The Guardian, February 18, 2009
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Docility, Resistance and the Indie Guitarist: a Foucaultian Interpretation of the Guitar- Hero Joshua Hochman
Docility, Resistance and the Indie Guitarist: A Foucaultian Interpretation of the Guitar- Hero by Joshua Hochman A thesis submitted to the Faculty o f Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree o f Masters in Music and Culture Carleton University Ottawa, Ontario ©2013 Josh Hochman Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94602-2 Our file Notre reference ISBN: 978-0-494-94602-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No. -
Thursday Kill the House Lights
Thursday kill the house lights click here to download Kill the House Lights is a compilation album by New Jersey rock group Thursday. Contents. 1 Contents; 2 Release; 3 Track listing. CD; DVD. 4 Personnel. Find a Thursday - Kill The House Lights first pressing or reissue. Complete your Thursday collection. Shop Vinyl and CDs. Discover releases, reviews, credits, songs, and more about Thursday - Kill The House Lights at Discogs. Complete your Thursday collection. Limited two disc (CD + DVD) edition of this live/archive release from the Punk rockers. Relive the story of Thursday with this fantastic collection of film and . Music from Kill the House Lights Lyrics: Music from Kill the House Lights. Thursday. Album Kill The House Lights. 1. 1. Music from Kill the House Lights Lyrics. Kill The House Lights. Thursday. Released October 30, K. Kill The House Lights Tracklist. 1. Ladies And Gentlemen: My Brother, The Failure Lyrics. 2. Yet, where such bands died sad deaths, Thursday carried on, putting out a stop- gap live/B-side/rarities CD/DVD combo, Kill the House Lights. Listen free to Thursday – Kill The House Lights (Ladies and Gentlemen: My Brother, the Failure, Dead Songs and more). 12 tracks (). Discover more music. Find album reviews, stream songs, credits and award information for Kill the House Lights - Thursday on AllMusic - - New Jersey's. A City By the Light Divided (Digital Version). Common Existence. Full Collapse. No Devolución. Split: Thursday / Envy. Buy Thursday: Kill the House Lights - Live and Unreleased DVD / CD at www.doorway.ru, and check out more items by Thursday. -
To Read the Thursday Feature from the Aquarian
February 18 - February 25, 2009 Vol. 2-491 NEWSSTAND PRICE: $2.00 FEATURE: VETIVER: STAY CLOSE OUR SHARED TIME THE KILLERS SLAY NYC REEL BIG FISH & STREELIGHT MANIFESTO: SKA-CROSSED CYNIC MELT MINDS E. TOWN CONCRETE RETURN $2.00 FOR ONE MORE (MAYBE TWO) STEVEN WILSON, NAPALM DEATH, TURTLE SOUP, THE FRIGGS & MORE PHOTO BY BRANTLEY GUTIERREZ PHOTO BY BRANTLEY GUTIERREZ BRANTLEY BY PHOTO feature A NEW KIND OF AFTER-SCHOOL PROGRAM By Jordana Borensztajn thought why not make it more adventurous, inside the “safe” zone. “She’s gotten me away from their friends and families. Rickly a band that constantly challenges its purpose One of the worst things you could do to and faster, and louder, and see if we can to ‘not throw the plate,’ which she says is says his college credits have all expired, and its goals. “It’s always a question before Geoff Rickly is come between him and a put in more of a—not pop—but melodic like when you have an argument with your and his desire to be a teacher had to be put we start writing a record; do we have anything piece of cake. It sounds pretty lame, doesn’t bent on the songs. That’s what we went for family and you want to let them know that on the backburner. But on the flipside, the we want to say? Is it worth it? Or are we just it—that the badass frontman of the New on this record; to jam it together and make you’re pissed but you don’t want to take the drawbacks have been incredible. -
PRESS KIT “Downright Stunning.” GLOBE & MAIL
THE DARCYS PRESS KIT “Downright stunning.” GLOBE & MAIL “The Darcys haven’t missed a step, expertly arranging their lush, effects-laden soft-rock compositions.” NOW “An ear-catching collection of sweeping, multilayered songs.” NATIONAL POST “Lushly layered, lightly proggy arrangements.” CONSEQUENCE OF SOUND “With a mix of lightly distorted guitars, melodic, instantly catchy riffs, drum beats that propel songs forward to rewarding climaxes, and light keyboard touches that give tracks depth and substance, The Darcys are showing that they are here for the long haul.” BAEBLE “A serious contender to next year’s Polaris Prize, The Darcys is a superb achievement, both meditated and meditative.” HOUR “The Darcys is a monstrously tuneful prog-rock epic that improbably finds common ground between Radiohead and Steely Dan.” TORONTO STAR “An inspiring blend of polished pop and avant garde experimentation.” POP MATTERS “The odd details throughout The Darcys — a gospel choral breakdown, a barely detectable violin solo... lyrics that wink at self-awareness — surface like cream.” ONION A.V. CLUB THEDARCYS.CA MUSIC: CONCERT REVIEW The Darcys: A New and Momentous Beginning BRAD WHEELER At The Horseshoe Tavern in Toronto, on Friday There is the calm, there is the storm, and then there are the Darcys, young art-rock wonders who do both simultaneously. Their results are meaningful, momentous and absolutely enviable. In the beery dark showroom at the Horseshoe Tavern, in front of a bustling co-ed crowd, the Toronto quartet set impassioned melodic emotion against funnelling washes of electric feedback and gauzy textures. Crescendos figured; the drummer and bassist clearly had eaten their Wheaties or spinach. -
