures -2.66% (GIM) Global Program QIM (+16%) and in the emerging space with funds such as the Attain Relative Value Fund (+16%). And while the Past performance is not indicative of future results. absolute value wasn’t so bad, anyone can live with a small single digit *Source information can be found on pg. -
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member. -
Little Heaven Songs Of
SongS of Little Heaven LoweLL Liebermann www.albanyrecords.com TROY1359 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 Six Songs on Poems of nelly Sachs Brenda Rae soprano John Hancock baritone © 2012 albany records made in the usa ddd Struwwelpeterlieder William Hobbs piano John Musto piano waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. appalachian Liebeslieder Edward Klorman viola The Composer The Music Lowell Liebermann is one of America’s most frequently per- Six Songs on Poems of nelly Sachs op.14 (1985) formed and recorded composers. Orchestras worldwide have (Sechs gesänge nach gedichten von nelly Sachs) for soprano and piano played Liebermann’s works, as have distinguished artists such as The three works on this recording all have a German connection that is reflective not only of my family Sir James Galway, Steven Isserlis, Susan Graham, Charles Dutoit, heritage on my mother’s side, but also of some very formative time I spent in Germany as a student. I was James Levine, Andrew Litton and Msistislav Rostropovich. His 19 years old when my conducting teacher Laszlo Halasz did a very old-fashioned and now inconceivable compositions have been released on more than 80 compact discs thing: he sent me to Europe with three sealed letters of introduction in my pocket, instructing me to go to to date. His Piano Concerto No.2, recorded by pianist Stephen the backstage doors of opera houses in Munich, Salzburg and Bayreuth and personally hand these letters to Hough and the BBC Scottish Symphony with the Liebermann the likes of Karl Böhm, Wolfgang Sawallisch and Wolfgang Wagner. -
Mendelssohn's Elijah
Boston University College of Fine Arts School of Music presents Boston University Symphony Orchestra and Symphonic Chorus Mendelssohn’s Elijah Ann Howard Jones conductor Monday, April 11 Symphony Hall Founded in 1872, the School of Music combines the intimacy and intensity of conservatory training with a broadly based, traditional liberal arts education at the undergraduate level and intense coursework at the graduate level. The school offers degrees in performance, composition and theory, musicology, music education, collaborative piano, historical performance, as well as a certificate program in its Opera Institute, and artist and performance diplomas. Founded in 1839, Boston University is an internationally recognized private research university with more than 32,000 students participating in undergraduate, graduate, and professional programs. BU consists of 17 colleges and schools along with a number of multidisciplinary centers and institutes which are central to the school’s research and teaching mission. The Boston University College of Fine Arts was created in 1954 to bring together the School of Music, the School of Theatre, and the School of Visual Arts. The University’s vision was to create a community of artists in a conservatory-style school offering professional training in the arts to both undergraduate and graduate students, complemented by a liberal arts curriculum for undergraduate students. Since those early days, education at the College of Fine Arts has begun on the BU campus and extended into the city of Boston, a rich center of cultural, artistic and intellectual activity. Boston University College of Fine Arts School of Music Boston University Symphonic Chorus April 11, 2011 Boston University Symphony Orchestra Symphony Hall Ann Howard Jones, conductor The 229th concert in the 2010–11 season Elijah, op. -
ARSC Journal, Fall 1989 213 Sound Recording Reviews
Sound Recording Reviews The Music and Arts Programs of America CD offers the entire broadcast program of January 19, 1952, a typical though not particularly exceptional example of Reiner's work on the radio at this time. His Bart6k "calling card" included the two Rumanian Dances in the orchestration of Leo Weiner (not Tibor Serly, as indicated). He recorded both the Debussy Suite and Ravel's Le tombeau de Couperin music two days later with the same orchestra for RCA Victor, and had previously recorded Til Eulenspiegel with the RCA Victor Symphony Orchestra, which included players from NBC. The gem of this present CD is the Ravel Suite, a superb reading of that composer's precise timbre and rhythmic subtlety. Possibly for legal reasons, the orchestra is labelled "The Symphony of the Air," a designation that did not appear until after Toscanini's retirement in 1954. Despite minor pitch problems, the CD transfer is acceptable for its vintage, if only because the RCA Victor recordings of the three principal works are no longer available. Of these recordings from broadcasts, the two most important by far are the Salome and the Walkilre Act II, not only for Fritz Reiner's conducting but also for their exceptional casting. In both releases, the sheer excitement generated by singers and conductor will overcome any sonic limitations. Reviewed by Philip Hart New Reiner CDs Beethoven: Piano Concerto No. 4 in G major, Op. 58 (Recorded Orchestra Hall April 22, 23, 1963); Piano Concerto No. 5 in E-flat major, Op. 73 (Recorded Orchestra Hall May 4, 12, 1961). -
Msm Women's Chorus
MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion PROGRAM STEPHEN PAULUS The Earth Sings (1949–2014) I. Day Break II. Sea and Sky III. Wind and Sun Alejandro Zuleta, Conductor Vanessa May-lok Lee, piano Elliot Roman and Alexandros Darna, percussion GUSTAV HOLST Choral Hymns from the Rig Veda, Group 3, H. 99, (1874–1934) Op. 26 Hymn to the Dawn Hymn to the Waters Hymn to Vena (Sun rising through the mist) Hymn of the Travellers Hannah Nacheman, Conductor Minyoung Kwon, harp VINCENT Winter Cantata, Op. 97 PERSICHETTI I. A Copper Pheasant (1915–1987) II. Winter’s First Drizzle III. Winter Seclusion I V. The Woodcutter V. Gentlest Fall of Snow VI. One Umbrella VII. Of Crimson Ice VIII. The Branch Is Black IX. Fallen Leaves X. So Deep XI. The Wind’s Whetstone XII. Epilogue Ronnie Oliver, Jr., Conductor Francesca Leo, flute Tamika Gorski (MM ’17), marimba JOHANNES BRAHMS Vier Gesänge (Four Songs), Op. -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
Central Opera Service Bulletin • Vol
CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H. -
Economic Warfare: Risks and Responses
Economic Warfare: Risks and Responses Analysis of Twenty-First Century Risks in Light of the Recent Market Collapse Kevin D. Freeman, CFA Cross Consulting and Services, LLC Originally published June 2009 The views and conclusions contained in this document are those of the author and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the Government. The report was originally published under contractual arrangement with a sub- contractor of the Department of Defense Irregular Warfare Support Program (IWSP) per contractual arrangement between the sub-contractor and Cross Consulting and Services, LLC. Per that contract, ―IWS(P) may use the work product and reports in related government support efforts with proper attribution.‖ This copy is provided to IWSP with full permission to distribute to the Financial Crisis Inquiry Commission for their review and inquiry. The author and Cross Consulting and Services, LLC retain copyright and other intellectual property rights. Kevin D. Freeman, CFA Cross Consulting and Services, LLC Tel: 866-737-2728 Fax: 877-201-2637 E-mail: [email protected] Economic Warfare: Risks and Responses Executive Summary Serious risks to the global economic system were exposed by the crisis of 2008, raising legitimate questions regarding the cause of the turmoil. An estimated $50 trillion of global wealth evaporated in the crisis with more than a quarter of that loss suffered by the United States and her citizens. A number of potential causative factors exist, including sub-prime real estate loans, a housing bubble, excessive leverage, and a failed regulatory system. Beyond these, however, the risks of financial terrorism and/or economic warfare also must be considered. -
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.