Autumn Trip to Inverness 2017
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THE HISTORIC ARCHITECTURE of MORAY Ronald G
THE HISTORIC ARCHITECTURE OF MORAY Ronald G. Cant In this paper the term 'historic architecture' has been taken, arbitrarily perhaps but conveniently, to cover the period from the early twelfth cen tury onwards when Moray came to be effectively absorbed into the medi eval Scottish kingdom, itself being integrated into a pattern of life developed in most parts of Europe in what has sometimes been called 'the medieval renaissance'. In terms of organisation this pattern involved four major elements. First was the authority of the King of Scots based on royal castles like those of Elgin and Forres under such officers as constables or sheriffs. Second, associated with certain castles, were settlements of merchants and crafts men that might (as at Elgin and Forres) develop into organised urban communities or burghs. Third, in the surrounding countryside, were the defensible dwellings of greater and lesser lords holding lands and authority directly or indirectly from the king and ultimately answerable to him. Fourth was the medieval church, an international organisation under the Pope but enjoying a certain autonomy in each of the countries in which it functioned and closely associated with these other elements at every level. Kings, Barons, and Burghers Each element in this 'medieval order' had its distinctive building require ments. For the king control of the previously strongly independent regional dominion of Moray stretching from west of the River Ness to east of the Spey was secured by the building of castles (with associated sheriffs) at Inverness, Nairn, Forres, and Elgin. Beyond the Spey was another at Banff but in civil affairs most of the area there had little direct association with Moray until comparatively recently, while in the west Inverness became the seat of a different and more extensive authority. -
{PDF EPUB} the Pictish Symbol Stones of Scotland by Iain Fraser ISBN 13: 9781902419534
Read Ebook {PDF EPUB} The Pictish Symbol Stones of Scotland by Iain Fraser ISBN 13: 9781902419534. This is a revised and expanded version of the RCAHMS publication originally entitled Pictish Symbol Stones - a Handlist . It publishes the complete known corpus of Pictish symbol stones, including descriptions, photos and professional archaeological drawings of each. An introduction gives an overview of work on the stones, and analyses the latest thinking as to their function and meaning. "synopsis" may belong to another edition of this title. After twenty years working in the shipping industry in Asia and America, Iain Fraser returned home in 1994 to establish The Elephant House, a caf�-restaurant in the Old Town famed for its connection with a certain fictional boy wizard. The Pictish Symbolic Stones of Scotland. This is a revised and expanded version of the RCAHMS publication originally entitled Pictish Symbol Stones - a Handlist . It publishes the complete known corpus of Pictish symbol stones, including descriptions, photos and professional archaeological drawings of each. Read More. This is a revised and expanded version of the RCAHMS publication originally entitled Pictish Symbol Stones - a Handlist . It publishes the complete known corpus of Pictish symbol stones, including descriptions, photos and professional archaeological drawings of each. Read Less. Dyce Symbol Stones. Wonder at the mysterious carvings on a pair of Pictish stones, one featuring a rare ogham inscription . The Dyce symbol stones are on display in an enclosure at the ruined kirk of St Fergus in Dyce. The older of the two, probably dating from about AD 600, is a granite symbol stone depicting a swimming beast above a cluster of symbols. -
A Reconsideration of Pictish Mirror and Comb Symbols Traci N
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols Traci N. Billings University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, European History Commons, and the Medieval History Commons Recommended Citation Billings, Traci N., "Gender Reflections: a Reconsideration of Pictish Mirror and Comb Symbols" (2016). Theses and Dissertations. 1351. https://dc.uwm.edu/etd/1351 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2016 ABSTRACT GENDER REFLECTIONS: A RECONSIDERATION OF PICTISH MIRROR AND COMB SYMBOLS by Traci N. Billings The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Bettina Arnold, PhD. The interpretation of prehistoric iconography is complicated by the tendency to project contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture in Scotland has been studied over the last 100 years. Traditionally, mirror and comb symbols found on some stones produced in Scotland between AD 400 and AD 900 have been interpreted as being associated exclusively with women and/or the female gender. This thesis re-examines this assumption in light of more recent work to offer a new interpretation of Pictish mirror and comb symbols and to suggest a larger context for their possible meaning. -
