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Shogakukan-Shueisha Productions Co., Ltd. a leading force in edutainment OUR COMPANY HOME Access Contact us Copyright Inquiries Japanese Shogakukan-Shueisha Productions Co., Ltd Media Division ｜DETECTIVE CONAN Business Division a leading force in edutainment CompanyOUR COMPANY Information Business Information Media Division HOME | Our Company 〉 Business Info 〉 Media Division 〉 DETECTIVE CONAN Business Division DETECTIVE CONAN Business Division Detective Conan's Licensing Business The Detective Conan Division is responsible for the management of character copyrights for Detective Conan, one of Japan's most popular characters. The Detective Conan movie, released every spring, has received the support of many fans and has become a major topic of conversation around the globe. As the point of contact for merchandising rights, we have licensed out to many compa- nies for merchandising and promotional use. At the same time, we are planning and executing a total strategy for the character, including events and pop-up cafes. In addition to supervising the planning, design and prototyping of products, we also try to engage in product development with an eye toward making the fans happy. We are collaborating with the Global Business Division to expand our character products and business in Japan to the rest of the world, centered on Asia. We are also actively collaborating with education-related departments, and with the launch of the distance learning service Detective Conan Seminar in April 2021, we will continue to deliver high-quality services to children in the ﬁeld of Conan x Education. ©Gosho Aoyama/Shogakukan, Yomiuri TV, TMS �� Shogakukan-Shueisha Productions Co., Ltd. © SHOGAKUKAN-SHUEISHA PRODUCTIONS ALL RIGHTS RESERVED. HOME Contact us Copyright Inquiries Japanese Shogakukan-Shueisha Productions Co., Ltd..

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BA Thesis an Overview of Stereotyped Portrayals of LGBT+ People In
BA thesis in Japanese Language and Culture An Overview of Stereotyped Portrayals of LGBT+ People in Japanese Fiction and Literature Analysis of the historical evolution and commercialization of BL and yuri genres, and social practice of its consumer culture Bára B.S. Jóhannesdóttir Supervisor Kristín Ingvarsdóttir May 2021 FACULTY OF LANGUAGES AND CULTURES Háskóli Íslands Hugvísindasvið Japanskt Mál og Menning An Overview of Stereotyped Portrayals of LGBT+ People in Japanese Fiction and Literature Analysis of the historical evolution and commercialization of BL and yuri genres, and social practice of its consumer culture Ritgerð til BA-prófs 10 ECTS Bára B.S. Jóhannesdóttir Kt.: 210496-2039 Leiðbeinandi: Kristín Ingvarsdóttir Maí 2021 1 Abstract This essay will explore the history of the portrayal of LGBT+ people in Japanese fiction, starting from The Tale of Genji, a novel from the early 11th century that is widely considered to be the first classic in history, and to the proper establishment of what is known as the BL (boys’ love) and yuri genres. BL, as the name suggests, is a genre that features the relationship between two male characters, usually in a romantic and/or sexual nature, while yuri is between two female characters. There will be a short examination of LGBT+ portrayal in historical literary works and art before moving onto a more detailed recounting of modern fiction and television. Some ancient literature will be reviewed, comparing real-life societal norms to their fictional counterparts. The focus will mainly be on the introduction of the BL genre, the historical evolution of it, the commercial start of it, the main components that make up the genre, and why it is as popular as it is, a well as an examination of the culture surrounding the fans of the genre.
