Yafa Cordwaining Division 3 Worksheet
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A Roman Frontier Post and Its People
CHAPTER IX Dress and Armour As we gather together the relics brought to light from the abandoned wells and rubbish-pits at Newstead, the figure of the Roman soldier inevitably rises before us. It is a figure rendered familiar by the great monuments which commemorate Imperial triumphs, and by the portrait-reliefs which once stood above the graves of centurions, cavalry soldiers, or standard-bearers recalling to the passers-by the likeness of the dead. It is to such memorials, and to the scanty finds of weapons and armour which have been preserved to our time, that we owe most of the knowledge we possess regarding the arms and equipment of the army of the Empire. The columns and the triumphal arches furnish us with a series of pictures of the soldier in action. The victories of Trajan over the Dacians are sculptured on the column which he had set up in Rome in A.D. 104. The triumphs of Marcus Aurelius over the Marcomanni are unfolded in the reliefs decorating the huge pillar that gives its name to the Piazza Colonna. We follow each stage in the campaigns, the army making roads, building bridges, constructing forts, attacking and attacked. Many details are given which help us to realise vividly the scenes commemorated. No doubt in such sculptures, executed, as they were, in Rome, the artists drew their inspiration to some extent from older Hellenic models, and there thus enters into the treatment a somewhat conventional element. The grave stones of the legionaries or auxiliaries, on the other hand, are probably more exact in details. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
Roman Clothing and Fashion
ROMAN CLOTHING AND FASHION ALEXANDRA CROOM This edition published 2010. This electronic edition published 2012. Amberley Publishing The Hill, Stroud, Gloucestershire GL5 4EP www.amberley-books.com Copyright © Alexandra Croom 2010, 2012 The right of Alexandra Croom to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing from the Publishers. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN 978-1-84868-977-0 (PRINT) ISBN 978-1-4456-1244-7 (e-BOOK) CONTENTS List of Illustrations Acknowledgements 1 - Introduction 2 - Cloths and Colour 3 - Men’s Clothing 4 - Women’s Clothing 5 - Children’s Clothing 6 - Beauty 7 - Provincial Clothing 8 - Conclusions Pictures Section Glossary References Weaving Terminology Bibliography LIST OF ILLUSTRATIONS TEXT FIGURES 1 - The costume of goddesses 2 - Woman spinning 3 - Tunic forms 4 - A clothes press 5 - Tunics of the first and second centuries 6 - Tunics of the third and fourth centuries 7 - Tunic decorations 8 - Portrait of Stilicho 9 - Tunics 10 - Togas of the first to fourth centuries 11 - The ‘Brothers’ sarcophagus 12 - Togas of the fifth and sixth centuries 13 -
History 341: Lecture 6 [Professor Williams]: Awate Discipulae. [Class
History 341: Lecture 6 [Professor Williams]: Awate discipulae. [Class]: Awate discipulae. [Professor Williams]: Well we’re here in Rome. The Forum is behind us, the temple of Anthestines in the background here. Just above us over here we have the Temple of Saturn. It’s in a rather poor shape. We’re just here trying to give you a sense of Rome and what a toga was like. The roman dress of the magistrate. And I am going to let you see a little more of what the toga was like and fundamentally give an idea of the roman clothing. So we will start here by removing a microphone that didn’t exist so forget this one. We need an overhead I think. I have a slave outside camera range here. This is the toga. It’s about eighteen feet long; it should be about six feet high there about. It should be made out of wool entirely; this is made out of a JC Penny’s cotton sheet because I was too cheap to buy this much wool. In any case it should be basically a semi circle of material. It is impractical to use for anything other than being in Politics standing around not doing anything in other words or to be a college professor it’s about the same thing. You need a slave to help put it on. I have a slave here, come here Krystal. Now we will show you how it is actually put on. The front should come almost to the ground. And it goes over the side. -
April-15-2020
INSIDE... WEDNESDAY, A AIMEE WINDER PRIL 15, 2020 NEWTON MAKES HISTORIC BID FOR UTAH GOVERNOR VOL. 12 NO. 20 SPORTS IRONCOUNTYTODAY.COM WEDNESDAY, APRIL 15, 2020 Former T-Bird 4 Opinion Sims signs 11 Showcase pro contract 13 Life with 21 Sports Bengals 23 Classifieds 27 Comics/Puzzles HISTORICAL CaMPAIGN ewton's Bid Aimee Winder N for Governor of Utah • Page 2 COURTESY AIMEEFORGOVERNOR.COM 2 WEDNESDAY, APRIL 15, 2020 NEWS IRON COUNTY TODAY RB OB ERY SUSPECT CAPTURED BY CEDAR CITY POLICE from Lieutenant Jimmy RODEN Moments later officers from the Cedar An eye witness reported observing apprehended the suspect was in CEDAR CITY POLICE DEPARTMENT City Police Department located the the suspect discard a backpack on a possession of a large amount of cash. suspect approximately one block away lawn when the officer initially drove The suspect was identified as CEDAR CITY — On Friday, April from the crime scene. When given past the suspect. As the officer turned 59-year-old Stuart Alan Walraven of 10, 2020 officers were summoned to commands the suspect failed to com- around, the suspect picked up the Cedar City. Walraven was booked into the report of a robbery. An employee ply and fled on foot. The officer gave backpack and fled on foot. A black the Iron County Correctional Facility of Metro PCS at 565 South Main chase on foot and deployed a Taser. airsoft handgun was located on the on the following charges; aggravated called 911 to report that a robbery had The Taser was ineffective at gaining lawn where the suspect was seen robbery, failure to stop at the com- just occurred. -
