Naomi Enfield

Total Page:16

File Type:pdf, Size:1020Kb

Naomi Enfield NAOMI ENFIELD 1ST ASSISTANT DIRECTOR Contact: mobile: 0414 622 166 email: [email protected] Booking Agent: Top Technicians Management Ph: 99581611 email: [email protected] Television Commercials 1st Assistant Director - Selected Credits - 2005 - 2019 (in no particular order) Plaza Paul Middleditch ANZ Bank, Optus Samsung, Amazon, Rabbit Content Zoe McIntosh Australian Government Dave Wood TAB Natalie van den Dungen Pizza Hut Nick Reynolds LG, Hutchinson 3, Nissan, Optus, Toyota,Telstra Dan Mitchell Qantas Scoundrel Tim Bullock Reflex, Lotto (NZ), Gippsland Dairy Jessie McElroy VW Mike Daly Kia Carnival Lachlan Dickie MLA Peter Carstairs Aldi Jeff Low Aldi Jim Hosking Aldi Abe Forsythe Big W, St George Tom Noakes Momentum, Hotels.com, Foxtel, Owen Trevor Holden James Dive H&R Block, Difflam Dale Oates Ikea Photoplay Husein Alicajic Taubmans, Sanitarium, Best and Less, Thirteen and co Armand de Saint Salvy Kennards, Westpac Hungry Jacks x4 Kelloggs, Continental, Powerade, Pete Moore Best and Less Specsavers, Curash, McDonalds (x2) , Subaru, Lester Jones Telstra, Australian Ballet Freedom Foods, Pepsi, Target Babies, Collider Patrick Fileti Lexus, NRMA Scott Otto Anderson Dulux, Mazda 3, CBA, Sydney Film Festival, Damon Cameron Gut Foundation, Big W Hyundai, Ajax Ben Briand Qantas Gary John Local Agent Finder, CBA, Avocados, Vaalia, Exit Darren Ashton Mello Yello, Ikea, P&O, Pet Barn Phil Joanou (US) Toyota hybrid Joel Nordstrom Vegemite Mike Daly Invocare Armand De Saint Salvy Holden The Sweetshop Kathi Prosser KFC, OPSM Brendan Donovan NBN Vincent Jerome Unilever Jasmin Tarasin Close Up Mark Lever McDonalds Tom Noakes Avocados, Telstra, The Greens, Kia, OPSM, Revolver Celeste Geer CBA Max Factor, Bruce Hunt Clear Playtime Johnathan Chong Blackmores Tim Green Dollar Shave Club Finch Paola Morabito CBA Film Graphics Greme Burfoot Woolworths Dale Oates Blackmores Johnathan Nyquist McDonalds Alex Roberts Intel, Vodaphone, LG, Gobstopper Perry Westwood MLC, Smiths Crisps Alyssa McClelland Dairy Farmer Oasis Kriv Stenders HCF @radical Media Alex Roberts Art Vs Science, Plush Kriv Stenders Big W Gregor Jordan Sporting Bet Perry Westwood KFC, Glenn Fowler Pokerstars Geoff Brown KFC (x6) Patrick Hughes Honda Diana Leach Kelloggs (x3) Rosey Virgin money Damon Cameron St George Brilliant Films Luke Shanahan Budget Allen Koppe Madison Anthony Rose Taubmans, Trade Secrets, Big W, Bonds Kieran 'spud' Murphy Uncle Toby's Steve Back Audi Paul Cutter TAB Dean Friske Kiis FM Thinkbone Darren Ralph Navigation/Explore Eden Diebel McDonalds Dean Friske Nissan X-Trail, Henry Mason NBN The Feds Josh Logue Stange Talk, St George, ING Gary John Tooheys Nandos, Superannuation, Tim Pietranski Foxtel Matt Palmer St George Prodigy Matt Palmer Medibank, Victa, Ford Falcon, Ford Focus, Ford Bento Jesse McElroy Opal Card Territory Mondeo, Telstra, Sony, Peter Maguire Cottonelle Steve Hudson McDonalds Danny Pope Isuzu Dael Oates Australian Airforce, Origin Energy, P&O, Target, Di Leach Kelloggs, All Bran, Hyundai, Toyota Prius, Milo, Sunbeam, Sydney Blue Dragon, Lego Water, Butter Menthol, Yahoo Geoff Brown KFC (x lots!) Michael Duignan Austar David Gribble Ford Brent Bonacorsc