The Declining Pictish Symbol - a Reappraisal the Late Gordon Murray
Proc SocAntiq Scot, (1986)6 11 , 223-253 The declining Pictish symbol - a reappraisal The late Gordon Murray SUMMARY The paper is mainly concerned with the three commonest Pictish symbols, the crescent, the double disc with Pictish the Z-rod and 'elephant' 'beast'.BStevensonR or K ideasDr The of and Dr I Henderson are outlined, namely that for each of these symbols a stylistic 'declining sequence' can be traced that corresponds approximately to a chronological sequence, enabling the probable place of origin of the symbol to be determined. The forms and distributions of the three symbols are examined in detail and it is argued that the finer examples of each are centred in different areas. For reasons which are stated, the classification of the crescent differs here from that made by Stevenson. The different decorative forms show significantly different distributions originthe but appears be to north. far most The the typicalin examples Z-rodthe of accompanying doublethe discfoundare predominantly in Aberdeenshire, where it is suggested that the symbol may have originated. Examples Pictishthe of beast hereare graded according extentthe to that their features correspond otherwiseor with lista whatof 'classical' the appear be to features form. distributionofthe The and general quality existingof examples suggest that originthe centre thisof symbol probablyis the in area Angusof easternand Perthshire. The paper also discusses arrangementthe symbolsthe of statements, in with some tentative remarks on the relative chronology of the mirror appearing alone as a qualifier. INTRODUCTION principle Th e declininth f eo g symbo thas i l t there existe prototypda r 'correcteo ' forr mfo at least some of the Pictish symbols, to which all surviving instances approximate in varying degrees, but from which later examples tend to depart more than earlier ones. -
Duffus Castle Statement of Significance
Property in Care (PIC) ID:PIC240 Designations: Scheduled Monument (SM90105) Taken into State care: 1925 (Guardianship) Last reviewed: 2011 STATEMENT OF SIGNIFICANCE DUFFUS CASTLE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2018 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH DUFFUS CASTLE SYNOPSIS Duffus Castle is the best-preserved motte-and-bailey castle in state care. It was built c.1150 by Freskin, a Fleming who founded the powerful Moray (Murray) dynasty. -
Clan Dunbar 2014 Tour of Scotland in August 14-26, 2014: Journal of Lyle Dunbar
Clan Dunbar 2014 Tour of Scotland in August 14-26, 2014: Journal of Lyle Dunbar Introduction The Clan Dunbar 2014 Tour of Scotland from August 14-26, 2014, was organized for Clan Dunbar members with the primary objective to visit sites associated with the Dunbar family history in Scotland. This Clan Dunbar 2014 Tour of Scotland focused on Dunbar family history at sites in southeast Scotland around Dunbar town and Dunbar Castle, and in the northern highlands and Moray. Lyle Dunbar, a Clan Dunbar member from San Diego, CA, participated in both the 2014 tour, as well as a previous Clan Dunbar 2009 Tour of Scotland, which focused on the Dunbar family history in the southern border regions of Scotland, the northern border regions of England, the Isle of Mann, and the areas in southeast Scotland around the town of Dunbar and Dunbar Castle. The research from the 2009 trip was included in Lyle Dunbar’s book entitled House of Dunbar- The Rise and Fall of a Scottish Noble Family, Part I-The Earls of Dunbar, recently published in May, 2014. Part I documented the early Dunbar family history associated with the Earls of Dunbar from the founding of the earldom in 1072, through the forfeiture of the earldom forced by King James I of Scotland in 1435. Lyle Dunbar is in the process of completing a second installment of the book entitled House of Dunbar- The Rise and Fall of a Scottish Noble Family, Part II- After the Fall, which will document the history of the Dunbar family in Scotland after the fall of the earldom of Dunbar in 1435, through the mid-1700s, when many Scots, including his ancestors, left Scotland for America. -
Music in Scotland Before the Mid Ninth Century an Interdisciplinary
