January 10Th-January 16Th.Xlsx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bodies Without Borders: Body Horror As Political Resistance in Classical
Bodies without Borders: Body Horror as Political Resistance in Classical Hollywood Cinema By Kevin Chabot A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario ©2013 Kevin Chabot Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94622-0 Our file Notre reference ISBN: 978-0-494-94622-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
An Exclusively Gay Breakdown of Beauty and the Beast's Would-Be
SLATE'S CULTURE BLOG MARCH 22 2017 11:47 AM An Exclusively Gay Breakdown of Beauty and the Beast’s Would-Be Queer Moment By Jeffrey Bloomer and David Canfield Support Michelle Goldberg’s coverage of the Trump administration. Join Slate Plus today. Definitely just friends. Disney We convened two Slate writers to dissect Beauty and the Beast’s ballyhooed “exclusively gay” moment and the ensuing fallout. Their conversation follows. Jeffrey Bloomer: Sorry, David, but I need to lock you in my castle to discuss a matter that Bill Condon, Josh Gad, and especially Disney wish we would just forget: the “exclusively gay” moment in the new Beauty and the Beast. The one where LeFou, the bumbling sidekick to beloved villain Gaston, becomes the supposed first gay character in a Disney movie. Be my guest? David Canfield: I suspect that Condon et al. would rather we talk about the film’s undercurrent of bestiality at this point. But certainly! ADVERTISING http://www.slate.com/blogs/browbeat/2017/03/22/beauty_and_the_beast_s_exclusively_gay_moment_dissected.html 6/7/17, 12B44 PM Page 1 oF 4 Bloomer: A few weeks ago, Condon made presumably inadvertent headlines around the world by suggesting to Attitude, a British gay magazine, that LeFou would be in love with Gaston in the new movie. And not in a coded way: LeFou would actually be gay. This was a break from Disney tradition, which is to be as gay as possible without acknowledging it. Cue ire from Alabama drive-ins and Malaysian censors. I think there are two items to discuss here: the movie itself and the comically overblown reaction. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
The County Borough Of
The County Borough of CaerphillyVisitor Guidet 2020 www.visitcaerphilly.com Contents Unearthing a sleeping giant .............. 3 Shwmae a Chroeso i Gaerffili Experience our legendary past ......... 5 “Hello and welcome to Caerphilly” A land of myths & legends ................. 7 Discover Caerphilly on foot ............... 9 Calling all adventure seekers ........... 11 Thank you for choosing the county Have a passion for the outdoors? ... 13 borough of Caerphilly as a destination Map .................................................... 15 to visit. Whether it’s for a day, a short Keeping it local ................................. 16 break or longer, there’s a lot waiting Dining out .......................................... 17 to be discovered. From uncovering Let us entertain you .......................... 19 our rich historical past to lapping up beautiful scenery and wildlife. Cwmcarn Forest Lodges .................. 21 Where to stay .................................... 23 This guide is packed with lots of useful information on the area along The county with inspiration on places to visit borough of Brecon The county borough and a taste of our renowned Valleys of Caerphill y welcome. Caerphilly is Brecon Beacons National Park We hope you find this guide useful located in the heart Monmouth and that you’ll come to love the of Southern Wales M4 Merthyr Tydfil borough as much as we do…in the and straddles the Chepstow words of Tommy Cooper “Just like ancient county Swansea Pontypridd that!” Newport boundaries of M4 If you need any help while planning Monmouthshire Bridgend M4 CARDIFF BRISTOL your visit or once you are here, take a Barry and Glamorgan. look at www.visitcaerphilly.com for information on the area. From finding a place to rest your head to selecting a special place to dine, it’s all on the With such close proximity to Cardiff, website. -
A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin J
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2015 Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement Justin J. Grandinetti James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the American Film Studies Commons, American Popular Culture Commons, Digital Humanities Commons, Other Film and Media Studies Commons, Other Languages, Societies, and Cultures Commons, Rhetoric Commons, and the Visual Studies Commons Recommended Citation Grandinetti, Justin J., "Occupy the future: A rhetorical analysis of dystopian film and the Occupy movement" (2015). Masters Theses. 43. https://commons.lib.jmu.edu/master201019/43 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Occupy the Future: A Rhetorical Analysis of Dystopian Film and the Occupy Movement Justin Grandinetti A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Writing, Rhetoric, and Technical Communication May 2015 Dedication Page This thesis is dedicated to the world’s revolutionaries and all the individuals working to make the planet a better place for future generations. ii Acknowledgements I’d like to thank a number of people for their assistance and support with this thesis project. First, a heartfelt thank you to my thesis chair, Dr. Jim Zimmerman, for always being there to make suggestions about my drafts, talk about ideas, and keep me on schedule. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
