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Proc SocAntiq Scot, (1993)3 12 , 363-72

Post-Reformation Catholic houses of north-east lan B D Bryce* & Alasdair Robertsf

ABSTRACT Roman Catholic imagery associated with secular buildings (as distinct from churches) in north-east Scotland Arme took formth e f th ao Christ armsr IHSe !o Jesusr f Christo th o d an monogram. The former symbol first became popular in the late medieval period and the latter used Jesuitswas by symbola as Counter-Reformation. of Architectural socialand historyare combined here, formerthe demonstrating that those images that have survived belongthe to post-Reformation period.

INTRODUCTION This pape concernes i r d with Roman Catholic symbol post-Reformatioe th f so n period which were placed on the walls of and houses. Catholicism was a regional affair in the early modern period, stronger away from and the central Lowlands and strongest in the north-east. The Catholic heartland was at first in and Strathbogie, with Deeside and e Enzith e (clos o Speymoutht e ) becoming more importan e 17tth hn i centuryt . Party allegianc oftes wa en expresse religioun di s terms t seemeI . d natura -buildere th o t l d san restorers of the time to include symbols of belief either inside the building or, more assertively, on its outer walls. Although we are not concerned here with imagery in churches it is worth mentioning that religious emblems also decorated family vaults. Indee e themdth f thio e se papeth n o r imagery in Catholic houses can be introduced through Catholic tombs. Sir John Gordon had a gravestone carved for himself in 1597 at Kirk in Strathbogie (NJ 489446): 'A mutilated coffin-slab bear e letter . GORth s . . Anothe. s. D. r piec f rudo e e carving represents a human being in the act of tearing open his breast, and thereby exhibiting the heart' (Jervise 1875, 31). Devotio e Sacreth o t nd Hear f Jesu o s popularizet wa s e th y db Jesuits in the late 16th century. Tombs of this kind were liable to suffer damage when the Calvinist party took to arms, although at Cairnie the iconoclasts cannot have recognized a central part of the symbolism as Catholic (illus 1). Even the highest families in the land were not spared, witnes e Ear f sth Errol o l Constabld an l f Scotlando e t Slaina : s Kirk, Collieston (NK 040289) in 1642 'the superstitious Monuments in my lord Erroll's Yle are ordeanit to be demolishit' (Mair 1898, 152).

* Northern College, Hilton Place, t VA Devanha Terrace, Aberdeen 364 SOCIET ANTIQUARIEF YO SCOTLANDF SO , 1993

ILLU 1 S Carved figure, Cairnie Kirk, Strathbogie

Sometime e religiouth s s statement seems neutra s not i t Auchanachit A . bu l J (N e 498469) a smal, l late 16th-century fortified hous n Strathbogiei e e prayeth , r FROR MOV ENEMIES DEFENDE VS O CHRIST 1594 (Pirie 1906, 27) above the outer door has Catholic significance, sinc Gordoe eth than i f nt of yealair t resiso t rdse t Argyll's Highland e battlarmth f t Glenliveto ea y . Patrick Gordo f nearbo n y Auchindou J 349375(N n s wa ) brother to the priest who led his fellow Jesuits in support of the army, hearing confessions and saying mass there, so it is more than likely that the dressed stone which was taken from that castle 18tth hn ei centur y (Wordsworth 1990, 169 carved ha ) d imager e kine b th o dt f yo discussed. This rising of the 'popish lords' ended with the virtual destruction of one notable building. Erroll's Slaind castl 052301K Ol t e(N s a reduce s wa )y ruinso wa dt therd o n an ,s ei of telling whether Francis Hay e 10tth , h Earl, employed Catholic symbolism either thert a r eo New Slain 102362)K (N s . Nothing significan f artefacto y t remainwa se althougth n i s w hNe Slains was the headquarters of the Jesuit mission to Scotland during its most active phase in the 1620s (Forbes Leith 1909, 74).