Clements, Joanna (2009) Music in Scotland before the mid-ninth century: an interdisciplinary approach. MMus(R) thesis. http://theses.gla.ac.uk/2368/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Music in Scotland before the Mid-Ninth Century: An Interdisciplinary Approach Joanna Clements Submitted in fulfilment of the requirements for the degree of MMus, Musicology Department of Music Faculty of Arts University of Glasgow February 2009 Abstract There are few sources for early medieval Scottish music and their interpretation is contentious. Many writers have consequently turned to Irish sources to supplement them. An examination of patterns of cultural influence in sculpture and metalwork suggests that, in addition to an Irish influence, a Northumbrian Anglo-Saxon influence and sources should be considered. Differences in the musical evidence from these groups, however, suggest a complex process of diffusion, innovation and local choice in the interaction of their musical cultures. The difficulty of predicting the course of such a process means that the observation of cultural influence in other disciplines is not on its own a useful tool in the study of music in Scotland before the mid-ninth century. -
Castle Campbell
Property in Care (PIC) ID: PIC016 Designations: Scheduled Monument (SM13611) GDL Inventory Landscape (00089); Taken into State care: 1950 (Guardianship) Last reviewed: 2013 HISTORIC ENVIRONMENT SCOTLAND STATEMENT OF SIGNIFICANCE CASTLE CAMPBELL We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH CASTLE CAMPBELL SYNOPSIS Castle Campbell stands in lofty isolation on a narrow rocky spur at the head of Dollar Glen, 1 mile north of Dollar. The spur is cut off from the east, west and south by the ravines of the Burns of Care and Sorrow, whilst the Ochil Hills overlook it from the north. The castle has splendid views southward over the Forth valley. The site may be of some antiquity but the present castle complex most probably dates from the early 15th century. Initially called Castle Gloom, it became the Lowland residence of the Campbell earls of Argyll around 1465 – whence the name Castle Campbell. It remained with that powerful noble family until the 9th earl relocated to Argyll’s Lodging, Stirling, in the mid-17th century. Thereafter, the castle fell into ruin. The Campbell earls substantially rebuilt the lofty tower house that dominates the complex, then added a once-splendid but now substantially ruined hall range across the courtyard c. -
Moray Speyside Responsible Itinerary
Moray Speyside itinerary - 3 day itinerary 01. Speyside Wildlife Brodie Castle A wildlife tour operator based within the heart of Scotland in the This 16th-century castle was the ancestral home of the Brodie Cairngorms National Park. Along with expert logistical knowledge clan for over 400 years. Inside, your clients can discover its of the areas they travel to, their guiding team knows the wildlife impressive art collections, including Dutch Old Masters to modern species that your clients are likely to see and crucially, where watercolours, decorative ceilings and fine furniture. The castle and when to find them. Along with guided days out, wildlife also boasts an impressive library containing over 6,000 volumes. photography and evening mammals watching hides, Speyside Outside, visitors can enjoy the beautifully landscaped gardens and Wildlife can offer bespoke itineraries throughout Scotland. natural trail. Nearby is a small hill known as ‘Macbeth’s Hillock’ where the Shakespearean hero is said to have encountered the Wester Camerorie Three Witches. Ballieward Grantown on Spey Brodie Cairngorms National Park, PH26 3PR Forres, IV36 2TE www.speysidewildlife.co.uk www.nts.org.uk Link to Trade Website Link to Trade Website Distance between Speyside Wildlife and Logie Estate is Distance between Brodie Castle and Dallas Dhu Distillery is 35 miles/56.3km. 5.7 miles/9.3km. Logie Estate A beautiful estate in Findhorn Valley near the town of Forres. Logie Estate is a multi-faceted business involving farming, forestry, housing, commercial premises, tourism and recreation. This includes a steading shop, visitor centre, gardens and café. The estate also offers exciting salmon fishing on the river Findhorn with its spectacular gorge scenery. -
Presenting Archaeological Sites to the Public in Scotland
