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Early Education in Calamba and Biñan Rizal Had His Early Education in Calamba and Biñan. It Was a Typical Schooling That A
Early Education in Calamba and Biñan Rizal had his early education in Calamba and Biñan. It was a typical schooling that a son of an ilustrado family received during his time, characterized by the four R’s- reading, writing, arithmetic, and religion. Instruction was rigid and strict. Knowledge was forced into the minds of the pupils by means of the tedious memory method aided by the teacher’s whip. Despite the defects of the Spanish system of elementary education, Rizal was able to acquire the necessary instruction preparatory for college work in Manila. It may be said that Rizal, who was born a physical weakling, rose to become an intellectual giant not because of, but rather in spite of, the outmoded and backward system of instruction obtaining in the Philippines during the last decades of Spanish regime. The Hero’s First Teacher The first teacher of Rizal was his mother, who was a remarkable woman of good character and fine culture. On her lap, he learned at the age of three the alphabet and the prayers. "My mother," wrote Rizal in his student memoirs, "taught me how to read and to say haltingly the humble prayers which I raised fervently to God." As tutor, Doña Teodora was patient, conscientious, and understanding. It was she who first discovered that her son had a talent for poetry. Accordingly, she encouraged him to write poems. To lighten the monotony of memorizing the ABC’s and to stimulate her son’s imagination, she related many stories. As Jose grew older, his parents employed private tutors to give him lessons at home. -
Masterlist of Private Schools Sy 2011-2012
Legend: P - Preschool E - Elementary S - Secondary MASTERLIST OF PRIVATE SCHOOLS SY 2011-2012 MANILA A D D R E S S LEVEL SCHOOL NAME SCHOOL HEAD POSITION TELEPHONE NO. No. / Street Barangay Municipality / City PES 1 4th Watch Maranatha Christian Academy 1700 Ibarra St., cor. Makiling St., Sampaloc 492 Manila Dr. Leticia S. Ferriol Directress 732-40-98 PES 2 Adamson University 900 San Marcelino St., Ermita 660 Manila Dr. Luvimi L. Casihan, Ph.D Principal 524-20-11 loc. 108 ES 3 Aguinaldo International School 1113-1117 San Marcelino St., cor. Gonzales St., Ermita Manila Dr. Jose Paulo A. Campus Administrator 521-27-10 loc 5414 PE 4 Aim Christian Learning Center 507 F.T. Dalupan St., Sampaloc Manila Mr. Frederick M. Dechavez Administrator 736-73-29 P 5 Angels Are We Learning Center 499 Altura St., Sta. Mesa Manila Ms. Eva Aquino Dizon Directress 715-87-38 / 780-34-08 P 6 Angels Home Learning Center 2790 Juan Luna St., Gagalangin, Tondo Manila Ms. Judith M. Gonzales Administrator 255-29-30 / 256-23-10 PE 7 Angels of Hope Academy, Inc. (Angels of Hope School of Knowledge) 2339 E. Rodriguez cor. Nava Sts, Balut, Tondo Manila Mr. Jose Pablo Principal PES 8 Arellano University (Juan Sumulong campus) 2600 Legarda St., Sampaloc 410 Manila Mrs. Victoria D. Triviño Principal 734-73-71 loc. 216 PE 9 Asuncion Learning Center 1018 Asuncion St., Tondo 1 Manila Mr. Herminio C. Sy Administrator 247-28-59 PE 10 Bethel Lutheran School 2308 Almeda St., Tondo 224 Manila Ms. Thelma I. Quilala Principal 254-14-86 / 255-92-62 P 11 Blaze Montessori 2310 Crisolita Street, San Andres Manila Ms. -
Art of Nation Building
SINING-BAYAN: ART OF NATION BUILDING Social Artistry Fieldbook to Promote Good Citizenship Values for Prosperity and Integrity PHILIPPINE COPYRIGHT 2009 by the United Nations Development Programme Philippines, Makati City, Philippines, UP National College of Public Administration and Governance, Quezon City and Bagong Lumad Artists Foundation, Inc. Edited by Vicente D. Mariano Editorial Assistant: Maricel T. Fernandez Border Design by Alma Quinto Project Director: Alex B. Brillantes Jr. Resident Social Artist: Joey Ayala Project Coordinator: Pauline S. Bautista Siningbayan Pilot Team: Joey Ayala, Pauline Bautista, Jaku Ayala Production Team: Joey Ayala Pauline Bautista Maricel Fernandez Jaku Ayala Ma. Cristina Aguinaldo Mercedita Miranda Vincent Silarde ALL RIGHTS RESERVED Apart from fair dealing for the purpose of research or review, as permitted