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Jurnal Pendidikan Sendratasik JURNAL PENDIDIKAN SENDRATASIK FORM OF SAYO DANCE PRESENTATION AT THE END OF TRADITIONAL CEREMONY THABISAN IN KALUMPANG MAMUJU REGENCY WEST CELEBES BENTUK PENYAJIAN TARI SAYO PADA UPACARA ADAT THABISAN DI KALUMPANG KABUPATEN MAMUJU SULAWESI BARAT Muh. Rezha Firmansyah, Sumiani HL, Andi Padalia Pendidikan Sendratasik, Jurusan Seni Pertunjukan, Fakultas Seni Dan Desain Universitas Negeri Makassar. Email: [email protected] ABSTRACT Muh. Rezha Firmansyah, 2020. Form of Sayo Dance Presentation at the End of Traditional Ceremony in Kalumpang Mamuju Regency, West Sulawesi. This study aims to provide an overview of the Sayo Dance Presentation Form at the End of Ceremony. The research method used is a qualitative research method conducted in natural conditions (natural setting). The main issues in this research are; (1) Form of Sayo Dance Presentation at the End of Traditional Ceremony in Kalumpang Mamuju Regency, West Sulawesi; (2) the position of the Sayo dance at the Thakhir Traditional Ceremony in Kalumpang Mamuju Regency, West Sulawesi. From the results of the study note that; (1) Sayo dance has an open-air presentation which can be witnessed by the general public. In addition, the Sayo Dance at the Traditional Ceremony is different from other Traditional Ceremonies in Kalumpang wherein the invited guests bring dancers to perform together with the dancers provided by the committee; (2) The Sayo Dance has a high position because the Th-08 Traditional Ceremony opened with the appearance of the Sayo Dance as an expression of happiness in the event. ABSTRAK Muh. Rezha Firmansyah, 2020. Bentuk Penyajian Tari Sayo pada Upacara Adat Thabisan di Kalumpang Kabupaten Mamuju Sulawesi Barat. Penelitian ini bertujuan untuk memberikan gambaran Bentuk Penyajian Tari Sayo pada Upacara Adat Thabisan. Metode penelitian yang digunakan adalah metode penelitian kualitatif yang dilakukan dalam kondisi alamiah (natural setting). Adapun pokok permasalahan dalam penelitian ini yakni; (1) Bentuk Penyajian Tari Sayo pada Upacara Adat Thabisan di Kalumpang Kabupaten Mamuju Sulawesi barat; (2) kedudukan Tari Sayo pada Upacara Adat Thabisan di Kalumpang Kabupaten Mamuju Sulawesi Barat. Dari hasil penelitian diketahui bahwa; (1) Tari Sayo memiliki bentuk penyajian diarena terbuka yang dapat disaksikan oleh masyarakat umum. Selain itu Tari Sayo pada Upacara Adat Thabisan berbeda dengan Upacara Adat lainnya di Kalumpang yaitu dimana tamu undangan membawa penari untuk dipertunjukan bersama dengan penari yang telah disediakan panitia; (2) Tari Sayo memiliki kedudukan yang tinggi karena Upacara Adat Thabisan dibuka dengan penampilan Tari Sayo sebagai Ungkapan kebahagian dalam acara tersebut. 