Hyundai Perry Westwood KFC Michael Gracey Virgin Australia Window Johnathan Baker Wrigleys extra, Mazda 3, Tim Bullock Virgin, Continental, LGIS, Weight Watchers, (Hungry Man) Stephen Pearson Blackbird Heckler Simon Robson Taubmans, Gregor Jordan HSBC (KL, India), Sanitarium, Telstra (x2) Justin McMillan NFL Felicity Morgan-Rhind Foxtel Chris Nelius Hungry Jacks Ben Sedley KFC Tim Kindler Kiis Radio Pep Bosch (ESP) Toyota Kluger Glue Society Paul Bruce General Pants Les Sharpe Wild Oats Green Tea Nico Beyer Asahi Beer Brendan Donovan NRMA, NIB, Otto Empire Alex Keshishian Berlei Tryan George (US) Head and Shoulders Sophie Edelstein Kiss FM 8 com Eddy Bell Anti weed Curious Miki Magasiva Old Navy Matt Palmer Toyota, Handee, Sally Shapcott Gravox, White Wings Josh Frizzell Woolworths x2, Nick Reynolds NRMA, Riva, Film ConstructionBruce Hurwitt Big W Eight Steve Saussey P&O, Manuel Tom Noakes Fisher and Paykel Head Stephen Lance, Damon Escott KFC, Diet Coke Prodigious Willy Bernardoff Weetbix Aht Justin McMillan Clean Up Australia, Aussie Luke Seer Brown Suncorp Homeloan, Instant Eden Diebel Samsung, Tip Top, Fairy Liquid, Scratchie, McDonalds Max Miller Suncorp,Samsung Galaxy Carbon Brad Sayers Aussie Home Loan Kite Josh Whiteman Woolworths, Freedom, CBA, Lee Rogers Vaseline, TAB Via Hajime Murakami Subaru The Guild Damien Kelly Austar Jungleboys Scott Pickett Mc Café, Aldi, The Smith Family, Dettol, Tactic Brecon Littleford World Movies Loan Market, Greater Building Society, Megan Brown ZingZillas Uncle Toby's (x2), Brookland Valley, Milo, BMW/Like Scarlet Vespa NIB, Aussie Home Loan, KFC, Pork, Stocklands, Snuggler Craig Melville Expedia (Noumea, Phuket) Zink Lee Rogers Aussie Home Loans Al Morrow Quilton 166 Kieran "Spud' Murphy Paddle Pop Jungle Adam Zwar Eclipse Mints The Lab Phil Robson ABC ID's, Birdseye, Rotor Tim Denton Babylove Fuel Paul Butterworth Meadow Lea Robbers Dog Robin Walters HBF One20 Geoff Brown Uncle Toby's (x2), KFC Soma Sean Meehan VW Tiguan Streetlife Di Leach ANZAC Tazer Mark Furmie Best and Less Rapid Craig Rasmus Woolworths Television Promos 1st Assistant Director - Selected Credits - 2005 - 2019 (in no particular order) Channel 9 Dale Sidney The Voice (x5), Family Food Fight, The Block, Foxtel Patrick Harris, Dave Paddock to Plate (x3), Help, Adam Kiers Love Island, Station ID's, Hamish & Andy Tomley, Desleigh Pender River Cottage (x3), Rove Australia's Got Talent, The Hot Plate, Mark Sharman, Embarassing Bodies, Digital, SeaChange, Renovation Rumble, Buying Blind, Andrew Marsh, Selling Homes, Big Catch, Travel guides, Married at first sight (x 3) Darren Ralph, Dean Aus Top Model, Quest, Olympics Promo, Date Night, Friske, Husein Alicajic, Multiroom, Cancer Council, Telstra, Winter Olympics, Channel 10 Adam Kiers, Biggest Loser, I'm a celebrity get me out of here, Change Over, Soccer, Tamsin Claypole-Smith Winter Olympics, Family Feud, Neighbours, Movie Channel, Summer, Armand de Saint Salvy, Spelling bee, The Living Room, Bachelorette, Rove, Sprots Spindown Lisa Kappel, Ed Holmes, So you think you can dance, Masterchef ( x 5) Grand Design, Preview, Craig Howlett, The Bachelor, Everybody Dance Now, Location, Location, Location Jane Clancy Travel Guides, Drama 1st and 2nd Assistant