Lecture 10 Ancient Rome WC 159-172 PP 156-161: the XII
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Chapter 5 Art Offers a Glimpse at a Different World Than That Which The
chapter 5 Art Art offers a glimpse at a different world than that which the written narratives of early Rome provide. Although the producers (or rather, the patrons) of both types of work may fall into the same class, the educated elite, the audience of the two is not the same. Written histories and antiquarian works were pro- duced for the consumption of the educated; monuments, provided that they were public, were to be viewed by all. The narrative changes required by dyadic rivalry are rarely depicted through visual language.1 This absence suggests that the visual narratives had a different purpose than written accounts. To avoid confusion between dyadic rivals and other types of doubles, I con- fine myself to depictions of known stories, which in practice limits my inves- tigation to Romulus and Remus.2 Most artistic material depicting the twins comes from the Augustan era, and is more complimentary than the literary narratives. In this chapter, I examine mainly public imagery, commissioned by the same elite who read the histories of the city. As a result, there can be no question of ignorance of this narrative trope; however, Roman monuments are aimed at a different and wider audience. They stress the miraculous salvation of the twins, rather than their later adventures. The pictorial language of the Republic was more interested in the promo- tion of the city and its elite members than problematizing their competition. The differentiation between artistic versions produced for an external audi- ence and the written narratives for an internal audience is similar to the dis- tinction made in Propertius between the inhabitants’ knowledge of the Parilia and the archaizing gloss shown to visitors. -
Pantheon Piazza Della Rotonda, 00186 Near Piazza Novanametro: 9 AM – 7:30 PM (Mon – Sat)
Pantheon Piazza della Rotonda, 00186 Near Piazza NovanaMetro: 9 AM – 7:30 PM (Mon – Sat) 9 AM – 6 PM (Sunday) The Roman Pantheon is the most preserved and influential building of ancient Rome. It is a Roman temple dedicated to all the gods of pagan Rome. As the brick stamps on the side of the building reveal it was built and dedicated between A.D 118 and 125. The emperor Hadrian (A.D 117-138) built the Pantheon to replace Augustus’ friend and Commander Marcus Agrippa’s Pantheon of 27 B.C. which burnt to the ground in 80 A.D. When approaching the front of the Pantheon one can see the inscription above still reads in Latin the original dedication by Marcus Agrippa. The inscription reads: "M. AGRIPPA.L.F.COSTERTIUM.FECIT” “Marcus Agrippa son of Lucius, having been consul three times made it”. Despite all the marvelous building projects that the emperor Hadrian produced during his reign, he never inscribed his name to any, but one, the temple of his father Trajan. That is why the Roman Pantheon bears the inscription of Marcus Agrippa, and not the emperor Hadrian. The pediment (the triangle section above the inscription) is blank today, but there would have been sculpture that acted out the battle of the Titans. Great bronze doors guard the entrance to the cella and would have been covered in gold, but it has long since disappeared. The original use of the Pantheon is somewhat unknown, except that is was classified as a temple. However, it is unknown as to how the people worshipped in the building, because the structure of the temple is so different from other traditional Roman temples such as in the Roman Forum. -
And Rome's Legacies
Christianity AND ROME’S LEGACIES Old Religions New Testament MARK MAKES HIS MARK NOT SO SIMPLE TEMPLES IN PARTNERSHIP WITH christianity_FC.indd 1 3/6/17 3:32 PM 2 Religions in Rome The earliest Romans saw their gods as spirits or powerful forces of nature. These gods did not have personalities or emotions or act in any other way like human beings. However, as Rome began to build an empire, the Romans were exposed to new ideas. Through contact with the Greeks, the Romans’ idea of gods and goddesses changed. The Greeks believed in gods and god- desses who behaved very much like human beings. Their gods could be jeal- ous, angry, passionate, kind, foolish, or petty. The Romans borrowed this idea u THE ROMANS People did not go to and honey, burned honored their gods a temple to worship sweet-smelling from the Greeks. They even borrowed by building temples. the god. Rather, a incense, and sac- some of the Greek gods and goddesses. Inside each temple temple was where rificed animals to No longer were the Roman gods spir- was a statue of a priests made honor the god. god or goddess. offerings of cakes its or forces of nature. They were now divine and human at the same time. u UNTIL THE in private people 300s CE, the Roman were free to think u THE ROMANS wisdom. During festival day, priests ticular, no legal religion was a and say what they honored their gods Cerealia, Romans performed rituals work was allowed. state religion. wanted to. Over with more than 100 honored the god- and sacrifices Celebrations includ- The emperor was time, the emperor festivals every year. -
A Study of the Pantheon Through Time Caitlin Williams