under the copyright, this book is subject to the condition that it should not, by way of trade or otherwise, be lent, sold, or circulated in any form, without the prior permission in writing of the publisher. The scanning, uploading and distribution of this book via the Internet or via other means without the permission of the publisher is illegal and punishable by applied laws. ALL SONGS COPYRIGHT Joey Ayala PRINTED IN THE PHILIPPINES by JAPI Printzone, Corp. Text Set in Garamond ISBN 978 971 94150 1 5 TABLE OF CONTENTS i MESSAGE Mary Ann Fernandez-Mendoza Commissioner, Civil Service Commission ii FOREWORD Bro. Rolando Dizon, FSC Chair, National Congress on Good Citizenship iv PREFACE: Siningbayan: Art of Nation Building Alex B. Brillantes, Jr. Dean, UP-NCPAG vi ACKNOWLEDGEMENTS vii INTRODUCTION Joey Ayala President, Bagong Lumad Artists Foundation Inc.(BLAFI) 1 Musical Reflection: KUNG KAYA MONG ISIPIN Joey Ayala 2 SININGBAYAN Joey Ayala 5 PART I : PAGSASALOOB (CONTEMPLACY) 9 “BUILDING THE GOOD SOCIETY WE WANT” My Hope as a Teacher in Political and Governance Jose V. -
Directory of Higher Education Institutions As of October 23, 2009
Directory of Higher Education Institutions as of October 23, 2009 04001 Abada College Private Non-Sectarian President : Atty. Miguel D. Ansaldo, Jr. Region : IVB - MIMAROPA Address : Marfrancisco, Pinamalayan, Oriental Mindoro 5208 Telephone : (043) 443-13-56 (043)284-41-50 Fax : (043)443-13-56 E-mail : Year Established : April 26, 1950 Website : 06128 ABE International Coll of Business and Economics-Bacolod Private Non-Sectarian School Director : Joretta M. Abraham Region : VI - Western Visayas Address : Luzuriaga Street, Bacolod City, Negros Occidental 6100 Telephone : (034)-432-2484 to 85 Fax : E-mail : [email protected] Year Established : 2001 Website : www.amaes.edu.ph 01122 ABE International College of Business and Accountancy Private Non-Sectarian School Director : Mr. Juanito Mendiola Region : I - Ilocos Region Address : 3rd flr. E&R Bldg. Malolos Crossing, City of Malolos (Capital), Bulacan, Cebu City, Bulacan 2428 Telephone : (032) 234-2421 Fax : (044)662-1018 E-mail : [email protected]/abe_urdaneta_city@hot mail.com Year Established : 2001 Website : http://amaes.educ.ph. 13309 ABE International College of Business and Accountancy-Las Piñas Private Non-Sectarian President : Mr. Amable C. Aguiluz IX Region : NCR - National Capital Region Address : RCS Bldg III, Zapote, Alabang Road, Pamplona, Las Piñas City, City of Las Piñas, Fourth District Telephone : (02) 872-01-83; 872-61-62 Fax : (02) 872-02-20 E-mail : Year Established : 2001 Website : 1 Directory of Higher Education Institutions as of October 23, 2009 13308 ABE International College of Business and Accountancy-Quezon City Private Non-Sectarian President : Mr. Amable C. Aguiluz IX Region : NCR - National Capital Region Address : #878 Rempson Bldg., Aurora Blvd., Cubao, Quezon City, Quezon City, Second District Telephone : (02) 912-95-77; 912-95-78 Fax : (02) 912-95-78 E-mail : Year Established : 2000 Website : 13350 ABE International College of Business and Accountancy-Taft Private Non-Sectarian President : Mr. -
Circular of Brother Ernesto Sánchez Barba, Fms: Superior General
Volume 2, Issue No. 34 September 13, 2020 CIRCULAR OF BROTHER ERNESTO SÁNCHEZ BARBA, FMS: SUPERIOR GENERAL “Homes of light. Caring for life. Generating new life”, is the title of the first Circular of Brother Ernesto Sánchez, Superior General, published for the whole Institute on Tuesday, September 8, the feast of the Nativity of Our Lady. In his writing, Brother Ernesto reflects particularly on the care of life, of others, of spirituality and of vocational animation. In relation to the present moment that we are living, Br. Ernesto expresses in the introduction: “I began to write this text a few months ago, and, along the way, the Covid-19 pandemic struck. We have been through this experience all over the world, and the crisis has impacted on virtually all the countries where we are present as an Institute. In each place, in each country, we have suffered the consequences in a very similar way. It seems to me that, in the current context, there is no better time than now to talk about building homes of