Voices Not Heard Natural Gas Development, Public Discourse, And
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Issues of Image and Performance in the Beatles' Films
“All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Catskill Mountainkeeper Report to Stakeholders
CATSKILL2013 MOUNTAINKEEPER REPORT TO STAKEHOLDERS Preventing hydraulic fracturing (fracking) in New York State continues to be Catskill Mountainkeeper’s number one goal and priority. Thanks to your support, we have successfully kept fracking out of New York for over six years. To achieve our ultimate goal of a ban on fracking and to counter other “false solutions,” we continue to advance an alternative vision for our beautiful, ecologically sensitive, and economically vulnerable home region. We are working to create sustainable economic growth in the regions’ two largest sectors – tourism and agriculture – and are helping communities transition from climate changing fossil fuels to clean, renewable energies. This year, we expanded our Catskill Edible Garden Program, launched a Farmers Market to increase food access, grew our Trailkeeper Network initiative and broadened our efforts to promote and protect the Catskill Park. We are also working with groups across the nation to fight all forms of Extreme Energy extraction, and launched two initiatives to help our communities go green – Renewable NY and Save Energy, Save NY. In this report we will bring you up to date on all that we’ve accomplished in 2013 and our plans for the coming year. FRACKING OuR figHT AgAinst FracKing 150 250,000 COMMEN LOCAL GrowTH Of nEw YORK It has been six years since Catskill a strategic communications AnTi-fRAcKING MOVEMEnT proposed campaign to educate and HGHF Regs 204,000 Mountainkeeper started fighting BANS 120 2010 - PRESEnT 200,000 influence the public, media and to keep fracking out of New TS Chart courtesy of William Huston policymakers. -
From Squatting to Tactical Media Art in the Netherlands, 1979–1993
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots. -
“Signs of Sustainability” 2013
“Signs of Sustainability” 2013 Sustainable Tompkins, the premiere organization devoted to catalyzing sustainable development in our region, continually seeks the newest “Signs of Sustainability” in our community. We invite our community to keep watch through the year to spot individuals and organizations emerging on the local scene, all doing their part to help advance community sustainability. Sustainable Tompkins highlights these efforts to help these new activists “plug in” and connect with other similar endeavors. With all of us working together in different ways to resolve our shared sustainability challenges, we spur faster progress of this vital social movement. Join us in acknowledging the great work of this year’s “Signs of Sustainability” in our community! Sustainable Tompkins, 109 South Albany Street, Ithaca NY 14850 www.sustainabletompkins.org 2013 “Signs of Sustainability” Table of Contents Pages New Sustainable Enterprises 1-2 Energy Efficiency 1 Food Systems 1 Sustainable Community Development 1 Sustainable Enterprise 1-2 New Sustainability-Related Organizations 2-3 Food Systems 2 Renewable Energy 2 Social Activism 2 Sustainable Community Development 2-3 Sustainability Education 3 Sustainable Operations 3 New Sustainability Program by an Existing Business, Organization or Individual 4-31 Energy Efficiency 4 Food Systems 4-6 Green Building 6 Land Use 6-8 Planning and Policy 8-9 Recycling and Composting 10-11 Renewable Energy 11-12 Social Activism 12-14 Sustainable Community Development 14-18 Sustainability Education 18-27 -
Setting the Record Straight: Hydraulic Fracturing and America's Energy
United States Senate Committee on Environment and Public Works Minority Staff Report Setting the Record Straight: Hydraulic Fracturing and America’s Energy Revolution October 23, 2014 Contact: U.S. Senate Committee on Environment and Public Works (Minority) Luke Bolar — [email protected] (202) 224-6176 Cheyenne Steel — [email protected] (202) 224-6176 EXECUTIVE SUMMARY In his October 2, 2014, remarks to Northwestern University, President Obama boasted, “Today, the number-one oil and [natural] gas producer in the world is no longer Russia or Saudi Arabia. It’s America.”1 In his speech, the President also touted “our 100-year supply of natural gas [as] a big factor in drawing jobs back to our shores. Many are in manufacturing, which produce the quintessential middle-class job.”2 The President’s attempt to claim success from the very industry he has worked so hard to undermine is