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Case Closed, Vol. 54 Ebook, Epub
CASE CLOSED, VOL. 54 PDF, EPUB, EBOOK Gosho Aoyama | 184 pages | 07 May 2015 | Viz Media, Subs. of Shogakukan Inc | 9781421565101 | English | San Francisco, United States Case Closed, Vol. 54 PDF Book Also, Conan's friends from grade school find a treasure map--but will it only lead them to a trove of trouble? Comic Shops. Start your review of Detektif Conan Vol. More books in this series: Case Closed. Then a discovery in the school library reminds Conan of one of his first cases. Everyone suspects suicide, but Jimmy is not convinced and is determine to find out who killed the priest and how he got up to where he was. This review has been hidden because it contains spoilers. Please Save My Earth. Paperback Books. The best cases of most well known fictional detective all have some interesting trick that is not immediately obvious and just make things a bit more interesting. Because of that fact, the culprit should have wished that Jimmy began his detective gig two years ago. Books by Gosho Aoyama. If you have changed your email address then contact us and we will update your details. Outside of those things, I cannot really think of anything I noticed wrong. Maybe a suspicious snowman contains the proof he needs! QBD Books. Mighty Ape. Read more Trade Paperbacks Books. Can two ordinary kids solve a code left by a master of mysteries? Yoshitoki Oima. I also found it funny that the culprit wished Richard was around two years ago. Maybe a suspicious snowman contains the proof he needs! About this product.
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Case Closed: the Moving Shrine Room Free
FREE CASE CLOSED: THE MOVING SHRINE ROOM PDF Gosho Aoyama | 192 pages | 07 May 2015 | Viz Media, Subs. of Shogakukan Inc | 9781421565101 | English | San Francisco, United States Case Closed (Volume) - Comic Vine The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Skip to main content. About this product. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Title: Case Closed Catalogue Number: Format: BOOK. Missing Information?. See all 6 brand new listings. Qty: 1 2. Buy It Now. Add to cart. About this product Product Information Jimmy Kudo, the son of a world-rewned mystery writer, is a high school detective who has cracked the most baffling of cases. One day while on a date with his childhood friend Rachel Moore, Jimmy observes a pair of men in black involved in some shady business. The men capture Jimmy and give him a poisous substance to rub out their witness. But instead of killing him, it turns him into a little kid! Jimmy takes Case Closed: The Moving Shrine Room the pseudonym Conan Edogawa and continues to solve all the difficult cases that come his way. All the while, he's looking for the men in black and the mysterious organization they're with in order to find a cure for his miniature malady.
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Manga) Market in the US
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Papers in Economics The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US Takeshi Matsui Working Paper #37, Spring 2009 The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US * Takeshi Matsui Graduate School Department of Sociology of Commerce and Management Princeton University Hitotsubashi University Princeton, NJ, US 08544 Tokyo, Japan 186-8601 [ Word Count: 8,230] January 2009 * I would like to thank Paul DiMaggio, Russell Belk, Jason Thompson, Stephanie Schacht, and Richard Cohn for helpful feedback and encouragement. This research project is supported by Abe Fellowship (SSRC/Japan Foundation), Josuikai (Alumni Society of Hitotsubashi University), and Japan Productivity Center for Socio-economic Development. Please address correspondence to Takeshi Matsui, Department of Sociology, Princeton University, Princeton, NJ 08544. E-mail: [email protected]. The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US Takeshi Matsui Hitotsubashi University/Princeton University Abstract This paper outlines the historical development of the US manga (Japanese comics) industry from the 1980s through the present in order to address the question why foreign cultural products become popular in offshore markets in spite of cultural difference. This paper focuses on local publishers as “gatekeepers” in the introduction of foreign culture. Using complete data on manga titles published in the US market from 1980 to 2006 (n=1,058), this paper shows what kinds of manga have been translated, published, and distributed for over twenty years and how the competition between the two market leaders, Viz and Tokyopop, created the rapid market growth.