Director - Selected Credits 2019 1st AD AD ASTRA (Aus P/U) Feature: New Regency Prod Dir: James Gray Prod: Brad Pitt, James Gray, Rodrigo Teixeira Keith Rodger (Aus) 2018 1st AD JOY BOY Short Film: Unko Dir: Steph Smith Prod: Belinda Dean, Morgan Benson-Taylor 2018 1st AD WORKING CLASS BOY Docu drama - CJZ Dir: Mark Joffe Prod: Toni Malone, Mark Joffe 2017 1st AD CHOSEN Miniseries: Sony Playmaker Dir: Tony Tilse, Prod: David Maher, David Taylor, Richard Clendinnen 2016 1st AD ALAN BOND Miniseries: CJZ and Channel 9 Dir: Mark Joffe, Prod: Nick Murray, Michael Cordell, Paul Bennett, Richard Clendinnen 2012 1st AD PACIFIC RIM (Aus VFX Unit) Feature: Warner Bros Dir: Guillermo Del Toro, VFX Unit Dir: Jamie Price, Exec Prod: Callum Greene 2012 set AD THE GREAT GATSBY (VFX Unit) Feature: Bazmark Films Dir: Baz Luhrman, Prod: Catherine Knapman (day player) 2008 1st AD AUSTRALIA(add photography) Feature : 20th Century Fox Dir: Baz Luhrman, Bruce Hunt, Prod: Catherine Knapman 2008 1st AD EMERGENCE Short film Dir: Antaine Furlong, Prod: Don Reynolds 2007 1st AD MIXED BAG Short film Dir: Imogen Thomas, Prod: Antonia Barnard 2006 1st AD JOANNE LEES: MURDER IN TV Feature: Granada Dir: Tony Tilse, Prod: Spencer Carroll, Matt Carroll, Richard Clendinnen THE OUTBACK (P/U's) 2005 1st AD GONE (P/U's) Feature(UK/AUST) Working Title Dir: Ringan Ledgwidge, Prod: Eric Fellner, Nira Park 2004 1st AD STILL LIFE short film Dir: Tahnee McGuire, Prod: Sally Madgwick 2003 1st AD BLACK BERRIES short film Dir: Ema Mulholland, Prod: Rosie Travers 2003 1st AD THE PHILATELIST short film Dir: Jakub Zaremba, Prod: Rosie Travers 2000 1st AD MOULIN ROUGE Feature: Bazmark/ 20th Century Fox Dir: Baz Luhrmann, Prod: Fred Baron, Martin Brown, Steve Andrews Miniature/ Visual FX/ P/U's 1997 1st AD WANTED (2nd Unit) Feature: Cine 2000 Film Prod Dir: David Russell, Prod: Steven CK Heo 1996 1st AD JOEY (P/U's) Feature: Village Roadshow Dir: Ian Barry, Prod: Brian Burgess, Greg Coote, Michael Lake 2005 2nd AD GONE (MIDDLE OF NOWHERE) Feature: (UK/AUS): Working Title Dir: Ringan Ledgwidge, Prod: Tim Bevan, Eric Fellner, Nira Park 1st AD: Keith Heygate 2005 2nd AD SUPERMAN RETURNS Feature(US): Warner Bros Dir: Bryan Singer, Prod: Gil Adler, Jon Peters, Stephen Jones 1st AD: Jefferey Wetzel 2004 2nd AD THE RIVER QUEEN Feature (NZ/UK):20th Century Fox Dir: Vincent Ward, Prod: Chris Auty,Geoff Dixon, Don Reynolds 1st AD: Chris Webb 2004 2nd AD MASK 2 - THE SON OF MASK Feature (US): New Line Cinema Dir:Larry Gutterman,Prod: Erica Huggins,Beau Marks, Stephen Jones 1st AD: Toby Pease 2004 2nd AD GODZILLA "FINAL WARS" Feature (JAPAN) Dir: Ryuhei Kitamura, Prod: Takahiro Kawada, Geoff Martin 1st AD: Keith Heygate 2003 2nd AD THE NATALIE WOOD STORY Feature: Von Zerneck Films TV Dir: Peter Bogdanovich, Prod: Richard Fischoff,Randy Suter, J Stokes 1st AD: Toby Pease 2002 2nd AD THE GREAT RAID Feature (US): Miramax Films Dir: John Dahl: Vic Armstrong (2U) Prod: Marty Katz 2nd Unit 1st AD: Keith Heygate 2002 2nd AD MATRIX 3 - RELOADED Feature (US): Warner Bros Dir:Wachowski Bros, Kimble Rendall (2U )Prod:Joel Silver,
Recommended publications
  • For Release: on Approval Motion Picture Sound Editors to Honor
    For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story.