Západočeská Univerzita V Plzni Fakulta Pedagogická Bakalářská
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce 2014 Filip Fendrych ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY Hudební styl post-hardcore BAKALÁŘSKÁ PRÁCE Filip Fendrych Specializace v pedagogice, obor Popularizace hudební kultury Vedoucí práce: doc. Mgr. Tomáš Kun, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval(a) samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 30. 6. 2014 ................................................................ vlastnoruční podpis Poděkování Rád bych poděkoval vedoucímu své bakalářské práce panu doc. Mgr. Tomáši Kuhnovi, Ph.D. za příkladné vedení práce, vstřícnost a cenné rady při vypracovávání mé bakalářské práce. OBSAH ÚVOD ................................................................................................................................................. 1 1 VZNIK HUDEBNÍHO STYLU POST-HARDCORE......................................................... 2 1.1 STRUČNÁ HISTORIE HARDCOROVÉ SCÉNY ........................................................................... 3 1.1.1 Životní styl ................................................................................................................ 5 1.1.2 Hardcore a politika .................................................................................................. 7 1.1.3 Móda ........................................................................................................................ 8 1.1.4 Taneční styl ............................................................................................................. -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory. -
The Rattler News 02.18.09 Police Blotter
Vol. 96 Issue 8 TheSt. Mary’s University Rattler Student Newspaper 02.18.09 Rattler Awakening Students grow in their faith at the annual retreat. Page 4 Striking out a legend A century-old game played here has impressive history. Page 14 How much will your Pink Panther Returns Steve Martin reprises his role student bill change? as Inspector Clouseau. Page 3 Page 22 2 The Rattler News 02.18.09 Police Blotter 2/03/09 Telephone harassment in Chaminade Hall, report was generated. 2/08/09 Suspicious person in law classroom, suspect was identified. 2/09/09 Fire alarm in Cremer hall, building was cleared. No smoke/fire; alarm malfunction; Physical plant contacted for repair. 2/10/09 Fire alarm in Dougherty Hall, building was cleared. There was a strong smell of smoke and a burnt popcorn bag was found in a trash can. 2/11/09 Criminal mischief in Dougherty Hall, a plasma TV was damaged. 2/12/09 On Feb. 9-10, the South Texas Blood and Tissue Center conducted a blood drive for St. Mary’s students and faculty willing to donate. The drive was held in the Criminal trespass warning on UC and emphasized the fact that donating blood could help and even save a person’s life. Photo/ Robin Johnson University Drive, the suspect was escorted off of campus. 2/15/09 Catholic Intellectual Sick/injured person in Dougherty News in Brief Health information Hall. EMS was contacted for Tradition continues available on campus treatment and transport; and was transported for further medical Fellowship application Thursday, March 5, 7 - 9 p.m. -
Death and Transcendence in the Lyrics of Conor Oberst Diplomarbeit
“A Hopeless Romantic?” Death and Transcendence in the Lyrics of Conor Oberst Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Alina Stockinger am Institut für Anglistik und Amerikanistik Begutachter Ao.Univ.-Prof. Mag. Dr. phil. Hugo Keiper Graz, 2008 2 Ich möchte meinem Betreuer Hugo Keiper dafür danken, dass er uns Studierenden die Möglichkeit bietet, im literaturwissenschaftlichen Neuland der Rock- und Poplyrics zu forschen, wo es noch viel Platz für neue Ideen und Gedanken gibt und dessen literarische Wurzeln oft auch im klassischen Kanon englischer und amerikanischer Literatur vergraben liegen. Ohne Professor Hugo Keipers motivierende, unterstützende und geduldige Betreuung hätte ich es nicht gewagt, dieses spannende und noch wenig erforschte Gebiet zu betreten. An dieser Stelle möchte ich mich auch bei den folgenden Menschen bedanken: Diana – danke, dass du mich auf allen meinen Wegen liebevoll und mit unendlicher Geduld unterstützt. Javi – danke für deine ansteckende Lebensfreude. Nikola und Martin – danke für eure große Hilfe bei der Umschlaggestaltung. Jan – danke, dass du mir spannendes philosophisches Material zum Thema Tod herausgesucht hast und Benji – danke, dass du mir zu Weihnachten 2006 meine erste Bright Eyes-CD geschenkt hast. 3 Für Diana und Billa. 4 Table of Contents Introduction, Theory, Methods, and Background Information Introduction: Mysterious death and its many roles in this paper…………………………. 7 Theory: Authorship and Romanticism…………………………………………………… 9 Methods: Literary approaches……………………………………………………………. 12 Structure and terminology ……………………………………………………………….. 17 Text, music, and voice……………………………………………………………………. 18 Background: The beginning of a career ………………………………………………….. 20 Politics and protests………………………………………………………………………. 22 Inspirations, influences, and intertextuality………………………………………………. 24 Chapter 1: “Part of the puzzle” and universal oneness. -
