Kathryn Bunn-Marcuse, Ph.D. [email protected]
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Dxseeeb Syeceb Suquamish News
dxseEeb syeceb Suquamish News VOLUME 15 JUNE 2015 NO. 6 Reaching Milestones In this issue... Suquamish celebrates opening of new hotel tower and seafood plant Seafoods Opening pg. 3 CKA Mentors pg. 4 Renewal Pow Wow pg. 8 2 | June 2015 Suquamish News suquamish.org Community Calendar Featured Artist Demonstration Museum Movie Night the Veterans Center Office at (360) 626- contact Brenda George at brendageorge@ June 5 6pm June 25 6pm 1080. The Veterans Center is also open clearwatercasino.com. See first-hand how featured artist Jeffrey Join the museum staff for a double feature every Monday 9am-3pm for Veteran visit- Suquamish Tribal Veregge uses Salish formline designs in his event! Clearwater with filmmaker Tracy ing and Thursdays for service officer work Gaming Commission Meetings works, and the techniques he uses to merge Rector from Longhouse Media Produc- 9am-3pm. June 4 & 8 10am two disciplines during a demonstration. tions. A nonfiction film about the health The Suquamish Tribal Gaming Commis- For more information contact the Suqua- of the Puget Sound and the unique rela- Suquamish Elders Council Meeting sion holds regular meetings every other mish Museum at (360) 394-8499. tionship of the tribal people to the water. June 4 Noon Then Ocean Frontiers by filmmaker Karen The Suquamish Tribal Elders Council Thursday throughout the year. Meetings nd Museum 32 Anniversary Party Anspacker Meyer. An inspiring voyage to meets the first Thursday of every month in generally begin at 9am, at the Suquamish June 7 3:30pm coral reefs, seaports and watersheds across the Elders Dining Room at noon. -
Washington State National Maritime Heritage Area Feasibility Study for Designation As a National Heritage Area
Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION APRIL 2010 The National Maritime Heritage Area feasibility study was guided by the work of a steering committee assembled by the Washington State Department of Archaeology and Historic Preservation. Steering committee members included: • Dick Thompson (Chair), Principal, Thompson Consulting • Allyson Brooks, Ph.D., Department of Archaeology and Historic Preservation • Chris Endresen, Office of Maria Cantwell • Leonard Forsman, Chair, Suquamish Tribe • Chuck Fowler, President, Pacific Northwest Maritime Heritage Council • Senator Karen Fraser, Thurston County • Patricia Lantz, Member, Washington State Heritage Center Trust Board of Trustees • Flo Lentz, King County 4Culture • Jennifer Meisner, Washington Trust for Historic Preservation • Lita Dawn Stanton, Gig Harbor Historic Preservation Coordinator Prepared for the Washington State Department of Archaeology and Historic Preservation by Parametrix Berk & Associates March , 2010 Washington State NATIONAL MARITIME HERITAGE AREA Feasibility Study Preface National Heritage Areas are special places recognized by Congress as having nationally important heritage resources. The request to designate an area as a National Heritage Area is locally initiated, -
Bill Reid Gallery Re-Opens ANd Commemorates 100Th Anniversary of One of Canada's Most Renowned Indigenous Artists In
FOR IMMEDIATE RELEASE June 9, 2020 Bill Reid Gallery Re-opens and Commemorates 100th Anniversary of One of Canada’s Most Renowned Indigenous Artists in – To Speak With a Golden Voice – Exhibition brings fresh perspective to Bill Reid’s legacy with rarely seen artworks and new commissions by Northwest Coast artists inspired by his life and practice VANCOUVER, BC — Bill Reid Gallery of Northwest Coast Art re-opens the gallery and celebrates the milestone centennial birthday of Bill Reid (1920–1998) with an exhibition about his extraordinary life and legacy, To Speak With a Golden Voice, from July 16, 2020 to April 11, 2021. Guest curated by Gwaai Edenshaw — considered to be Reid’s last apprentice — the group exhibition includes rarely seen treasures by Reid and works from artists such as Robert Davidson and Beau Dick. Tracing the iconic Haida artist’s lasting influence, two new artworks by contemporary artist Cori Savard (Haida) and singer-songwriter Kinnie Starr (Mohawk/Dutch/German//Irish) will be created for this highly anticipated exhibition. “Bill Reid was a master goldsmith, sculptor, community activist, and mentor whose lasting legacy and influence has been cemented by his fusion of Haida traditions with his own modernist aesthetic,” says Edenshaw. “Just about every Northwest Coast artist working today has a connection or link to Reid. Before he became renowned for his artwork, he was a CBC radio announcer recognized for his memorable voice — in fact, one of Reid’s many Haida names was Kihlguulins, or ‘golden voice.’ His role as a public figure helped him become a pivotal force in the resurgence of Northwest Coast art, introducing the world to its importance and empowering generations of artists.” Reid was born in Victoria, BC, to a Haida mother and an American father with Scottish-German roots. -