    [Show full text]
  • Download the List of History Films and Videos (PDF)
    Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future.
    [Show full text]
  • Danielle Carter
    DANIELLE CARTER TRAINING Graduated from the National Institute of Dramatic Art (NIDA) in 1993 Moscow Arts Theatre School 2013 MICHA- The Michael Chekhov International Workshop USA 2015/2016/2017 The Michael Chekhov School USA 2015/2016/2017/2019 THEATRE The Norman Conquests (trilogy) Sarah Ensemble Theatre Company Dir: Mark Kilmurry Table Manners Sarah Ensemble Theatre Company Dir: Mark Kilmurry Living Together Sarah Ensemble Theatre Company Dir: Mark Kilmurry Round and Round the Garden Sarah Ensemble Theatre Company Dir: Mark Kilmurry FURY Alice Red Stitch Dir: Brett Cousins & Ella Caldwell E-Baby Catherine Ensemble Theatre Company Dir: Nadia Tass My Zinc Bed Elsa Quinn Ensemble Theatre Company Dir: Mark Kilmurry Richard III Elizabeth Ensemble Theatre Company Dir: Mark Kilmurry The Gingerbread Lady Toby Landau Ensemble Theatre Company Dir: Sandra Bates My Wonderful Day Paula Hammond Ensemble Theatre Company Dir: Anna Crawford Status Update Coral | Adam La Mama Dir: Sue Jones Absurd Person Singular Eva Jackson Ensemble Theatre Company Dir: Andrew Doyle The Cove - 8 Shorts Works Various Dog Theatre | IF Productions Dir: Matt Scholten A Midsummer Night’s Dream Titania Theatre Works Dir: Glenda Linscott Shadow Passion Catherine Harrow Chapel off Chapel Productions Dir: Anthony Crowley Europe Barbara 2006 VCA Directors Season Dir: Matt Scholten Still Order | Want me La Mama | Malthouse Dir: Bernadette Ryan lisa mann creative management pty ltd telephone: +61 2 9387 8207 | fax: +61 2 9389 0615 p.o. box 3145, Redfern, nsw 2016 australia email:
    [Show full text]
  • Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
    FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature.
    [Show full text]
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • Gillian Armstrong Gillian Armstong Came to Prominence in the 1970S
    Gillian Armstrong Gillian Armstong came to prominence in the 1970s as an outstanding young Australian film director, who has gone on to achieve sustained international success. Alongside filmmakers like Bruce Beresford, John Duigan, Phil Noyce, Fred Schepisi and Peter Weir, her early work was supported by a new national film industry, giving expression to an individual creative vision and an Australian content. Gillian Armstrong’s father was an amateur photographer, and as she grew up, she had her own camera and interest in photography. She studied a Diploma of Art (Film and Television) at Swinburne Technical College, graduating in 1971, Originally enrolled in costume design, she started attending the film course and became entranced with the medium and with the work the students were doing ... turning more and more to still photography and then to film’ (Stratton 1980, p.213). It was the first course in film and television in Australia, initially offered by Swinburne Art School within the Department of Graphic Design. Armstrong ‘experienced great stimulus from the art side of the course — for her the philosophy of film as a means of expression and vision came from the first two years of the course in art and graphic design’ (Paterson 1996, p.46). She graduated with the experimental film The Roof Needs Mowing , 1970. Brian Robinson, first head of the Swinburne Film School, was significant in the development and operation of this innovative course, and the creative learning experience of the small student intake. Regarding them as artists being trained in the technical skills of filmmaking, he thought they should all ‘aim at being producers and directors’ (Paterson 1996, p.