Broadmoor Movies: May 16Th - 31St
BROADMOOR MOVIES: MAY 16TH - 31ST Wednesday, May 16th 7:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) Thursday, May 17th 7:00 pm The Greatest Showman PG (1 hour, 45 minutes) Friday, May 18th 7:00 pm Black Panther PG-13 (2 hours, 14 minutes) Saturday, May 19th 12:00 pm Beauty and the Beast PG (2 hours, 9 minutes) 9:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) Sunday, May 20th 2:00 pm Guardians of the Galaxy 2 PG-13 (2 hours, 16 minutes) 7:00 pm The Greatest Showman PG (1 hour, 45 minutes) Monday, May 21st 7:00 pm Black Panther PG-13 (2 hours, 14 minutes) Tuesday, May 22nd 7:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) Wednesday, May 23rd 7:00 pm The Greatest Showman PG (1 hour, 45 minutes) **Memorial Day Weekend** Thursday, May 24th 7:00 pm Black Panther PG-13 (2 hours, 14 minutes) Friday, May 25th 2:00 pm Smurfs: The Lost Village PG (1 hour, 30 minutes) 7:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) Saturday, May 26th 12:00 pm Cars 3 G (1 hour, 42 minutes) 7:00 pm The Greatest Showman PG (1 hour, 45 minutes) Sunday, May 27th 2:00 pm Max PG (1 hour, 51 minutes) 7:00 pm Black Panther PG-13 (2 hours, 14 minutes) Monday, May 28th 7:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) Tuesday, May 29th 7:00 pm The Greatest Showman PG (1 hour, 45 minutes) Wednesday, May 30th 7:00 pm Black Panther PG-13 (2 hours, 14 minutes) Thursday, May 31st 7:00 pm Darkest Hour PG-13 (2 hours, 5 minutes) PLEASE NOTE THE FOLLOWING Movies are shown in the Little Theatre All movies & times are subject to change Movies are complimentary for Guests & Members Matinee Showings are 12:00pm on Saturdays & 2:00pm on Sundays Darkest Hour Rated: PG-13 Genre: Biography | Drama | History Running Time: 2 hours, 5 minutes Summary: In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire. -
Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue. -
Place and Displacement As Major Structrual and Thematic Elements In
B" ?L.rt 3o PL¿rce and Displacement as Major Structural anoi. thematic Elements 1n Some Australian Novels Kerryn lee Golclslvorth¡rr 3,4. (Flons. ) A thesis submi-tted for th-e degree of lloctor of Phl]osophy in the nepartment of English, Unj.versity of Adelaide. March 1980 ir:i'¡"' llìr,ul"lr, ìr.,...i [,,e"ìrur,,,r , i TASIT OF CONTENÎS Page no, SUMMÀRY.. .. aa aa aa aa aa aa aa iii vi STATEMENÎ .. aa .Q aa aa aa aa ÀCKNO'i/IEDGEMENÎS aa oa aa aa aa aa aa vi1 ASBREVTATTONS aa aa aa vii.i 1 TNTRONUCTTON., at aa aa aa aa .Q aa Section One: The Convict Novel CHAPTER ]- 13 Place as Punishment aa aa CHAPTER 2 The Principle of fnversion aa aa OE aa 35 CFIAPÎER 3 52 Plaee as Myth aa aa aa aa aa aa Section lwo: The LJxpatriate Novel CHAPTER 4 74 Expatriate 'rVriting and Attitudes to Place aa CHAPÎER 5 Tl-5 A Sense of DÍ-splacement ao la aa aa CHAPTER 6 l-66 Looklng For fthaca aa ao oa aa aa Section fhree: The Novels of Patrick White CHAPTER 7 209 Place and Narrative $tructure aa aa oa CIIAPTER B 247 The Indj-vidual and the landÉeepe. aa aa LL CHAP?ER 9 The Journey aa aa aa aa aa aa 267 CHAPTER 10 Houses and Shrines aa ao aa 286 coNclusroN .. .. .. aa aa aa aa aa 303 IIST OF V/ORKS CONSÜITED aa aa aa aa aa 309 1ff SUNMIARY The thesís concerns the notion of place and. -
Film As an International Art Form Subject Area/Course Number: Drama 70
Course Outline of Record Los Medanos College 2700 East Leland Road Pittsburg CA 94565 Course Title: Film as an International Art Form Subject Area/Course Number: Drama 70 New Course OR Existing Course Author(s): Josephine A. Perry and Nick Garcia Subject Area/Course No.: DRAMA-070 Units: 3 Course Title: Film as an International Art Form Discipline(s): Drama/Theater Arts, Film Studies Pre-Requisite(s): None Co-Requisite(s): None Advisories: Eligibility for English 100 Catalog Description: DRAMA-070 is a critical approach to the study of film that integrates both the technical elements of filmmaking with aesthetic and thematic elements through the exploration of various genres which may include but are not limited to suspense and mystery, science fiction/fantasy, survival and adventure, romance and comedies and/or Westerns. The th class encompasses films from the early 20 century through the present time and may include films from the Americas, Europe, Australia and/or Asia as it explores the cultural and artistic concerns of a variety of cultures as reflected in motion pictures. Related disciplines such as editing, music scoring, screenwriting, acting for the camera are also discussed in relationship to the films being studied. Schedule Description: Film is a universal language that can unite us as human beings and help us to better understand and appreciate our similarities and our differences. Take an enlightening journey through film by studying various genres of film (i.e. suspense, science fiction/ fantasy, survival and adventure, romance and comedies, Westerns and other genres) from th the early 20 century up to the present time.