HUNTLY CASTLE, STRATHBOGIE Erroll's comrad armn i e t Glenlivea s s Georgwa t e Gordon, from whose seahave w t e both artefact documentard an s y evidence e damagTh . e inflicte n 159i d n Huntl4o y CastlJ (N e 532407) principae th , l Gordon stronghol Strathbogien di , amounte moro n o edt tha tokena n demolition, because 'struck wit beaute e palacehth th f e Kin yo s unwillin th , gwa visio gt t i t with the drastic fate of the ruder Erroll fortalice' (Simpson 1922, 158). The continuing BRYCE & ROBERTS: POST-REFORMATION CATHOLIC HOUSES 365

Roman Catholic allegiance of the head of the Gordons was later proclaimed in stone above his own arms and those of the monarch as part of 'probably the most splendid heraldic doorway in the British Isles' (Innes 1935, 388). The imagery has been described by Simpson (1960, 16): This next compartment contains the Five Wounds of Christ (the Pierced Heart, Pierced Hands and Pierced Feet), with the instruments of His Passion, and two supporting figures, probably St Mary and St John. Above is the text (Gal. 6: 14): ABSIT NOBIS GLORIARI NISI IN CRUCE DOMINI NOSTRI JESU CHRISTI, 'God forbid tha I shoult d glor r yLore Cros ou savth d f n o si eJesu s Christ. . Ove . . ' r circulathia s i s r panel (likewise defaced) displayin Risee gth n Chris gloryn i t , withi circla n f cloudso e , accompanie proclamatioe th y db n DIVINA VIRTUTE RESURGO, T rise again with divine power'. On one side of this panel is the Scottish lion, and on the other side twin-headee th d Hole eaglth yf e o Roma n Empire figure t Michael S th . Abov f . s i o e. . l e eal th , warrior archangel, triumphing over Satan. In 1545 the fourth Earl of was created a knight of that illustrious French Order of Chivalry. Durin firse gth t four decade e 17tth hf o scentur y visitors were greete thiy db s expressiof no solidarity with continental Catholics e pane Th .s date i l d 1606 (Gile Simpso& s n 1936, 5) , establishing that the imagery was put in place as a Counter-Reformation statement. The signing of the in 1638 signalled a campaign against Charles I's 'prelacy' and led to an armed rising which was even more hostile to 'popery'. When northern hostilities broke out, was 'not in conditione to be made tenible' (Gordon 1841, o defencn 216 s d offerean )wa e o Munro't d s Covenanting arm n 1640i y . Thus Roman Catholic symbols 'by the industry of one captain James Wallace (one of Munroes foot captaines) wer hewd and brocke doune off the frontispiece of the house' (Gordon 1841, 211). e samTh e Presbyterian office s presumablwa r y responsibl r similafo e re hall' worth n so k ceremonial fireplace (Simpson 1960, 144, 162) parallee Th . l destructio n 164ni f 'ou0o r blissit Lord Jesus Chris armess hi t ' (Spalding 1851, t Machar'313S n )i s Cathedra relevans i l t here, with one erasure a precedent for the other. Both followed an act of the Kirk's General Assembly, meeting in Aberdeen that summer, for 'idolatrouse monuments to bee destroyed in l placesal , speciall northe th n yi , whe rmose ther saibe to y dwe t frequent , suc crucifixess ha , images of Chryste, Mary, and sainctes departed' (Gordon 1841, 217). There is documentary evidence of missing artefacts, almost certainly statues, since the General Assembly appointed 'some brethre visio nt Idolatroue th t s Monuments brought fro late mth e Marque f Huntlie'so s house,' and later charged 'the Ministers of Edinburgh to take course with the Monuments of Idolatrie brought fro Northe mth ' (Peterkin 1838, 146).

ARMAE TH CHRISTI SCOTLANN I D heraldie Th c arm f Chrisso t wer maie eth n for f Catholimo c affirmatio e 16tth hn i ncentur s ya a traditional expression of faith. This took a variety of forms: 'The Arma Christi not only honoured Christ wit a blazoh f arm no t gav bu s e concrete fora cul o mt t which gren wi importance and popularity during the later . The imagery associated with the cult of the Passion instruments and five wounds is sometimes symbolical only, even abstract, as when the wounds are shewn rather than the members which bore them' (Carter 1957, 112). Carter drew attentio e firs th e 16tt o th t nhal hf o fcentur e perioe greatesth th s f a yo d t popularit Armae th f yo Christi Scotlann i t maddbu e regional point r botsfo h prepostd an - - Reformation periods e Five Masth Th ef . o sWound s prominenwa s e devotionth d n i tOl f o s Aberdeen's King's College Chape t Machar'S n wels i a l s a l s Cathedral (Carter 1957, 116d an ) 366 SOCIET ANTIQUARIEF YO SCOTLANDF SO , 1993