Holladay Dissertation
ABSTRACT Jesus on the Radio: Theological Reflection and Prophetic Witness of American Popular Music Meredith Anne Holladay, Ph.D. Mentor: Christopher Marsh, Ph.D. The image of God in humanity is the image of the creator, the creative spirit, the imagination, manifest in our ability to understand, appreciate, and reflect on the beauty of God in creation. Therefore, the spirit of imagination, beauty, and creativity is intrinsic to the fullness of a life of faith. Art is a boon to a life of faith; additionally art and creativity allow for and create a space for genuine theological reflection. Arguments made about art in general can be applied to forms of popular culture. The foundation for this project explores the nuances between definitions of “popular culture”, and asserts that popular culture can be and often is meaning-making and identity-forming. The theological significance of popular culture is couched in terms of theological reflection and prophetic witness. The implicit assumption that anything dubbed “Christian” maintains theological depth, and creations lacking that distinction are ‘secular,’ or ‘profane,’ and therefore devoid of any moral good or theological import, is false, and a distinction this project serves in dissolving. The third chapter asserts a strong link between theological and prophetic tasks, one flowing from the other. Genuine theological reflection must result in an outward and public response. Theological reflection connects to the truth of one’s lived experience, and speaks honestly about the human story; out of that experience, voices of prophetic witness speak truth to power, out of and in solidarity with lived experiences. -
Willie Nelson Gets Naked!! 5)3&&:&"34 "/%8&"3&45*--3*-%*/(
FREE FREE FREE FREE FREE VOLUME 1, ISSUE 6 A.C. NEWMAN • ADELE • JOE BONAMASSA JOSHUA RADIN • MADELINE • GIFT HORSE CASPER & THE COOKIES • THE RATTLERS DUBCONSCIOUS • KUROMA & MANY MORE! The VINYL REVIVAL ADELE’s BIG NIGHT FAN FUNDED ALBUMS CONfeSSIONS OF A GROUPIE HORSEPLAY WITH BEN KWELLER PLUS! FALLING IN LOVE WITH PAUL RUDD WILLIE NELSON GETS NAKED!! 5)3&&:&"34 "/%8&"3&45*--3*-%*/( HELP THE PEOP/LE& C8OM0E 3HO-M&E"/4 WWW.PNOLA.ORG cover story (14) HORSEPLAY Not that he needed a new direction, but five albums into a celebrated WITH cult-status career, Ben Kweller found one by looking back to where it all began - his Austin, TX roots. BEN KWELLER — Jon Ross (42) Underneath the layers of Nashville’s ‘60s country Willie sound, one man found a gold- Gets mine of Willie Nelson gems. Naked — Alec Wooden (22) 20 year-old British (((44)) pop-singer, Adele, wins As major labels two Grammys this year become less relevant, and produced a criti- Fan bands look to their cally acclaimed debut fans for the big $$$$. album. Funded — Natalie B. David — Nicole Black Confessions of a Groupie (49) A self-proclaimed ‘group- ie’ discloses an abridged version of her adventures with musicians, ball play- ers, & comedians. — Vixen* (53) (60) Is America falling back in Finally admitting your bro- love with Vinyl? Depending mance for Paul Rudd? You’re We Love on who you ask, it never not the only one. really fell out. You, — Alec Wooden — DeMarco Williams Man ATHENS BLUR MAGAZINE 3 12 music COLUMNS THE FIRST WORD: 9 A Merger Of Epic Proportions WHAT’S YOUR -
Politics As Unusual: Washington, D.C
Abstract Title of Dissertation: POLITICS AS UNUSUAL: WASHINGTON, D.C. HARDCORE PUNK 1979-1983 AND THE POLITICS OF SOUND Shayna L Maskell, Doctor of Philosophy, 2014 Dissertation directed by: Dr. Nancy Struna, Chair, Department of American Studies During the creative and influential years between 1979 and 1983, hardcore punk was not only born — a mutated sonic stepchild of rock n’ roll, British and American punk — but also evolved into a uncompromising and resounding paradigm of and for DC youth. Through the revelatory music of DC hardcore bands like Bad Brains, Teen Idles, Minor Threat, State of Alert, Government Issue and Faith a new formulation of sound, and a new articulation of youth, arose: one that was angry, loud, fast, and minimalistic. With a total of only ten albums between all five bands in a mere five years, DC hardcore cemented a small yet significant subculture and scene. This project considers two major components of this music: aesthetics and the social politics that stem from those aesthetics. By examining the way music communicates — facets like timbre, melody, rhythm, pitch, volume and dissonance — while simultaneously incorporating an analysis of hardcore’s social context — including the history of music’s cultural canons, as well as the specific socioeconomic, racial and gendered milieu in which music is generated, communicated and responded to —this dissertation attempts to understand how hardcore punk conveys messages of social and cultural politics, expressly representations of race, class and gender. In doing so, this project looks at how DC hardcore (re)contextualizes and (re)imagines the social and political meanings created by and from sound.