Presenting Archaeological Sites to the Public in Scotland Steven M.Timoney Thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy, Department of Archaeology, University of Glasgow, May 2008 Abstract This thesis is an exploration of the nature of archaeological sites presented to the public in Scotland through an analysis of five case studies. The project utilises qualitative in-depth in interviews, an approach that, although well recognised in other social sciences, has been little-used archaeology. For this project, semi-structured recorded interviews were undertaken with participants at the sites, which were subsequently transcribed and analysed using QSR NVivo software. This approach, the rationales behind using it, and benefits for research in public archaeology, will be discussed in detail. This will be followed by an in- depth analysis of the roles and significances of archaeology, the ways it influences and is influenced by perceptions of the past, and the values placed upon it. The essence of the thesis will then focus on the in-depth analysis of the case studies. Backgrounds will be given to each of the sites, providing a framework from which extracts of interviews will be used to elucidate on themes and ideas of participant discussions. This approach allows for the real, lived experiences of respondents to be relayed, and direct quotations will be used to provide a greater context for discussions. This will reflect a number of recurring themes, which developed during interviews, both within sites and across sites. The interviews will also reflect the individual roles and functions of archaeological sites for the public, and the often idiosyncratic nature of participant engagements with archaeology. -
Scone and District Historical Society
Issue No 16 NEWSLETTER Friends of Perth & Kinross Council Archive Honorary Presidents: Bob Scott, Provost of Perth & Kinross Council and Sir William Macpherson of Cluny and Blairgowrie Welcome to the summer edition of the Friends newsletter. You will notice the difference in style and content, which is down to our new associate edi- tors, David Wilson and Morag Sweet. I’m sure you will agree that their hard work and en- thusiasm has handsomely paid off. At this year’s AGM, members were treated to the Abernyte Heritage Group’s oral history presentation (reported inside). Thanks were expressed for the Friends’ volunteers’ hard work and that of the committee. Our particular thanks go to Christine Wood who is retiring as treasurer and who has done an excellent job during her term of office. We welcome Mr Pe- ter Stroyan who was appointed treasurer at the AGM and are pleased that Mr John Howat has been re-appointed as secretary. The minutes of the AGM and other committee and gen- eral meetings are available in the Archive searchroom. CONTENTS Page Historical Societies in Perth and Kinross 2 ‘Mind ye Betty, Ministers are just Men’. 4 Launching the Maritime Collection 6 Exploring Chosen Themes and Topics; — Poverty in Perthshire 9 Hard Times on the Farm; an Oral History Project dramatised 10 On First Meeting Secretary Hand 11 The Diddledan 13 Scottish Castles, Palaces and Mansions 15 Diary of Events Insert Perth & Kinross Council Archive, AK Bell Library, York Place, Perth PH2 8EP, Tel: 01738 444949 Email: [email protected] Historical Societies in Perth & Kinross In the past twenty years, there has been an explosion of interest in local history, archaeology and genealogy in our area, to judge by the number of local groups that have been formed, and their sometimes impressive range of activities. -
Sites-Guide.Pdf
EXPLORE SCOTLAND 77 fascinating historic places just waiting to be explored | 3 DISCOVER STORIES historicenvironment.scot/visit-a-place OF PEOPLE, PLACES & POWER Over 5,000 years of history tell the story of a nation. See brochs, castles, palaces, abbeys, towers and tombs. Explore Historic Scotland with your personal guide to our nation’s finest historic places. When you’re out and about exploring you may want to download our free Historic Scotland app to give you the latest site updates direct to your phone. ICONIC ATTRACTIONS Edinburgh Castle, Iona Abbey, Skara Brae – just some of the famous attractions in our care. Each of our sites offers a glimpse of the past and tells the story of the people who shaped a nation. EVENTS ALL OVER SCOTLAND This year, yet again we have a bumper events programme with Spectacular Jousting at two locations in the summer, and the return of festive favourites in December. With fantastic interpretation thrown in, there’s lots of opportunities to get involved. Enjoy access to all Historic Scotland attractions with our great value Explorer Pass – see the back cover for more details. EDINBURGH AND THE LOTHIANS | 5 Must See Attraction EDINBURGH AND THE LOTHIANS EDINBURGH CASTLE No trip to Scotland’s capital is complete without a visit to Edinburgh Castle. Part of The Old and New Towns 6 EDINBURGH CASTLE of Edinburgh World Heritage Site and standing A mighty fortress, the defender of the nation and majestically on top of a 340 million-year-old extinct a world-famous visitor attraction – Edinburgh Castle volcano, the castle is a powerful national symbol.