1 JURNAL PENDIDIKAN SENDRATASIK I. PENDAHULUAN Kabupaten Mamuju Sulawesi Barat. Karena Pengaruh globalisasi menimbulkan dianggap sangat penting sebagai upaya berbagai masalah terhadap eksistensi kesenian melestarikan seni pertunjukan tradisional tradisional, salah satunya adalah turunnya rasa tersebut. Serta nantinya hasil penelitian ini bisa cinta terhadap kebudayaan serta terjadinya menjadi sumber informasi dan wawasan bagi akulturasi budaya. Salah satu upaya untuk peneliti berikutnya dan seniman yang ada mempertahankan kebudayaan terutama seni khususnya di bidang tari . Agar masyarakat pertunjukan tradisonal adalah dengan juga bisa mengapresiasi sebuah karya seni menanamkan nilai-nilai kecintaan dan rasa pertunjukan tradisional yang memiliki nilai memiliki akan seni budaya daerah sendiri sejak nilai serta filosofi sesuai aturan adat yang dini, karena dengan memahami nilai-nilai berlaku di daerah tersebut . budaya yang sebenarnya maka masuknya Maka dari itu, selain sebagai upaya kebudayaan asing akan dapat disaring secara pelestarian. Peneliti juga berharap dalam baik oleh generasi muda. penelitian ini, peneliti bisa mendapatkan Melalui pemahaman nilai-nilai budaya informasi yang tepat dari sumber yang tepat yang kuat dikemudian hari dapat menjadi dasar agar bisa menjadi sumber acuan informasi dari terbentuknya kebudayaan baru dengan yang akurat bagi peneliti berikutnya. Karena, harapan tidak melupakan kebudayaan asli terkait tari Sayo ini memang kurang diketahui Indonesia. Dalam hal ini peneliti mengharapkan oleh Masayarakat . sehingga cepat atau lambat hasil dari penelitian ini bisa menambah wawasan seni pertunjukkan tradisional ini bisa punah serta informasi mengenai keragaman kalau tidak adanya data informasi yang tertulis kebudayaan yang ada di Indonesia . khususya, di yang menjadi acuan sebagai upaya pelestarian Kalumpang Kabupaten Mamuju Sulawesi Barat. kesenian tersebut. Sehingga seni pertunjukan tradisional tersebut Melihat pentingnya pelestarian bisa terekspose di Masyarakat umum yang pada kebudayaan ini yaitu Tari Sayo, peneliti dasarnya, belum mengetahui seni pertunjukan berharap agar nantinya hasil dari penelitian tradisional terebut. Keberadaan tari Sayo yang bisa menjadi data serta infomasi yang tepat ada di Kalumpang Kanupaten Mamuju Sulawesi bagi masyarakat umum dan pemerintah Barat tidak ada yang mengetahui secara tertulis, setempat sabagai dokumen tertulis serta hanya diketahui dari cerita-cerita leluhur dan sebagai arsip bagi pemerintah setempat. Agar diajarkan secara turun-temurun dari generasi nantinya ketika ada peneliti yang ingin kegenerasi. Tujuannya agar budaya Sayo tidak meneliti terkait dengan tari Sayo, mereka tidak punah ditelan waktu. Untuk mengetahui secara susah lagi mendapatkan informasinya. pasti kapan Sayo itu ada pada masyarakat Kalumpang, sampai saat ini belum ada yang II. METODE PENELITIAN dapat memberikan informasi yang tepat. Sebagai 1. Jenis Penelitian akibat pergantian generasi tanpa meninggalkan Jenis penelitian yang digunakan dalam catatan mengenai tari ini. penelitian ini adalah Penelitian Dekriptif Penelitian Deskriptif adalah penelitian Berdasarkan latar belakang diatas yang mengumpulkan data untuk menguji maka peneliti tertarik untuk melakukan hipotesis atau menjawab pertanyaan penelitian penelitian terkait Bentuk Penyajian Tari Sayo mengenai status terakhir dari subyek penelitian. pada Upacara Adat Thabisan di Kalumpang Penelitian deskriptif berusaha untuk 2 JURNAL PENDIDIKAN SENDRATASIK memperoleh deskriptif lengkap dan akurat dari kebudayaan yang berbeda membuat India suatu situasi. Kelemahan utama penelitian memerlukan ketertiban dan diperlukan seorang deskriptif adalah kurangnya