Eugene Onegin Page 1 of 2 Opera Assn

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San Francisco War Memorial 1997-1998 Eugene Onegin Page 1 of 2 Opera Assn. Opera House This production is sponsored by friends and colleagues of William W. Godward Eugene Onegin (in Russian) Opera in three acts by Pyotr Ilyich Tchaikovsky Libretto by P.Tchaikovsky and Konstantin Stepanovich Shilovsky Based on a poem by Alexander Sergeyevich Pushkin Conductor CAST Yuri Temirkanov† Tatyana Elena Prokina Assistant to Mr. Temirkanov Nicolle Foland (11/29) Robert Lyuter Olga Marianna Tarasova Designer Madame Larina Irina Rubtsova † Igor Ivanov† Filipyevna Sofia Aksenova † Lighting Designer A peasant Daniel Harper Thomas J. Munn Lensky Raymond Very Chorus Director Valery Serkin (11/29) Ian Robertson Eugene Onegin Anthony Michaels-Moore Choreographer David Okerlund (11/29) Lawrence Pech A captain John Relyea Musical Preparation Monsieur Triquet Michel Sénéchal Susanna Lemberskaya Zaretsky John Relyea Joyce Fieldsend Guillot Marcus Ceniceros Jonathan Khuner Svetlana Gorzhevskaya Prince Gremin Eric Halfvarson Prompter Jonathan Khuner *Role debut †U.S. opera debut Supertitles Christopher Bergen PLACE AND TIME: Early 19th-century St. Petersburg and environs Assistant Stage Director Alexei Stepaniuk Assistant Director Paula Williams Yefim Maizel Stage Manager Theresa Ganley Wednesday, November 19 1997, at 7:30 PM Act I, Scene 1 -- The garden of Madame Larina's country house Saturday, November 22 1997, at 8:00 PM Act I, Scene 2 -- Tatyana's bedroom Tuesday, November 25 1997, at 8:00 PM Act I, Scene 3 -- Another part of the garden Friday, November 28 1997, at 8:00 PM INTERMISSION Saturday, November 29 1997, at 12:00 PM Act II, Scene 1 -- A ballroom in Madame Larina's house Tuesday, December 2 1997, at 8:00 PM Act II, Scene 2 -- Early morning on the bank of a stream Friday, December 5 1997, at 8:00 PM INTERMISSION Sunday, December 7 1997, at 2:00 PM Act III, Scene 1 -- A fashionable house in St. Petersburg, four years later Act III, Scene 2 -- Gremin's mansion San Francisco War Memorial 1997-1998 Eugene Onegin Page 2 of 2 Opera Assn. Opera House Sponsors: The performance of November 19th is sponsored by the Silicon Valley Group. The performance of November 22nd is sponsored by Spuntino. The performance of November 25th is designated in honor of Mr. William W. Godward's membership in the Triple Gold Circle. The performance of December 2nd is sponsored by Meyer Sound. The performance of December 5th is sponsored by Ernst & Young. Notes: Production from the Kirov Opera, St. Petersburg ADDITIONAL PERFORMERS Dancers Alison Corning Ann Greene Nora Heiber Melanie Henderson Marina Hotchkiss Carolyn Houser Kathryn Petak Summer Lee Rhatigan Debra Rose Dana Stackpole Yannis Adoniou Edward Augustyn Harlan Bengal David Bier Rodolphe Cassand Brian Chung Gregory P. Dawson Danny Furlong Shaun Rouse Joral Schmalle Supernumeraries Irene Bechtel Peggy Hubacker Raven Lee Meadows Diana Misthos Patricia R. Santti Kimperly Thompson Alexandra Zirulnik Steve Bauman Peter Cannon Marcus Ceniceros Jim Downey Robert Dunn Jack Felton Robert Landry Salvador Lopez Alvin Taylor Thane Thomas.

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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice.
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Download Booklet
CHAN 3042 BOOK 29/01/2016 14:55 Page 2 Pyotr Ilyich Tchaikovsky (1840–1893) Eugene Onegin KG A Opera in three acts Text by the composer and Konstantin Shilovsky after Alexander Pushkin’s verse novel Eugene Onegin English translation by David Lloyd-Jones Eugene Onegin....................................................Thomas Hampson baritone Tatyana......................................................................Kiri Te Kanawa soprano Lensky..........................................................................Neil Rosenshein tenor Prince Gremin....................................................................John Connell bass A Captain/Zaretsky....................................................Richard Van Allan bass Monsieur Triquet..............................................................Nicolai Gedda tenor Madame Larina..................................................Linda Finnie mezzo-soprano Filippyevna............................................Elizabeth Bainbridge mezzo-soprano Olga................................................................Patricia Bardon mezzo-soprano Pyotr Ilyich Tchaikovsky Orchestra and Chorus of Welsh National Opera Gareth Jones chorus master Sir Charles Mackerras 3 CHAN 3042 BOOK 29/01/2016 14:55 Page 4 COMPACT DISC ONE TimePage TimePage No. 5 Scene and Quartet Act I 8 ‘Mesdames, I hope that you’ll excuse me’ 1:4897 1 Introduction 2:3992 Lensky, Onegin, Madame Larina 9 ‘Now tell me, which of them’s Tatyana?’ 1:4297 Scene 1 Onegin, Lensky, Tatyana, Olga No. 1 Duet and Quartet 2 ‘Oh, did you hear the lovesick shepherd boy’ 5:0892 No. 6 Scene and Arioso Tatyana, Olga, Madame Larina, Nurse 10 ‘How perfect, how wonderful’ 2:14 098 No. 2 Chorus and Dance of the Peasants Lensky, Olga, Onegin, Tatyana 3 ‘My legs ache and can no longer run’ 2:3994 11 ‘How I love you, I adore you, Olga’ 3:16 099 Leader (John Hudson), Peasants, Madame Larina Lensky, Olga 4 ‘In a cottage by the water’ 2:0594 No. 7 Closing Scene Peasants 12 ‘Ah, here you are!’ 2:40100 No.
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