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Volume-05 ISSN: 2455-3085 (Online) Issue-08 RESEARCH REVIEW International Journal of Multidisciplinary August-2020 www.rrjournals.com[Peer Reviewed Journal] DOI: https://doi.org/10.31305/rrijm.2020.v05.i08.016 The Confluence of Bhojpuri and Bengali Folk Culture *1Dr Chintu and 2Dr Ashutosh Kumar 1Assistant Professor, A.S. College, Bikramganj (Rohtas), VKSU (Ara), Bihar (India) 2Guest Faculty, Rajdhani College (NCWEB), Delhi University, Delhi (India) ARTICLE DETAILS ABSTRACT Article History Understanding Culture is essential to any study or discussion about the social and Published Online: 17 August 2020 political enquiry. The paper seeks to understand the complexities and coexistence of Bhojpuri and Bengali folk culture. Whether it is songs, theatre or film, both seem to Keywords influence and complementary to each other. This paper is an attempt to understand Confluence, Culture, Convergence, Bidesiya, the amalgamation of different cultures and how they have been enriching their cultural transformation, composite culture, Folk folk tradition without harming and destroying each other. The article is also an attempt culture. to analyse how Bhikhari Thakur who is called the Shakespeare of Bhojpuri has played * Corresponding Author an essential role in the confluence of Bhojpuri and Bengali folk culture and voicing the Email: chintumkumaril[at]gmail.com issues and aspirations of the oppressed in his art form Bidesiya. 1. Introduction 2. Kalcutta (Calcutta) as Perceived in the Songs and Culture is defined as a set of values, beliefs, symbols, Theatre of Bhikhari Thakur ideas, forms of behaviour and style of art and craft which the Bhikhari Thakur (1887–1971), a poor lower-caste barber members of a group have evolved to streamline their social life, who worked as a migrant labourer in Kolkata, developed the and thereby distinguished themselves from other groups.
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