tanggapan subyek pemimpin untuk menjalankan ketertiban dan penelitian. peraturan bermasyarakat. Maka dari itu ditunjuklah seseorang yang berprofesi sebagai III. HASIL DAN PEMBAHASAN pemimpin dari kalangan orang terkemuka dalam A. HASIL masyarakat yang disebut Bangsawan. Pemimpin 1. Gambaran Adat Istiadat Masyarakat di ini bergelar Tomakaka. Masyarakat di Kalumpang Kabupaten Mamuju kalumpang memiliki hubungan yang dekat Sulawesi Barat dengan Kerajaan Kutai dikarenakan hanya dipisahkan sebuah sungai yaitu sungai Karama. Dr. P. V. Van Stein Callenfels yang Melihat banyaknya budaya luar yang datang di dijuluki bapak Prasejarah Indonesia pada tahun Kalumpang, peneliti masih melihat bentuk fisik 1933 melakukan penelitian yang sekarang masyarakat Kalumpang sama dengan Bangsa disebut Situs Kamassi Dr.A.ACence 1933. Cina yang memiliki mata sipit dan berkulit Temuannya berupa kapak persegi dan bahan putih. tembikar. Semenjak itu, para Argeologi Ujung Pandang bekerjasama dengan Pusat Penelitian Kerajaan Talondo Kondo merupakan Nasional meneliti Situs Kamassi dan Minanga kerajaan yang yang berada di Kalumpang berdiri Sipakko yang dilakukang secara berulang kali pada abad IV SM. Menurut Prof. Dr. Mattulada pada tahun 1970. Selain itu juga ditemukan Seorang Sejarawan Provinsi Sulawesi Selatan Patung Buddha di Sekendeng dekat muara mengatakan didalam tulisannya bahwa nenek Sampaga, karama. Patung ini telah dianalisa Dr. moyang orang Mandar berasal dari kalumpang. PDK, Bosch pada tahun 1933 (Silas Salamangi, Hasil yang didapatkannya menjelaskan bahwa 2019: 11). dulu Kalumpang merupakan Suku yang disebut Suku Makki yang berada di Kerajaan Talondo Patung tersebut berasal dari india Kondo . Ketika meletusnya gunung Sandapan, selatan. Menurut para Geologi dan Sejarawan, membuat masyarakat Kalumpang terpencar. Ada bahwa peninggalan sejarah berupa artefak di yang pindah ke daerah pesisir dan ada yang zaman Neolitikum di Tonkin, Cina Selatan sama pindah ke daerah pegunungan. Sehingga bisa dengan artefak-artefak yang diungguli oleh diliat sekarang, banyaknya kemiripan serta kapak persegi yang ada di Situs Kamassi dan kesamaan Adat Istiadat serta tradisi dibeberapa Situs Minanga Sipakko. Ini jelas bahwa nenek daerah seperti Bare’e, Duri, Toraja, Luwu’, moyang bangsa Indonesia termasuk Kalumpang Mamasa, Ledo, Mandar (Silas Salamangi, 2019: berasal dari Tonkin, Cina Selatan. Mereka 16) datang menggunakan perahu bercadik. Mereka membawa kebudayaan lain yang berbeda, maka 2. Gambaran Keberadaan Tari Sayo di dari itu mulai berbaur dengan masyarakat dan masyarakat Kalumpang Kabupaten pendatang pada 500 SM (Silas Salamangi, Mamuju Sulawesi Barat 2019: 12). Selain itu, ada juga Pendatang yang masuk di Kalumpang melalui Perdagangan Untuk memperoleh informasi yang bersal dari India Selatan. Kedatangan mengenai keberadaan Tari Sayo di Bangsa India, membuat masyarakat di Kecamatan Kalumpang Kabupaten Kalumpang semakin padat penduduknya. Kedua Mamuju, maka peneliti terlebih dahulu menanyakan mengenai kapan Tari Sayo 3 JURNAL PENDIDIKAN SENDRATASIK tersebut ada di Kecamatan Kalumpang. memiliki keturunan dari langit, maka ia Menurut narasumber, bapak Silas memutuskan
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