Australian Museums and Galleries Association Annual Report 2019
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Australian Museums and Galleries Association Annual Report 2020
Australian Museums and Galleries Association Annual Report 2020 1 Australian Museums and Galleries Association operates with the generous support of Museums Victoria, Western Australian Museum, ICOM Australia, and Australian Library and Information Association, as well as individual members who have made generous donations. Australian Museums and Galleries Association PO Box 24 DEAKIN WEST ACT 2600 Telephone 02 6230 0346 ABN 83 048 139 955 Auditor Accountability PO Box 776 Mitchell ACT 2911 Telephone 0407 407 776 ABN 65 119 369 827 All images in this Annual Report 2020 have been sourced and reproduced with the permission of the owner/s. If you have any questions about the images reproduced herein, please contact the National Office on 02 6230 0346. AMaGA acknowledges and pays respect to the past, present and future Traditional Custodians and Elders of this nation and the continuation of cultural, spiritual and educational practices of Aboriginal and Torres Strait Islander peoples. 2 Contents National President’s Introduction 4 National Director’s Introduction 6 National Council 2019-2021 8 About the Association 9 Indigenous Roadmap 13 Advocacy 13 Membership 14 Branches & Chapters 16 National Networks 20 National Webinar Program 21 Partnerships 22 National Conference 23 Awards 24 Communications 25 2020 Operating Results 26 Organisational Members 27 3 National President’s Introduction In last year’s introduction to the AMaGA Annual membership of First Peoples from across Australia Report I wrote, ‘In literally the dying moments who are engaged in assisting AMaGA to move of 2019, we were not to know it, but a virus was forward in sensitive and appropriate ways. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker
Gestural Abstraction in Australian Art 1947 – 1963: Repositioning the Work of Albert Tucker Volume One Carol Ann Gilchrist A thesis submitted for the degree of Doctor of Philosophy Department of Art History School of Humanities Faculty of Arts University of Adelaide South Australia October 2015 Thesis Declaration I certify that this work contains no material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. In addition, I certify that no part of this work will, in the future, be used for any other degree or diploma in any university or other tertiary institution without the prior approval of the University of Adelaide and where applicable, any partner institution responsible for the joint-award of this degree. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying, subject to the provisions of the Copyright Act 1968. I also give permission for the digital version of my thesis to be made available on the web, via the University‟s digital research repository, the Library Search and also through web search engines, unless permission has been granted by the University to restrict access for a period of time. __________________________ __________________________ Abstract Gestural abstraction in the work of Australian painters was little understood and often ignored or misconstrued in the local Australian context during the tendency‟s international high point from 1947-1963. -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon. -
See Where the Bullets Ricocheted Off Bushranger Ned Kelly's Armour At
10 THINGS TO DO BEFORE YOU TURN 10 THE ART OF STREET ART Explore Melbourne’s many LANEWAYS to see their bright, brilliant and bizarre street art. Stop at Shortstop Donuts first and munch as you walk. FLIT AROUND THE BUTTERFLY HOUSE Make friends with some of TALK TO THE ANIMALS the 600 winged residents Be transported to Africa at fluttering around the WERRIBEE OPEN RANGE ZOO BUTTERFLY HOUSE at to see lions, hippos, cheetahs, MELBOURNE ZOO and catch rhinos and giraffes, and meet a a free keeper’s talk. meerkat family up close. BE A FARMER IN THE CITY Feed the goats, cuddle a guinea pig and see sheep, chickens and horses in the city at COLLINGWOOD CHILDREN’S FARM. While in the ’hood have burgers in a train carriage on a rooftop at Easey’s. FIND MORE THAN BOOKS AT THE LIBRARY See where the bullets ricocheted off bushranger Ned Kelly’s armour at the STATE LIBRARY VICTORIA and be sure to book a spot at storytime (it’s free). TRAVEL BY TRAM EVERYWHERE Jumping on a tram is the easiest – and most fun – way to get around the city. Don’t leave town without riding one of the historic W-class trams for free. FEED YOUR SPORTS STAR DREAMS Head to the AUSTRALIAN SPORTS MUSEUM at the MCG to test your skills at everything from kicking to surfing. Then find out what it’s like to walk onto the pitch on a tour of the MCG. LOTS TO SEE AT THE NGV From a floating cow to a green lady crying, find your favourite (and your least favourite) artworks at this giant gallery. -
Inquiry Into the Impact of the COVID-19 Pandemic on the Tourism and Events Sectors Submission 119