light in the face of this situation of uncertainty that seems to be dragging on. We are being called to care for life and to generate new life in moments of great fragility and vulnerability in the world.” To facilitate the dissemination, the Circular is sent to the Institute electronically on this day, in PDF format. At the beginning of October, the printed version will be sent by mail to the Administrative Units. (Champagnat.org) NDMU-IBED shifts to Virtual Learning From the traditional face-to-face mode of education, Notre Dame of Marbel University – Integrated Basic Education Department on August 24 took a leap of change for the Academic Year 2020-2021 by embracing the New Normal through Online Distance Learning. -
Lav Diaz.Pdf
Lying Down In A World Of Tempest Lav Diaz I Alexis Tioseco Over and above describing himself as a filmmaker, Lav Diaz prefers the definition Indictment And Empowerment Of The Individual: of “cultural worker”. Driven by a sense of political engagement, he has denounced The Modern Cinema Of Lav Diaz the series of miseries suffered by the Philippines since the time of Spanish coloni- – p. 5 alism (followed by occupations by both the Japanese and the Americans, as well as a period of martial law), focusing particularly on the years of the Marcos dictator- II Alexis Tioseco In Conversation With Lav Diaz ship. It is a feeling of love for his compatriots and their suffering that pushed him to – p. 11 depict, with a beauty and sense of urgency rarely found in cinema, the daily grind of life in small towns and in the countryside. III Lav Diaz Yet the lengthy, majestic black-and-white frescoes, lasting anywhere between The Aesthetic Challenge Of ‘Batang West Side’ 4 and 11 hours, which brought him to notice on the festival circuit, surely cannot be – p. 37 restricted to kinship with the Slow Cinema movement. Characterised by a radical formalism, his cinematic approach is to recount the life and rhythm of his commu- IV Lav Diaz nity by means of the suffering and slowness that define it. It is for these reasons that Our Death, In Memoriam Lav Diaz can be seen as a major artist for our times: his cinema is that of a peda- – p. 41 gogue—something shared here with that of his intellectual, idealistic father and, still more, with Lino Brocka whose wish it was “to educate his people”—as well V Lav Diaz as bearing essential witness. -
“Encountering Christ at the Crib, Cross and the Altar.” Amihan Contents Volume XXX, No
The Marist Brothers Newsletter, Philippine Sector of East-Asia Province AmihanVolume XXX, No. 2 March 2011 “Encountering Christ at the Crib, Cross and the Altar.” Amihan Contents Volume XXX, No. 2 - March 2011 Editorial ....................................................................................... 3 Message from the Brother Provincial ...................................... 4 Editor Br. Ted Fernandez, FMS Brother Provincial’s Schedule ................................................... 6 Provincial Chapter Highlights ................................................. 8 Layout Artist Aspirancy House ........................................................................ 9 Br. Vince J. Celeste, FMS Cotabato Community ............................................................... 10 Dadiangas Community ............................................................ 14 Contributors Raffy James A. Barnuevo, Postulant Br. Robert McGovern, FMS ..................................................... 15 Br. Niño Mark John Suarez, FMS Jolo Community ........................................................................ 16 Br. Mark Roberth Laurea, FMS Kidapawan Community ........................................................... 17 Br. Arnel Alfanta, FMS Lagao Community .................................................................... 18 Br. Lindley Sionosa, FMS Featured Article: “Pieces...” ...................................................... 19 Br. Gilbert Bogacia, FMS Malutok Community ............................................................... -
Philippine Art Trek 2016 | Singapore