Footwear the Standard Military Footwear of the Republican and Early
Footwear The standard military footwear of the republican and early imperial Roman army was the caliga, some kind of nailed sandal: (a caliga from COH XXVI CRV) However, from the Trajanic period on (at the latest), the caligae were gradually replaced by closed shoes or boots, the calcei. This transformation of footwear seems to have taken place especially in the 2nd century AD, although the use of sandals never completely broke off. The type of footwear chosen for the ‘Trans Alpes’ project was a closed boot of which (slightly different) specimen had been found at several places in the northwestern provinces, including the Saalburg, Weiblingen, Walheim (G) and Vindolanda (GB). A total number of 11 pairs were made by Marquita Volken from ‘Gentle Craft’ (a private archaeological shoe museum at Lausanne in Switzerland). Interestingly, the reproduction of so many shoes within a limited space of time showed how they could easily be mass-produced with a minimal waste of leather. The uppers of this kind of boot (also called the “Ramshaw-boot” by Carol van Driel- Murray) are made of a single piece of leather (including the laces) sewn together at the front. The laces are led in a criss-cross pattern through a number of four eyelets on each side before they get tied together. Although civilian use of the “Ramshaw” is possible, the strong nailing pattern suggests a military use. Roughly 100 hobnails were used for each shoe, giving it a strong grip on muddy terrain. Only two other types of shoes were used during ‘Trans Alpes’. One of the archers (Johannes Felix) marched in a pair of boots based on findings from the Saalburg: These boots (made in Britain) were made of rather thin leather and, despite a regular treatment with neatsfoot oil, got so deformed after a day of heavy rainfall that marching with them became impossible. -
THE Sacred Vestments
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com .9f.::. ,'y union v^ fW THEOLOGICAL v SEMINARY ^6W YO^S THE Sacred Vestments AN ENGLISH RENDERING OF THE THIRD BOOK OF THE 'RATIONALE DIVINORUM OFFICIORUM' OF DURANDUS, BISHOP OF MENDE WITH NOTES BY THE REV. T. H. PASSMORE, M.A. LONDON SAMPSON LOW, MARSTON & COMPANY LIMITED St, Shinstan'B t?ou»e FETTER LANE, FLEET STREET. E.C. 1899 LIBRARY OF THE Union Tlieoiogloal Seminary NEW YORK CITY PRESENTED BY Samuel Macculey Jackson JUL 23 1912 PRINTED nV SFOTTISWOODE AND CO., NEW-STHfET SQUAKE LONDON 6X C~OZ£Z]^ Was, .mi 13 FOREWORD With the exception of Neale and Webb's ' Symbolism,' which is an edited translation of its first Book ' Of the Church and its Parts,' the eight Books of the Rationale Divinorum Ofp.ci- orum of Durandus have not, so far as I know, been rendered into English. This means that the greatest and most beautiful, perhaps, of ancient works on the worship of the Catholic Church is inaccessible to any but readers of the Latin tongue. What herein follows is an attempt in part to supply this defect. In making it I have felt that should the work fail to find readers (which would appear unlikely in days when the mind of all England is strained upon matters litur gical) the blame will attach to the inefficient interpreter, not to the pious and gifted author, of an illustrious book. -
Fantasy Role Playing Game by John M
WEIRD FANTASY EDITION BBllooooddyy BBaassiicc FANTASY ROLE PLAYING GAME BY JOHN M. STATER THIS IS THE BASIC VERSION OF THE BLOOD & TREASURE FANTASY ROLE PLAYING GAME. IT SERVES AS AN INTRODUCTION TO THE BLOOD & TREASURE SYSTEM WITH A WEIRD FANTASY THEME carlo camprini (order #8074324) BB llooooddyy BBaassiicc FFaannttaassyy RRoollee PPllaayyiinngg GGaammee WRITTEN BY I. Introduction 1 II. Making a Character 2 John M. Stater III. Ability Scores 3 IV. Races 4 EDITED BY V. Classes 5 The Idolator Class 6 Tanner Yea The Magus Class 8 The Puissant Class 10 David Jenks The Thief Class 12 COVER ILLUSTRATION VI. Retainers 14 VII. Equipment 14 Sidney Sime VIII. Wonder 18 IX. Rules of Play 19 INTERIOR ILLUSTRATIONS X. Dungeons and Wilderness 22 XI. Monsters 25 Aubrey Beardsley Aberrations 26 Mahlon Blaine Animals 27 Dwight A Boyce Constructs 27 Claude Fayette Bragdon Demons and Devils 28 Dragons 30 Harry Clarke Elementals 30 Boris Dalgov Fey 31 Sidney Sime Giants and Humanoids 32 Magical Beasts 33 Silhouette of potions by Telecanter Monstrous Humanoids 34 Oozes 35 Plants 36 Cartography (page 23) by Dyson Logos Undead 36 XII. Experience and Treasure 38 XIII. Thesaurus 43 XIV. Conclusion 45 Bloody Basic – Weird Fantasy Edition is Copyright 2015 John M. Stater Open Game License v 1.0 Copyright 2000, Wizards of the Coast, Inc. carlo camprini (order #8074324) carlo camprini (order #8074324) Weird fantasy is a cornerstone of fantasy role-playing games, dice and interact with one another to make things happen. One influencing the earliest games and lending them their unique of the players is declared the Referee, or Treasure Keeper (TK) flavor. -