sadly ironic. Then again, it would have made little sense for the President to take credit for the numerous failed “green” stimulus projects, including Solyndra, or otherwise for him to have been honest about the fact that without the private sector’s investment in oil and natural gas development the economy would still be in a deep recession. Instead, he chose to celebrate—along with all the undeniable benefits it has for our nation—the success of an industry he and his far-left environmental activist base despise. This report by the United States Senate Committee on Environment and Public Works illustrates the clear disparity between the President’s rhetoric and the multitude of nonsensical claims from the far-left environmental activist organizations—such as the Natural Resources Defense Council, Sierra Club, and Center for American Progress—versus the reality of American ingenuity, including hydraulic fracturing, to develop our vast fossil resources. -
Feminism: When the Label 'White' Gets Attached in Pop Music Industry
Feminism: When the Label ‘White’ Gets Attached in Pop Music Industry Audrey Lee and Brian Oh Published 5 Oct 2020 Abstract This paper describes a qualitative study that investigates the pop music genre starting from the 2000s, relating it to feminism. The investigation focuses on understanding when female artists are considered feminist, and when the label ‘white feminist’ is applied to specific female artists. Based on media press and public perspective, the research hopes to find key characteristics that separates the moment when the label feminism and white feminism are applied, especially in relation to other attributes such as gender orientation, sexual orientation, and race. The purpose of the research is to provide more insight into understanding feminism in the context of today, and to how navigate complex spaces such as media image and personal identity, labels that come with the public status of their profession. 1 Introduction MTV, The GRAMMYs, Spotify, Apple Music, YouTube, KIIS FM - Popular music aka ‘Pop Music’ is an industry that is in a constant flurry of activity and publicity, through television, radio, news, and videos. When referencing popular music, the paper is defining Pop Music as any popular music produced after the 2000s. With such a public identity, artists in the pop music industry are expected to navigate the complexities of the business that exist, including image, policies, and activism. In the current generation where technology and communication can occur in an instant, female artists are expected to adjust to a multi-faceted industry that, at many times, can seem paradoxical in nature. Many female artists are forced to find the right balance between outgoing and timid when portraying their public personas. -
An Energy in Depth Whitepaper April 2015
A LOOK INSIDE NEW YORK’S ANTI-FRACKING ECHO CHAMBER AN ENERGY IN DEPTH WHITEPAPER APRIL 2015 CONTACT: Katie Brown [email protected] ABOUT ENERGY IN DEPTH E nergy In Depth is a program of the Independent Petroleum Association of America. The IPAA represents thousands of independent oil and natural gas producers and service companies across the United States. Its members develop 95 percent of the nation’s oil and gas wells. EXECUTIVE SUMMARY 1.0 BACKGROUND 2.0 GOV. CUOMO’S “BONA FIDE” RESEARCH 2.1 ACTIVIST AUTHORS 2.2 SANDRA STEINGRABER: AN ACTIVIST PEER REVIEWER 2.3 SUBVERTING THE PEER-REVIEW PROCESS 3.0 NEW YORK’S ANTI-FRACKING ECHO CHAMBER 3.1 THE PARK FOUNDATION 3.2 THE HEALTH AND ENVIRONMENTAL FUNDERS NETWORK 3.3 THE SUSTAINABLE MARKETS FOUNDATION 3.4 HEFN AND SMF REVENUES IN CONTEXT 4.0 THE ECHO CHAMBER IN ACTION: RESEARCH, MEDIA AND CAMPAIGN SPENDING 4.1 THE GCM PAPER 4.2 INGRAFFEA & HOWARTH PAPER 4.3 PHYSICIANS SCIENTISTS AND ENGINEERS FOR HEALTHY ENERGY PAPER 4.4 EARTHWORKS PAPER 4.5 THE NICHOLAS SCHOOL PAPERS 5.0 AVENUES FOR FURTHER INQUIRY 6.0 CONCLUSION 7.0 APPENDIX 8.0 WORKS CITED EXECUTIVE SUMMARY On Dec. 17, 2014, New York Gov. Andrew Cuomo (D) announced a ban on so-called high-volume hydraulic fracturing activities in the state of New York. The unprecedented decision overturned two earlier findings from New York state environmental regulators that hydraulic fracturing technology could be applied safely and should be allowed to proceed under stringent regulation. The decision was at odds with broad agreement among scientists, engineers and regulators from state and federal environmental agencies that hydraulic fracturing has been conducted safely for decades – including, incidentally, in the state of New York. -