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Animation and Videogames: Creativity and Market Failures in Japan's Content Industries
Animation and Videogames: Creativity and Market Failures in Japan’s Content Industries Andrei Hagiu Harvard Business School Temple University Japan March 20th 2007 Anime: a very creative Japanese industry… “To define anime simply as Japanese cartoons gives no sense of the depth and variety that make up the medium. Essentially, anime works include everything that Western audiences are accustomed to seeing in live-action films—romance, comedy, tragedy, adventure, even psychological probing of a kind seldom attempted in recent mass-culture Western film or television.” Susan J. Napier, Anime From Akira to Howl’s Moving Castle Japanese anime: 60% of TV anime series worldwide Pokemon example: 68 countries and 25 languages; aggregate size of Pokémon-related markets estimated at $200 billion …stuck in a suboptimal equilibrium Anime in Japan: ¥234 billion ($2.0 billion) in 2005 Fragmented industry (430 animation production companies) dominated by distributors (copyrights and financing) Lack of business and financial strength of animation production companies In 2005, Disney Co. had $32 billion revenues; Toei Animation had ¥21 billion ($175 million) revenues Disney and Pixar spend over ¥10 billion to produce one anime movie; Japanese anime production companies usually spent ¥0.2-0.3 billion (Studio Ghibli: ¥1-3 billion) Why? How can that be changed? The production committee system: financing and copyrights problems Investment Distribution Right Completed Anime for Video Distribute Video P. C. Member A: Anime Production Production Video Distribution Video Market Company Committee Video Sale Proceeds Company Fixed Payment (Less COGS and fees) Sales Proceeds Distribution of Profits P. C. Member B: TV Station P.
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Manga: Japan's Favorite Entertainment Media
Japanese Culture Now http://www.tjf.or.jp/takarabako/ Japanese pop culture, in the form of anime, manga, Manga: and computer games, has increasingly attracted at- tention worldwide over the last several years. Not just a small number of enthusiasts but people in Japan’s Favorite general have begun to appreciate the enjoyment and sophistication of Japanese pop culture. This installment of “Japanese Culture Now” features Entertainment Media manga, Japanese comics. Characteristics of Japanese Comics Chronology of Postwar 1) The mainstream is story manga Japanese Manga The mainstream of manga in Japan today is “story manga” that have clear narrative storylines and pictures dividing the pages into 1940s ❖ Manga for rent at kashihon’ya (small-scale book-lending shops) frames containing dialogue, onomatopoeia “sound” effects, and win popularity ❖ Publication of Shin Takarajima [New Treasure Island] by other text. Reading through the frames, the reader experiences the Tezuka Osamu, birth of full-fledged story manga (1947) sense of watching a movie. 2) Not limited to children 1950s ❖ Monthly manga magazines published ❖ Inauguration of weekly manga magazines, Shukan shonen sande Manga magazines published in Japan generally target certain age and Shukan shonen magajin (1959) or other groups, as in the case of boys’ or girls’ manga magazines (shonen/shojo manga zasshi), which are read mainly by elementary 1960s ❖ Spread of manga reading to university students ❖ Popularity of “supo-kon manga” featuring sports (supotsu) and and junior high school students,
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An Analysis of Moto Hagio's the Heart of Thomas
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February 2020 the Winners of the 13Th Japan International MANGA Award Enjoyed Some of Japan’S Attractions
February 2020 The Winners of the 13th Japan International MANGA Award Enjoyed Some of Japan’s Attractions The four winners of the 13th Japan International MANGA Award came to Japan on a Japan Foundation program for 10 days from February 16th to February 25th. They visited a number of places related to manga and anime and Kyoto city, where they experienced some of Japan’s traditions such as Kimono wearing. The winners had a very enjoyable visit. An overview of the visit is presented below: February 17th (Mon) The winners visited Shogakukan, which produces and publishes manga and anime such as ‘Doraemon’ and ‘Detective Conan’. After a tour of the company by the editor, they had a discussion about manga production with the manga artist, Mr. MATSUMOTO Taiyo, who is the well-known author of ‘Hana Otoko’, Tekkonkinkreet’ and ‘Ping Pong’. February 18th (Tue) The 13th Japan International MANGA Award ceremony and reception were held at the Iikura Guest House. At the ceremony, the winners were each awarded a certificate and trophy. A reception followed the ceremony. At the reception the winners enjoyed spending time with Japanese manga artists and representatives from manga publishing companies. February 19th (Wed) The winners visited Shueisha in Jimbocho, where ‘Dragon Ball’ and ‘ONE PIECE’ are produced. They were given a tour of the company’s editorial department. Later, that afternoon, they visited Ota Memorial Museum of Art1 and enjoyed the exhibition ‘Kaburaki Kiyokata2 and Hirezaki Eiho3: Illustrations Bringing Color to Modern Literature.’ The exhibition is comprised of kuchi-e prints of beautiful women from the Meiji period.