eight of Carter's examples come from secular buildings, five of them in north-east Scotland. There is a regional tendency in the imagery itself, with the instruments of the Passion (nails, spear, etc.) being equally in evidence throughout Scotland, but with the Five Wounds being more popula northe th n i r. Carter note dtendenca imagere th foune r r neab o e yfo o t yth t rda east coas linked an t d this with trade e Netherlandrouteth o t s nortd an s h , 'where Passion symbolism was popular' (Carter 1957, 127). In fact, the European connections of those families which used Catholic symbolism, at least in the post-Reformation period, were more commonly with France.

A GROUP OF CASTLES Roman Catholic symbolis e founb o foun t i d s mri Aberdeenshire castles which were built betwee c n156 d 159 5an t Gight 3a , Crai f Auchindoirgo , Delgat Towid an y e Barclay. Branche Gordonse th f so , Hay Barclayd san s each mad commoea n statement with carved dan painted stone foue Th .r castles for mclosela y related group werd an , e evidentl wore a yth f ko schoo f masteo l r masons traditionally identifie e Catholith s a d c Con f Auchryo s . Heraldic evidence shows that Crai 422248J g(N erecte s thire wa th ) dy db laird , James Gordon, shortly afte s accessiohi r n 155ni 9 (Simpson 1930, 74-5) s religiouit , s symbolism clearly Counter- Reformation in purpose. Craig's square entrance vestibule has a ribbed and groined vault with the royal arms in the centre. The ribs spring from four corbel caps, two of which are decorated with shields: the north-west shield bears the arms of William Gordon while on the south-wes Armae th e ar tChristi. Behin alteree dth d floor level wald san l claddin firse th tf go floor halmuraa s i l l chambe norte th hn i r gable, almost certainl oratorn ya r privatyo e chapel. Gigh 472248J (N t alss oGordowa )a n house, first recorde 1577n di l thaAl .t remainf so its former splendou groune th s i r d floor, wher ribbeea groined dan d vault survives above eth square entrance vestibule centras It . l ornament mucw no , h worn elaboratn a s i , e Arma Christi with the Five Wounds, crown of thorns, ladder, hammer, nails, reed and spear (Simpson 1930, 81-2). Ther alss ei orecora triangulaa f do r structure consistin f thrego e dressed stones witha cross Mariar abovfo lettere R eth AngelorumsMA Regina, 'Mary QueeAngels'e th f no d an , underneath a heart pierced by a sword - apparently the upper portion of the chapel's dormer window (Keith 1899, 68). Gight's chapel was ordered to be 'cast down' by the Privy Council in 1608 (Temple 1894,511). Delgat J 755506)y(N , near , whice thirth ds hi groupe castlth f eo , belongeo dt Hayse th . Father Johcamy nHa ebrother's herhi o et s house, whe returnee nh d from Francn ei 1579 to explore the possibilities of a Scottish Counter-Reformation. As the second northern stronghold of the Hays (after Slains), Delgaty was besieged by the royal army for some weeks in 1594. It has no Arma Christi but the private room off the much-altered hall has a ribbed and groined vault, consciously Gothic and conservative. This part of Delgaty was almost certainl e woryth f thosko e same mason wero wh se responsibl r Gigh fo eCraigd an t . Over the hall fireplace is the inscription IMS MY. HOYP. IS. IN. YE. LORD, and the date 1570 IHe STh . monogram (see below Catholia s wa )Jesuid can t symbol. Towie Barclay (NJ 744439) has the date 1593 above its doorway. William Barclay was a notable scholar in French exile from the 1570s (Forbes Leith, 1915, 92-4) and the family remained Catholic: edite s father'dhi s work, which included book papan o s l authority 1650e th n sI . Robert Barcla principas yScotwa e th f so l Colleg t Pariea s which educated priest missionarr sfo y wor thein ki r native land (Hay 1929, 87-90). Once again thise castlth s eha characteristic vaulted vestibule, its central boss bearing the arms of Barclay. The roof of the great BRYCE & ROBERTS: POST-REFORMATION CATHOLIC HOUSES 367