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2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Heritage Capital Projects Funding? Does the project your organization is planning involve an historic property or support access to heritage? If so… it may be eligible for state HCP funding. WASHINGTON STATEExamples: HISTORICAL SOCIETY GRANT FUNDS FOR CAPITAL PROJECTS Historic Seattle PDA – Rehabilitation of THAT SUPPORT HERITAGE Washington Hall IACC CONFERENCE 2016 - OCTOBER 19, 2016 City Adapts and Reuses Old City Hall Park District Preserves Territorial History Tacoma Metropolitan Parks City of Bellingham - 1892 Old City Hall Preservation of the Granary at the Adaptively Reused as Whatcom Museum Fort Nisqually Living History Museum Multi-phased Window Restoration Project Point Defiance Park, Tacoma Suquamish Indian Nation’s Museum City Restores Station for Continued Use The Suquamish Indian Nation Suquamish Museum Seattle Dept. of Transportation King Street Station Restoration 1 2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Small Town Renovates its Town Hall City Builds Park in Recognition of History City of Tacoma – Chinese Reconciliation Park Town of Wilkeson – Town Hall Renovation Port Rehabilitates School and Gym Public Facilities District Builds New Museum Port of Chinook works with Friends of Chinook School – Chinook School Rehabilitation as a Community Center Richland Public Facilities District –The Reach City Preserves & Interprets Industrial History City Plans / Builds Interpretive Elements City of DuPont Dynamite Train City of Olympia – Budd Inlet Percival Landing Interpretive Elements 2 2016 IACC Conference - S24 Heritage Project 10/19/2016 Funding Port: Tourism as Economic Development Infrastructure That Creates Place Places and spaces – are social and community infrastructure Old and new, they connect us to our past, enhance our lives, and our communities. -
Dick Polich in Art History
ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship. -
Proquest Dissertations
LingitX Haa Sateeyi, We Who Are Tlingit: Contemporary Tlingit Identity And The Ancestral Relationship To The Landscape Item Type Thesis Authors Martindale, Vivian F. Download date 11/10/2021 05:50:12 Link to Item http://hdl.handle.net/11122/8961 NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were scanned as received. 217 This reproduction is the best copy available. UIY1I LINGITX HAA SATEEYI, WE WHO ARE TLINGIT: CONTEMPORARY TLINGIT IDENTITY AND THE ANCESTRAL RELATIONSHIP TO THE LANDSCAPE A Dissertation Present to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Vivian F. Martindale, M.A. Fairbanks, Alaska May 2008 UMI Number: 3337644 Copyright 2009 by Martindale, Vivian F. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3337644 Copyright 2009 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 Abstract Divergent views on the Tlingit ancestral relationship to the landscape of Southeast Alaska often leads to conflicts between Western-orientated government agencies, public entities, and the Tlingit people themselves. -
Form in Northwest Coast Art BILL HOLM
CHAPTER2 Form in Northwest Coast Art BILL HOLM y subject is form in Northwest Coast Indian art, sculptural styles of the Northwest Coast can be seen to and of course it is much too big a subject to deal be at least partially derived from a two dimensional space Mwith at all adequately in one paper. Without division through a continual process of refining positive form there is no Northwest Coast Indian art. Its form, the negative form. Early silhouette figures with incised fea two and three dimensional shapes and their characteristics, tures and detail are perhaps the immediate forerunners of their relationship to one another, their relationship to the fully sculptural work on the Northwest Coast. At the same whole composition, and the fmal composition itself, time that the two dimensional art tradition was developing, enable us to recognize Northwest Coast art as an entity. I propose that it diverged into a number of different styles, The Northwest Coast is a long coast with many sub each retaining some of the basic conceptual features, styles, and the art extends over a long time period; there such as the raised positive-recessed negative concept, and are many variations and it is difficult to discuss them all some formal features such as crescent and T-shaped reliefs at one time. Some of these statements I shall make are (or cuneiform reliefs as Suttles prefers to call them), the not fully thought out. I know I don't have all the answers so-called Northwest Coast eye of varying forms, and yet. -