    [Show full text]
  • 1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania It Is 1968, Rural Western Austra
    1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania Abstract: In two Australian coming-of-age feature films, Australian Rules and September, the central young characters hold idyllic notions about friendship and equality that prove to be the keys to transformative on- screen behaviours. Intimate intersubjectivity, deployed in the close relationships between the indigenous and nonindigenous protagonists, generates multiple questions about the value of normalised adult interculturalism. I suggest that the most pointed significance of these films lies in the compromises that the young adults make. As they reach the inevitable moral crisis that awaits them on the cusp of adulthood, despite pressures to abandon their childhood friendships they instead sustain their utopian (golden) visions of the future. It is 1968, rural Western Australia. As we glide along an undulating bitumen road up ahead we see, from a low camera angle, a school bus moving smoothly along the same route. Periodically a smattering of roadside trees filters the sunlight, but for the most part open fields of wheat flank the roadsides and stretch out to the horizon, presenting a grand and golden vista. As we reach the bus, music that has hitherto been a quiet accompaniment swells and in the next moment we are inside the vehicle with a fair-haired teenager. The handsome lad, dressed in a yellow school uniform, is drawing a picture of a boxer in a sketchpad. Another cut takes us back outside again, to an equally magnificent view from the front of the bus. This mesmerising piece of cinema—the opening of September (Peter Carstairs, 2007)— affords a viewer an experience of tranquillity and promise, and is homage to the notion of a golden age of youth.
    [Show full text]
  • Amanda Muggleton
    BIOGRAPHY AMANDA MUGGLETON MUSICAL THEATRE HAIRSPRAY Velma HARVEST RAIN Callum Mansfield ANNIE Miss Hannigan PACKEMIN PRODUCTIONS DIR. LUKE JOSLIN BLOOD BROTHERS Mrs Johnstone HARVEST RAIN THEATRE COMPANY TORCH SONG TRILOGY Ma DARLINGHURST THEATRE DIR. STEPHEN COLYER THE THREEPENNY OPERA Mrs Peachum MALTHOUSE/VICTORIAN OPERA PRESENTED BY SYDNEY THEATRE CO DIR. MICHAEL KANTOR FOR ALL IT”S WORTH Maggie/Sarah KOOKABURRA (Workshop) DIR.GALE EDWARDS EUREKA! Mercedes Cortez ECHELON PRODUCTIONS DIR. GALE EDWARDS DARLING, IT’S NOEL Lead DIR.RODNEY FISHER WE WERE DANCING Clara, Lilly, Martha QUEENSLAND THEATRE CO DIR. MICHAEL GOW THE LION, THE WITCH, AND THE White Witch MALCOLM COOKE & ASSOC WARDROBE DIR. NADIA TASS HELLO, DOLLY! Dolly Levi THE PRODUCTION COMPANY DIR. RODNEY FISHER ANNIE Miss Hannigan GORDON FROST/ SEL DIR. MARTIN CHARNIN HMS PINAFORE Buttercup ESSGEE PRODUCTIONS DIR. CRAIG SCHAEFER THE SECRET DIARY OF Mrs Mole MICHAEL EDGLEY ADRIAN MOLE AUSTRALIAN TOUR DIR. TERENCE O’CONNELL THEATRE THE BOOK CLUB Deborah THE KING’S HEAD THEATRE (London season) DIR. NADIA TASS THE BOOK CLUB Deborah ANDREW KAY & ASSOCIATES (Melbourne season) DIR. NADIA TASS THE BOOK CLUB Deborah ENSEMBLE THEATRE (Sydney season) (solo show) DIR. RODNEY FISHER BOSTON MARRIAGE Anna QTC DIR. ANDREA MOOR THE BOOK CLUB Deborah HIT PRODUCTIONS (Australian tour) (solo show) DIR. RODNEY FISHER THE HAM FUNERAL Landlady STATE THEATRE COMPANY OF SA 2 LOVE, LOSS AND WHAT I WORE As cast SYDNEY OPERA HOUSE JUST THE TICKET Susan ENSEMBLE THEATRE (solo show) DIR. SANDRA BATES MADAGASCAR Lillian BLACK SWAN THEATRE COMPANY CALENDAR GIRLS Chris GORDON FROST ORGANISATION ME AND JEZEBEL Solo Show HELEN ELLIS PRODUCTIONS RUBY SUNRISE Lois/Ethel Reed ENSEMBLE THEATRE MAN FROM MUKINUPIN Mercy Montebello COMPANY B/ MTC THE FEMALE OF THE SPECIES Margo Mason THE PLAYHOUSE / STATE THEATRE CO SOUTH AUSTRALIA THE BOOKCLUB Deborah NOOSA LONG WEEKEND FESTIVAL (solo show) DIR.
    [Show full text]
  • Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
    FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world.