PHILIPPINE ART TREK 2016 | SINGAPORE EVENT TITLE: WASAK! RELOADED OPENING DATE/TIME:27 AtAugust 2016 | 12:00nn – 5:00pm DURATION: 28 August –01 October 2016 VENUE: ARNDT FINE ART PTE LTD Gillman Barracks 47 Malan Road #01‐25 Tel. +65 67340775 Opening hours: Tues ‐ Sat 11am‐ 7pm and by appointment Press Contact: Lisa Polten [email protected] +65 9030 7200 WASAK! Reloaded is a group exhibition exploring the Filipino contemporary art landscape and is accompanied by a major hard copy publication WASAK! Filipino Art Today published by European publisher DISTANZ Verlag. The show is a continuation of the well‐received group exhibition presented in Berlin in 2015, and will travel to London in 2017. Exhibiting artists include: Zean Cabangis, Buen Calubayan, Louie Cordero, Jigger Cruz, Marina Cruz, Kawayan De Guia, Alfredo Esquillo, Ian Fabro, Nona Garcia, Robert Langenegger, Jason Montinola, Pow Martinez, Manuel Ocampo, Norberto Roldan, Kaloy Sanchez, Rodel Tapaya and Ronald Ventura. The underlying motivation of WASAK! and its accompanying publication is to shed light on the fascinating contemporary art currently being produced in the Philippines. By offering an overview of Filipino contemporary art, WASAK! aims to provide an emblematic contextual compendium. Uniting a selection of leading protagonists across generational lines, genres, and media, the exhibition presents snapshots of current artistic practices from the Philippines. The 17 participating artists have witnessed the social and political upheaval of Philippines’ recent history. Most of these artists spent their maturation grappling with local events that have transpired such as: natural disasters like earthquakes and floods; political unrest in the form of coup d’état and calls to presidential impeachments; political ineptitude in the form of corruption and briberies; and longstanding bouts with poverty and urban overpopulation. -
Towards Writing and Performing a Contemporary Epic Poem Merlinda Bobis University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1994 Circling the mountain: from naming to namelessness: towards writing and performing a contemporary epic poem Merlinda Bobis University of Wollongong Recommended Citation Bobis, Merlinda, Circling the mountain: from naming to namelessness: towards writing and performing a contemporary epic poem, Doctor of Creative Arts thesis, School of Creative Arts, University of Wollongong, 1994. http://ro.uow.edu.au/theses/948 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] CJIRCUNG THE MOUN'rAJIN: FROM MAMJING TO MAMlBJLJBSSNBSS Towards Writing and Performing a Contemporary Epic Poem A thesis submitted in partial fulfilment of the requirements for the award of the degree DOCTOR OF CREATIVE ARTS from THE UNIVERSITY OF WOLLONGONG by MERLINDA BOBIS B.A. (AUL), M.A. (UST) SCHOOL OF CREATIVE ARTS 1994 ABSTRACT Circling The Mountain: From Naming To Namelessness is an annotated document which supports a 20,000 word epic poem (in two versions: English and Filipino) entitled Kantada ng Babaing MandirigmalCantata of The Warrior Woman Daragang Magayon. This explanatory text documents the process involved in writing and performing my epic, in which I recast a traditional myth about the active volcano Mt. Mayon in my region Bikol in the Philippines. Through a discussion on feminism, language and the epic genre, this story of my creative process also explains the thesis of my epic poem: re-inventing the Self beyond rigidified and oppressive definitions of identity. This process of becoming is examined through three principal sections: naming, unnaming and namelessness. -
Women Warriors Empowered Women 1N Southeast Asian Literature
Women Warriors Empowered Women 1n Southeast Asian Literature Thelma Kintanar The figure of the woman warrior serves as a unifying image for the vari ous representations of the empowered woman in the literatures of South east Asia. The works discussed- poetry from the Philippines and Thai land, fiction from Vietnam and Indonesia - present narratives of women in the struggle to free themselves from oppressive cultural traditions and cope with the disruptive events in the history of their countries. From the dynamics of this struggle, they emerge enabled, gaining control of their lives and participating actively in the process of social and histori cal change. HE TRADITION OF THE WOMAN WARRIOR ANIMATES THE AN cient history