Suquamish Tribe 2017 Multi Hazard Mitigation Plan
Section 8 – Tsunami The Suquamish Tribe Multi-Hazard Mitigation Plan 2017 The Suquamish Tribe Port Madison Indian Reservation November 5, 2017 Multi-Hazard Mitigation Plan The Suquamish Tribe (This Page intentionally left blank) Multi- Hazard Mitigation Plan Page i Multi-Hazard Mitigation Plan The Suquamish Tribe The Suquamish Tribe Multi-Hazard Mitigation Plan Prepared for: The Suquamish Tribe, Port Madison Indian Reservation Funded by: The Suquamish Tribe & Federal Emergency Management Agency Pre-Disaster Mitigation Competitive Grant Program Project #: PDMC-10-WAIT-2013-001/Suquamish Tribe/Hazard Mitigation Plan Agreement #: EMS-2014-PC-0002 Prepared by: The Suquamish Office of Emergency Management Cherrie May, Emergency Management Coordinator Consultants: Eric Quitslund, Project Consultant Aaron Quitslund, Project Consultant Editor: Sandra Senter, Planning Committee Community Representative October, 2017 Multi- Hazard Mitigation Plan Page ii Multi-Hazard Mitigation Plan The Suquamish Tribe (This Page intentionally left blank) Multi- Hazard Mitigation Plan Page iii Multi-Hazard Mitigation Plan The Suquamish Tribe Table of Contents Contents Table of Contents ........................................................................................................................... iv Table of Tables ............................................................................................................................ viii Table of Maps ............................................................................................................................... -
Robert Davidson Portfolio
Robert Davidson (b.1946) ARTIST BIOGRAPHY Robert Davidson, of Haida and Tlingit descent, is one of Canada’s most respected contemporary artists and central to the renaissance of Northwest Pacific indigenous art. He has championed the rich art tradition of his native Haida Gwaii, consistently searching ‘for the “soul” he saw in the art of his Haida elders’. As he works in both classical form and contemporary minimalism, Davidson negotiates a delicate edge between the ancestral and the individual, infusing traditional forms with an evolutionary spirit. Awards include National Aboriginal Achievement Award for Art and Culture, Order of British Columbia, Order of Canada, Queen’s Golden Jubilee Medal, British Columbia Aboriginal Art Lifetime Achievement Award, Governor General’s Award, and the commemorative medal marking the 60th anniversary of Queen Elizabeth II’s accession to the throne as Queen of Canada and honouring significant achievements by Canadians. Robert Davidson CV EDUCATION: In 1966 Davidson became apprenticed to the master Haida carver Bill Reid and in 1967 he began studies at the Vancouver School of Art. EXHIBITIONS | SELECTED 2015 – Robert Davidson: Progression of Form,Gordon Smith Gallery, North Vancouver, BC 2014 – Abstract Impulse, Seattle Art Museum, Seattle, WA Abstract Impulse, National Museum of the North American Indian, New York, NY 2011 – The Art of Robert Davidson, Western Washington University, Bellingham, WA 2010 – Visions of British Columbia: A Landscape Manual, Vancouver Art Gallery, Vancouver, BC Haida Art — Mapping -
VKP Visitorguide-24X27-Side1.Pdf