LC EIC Inquiry into the impact of the COVID-19 pandemic on the tourism and events sectors Submission 119 Parliament of Victoria, Legislative Council Economy and Infrastructure Committee Inquiry into the impact of the COVID-19 pandemic on the tourism and events sectors Museums Victoria submission 1. About Museums Victoria Museums Victoria is Australasia’s largest museum organisation, comprising three museums – Melbourne Museum, Scienceworks and the Immigration Museum – the Royal Exhibition Building and IMAX Melbourne. In 2018-19 we connected with more than 9 million people at our museums, across our digital platforms and through our outreach program. Museums Victoria manages the State Collection of more than 17 million objects that record Victoria’s social, natural and cultural histories. This collection is a vital foundation for research and ongoing discovery into Victoria’s society and environment, with research shared globally through partnerships with leading research institutions. 2. Coronavirus (COVID-19) impacts The coronavirus (COVID-19) pandemic’s impact has had both immediate and long-term impact on Museums Victoria. Lockdowns during 2020 caused Melbourne Museum, Scienceworks and the Immigration Museum to be closed to all visitors for a total of 35 weeks. This directly impacted almost all revenue streams for the museums, with no admissions or related commercial activity (onsite retail, retail and event catering, venue hire, car park). The museums reopened to the public on 16 November 2020. While there was strong demand for tickets, capacity and density limitations slowed recovery during a typically peak visitation period. The lack of tourism audiences has been and continues to be particularly significant. -
Organisation Context Vision People Enriched by Wondrous Discovery and Trusted Knowledge
Role Statement The Position Head, Exhibitions Department and Exhibitions Department; Division Experience & Engagement Division Classification Grade 6; Value Range 2 Position Type Full-time; Ongoing Salary Range $136,627 - $156,387 per annum plus 9.5% superanuation Position Number MV/6366 Reports to Director, Experience & Engagement Date Prepared October 2018 Purpose of this Position The purpose of this position is to provide leadership within the Experience Production Department to achieve Museums Victoria’s strategic directions through the delivery and advocacy of a world-class and ambitious exhibitions program that reflects the overall goals and objectives of the organisation – as well as the individual flavour and mission of each of Museums Victoria’s three museums - the Immigration Museum, Scienceworks and Melbourne Museum and the Royal Exhibition Building. This role reports to the Director, Experience and Engagement and is responsible for envisioning, advocacy, planning and delivery of all aspects of the exhibitions program, including but not limited to the redevelopment and operations of the long term exhibitions program, temporary and touring exhibitions program and rapid response displays and pop- ups. The position will also work closely and in collaboration with each museum’s General Manager and other key internal stakeholders, to deliver against the organisation's overall strategic direction, while also reflecting each Museum’s core business strategies and vision. Primary Accountability The position is accountable for leading the development and delivery of an ambitious, world- class exhibitions program across MV’s three museums and the Royal Exhibitions Building. Lead the Experience Production Department by fostering a collaborative, supportive and dynamic team environment and through exemplary professional practice to deliver audience focussed exhibitions experiences within on time and within budget and that provide optimal outcomes for Museums Victoria stakeholders. -
Australian Museums and Galleries Association Annual Report 2018
Australian Museums and Galleries Association Annual Report 2018 1 Australian Museums and Galleries Association operates with the generous support of Museums Victoria, Western Australian Museum, ICOM Australia, and Australian Library and Information Association, as well as individual members who have made generous donations. Australian Museums and Galleries Association PO Box 24 DEAKIN WEST ACT 2600 Telephone 02 6230 0346 ABN 83 048 139 955 Auditor Accountability PO Box 776 Mitchell ACT 2911 Telephone 0407 407 776 ABN 65 119 369 827 All images in this Annual Report 2018 have been sourced and reproduced with the permission of the owner/s. If you have any questions about the images reproduced herein, please contact the National Office on 02 6230 0346. The National Office of Australian Museums and Galleries Association acknowledges the Ngunnawal people who are the traditional custodians of this land on which we work and pay respect to the Elders of the Ngunnawal Nation both past and present. 2 Contents National President’s Introduction 4 National Director’s Introduction 5 National Council 2017-2019 7 About the Association 7 Membership 12 Branches & Chapters 15 National Networks 23 Partnerships 26 Awards 28 Conference: Agents of Change 29 Communications 30 Finances 32 3 National President’s Introduction 2018 was an exacting but rewarding year. In A Special General Meeting of the association was addition to carrying out the day to day functions held in Canberra on 26 November 2018. Members of a national membership organization, including considered and voted on a resolution to change provision of membership services, advocacy, the name of our association. -
Dragon Tails 2017 Hopes, Dreams and Realities
5th Australasian conference on Chinese diaspora history & heritage Dragon Tails 2017 Hopes, Dreams and Realities Conference program Golden Dragon Museum Bendigo, Victoria, Australia 23-26 November 2017 0 Contents Conference program 4 Program - Timetable at a glance 4 Program in detail 5 Abstracts and speaker profiles 8 List of participants 25 Event Partner Conference Sponsors La Trobe Asia The Asia Institute La Trobe University The University of Melbourne www.latrobe.edu.au/asia arts.unimelb.edu.au/asiainstitute Conference Contacts For questions or problems during the conference, please see the Registration desk. You should also feel free to speak to the convenors. In case of emergencies, call Nadia Rhook 0409 807 516, Leigh McKinnon 0407 303 518, Paul Macgregor 0418 571 572 www.dragontails.org.au [email protected] Twitter: @dragontailsconf Hashtag #dtails17 Dragon Tails 2017 Hopes, Dreams and Realities 5th Australasian conference on Chinese diaspora history & heritage Golden Dragon Museum, Bendigo, Victoria, Australia 23-26 November 2017 Hopes and dreams have profoundly shaped the histories of Chinese people and their descendants in Australasia and abroad. This central theme of “Dragon Tails 2017: Hopes, Dreams and Realities” highlights not only the role of imagination in shaping the actions of Chinese-Australasians, but also the realities and challenges that Chinese-Australasians have historically encountered in pursuing their hopes and dreams. The Dragon Tails conferences promote research into the histories and heritage of Chinese people, their descendants and their associates, in Australasia (Australia and New Zealand). The conferences also encourage awareness of the connections of Chinese in Australasia with the histories of Chinese people, their descendants and their associates in other countries. -