    [Show full text]
  • Robert 'Moxy' Moxham Standby Props
    Robert 'Moxy' Moxham Standby props 1 Inglebar Ave, Allambie Heights, NSW 2100 Ph 61 2 9451 9212 Mobile 0411 347 317 [email protected] resume 1975 to 2021 2021 poker face feature film parent up abc kids tv 2020 – 2021 elvis/kat king feature film 2019 ascendant feature film secrets she keeps tv drama peter rabbit 2 feature film 2018 reckoning tv drama the secret city 2 tv drama 2017 riot abc tv drama series easy beats abc tv drama series bite club tv drama series peter rabbit feature film 2016 2 unit on set art director thor ragnarok feature film production designer, dan henna – art director, Richard hobbs director, ben cooke – producer, tom hammel key standby props alien - covenant feature film production designer, chris seagers – art director, ian gracie director, ridley scott – producer, mark huffam key standby props hackshaw ridge feature film production designer, barry robison – art director, mark robbins director, mel gibson – producer, bill mechanic key standby props pirates of the caribbean “ dead men tell no tales” feature film production designer, nigel phelps – supervising art director, ian gracie directors joachim ronning & espen sandberg – producer, jerry bruckheimer 2014 standby props aftrs drama workshop screen content head of screen design, igor nay key standby props san andreas feature film production designer, barry chosid – art director, charlie revai director, brad peyton – producers, beau flynn & hiram Garcia 2013 key standby props unbroken feature film production designer, john hutman - art director, charlie
    [Show full text]
  • 66Th Miff Announces Full Program
    66TH MIFF ANNOUNCES FULL PROGRAM GURRUMUL WORLD PREMIERE AT CLOSING NIGHT JANE CAMPION, MELISSA GEORGE AND LUCA GUADAGNINO LEAD GUEST LINE-UP SALLY POTTER AND PIONEERING WOMEN RETROSPECTIVES UNVEILED MELBOURNE, 12 JULY 2017 – Celebrating its 66th year, the Melbourne International FIlm Festival (MIFF) unleashes its full program with a mammoth line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from 3 to 20 August 2017. “What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.” After kicking-off the festival with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, presented by Grey Goose Vodka, the festival will wind up with the world premiere CLOSING NIGHT screening of Paul Williams’ GURRUMUL. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master. After the film, the audience will enjoy MIFF’s famous Closing Night party at the Festival Lounge.
    [Show full text]
  • Porter Susie.Pdf
    sue barnett & associates SUSIE PORTER TRAINING National Institute of Dramatic Art, 1995 FILM Mercy Road Abigail Arclight Films Dir: John Curran Transfusion Magistrate Deeper Water Films Dir: Matt Nable Gold Stranger One/ Rogue Star Productions Stranger Two Dir: Anthony Hayes Beverly (Short) Beverly Curious Films Dir: Roma D’Arrietta Ladies in Black Mrs Miles Samson Productions/The Ruskin Co. Dir: Bruce Beresford The Second Nina Sense and Centsability/STAN Dir: Mairi Cameron Sink (Short) Mother Roger Joyce Dir: Cloudy Rhodes Cargo Kay Causeway Films Dir: Ben Howling/Yolande Remke Don’t Tell Sue Scriven Tojohage Productions/ Scott Corfield Productions Dir: Tori Garrett Hounds of Love Maggie Maloney Factor 30 Films Dir: Ben Young A Priest in the Family (Short) Eileen Dir: Peter Humble/Anni Finsterer Is This the Real World Anna LAD Feature Film Pty Ltd Dir: Martin McKenna The Turning: On Her Knees Carol Arena Media Pty Ltd Dir: Ashlee Page Summer Coda Angela Revival Film Company Dir: Richard Gray Lonely Lonely’s Mum AFTRS The Caterpillar Wish Susan Dir: Sandra Scriberras Little Fish Jenny Porchlight Films Dir: Rowan Woods Teesh and Trude Teesh Dir: Melanie Rodrigues Better Than Sex Cynthia Better Than Sex Productions Dir: Jonathan Teplitsky Mullet Tully Porchlight Films Dir: David Caesar Star Wars: Episode II Hermione Bagwa Dir: George Lucas The Monkey’s Mask Jill Fitzpatrick Arena Film Dir: Samantha Lang Bootmen Sara Hilary Linstead and Associates Dir: Dein Perry Two Hands Deirdre Palm Beach Pictures Dir: Gregor Jordan Feeling Sexy Vicki Binnaburra Film Company Dir: Davida Allen Amy Anny Dir: Nadia Tass Welcome to Woop Woop Angie Dir: Stephen Elliott Paradise Road Oggi Dir: Bruce Beresford Idiot Box Betty Dir: David Caesar Mr.
    [Show full text]