FREE FREE MAP Kitsap Peninsula MAP DESTINATIONS & ATTRACTIONS Visitors Guide INSIDE INSIDE Enjoy a variety of activities and attractions like a tour of the Suquamish Museum, located near the Chief Seattle grave site, that tell the story of local Native Americans Welcome and their contribution to the region’s history and culture. to the Kitsap Peninsula! The beautiful Kitsap Peninsula is located directly across Gardens, Galleries & Museums Naval & Military History Getting Around the Region from Seattle offering visitors easy access to the www.VisitKitsap.com/gardens & Memorials www.VisitKitsap.com/transportation Natural Side of Puget Sound. Hop aboard a famous www.VisitKitsap.com/arts-and-culture visitkitsap.com/military-historic-sites- www.VisitKitsap.com/plan-your-event www.VisitKitsap.com/international-visitors WA State Ferry or travel across the impressive Tacaoma Visitors will find many places and events that veterans-memorials The Kitsap Peninsula is conveniently located Narrows Bridge and in minutes you will be enjoying miles offer insights about the region’s rich and diverse There are many historic sites, memorials and directly across from Seattle and Tacoma and a short of shoreline, wide-open spaces and fresh air. Explore history, culture, arts and love of the natural museums that pay respect to Kitsap’s remarkable distance from the Seattle-Tacoma International waterfront communities lined with shops, art galleries, environment. You’ll find a few locations listed in Naval, military and maritime history. Some sites the City & Community section in this guide and many more choices date back to the Spanish-American War. Others honor fallen soldiers Airport. One of the most scenic ways to travel to the Kitsap Peninsula eateries and attractions. -
Resource for English As a Second Language Teachers and Students
UBC Museum of Anthropology Resource for English Second Language Teachers & Students Credits: Cover Photos, Left to Right: The Raven and the First Men, Haida, by Bill Reid, 1980, Nb1.481; Haida Frontal Pole, Tanoo, A50000 a-d; Tsimalano House Board, Musqueam, A50004. All photographs UBC Museum of Anthropology. Produced by the Education and Public Programs offi ce of the UBC Museum of Anthropology under the direction of Jill Baird, Education Curator. Signifi cant contributions to this resource were made by: Copy editing: Jan Selman Graphic design: Joanne White Research and development: Jill Baird, Curator of Education and Public Programs Kay Grandage, MOA Volunteer Associate Christine Hoppenrath, ESL Instructor, Vancouver Community College Diane Fuladi, English Language Instructor © UBC Museum of Anthropology 6393 N.W. Marine Drive Vancouver, BC, V6T 1Z2 Tel: 604-822-5087 www.moa.ubc.ca TABLE OF CONTENTS ESL RESOURCE TABLE OF CONTENTS ESL Resource Introduction ............................................................................ pg 4 ESL Resource Overview ................................................................................. pg 5 Teacher Background Information Contents ...................................................................................................pg 7 Introduction to First Nations of British Columbia ............................... pg 8-14 First Nations Vocabulary for Teachers ............................................. pg 15-19 Resources for Additional Research ................................................. -
Gareth Moore, James Hart: the Dance Screen and Emily Carr in Haida Gwaii
In Dialogue with Carr: Gareth Moore, James Hart: The Dance Screen and Emily Carr in Haida Gwaii Emily Carr Totem and Forest, 1931 oil on canvas Collection of Vancouver Art Gallery, Emily Carr Trust TEACHER’S STUDY GUIDE Fall 2013 Contents Program Information and Goals ................................................................................................................. 3 Background to the Exhibition In Dialogue with Carr: Gareth Moore ........................................................ 4 Background to the Exhibition James Hart: The Dance Screen................................................................. 5 Background to the Exhibition Emily Carr in Haida Gwaii .......................................................................... 6 Artists’ Background ..................................................................................................................................... 7 Northwest Coast Haida Art: A Brief Introduction ....................................................................................... 9 Pre- and Post-Visit Activities 1. Connecting the Artists ........................................................................................................... 11 Artist Information Sheet ........................................................................................................ 12 Student Worksheet................................................................................................................ 13 2. Sketch and Paint...................................................................................................................