View the Australian Sports Museum Social Media Competition
Australian Sports Museum – Social Media Competition Terms and Conditions Promoter Melbourne Cricket Club (ABN 92 871 871 964), PO Box 175 East Melbourne, Victoria, 8002. Who can enter? Only Australian residents who: (a) are aged 18 or over; (b) all entrants under 18 must receive parental or guardian consent to participate and must be accompanied by an adult over 18 when visiting the Australian Sports Museum. Competition 23/06//2021 to 24/06/2021. Period Entry To enter, you must, during the Competition Period comment on a Melbourne Cricket instructions Ground or Australian Sports Museum social post and ensure you are following both the @mcg and @australiansportsmuseum Instagram channels. How many There will be 1 winner determined in respect of this competition. winners will there be and A winner will be picked at random at 9am on 25/06/2021. how will they be The Promoter may arrange to draw additional reserve entries in a draw and record them chosen? in order, in case a winning entry/entrant is deemed invalid or a prize is unclaimed (Reserve Entrants). What can I win? There is 1 prize available. The prize is a family pass to visit the Australian Sports Museum and take a MCG Tour, valid for 12 months. Total prize pool The total prize pool is up to $95. How and when The winner will be notified by the Australian Sports Museum: will the winner/s be informed? by contacting via social media account followed in writing by email within two days of determination. Once the winner has communicated acceptance of the prize to the Promoter, the winner will have their name published on a Australian Sports Museum Instagram story via https://www.instagram.com/australiansportsmuseum/. -
2018 Annual Report
2018 annual report 1 AMaGA Victoria Contents About Australian Museums and Galleries Association Victoria About the Australian Museums and Galleries Association Victoria ......................................................2 Mission: Enabling museums and their Treasurer’s Report ..................................................................................................................................3 President’s Report ..................................................................................................................................4 people to develop their capacity to inspire Executive Director’s Report ................................................................................................................ 5-6 and engage their communities. Management ....................................................................................................................................... 7-8 Awards, Forum and Events .............................................................................................................. 9-10 Statement of Purpose Membership Forum in Melbourne. Both are curated to Communications ...................................................................................................................................11 Australian Museums and Galleries AMaGA Victoria represents approximately appeal to a broad audience, from large Association Victoria, provides professional one third of AMaGA’s total membership. It State institutions to small volunteer-run INSITE ...................................................................................................................................................12 -
Artists Statement for Me the Nature of Colour Is the Colour of Nature
David Aspden Born Bolton, England, arrived Australia 1950 1935 - 2005 COLLECTIONS Aspden is represented in National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, Museums and Galleries of the Northern Territory, National Gallery of Victoria, Art Gallery of South Australia, and other state galleries. His work is found in regional galleries including Bathurst, Newcastle, Wollongong, Gold Coast, Orange, Armidale, Ballarat, Benalla, Muswellbrook, Manly, Stanthorpe and Geelong. Aspden’s paintings are hung in New Parliament House, Canberra and the NSW State Parliament. His work is in the collections of Artbank, Heide, Tarrawarra Museum of Art, Macquarie University, National Bank of Australia, Macquarie Bank, St George Bank, The Australian Club, Festival Hall Adelaide, Allens Arthur Robinson, Clayton Utz, Melbourne Casino, Fairfax, News Limited, University of Western Australia, Monash University, Beljourno Group, Shell Company of Australia Limited, and numerous corporate and private collections. Individual Exhibitions 1965 Watters Gallery, Sydney 1966 Watters Gallery, Sydney - March and November 1967 Watters Gallery, Sydney Strines Gallery, Melbourne 1968 Farmers' Blaxland Gallery, Sydney Gallery A, Melbourne 1970 Rudy Komon Art Gallery, Sydney 1971 Rudy Komon Art Gallery, Sydney 1973 Rudy Komon Art Gallery, Sydney 1974 Rudy Komon Art Gallery, Sydney 1975 Solander Gallery, Canberra 1976 Monash University, Victoria Rudy Komon Art Gallery, Sydney 1977 Rudy Komon Art Gallery, Sydney 1981 Rudy Komon Art Gallery,