ILLU S2 Arma Christi, Towie Barclay Castle, Buchan

hall has two bays of cross and diagonal ribs meeting at a ridge rib which is punctuated by bosses with heraldic carving, its dimensions virtually identical to those of Craig. Here an oratory set into the thickness of the south gable wall proclaims the religious persuasion of the castle's owner. The corbels ribbeit r fo ds vaultin decoratee gar d wit e symbol hth Foue th rf o sEvangelists e th d an , Arma Christi forms the central boss (illus 2). Restored in the early 1970s with a blue ceiling lit by gold stars, this chamber (which opens on to the hall below an arch) conveys the desire of these late 16th-century Aberdeenshire lairds to express their faith in stone.

THE WINE TOWER, A notable exampl f post-Reformatioo e n ambivalenc s foun i ea buildin n i d g belongino gt Alexander Fraser Lairh 8t , f Philorthdo 159n I .roya e 2th l charter whic receivee hh d erecting Faithlie into the free port and of Fraser, now Fraserburgh, included a clause permitting foundine th universitya f o g . Fraser s foundea , patrond an r choosiny b , firse th ts ga principa l the Revd Charles Ferme, a graduate of the new University of Edinburgh, demonstrated his acceptance of the Reformed Church. Fraser's first wife, however, was a Catholic. Magdalene Ogilvie, of Dunlugas in , had two brothers (at least one of them a priest - Giblin choso 1964wh e) exilix , Francn ei e (Fraser 1879. 9) , 8 36 SOCIET ANTIQUARIEF YO SCOTLANDF SO , 1993

ILLUS 3 Arma Christi, Wine Tower, Fraserburgh

Fraser made additions to the castle of Philorth, now Cairnbulg (NK 016639), in order to creat mora e e fashionable house tha s grandfather'nhi s Kinnaird Castl J 998675(N en a n o ) exposed headland well suited for its present function as a lighthouse. Another of Eraser's buildings, the curiously named Wine Tower (NJ 999675), stands on the same headland (Bryce 1989). Externally plain s solit , e entr s raiseyi d high above groun s originalld wa leve d an l y reache laddery lowese db th s A t. chambe pierces i r d uselesa onl y yb s diagonal gun-pord an t the middle chamber above it by a window to the sea, it becomes evident that the entire structur designes ewa preveno dt viewine th ts interior it f guppermoso e Th . t room appearo st ingoee arce th fous th f chapelf eaca ho it so n e i f r b h o t window Se . pendana s si t stone boss, one carved with the arms of Alexander Fraser and his first wife, two others with those of his predecessors e fourtHuntld th an d r hy an , e witearl Ma (Calvinise arm th f th ho f s o s d an t Catholic respectively). Three further bosses in the crown of the vault bear the arms of Fraser of Philorth, James VI and, at the north end, the Arma Christi (illus 3). As none of the arms is later than those of Alexander Fraser and Magdalene Ogilvie (whose marriage took place in 1570) it is clear that the tower must be the work of the 8th Laird. This is further confirmed by the window sills, whic e fashionear h provido t d e triple-splayed shot-holes architecturan a , l conceit unknown in the north before the 1570s.

THE IMS MONOGRAM e remaininTh g example f Catholio s c symbolis stonn mi e date mainly fro e mid-17tmth h century and are variations on the letters IHS. The symbol originated in a medieval cult of the BRYCE & ROBERTS: POST-REFORMATION CATHOLIC HOUSES 369