The Construction of Military Identity Through Footwear in Rome and the Provinces
Putting Your Best Foot Forward: the construction of military identity through footwear in Rome and the provinces Elizabeth Wolfram Thill Paper presented at the 122nd Annual Meeting of the Archaeological Institute of America, 5-10 January, virtual [Slide 1] The importance of personal adornment in ancient life is one of the most evocative points of connection between the past and the present. Although we cannot witness a chariot race in the Circus Maximus, many of us have decked ourselves from head toe to express our identity as fans of a particular sports team. Consequently, ancient fashion has long been a topic of academic interest, particularly for those rare elements that survive best in the archaeological record, namely jewelry for women and military equipment for men. But these same adornments skew towards elite, highly specialized situations. Less well studied are the more routine fashion choices made by those outside the elite strata of society. One relevant overlooked category of material is the focus of this colloquium: Roman shoes. Just as for today, shoes were ubiquitous in the Roman world and served a spectrum of purposes, from the purely practical to the purely symbolic, with considerable variation across class and social status. This paper takes as a methodological case study the use of shoes to express a particular identity in a particular context: the Roman soldier within the visual culture of the capital city. In particular, I will explore how the connection between shoes and this cultural identity was understood, utilized, and exploited for aimes far removed from either battle or footwear. -
What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level. -
Introduction of Indigenoues Tanned Leather in The
INTRODUCTION OF INDIGENOUES TANNED LEATHER IN THE PRODUCTION OF SCHOOL SANDALS By Veronica Gyebi-Agyapong, B.A. (Integrated Rural Art and Industry) Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfillment of the requirement for the degree MASTER OF PHILOSOPHY IN INTEGRATED ART (Leather Technology) Faculty of Art College of Art and Built Environment August, 2015 © 2015, Department of Integrated Rural Art and Industry DECLARATION I hereby declare that this submission is my own study towards the Master of Philosophy in Integrated Art (Leather Technology) degree and that, it covers no material previously published by any other person, nor material which has been accepted for the award of any degree of any university, with the exception of where due acknowledgement has been made in the text. Veronica Gyebi-Agyapong ----------------------------- ---------------------- (PG9273813) Signature Date (Student’s Name & ID No.) Certified by: Dr. John Osei Bobie Boahin ----------------------------- ---------------------- (Supervisor’s Name) Signature Date Certified by: Dr. John Osei Bobie Boahin ----------------------------- ---------------------- (Head of Department’s Name) Signature Date ii ACKNOWLEDGEMENTS My first and foremost sincere gratitude goes to the Almighty God for the knowledge, strength, insight and health he bestowed on me throughout the period in which this project was done and the opportunity to contribute to knowledge. I appreciate the inspirations and encouragement from my supervisor, Dr. John Osei Bobie Boahin for his criticisms, guidance and direction. I have really benefited from his fatherly manners, with listening ears, patience and accessible personality. To all the lecturers of the Department of Integrated Rural Art and Industry; I appreciate all that you have done. -
A Comparative Study of Roman-Period Leather from Northern Britain. Mphil(R) Thesis
n Douglas, Charlotte R. (2015) A comparative study of Roman-period leather from northern Britain. MPhil(R) thesis. http://theses.gla.ac.uk/7384/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] A Comparative Study of Roman-period Leather from Northern Britain Charlotte R. Douglas MA Submitted in fulfilment for the requirements of the Degree of Master of Philosophy School of Humanities College of Arts University of Glasgow December 2015 © Charlotte R. Douglas 2015 Abstract This thesis draws together all of the data on Roman-period leather from northern Britain and conducts a cohesive assessment of past research, current questions and future possibilities. The study area comprises Roman sites on or immediately to the south of Hadrian’s Wall and all sites to the north. Leather has been recovered from 52 Roman sites, totalling at least 14,215 finds comprising manufactured goods, waste leather from leatherworking and miscellaneous/unidentifiable material. This thesis explores how leather and leather goods were resourced, processed, manufactured and supplied across northern Britain.