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Sean Leonard4
MIT Japan Program Working Paper 04.02 Progress Against the Law: Fan Distribution, Copyright, and the Explosive Growth of Japanese Animation Sean Leonard Massachusetts Institute of Technology Abstract The medium of Japanese animation is a powerhouse in the world of alternative entertainment. Proselytization by fans ignited the anime movement in America, despite Japanese copyright holders’ abandonment of the American market. The author presents an historical and legal analysis to demonstrate that, at least in one case spanning two decades, fans’ continual infringement of copyright spurred the progress of commerce and the arts. 1 MIT Japan Program Working Paper Series 04.02 Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 Phone: 617-252-1483 Fax: 617-258-7432 Date of Publication: November 2, 2004 © Sean Leonard 2 Table of Contents 1. Introduction 7 2. Anime and Its Fandom: A Primer for Non-Fans 9 2.1. Anime 9 2.2. Fan Distribution 10 2.3. Fansub 10 3. Historical Analysis of Fan Distribution and Subtitling 12 3.1. Pre-Fan Period 12 3.2. Technology Change; Cartoon/Fantasy Organization 13 3.3. Japanese Enter and Abandon the Market 16 3.4. Fan Activity Increases 19 3.5. Anime Importers Fail to Release Quality Material 23 3.5.1. The Robotech Exception and the Second Wave 25 3.6. C/FO at Its Height; C/FO in Japan 27 3.7. C/FO Fan Distribution 29 3.7.1. Fan Networks as Proselytization Commons 32 3.8. Birth of Fansubbing; Collapse of C/FO 33 3.9.
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The Top Seven Japanese Publishing Companies from PW's Global Ranking 2009 by Rudiger Wischenbart Jun 21, 2010
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The Little Robot Still Enchanting Fans Worldwide
Feature Sharing Japanese Literature with the World A wide variety of readers across ages, national borders and languages have loved the Japanese manga series Doraemon since it first appeared fifty years ago. The little robot cat is so popular outside Japan that the manga series has been translated into a dozen languages. TAMAKI KAWASAKI Children always enthusiastically welcome their pal Doraemon during school visits THE LITTLE ROBOT STILL ENCHANTING FANS WORLDWIDE OBITA Nobi is a boy who is the representative work of has gained numerous fans both struggles with everything Japanese manga artist Fujiko F within and outside Japan. The Nfrom schoolwork to Fujio (the pen name of Hiroshi series has been translated into sports and friendships. Naturally Fujimoto). The manga storyline twelve different languages this is a source of frustration for follows Nobita and his friends, and published in seventeen his mother, who scolds Nobita who overcome challenges in countries, and the anime series daily. But one day Doraemon—an their everyday lives aided by the has been broadcast in fifty-five earless robot cat traveling back amazing futuristic gadgets that countries. in a time machine from the Doraemon pulls out of his “four- Translated Doraemon manga twenty-second century—jumps dimensional pocket.” Since it was are particularly popular in Asia. out of Nobita’s desk drawer and first published in 1970, the series “In particular, Vietnamese changes his life. has been adapted into an anime fans’ love of Doraemon A science-fiction manga series as well as films. Over the is unprecedented,” says series for children, Doraemon past five decades, Doraemon Mitsuru Saito, chief producer 18 highlighting japan So far the series has been translated into twelve different languages and Highly popular in Vietnam, the Doraemon series occupies a third of the manga published in seventeen countries section in bookstores of international media at the manga section in local preserve the manga’s form and publisher house Shogakukan.
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