ILLU S4 IHS monograph, Castle, Deeside

Holy Name of Jesus as a Latinized version of the Greek abbreviation I H (£ O Y) £ for 'JE(SOU)S' lettere Th . s have also been interpreted (with conscious intentio f enrichinno e gth meaning lesuss a ) Hominum Salvator r 'Jesufo s Saviou f Mankind'o r Hacn I d Salus,an , 'In This (Cross) Salvation S monogra' (OED).IH e Th m becam a symboe f Countero l - Reformation associated wit e Societth h f Jesusyo e foundeTh . f thao r t order t IgnatiuS , s Loyola bees ha , n portrayed holdin gmonstranca e (use displao dt communioe yth n host) with IHS superimposed to assert transubstantiation. The 1st Earl of Aboyne (1634-81) acted as leader of the northern Catholics during the Marquih minorit4t e th f Huntly o sf yo e inscriptioTh . n dated 1671 abov s maiehi n doot a r Aboyne Castl 526995O (N e ) expresses that fact s Frenca wela ,s a l h influence JESUO : S VOSTRE PASSION ATTIRE MON AFFECTION ('Jesus, your death on the cross draws forth my love'). The IHS symbol has a cross above it (illus 4). Eleven years previously, Lord Charles Gordon (as he then was) played an important part in bringing about the restoration of Charles II and thus felt able to flaunt the Catholicism of a returned exile. The elaborate presentatio s partlni expression ya f sociano l rank e letter Th .e enclose ar s d withi nSacrea d Heart pierced stylisticall e speae Passio th d nailth y an f r b yo sgivo t n e added religious emphasis. Uncovere n 197di 9 during restoration imagere th , y abov e doorwaeth f Aboynyo e Castle has not been documented until now. A simpler form of the IHS symbol exists inside a smaller house, Schivas in Buchan, which was once linked with Aboyne in the person of Gilbert Blackball. He was chaplain to Lady Aboyne between 1638 and 1643 and travelled to several Catholic familie circuia n o s t which include Graye dth f Schivaso s (Stuart 1844, 60). At Schivas (NJ 898368) the symbol is found indoors, above what was formerly an altar in the hall (Wyness 1929, 387). latese Th t exampl f illegaeo l Catholic assertio outside th buildina n f no e o s closgi o et Aboyne. The Innes family of Drumgesk and Balnacraig had strong links with the Jacobite court in exile, and their hall-house of Drumgesk (NO 557987?: site now uncertain), where the 'Goodman laira ( ' d holdin estats ghi e fro mnoblemaa n rather tha crowne nth stewars wa ) o dt Aboyne, served as a mass-centre for the area around the turn of the 18th century (Roberts 1990a, 24-5). Following a move across the river to Balnacraig (NO 580982), James Innes 370 SOCIETY OF ANTIQUARIES OF SCOTLAND, 1993

ILLU S5 IMS monograph, Balnacraig, Deeside

married Catherine Gordon in 1735. She was niece to to the Catholic Bishop James Gordon (whose family home was at Glasterim near Fochabers) and the event was commemorated by a plainer versioAboyne th f no e IH S- wit crossha t withoubu , nailse th t , spea Sacred an r d Heart (illus 5). Shortly after Culloden, Balnacraig was threatened with the same destruction by fire which had been visited on the neighbouring Catholic house of Auchinhove (NJ 554024 Aprin i ) l 1746 (Stirton 1929 hav,y 17)ma e t .I bee t thina s time e thae ladth th f t yo house, diplomati r dealinghe n i c s wit e militarhth y (Stirton 1929, 17-21), concealee dth symbol rediscoveres wa t i ; firse th t n ddecadi presene th f eo t century (Blundell 1909, 16). Another late example of the IHS monogram is at Fetternear (NJ 723171). Above an elaborate coat of arms over the main entrance is the IHS monogram: 'It consists of two stones an s withoudi framea t e uppeTh . r ston s carvei e d wit e sacrehth d monogram (JesuS IH s s Hominum Salvator) J[E]H[U]S and MRA (Maria Regina Angelorum) or M[A]R[I]A, a cross being cut centrally above the S and M (Slade 1971, pi 20). The lower stone is inscribed with initiale th (PatricL sP k I (MargareLeslieM d an ) t Irvine) date th , e roughla 169 d 1an y carved buckle and holly leaf (Slade 1971, 187). These last two symbols refer to the arms of the Leslies and the Irvines. The Leslies were scarcely less important than the Gordons and Hays in the Catholic scheme of things and provided a number of leading priests: three Leslie brothers of Balquhain went abroad early in the 17th century and came back to Scotland as Jesuits family'e Th . s title comes from another northern hous Fetterneas e wa nearb t i t y ybu b r which becam family'e eth s chief residenc e 17tth hn ei century . Driven into exile with other royalists, William Leslie and his son Patrick both rose to prosperity through military service. Patrick Leslie returne n 169di Hole Couna th s 0 a yf o t Roman Empire and redeemed the lands of Fetternear. Although the times were unfavourable for Catholics (with James VII & II so recently driven from the throne), Count Patrick was assertive housw completes ne ewa s Hi . thren di e years, almost certainl basi e plaa th f sn o yo architece byth t Jame studied sScote ha Smit th o n sdi hwh Colleg Romn ei e unde Jesuie th r t rector William Aloysius Leslie of Balquhain (Roberts 1991, 48). There is a structural similarity between the porch of Fetternear and that of Traquair (NT 330354), the Catholic house near Innerleithen (Slade 1971, 187) with which Smith was also linked. The fire of 1919 which left Fetternear Houss presenit n i e t dangerous condition destroye properta d y which had survived an 18th-century ruling that Anthony Leslie could not inherit as 'a Papist and an alien'. The estate has two 19th-century chapels, the older of which (now in ruins) contains famile th y vaults e survivinTh . g chapel ,e 1860 builth r publin i stfo c worshi stild usen pan i l , metaa s ha l versio IHS/MRe th f no A outsid e motith n o f e wall. BRYC ROBERTSE& : POST-REFORMATION CATHOLIC HOUSE I 37S 1