Union College Union | Digital Works Honors Theses Student Work 6-2018 A Study of the Pantheon Through Time Caitlin Williams Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Archaeology and Art History Commons Recommended Citation Williams, Caitlin, "A Study of the Pantheon Through Time" (2018). Honors Theses. 1689. https://digitalworks.union.edu/theses/1689 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. A Study of the Pantheon Through Time By Caitlin Williams * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Department of Classics UNION COLLEGE June, 2018 ABSTRACT WILLIAMS, CAITLIN A Study of the Pantheon Through Time. Department of Classics, June, 2018. ADVISOR: Hans-Friedrich Mueller. I analyze the Pantheon, one of the most well-preserVed buildings from antiquity, through time. I start with Agrippa's Pantheon, the original Pantheon that is no longer standing, which was built in 27 or 25 BC. What did it look like originally under Augustus? Why was it built? We then shift to the Pantheon that stands today, Hadrian-Trajan's Pantheon, which was completed around AD 125-128, and represents an example of an architectural reVolution. Was it eVen a temple? We also look at the Pantheon's conversion to a church, which helps explain why it is so well preserVed. -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
The Pantheon (Temple of All the Gods)
The Pantheon (temple of all the gods) is a former Roman temple and since the year 609 a Catholic church in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down. The building is cylindrical with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 142 feet. It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history and, since the 7th century, the Pantheon has been in use as a church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism. In 2013, it was visited by over 6 million people. -
Ancient Rome
HISTORY AND GEOGRAPHY Ancient Julius Caesar Rome Reader Caesar Augustus The Second Punic War Cleopatra THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. Ancient Rome Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
An Analysis of the Temple of Jupiter Optimus Maximus As a Case of Etruscan Influence on Roman Religious Architec
HPS: The Journal of History & Political Science 5 Caput Mundi: An Analysis of the HPS: The Journal of History & Political Temple of Jupiter Optimus Maximus Science 2017, Vol. 5 1-12 as a Case of Etruscan Influence on © The Author(s) 2017 Roman Religious Architecture Mario Concordia York University, Canada While Roman architecture is often generalized as being primarily of Greek influence, there are important periods where other influences can be clearly identified. This paper considers the Etruscan, Greek, and Villanovan influence on Roman religious architecture through an examination of the Temple of Jupiter Optimus Maxmius, also known as the Capitolium, and argues that the temple is ultimately of primarily Etruscan influence. Introduction Religious temple architecture was a dynamic, evolving tradition throughout the entire span of Roman history. From its founding, customarily dated at 753 BCE with the mythical tale of Romulus and Remus, until the eventual fall of the Western Empire in the 5th century CE, temples were a central piece of the majesty of Roman architecture. But, like all construction fashion, what was dominant and popular in one period would inevitably change over time. As Becker indicates in his work, “Italic Architecture of the Earlier First Millennium BCE,” many scholars believe that Roman temple architecture is completely indebted to Greek advancements and influence, and that historians should be looking at Classic Greek models when considering Roman architecture,1 but this is hardly a complete answer. While it is true that Rome began to steer toward a more Hellenistic aesthetic some time around the Late Republic to Early Empire Period, there is an entire period before that which cannot be understood in this simple way. -
THIASOS Rivista Di Archeologia E Architettura Antica
THIASOS rivista di archeologia e architettura antica 2020, n. 9.2 IN SOLO PROVINCIALI Sull’architettura delle province, da Augusto ai Severi, tra inerzie locali e romanizzazione a cura di Giuseppe Mazzilli «THIASOS» Rivista di archeologia e architettura antica Direttore: Giorgio Rocco Comitato di Direzione: Monica Livadiotti (vice-Direttore), Roberta Belli Pasqua, Luigi Maria Caliò Redazione: Davide Falco, Antonello Fino, Chiara Giatti, Antonella Lepone, Giuseppe Mazzilli, Valeria Parisi, Rita Sassu Anno di fondazione: 2011 Alka Starac, The Oldest Forum Temple of Pola. A New Approach Il contenuto risponde alle norme della legislazione italiana in materia di proprietà intellettuale ed è di proprietà esclusiva dell'Editore ed è soggetta a copyright. Le opere che figurano nel sito possono essere consultate e riprodotte su supporto cartaceo o elettronico con la riserva che l'uso sia strettamente personale, sia scientifico che didattico, escludendo qualsiasi uso di tipo commerciale. La riproduzione e la citazione dovranno obbligatoriamente menzionare l'editore, il nome della rivista, l'autore e il riferimento al documento. Qualsiasi altro tipo di riproduzione è vietato, salvo accordi preliminari con l'Editore. Edizioni Quasar di Severino Tognon s.r.l., via Ajaccio 41-43, 00198 Roma (Italia) http://www.edizioniquasar.it/ ISSN 2279-7297 Tutti i diritti riservati Come citare l'articolo: A. Starac, The Oldest Forum Temple of Pola. A New Approach, in G. Mazzilli (a cura di), In solo provinciali, Sull’architettura delle province, da Augusto ai Severi, tra inerzie locali e romanizzazione, Thiasos 9.2, 2020, pp. 19-32. Gli articoli pubblicati nella Rivista sono sottoposti a referee nel sistema a doppio cieco. -