and literature of many Asian countries. The story of Fa Mulan, the Chinese village girl who disguised T herself as a soldier and achieved fame and honor, has recently been popularized by the Disney empire in one of its few projects which has earned the praise of critics and feminists alike. The story comes from a ballad in the period of the Northern dynasties in China and tells how Mulan, to save her aged father from the dangers of war, joins the army in his stead. She endures rigorous training and countless difficulties but so distinguishes herself that she becomes a general in the emperor's army and is offered a high civilian post after the war. But although she has succeeded in empowering herself, Mulan is not interested in the exercise of power: she only wants to go back to her village and rejoin her family. -
WARMING up Workbook Affording Reinforcement Materials for Individual Needs Geared for Understanding and Progress
NuevaAs a Valencia National High School WARMING UP Workbook Affording Reinforcement Materials for Individual Needs Geared for Understanding and Progress An English Workbook for the First Year NVNHS Poblacion, Nueva Valencia, Guimaras Table of Contents First Year Curriculum .................................................................................................. 5 The First Quarter: Narratives .................................................................................. 6 Wedding Dance .................................................................................................... 7 The Monkey and the Turtle ................................................................................ 11 How My Brother Leon Brought Home a Wife ...................................................... 13 Mariang Makiling ................................................................................................ 17 The Story of Magayon ........................................................................................ 18 The Legend of the Banana ................................................................................. 20 Juan Tamad Escapes a Beating .......................................................................... 20 The Monkey and the Crocodile ........................................................................................................................... 21 The Donkey in the Lion’s Skin ............................................................................ 22 The Story of Creation ........................................................................................ -
THE COMMUNITY BEGINS to GROW Jean-Baptiste Audras, Later Brother Louis, Was Only Fourteen and a Half When He Asked to Join the De La Salle Brothers at Saint Chamond
Volume 3, Issue No. 01 January 03, 2021 On January 2, the Marist Institute celebrates its 204th anniversary. Saint Marcellin founded the Marist Brothers by welcoming the first disciples to the small house in La Valla, France. Below we reproduce the narration of that moment according to the words of Brother Seán Sammon, former Superior General, in the book “A Heart that knew no bounds“. THE COMMUNITY BEGINS TO GROW Jean-Baptiste Audras, later Brother Louis, was only fourteen and a half when he asked to join the De La Salle Brothers at Saint Chamond. Judging him to be too young, they advised 33 A heart that knew no bounds him to continue discussing his vocation with his confessor. As luck would have it, that person was the young priest from La Valla. The boy told Marcellin that he had resolved to consecrate his life to God. After talking with Jean-Baptiste and his parents, and reflecting prayerfully on the situation, the priest invited young Audras to join Granjon. Two months later the house repairs were complete. The first two recruits took up occupancy on January 2nd, 1817. Henceforth, the Bonner house would be referred to, at least in the Marist world, as the “cradle” of the Institute, and January 2nd, 1817 as the foundation date of the Little Brothers of Mary. Its members were to embrace a spirituality that included mindfulness of God’s 1 | P a g e MARIST NEWS BITS presence, confidence in Mary and her protection, and the practice of the “little” virtues of simplicity and humility.