DISCUSSION f visuao e us l imagere Th especialls yi y stron Roman gi n Catholicis bees ha nd associatedman , minde inth f Calvinistso othersd an s , with graven images s cleai t I . r fro foregoine mth g that (under the broad categories of the Arma Christi and the IHS monogram) Catholic symbolism was used long after the laws of Scotland had condemned it. The tendency was associated with castles and houses belonging to the aristocracy and gentry rather than with churches, and with the half-century following the Reformation when a reversal still seemed possible. The return of Catholic exiles in the latter part of the 17th century caused a resurgence of religious imagery, however, and the latest example comes from the middle of the 18th century. An obvious proble r architecturamfo l historian s tha i e sevidenco muc s th t f o h s i e missing. Religious symbolism provoked act f destructiono s somd an , e north-eastern Catholic houses vanished completely. Thertraco n f Pitfodels eo ei s Castl 910029)J e(N , seven miles from Aberdeen, wher e Menzieth e s family defied religious change s anythini r no , g leff o t Pitfodels Lodging (NJ 944063), their house in the Castlegate. Other houses remain but hav survivino n e g religious symbols. Drum Castle Irvineth J 796005f eo (N s s devoii ) f do Catholic imagery but documentary evidence records that its stonework was defaced during the Trouble e 1640th f o s (Gordon 1841, 198) e Gordone castlth Th .f o e f Lesmoio s J (N r 470280 gones ha ) , although scattered example f carveso d stone survive (Simpson 1932), with defacement implying the former presence of Catholic imagery. Harthill (NJ 687252) is believed to have been set on fire by the last of the Catholic Leith family (Bickley 1937, 103) and the stonework which has been returned to the restored castle is hard to interpret (Simpson 1937, 117). Much of the evidence is missing, but more may be uncovered as excavators and restorers become alert to the significance of these symbols. This paper has concentrated on one area and two kinds of imagery, but there are similar examples of post-Reformation houses elsewhere, suc s Bonshaa h 239722Y w(N Dumfriesshirn i ) e (Maxwell-Irving 1971, 216). There wer doubo en t other less obvious way f professino s g religious allegianced an , certainly less durabl ee for oneth f woom o n i s d carving painted an s d wall ceilingd an s s (McRoberts 1955). When the religious resistance of north-east Scotland settled (for the majority by the 18th century) into a non-juring episcopalianism, its style was to be interior and mystical (Henderson 1934) rather tha nd Catholiassertivol e th w cn ne i e way e Th . Catholic way also became subdued at this time, its architectural expression shifting from castles to humbler buildings (Roberts 1990b).

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