Paganism in the Roman Church
CORE Metadata, citation and similar papers at core.ac.uk Provided by OpenSIUC ^be ©pen Court A MONTHLY MAGAZINE 2)evote& to tbe Science ot IReltgton, tbe IReU^ton of Science, ant) tbe Bxtensfon ot tbe "Keligious jparltament ITDea Editor: Dr. Paul Carus, ^- ^- Heoblbr. • J Assoda t es. -i^ Asiittant Editor: T. J. McCormack. Mary Carus. VOL. XIII. (no. 6) June, 1899. NO. 517 CONTENTS: Frontispiece. Condorcet. Paganism in the Roman Church. The Rev. Th. Trede, Pastor of the Evan- gelical Church of Naples . , 321 French Philosophy at the End of the Eighteenth Century— Condorcet. Prof. L. L6vy-Bruhl, Maitre de Conferences at the Sorbonne, Paris . 340 Intermediate Forms of Abstraction. A Study in the Evolution of General Ideas. Th. Ribot, Editor of the Revue Philosophique and Professor in the College de France, Paris 349 Peace on Earth. A Problem of Practical Diplomacy. A Suggestion to the Members of the International Peace Commission. Editor . 360 Plato and the Cross. With Illustrations. Editor 364 Internat'ional Good- Will. 373 The Filipino Question 375 Henry Clarke Warren. Obituary 376 Manilal N. Dvivedi. Obituary 378 A Further Note on the Buddhist Nativity Sutta 379 A Practical Introduction to English Literature 380 Book Reviews, Notes, etc 380 CHICAGO ®be ©pen Court publisbing Companie LONDON : Kegan Paul, Trench, Trubner & Co. Single copies, 10 cent^ (6d.). Annually, $1.00. in the U. P. U., 5s. 6d. Copyright. 1899, by Tbe Op«n Court Poblishinj; Co. Bantered at the CbicaKO Post Office as Second-Class Matter. Jp^ : ^be ©pen Gourt A MONTHLY MAGAZINE 2)evotc& to tbe Science of IReltgton, tbe IReliGton ot Science, an^ tbe Bitension ot tbe IReligious parliament 1[C)ea Editor: Dr. -
Brief History of the Roman Empire -Establishment of Rome in 753 BC
Brief History of the Roman Empire -Establishment of Rome in 753 BC (or 625 BC) -Etruscan domination of Rome (615-509 BC) -Roman Republic (510 BC to 23 BC) -The word 'Republic' itself comes from the Latin (the language of the Romans) words 'res publica' which mean 'public matters' or 'matters of state'. Social System -Rome knew four classes of people. -The lowest class were the slaves. They were owned by other people. They had no rights at all. -The next class were the plebeians. They were free people. But they had little say at all. -The second highest class were the equestrians (sometimes they are called the 'knights'). Their name means the 'riders', as they were given a horse to ride if they were called to fight for Rome. To be an equestrian you had to be rich. -The highest class were the nobles of Rome. They were called 'patricians'. All the real power in Rome lay with them. Emperors of the Roman Empire -Imperial Period (27BC-395AD) Augustus: Rome's first emperor. He also added many territories to the empire. Nero: He was insane. He murdered his mother and his wife and threw thousands of Christians to the lions. Titus: Before he was emperor he destroyed the great Jewish temple of Solomon in Jerusalem. Trajan: He was a great conqueror. Under his rule the empire reached its greatest extent. Diocletian: He split the empire into two pieces - a western and an eastern empire. -Imperial Period (27BC-395AD) Hadrian: He built 'Hadrian's Wall' in the north of Britain to shield the province from the northern barbarians. -
3. Etruscans Romans
The Etruscans 8th to the 5th century B.C (900/700-500 B.C) Triclinium – formal dining room Interior of the Tomb of the Triclinium, from the Monterozzi necropolis, Tarquinia, Italy, ca. 480–470 BCE Italy in Etruscan times Important sites: Tarquinia Cerveteri Vulci Villanova Brief History • The Etruscans occupied the region to the north of Rome, in what is today known as Tuscany (Central). • The Romans (still considered a tribe, yet the Empire it would become) were first a subject people of the Etruscans and later their conquerors. • The Etruscan culture was well-developed and advanced but distinctively different from the cultures of the other peoples in the region. This distinctive difference immediately led to the question of “where did the Etruscans originate?” Where did the Etruscans originate? • Some Greeks held that the Etruscans came from Lydia, a kingdom of western Anatolia (or modern day Turkey). • In the 19th c, it was discovered that most of the languages of Europe belonged to one big language family called Indo- European but Etruscan was not one of them. – The Etruscan language is unique in the ancient Greco- Roman world. There are no known parent languages to Etruscan, nor are there any modern descendants. As Romans took control, Latin became the dominant language. – We have no surviving histories or literature in Etruscan. Science vs. Art • The American Journal of Human • Villanovan Culture: 900-700 BC. Genetics reports finding 11 A culture of Northern Italy, they lineages of human mitochondrial were first identified by their DNA in Tuscany that occur in the cemeteries.