Newsletter Welcome to the Spring Issue of the Gwent Archives Newsletter
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Lysaght Village an Exciting Development of 1, 2, 3 & 4 Bedroom
Lysaght Village An exciting development of 1, 2, 3 & 4 bedroom homes 175 River Usk 174 173 172 V 168 162-173 176 169 177 170 183 171 V 178 182 181 167 V V CS 186-191 166 180 165 179 16 V BS 163 174-185 162 V 158 184 149-157 159 202-217 161 185 BS 158 159 202 159 203 204 160 BS 205 158 186 BS 187 218-233 188 V 189 190 Lysaght Village 152 191 153 161 206 227 160 154 157 192 207 228 155 256 257 Existing Industrial Units 156 192 193 208 V V 149 210 209 V 258 194 201 150 193 225 229 V 226 255 259 V 151 192 211 224 V 148 260 193 194 200 254 V 212 223 258-265 217 230 V BS 147 213 222 216 268 146 199 231 267 V 214 266 265 V 200 220 264 BS 194 263 219 234-245 232 BS 262 145 215 V 261 V BS 266-273 141-148 201 233 246-257 144 54 221 269 Lysaght Village is yet another 218 53 199 234 270 235 54 197 236 237 253 143 247 248 249 250 251 252 55 BS V 198 238 196 239 V 240 241 196 242 140 142 243 BS 299 298 246 139 55 195 197 141 195 298 addition to the Taylor Wimpey 138 198 SS 271 V 298 277 53 52 297 278 272 Stour Charleston V 297 279 276 299 300 55 297 273 V 1 bedroom homes 3 bedroom homes 317 V family in Newport. -
Let's Walk Newport: Small Walks for Small Feet
SMALL WALKS for small feet... FIND YOUR NEWPORT WALK Lets Walk Newport - Small Walks for Small Feet 10 Reasons to walk... 1. Makes you feel good 2. Reduces stress 3. Helps you sleep better 4. Reduces risk of:- • Heart disease • Stroke • High blood pressure • Diabetes • Arthritis • Osteoporosis • Certain cancers and can help with theirmanagement and recovery 5. Meet others and feel part of your community 6. See your local areaand discover new places 7. Kind to the environment 8. Can be done by almost anyone 9. No special equipment required 10. Its FREE, saving money on bus fares and petrol 2 Lets Walk Newport - Small Walks for Small Feet How often should I walk? As often as you can Aim for at least:- 30minutes This can be in one go or 3 walks of 10 minutes or 2 walks of 15 minutes per day or more days 5 of the week How fast should I walk? Start slowly to warm up gradually increase to a brisk pace:- • heart beating a little faster • breathing a little faster • feel a little warmer • leg muscles may ache a little • you should still be able to hold a conversation Slow down gradually to cool down Tips • Walk to the local shops • Get o the bus a stop earlier • Park a little further from your destination • Walk the children to and from school • Go for a lunchtime walk • Walk to post a letter • Use the stairs • Walk with friends/family • Explore new areas • Walk the dog • Note your progress 3 Lets Walk Newport - Small Walks for Small Feet What equipment will I need? Healthy Start Walks brochure:- • Comfortable and sensible footwear (no ip-ops or high heels) • Water Small Walks for Small Feet brochure:- • Comfortable and sensible footwear (no ip-ops or high heels) • Water Healthy Challenge Walks brochure:- • Sturdy footwear • Water Countryside Walks brochure:- • Sturdy footwear/Hillwalking boots • Water Safety information (Countryside brochure only) • Tell someone where you are going • Tell someone how long you will be • Remember to let them know when you return Have fun and enjoy your walk! 4 Lets Walk Newport - Small Walks for Small Feet Walks Distance Page 1. -
A Study Into the Material Culture of the Morgan Family of Tredegar House
A Study into the Material Culture of the Morgan Family of INTRODUCTION Tredegar House in the late-Seventeenth Century There are many reasons why people wanted to own material goods, some practical, some financial, some psychological. This makes it necessary to explore social as well as economic factors. 1 Becky Gingell As Lorna Weatherill’s comments above, there are a variety of ways in which the study of material culture can be examined, as well as a number of reasons for such an investigation. The study of material culture can provide a vivid insight into the past, and a vast amount can be discovered about the individuals who owned the household goods. The ability to purchase new items was obviously determined by the person’s financial background and whether they were a spendthrift by nature, or perhaps less inclined to use their wealth, ranging from practical necessities of the household to the accumulation of personal niceties, to the more fundamental psychological reasons for owning such goods – desire and emulation. The Morgan family of Tredegar has had a long association with the county of Monmouthshire dating as far back as the fifteenth century and finally ending in the twentieth century when the house was finally sold. Each member of the Morgan family was famous during their lifetime and several grew to be significant entrepreneurs, while others became renowned for their eccentric behaviour. What this study will concentrate upon is the ownership of Tredegar House during the late-seventeenth century and the way in which the estate was run coinciding with the material culture of the owners during this period. -
Listed Buildings Detailled Descriptions
Community Langstone Record No. 2903 Name Thatched Cottage Grade II Date Listed 3/3/52 Post Code Last Amended 12/19/95 Street Number Street Side Grid Ref 336900 188900 Formerly Listed As Location Located approx 2km S of Langstone village, and approx 1km N of Llanwern village. Set on the E side of the road within 2.5 acres of garden. History Cottage built in 1907 in vernacular style. Said to be by Lutyens and his assistant Oswald Milne. The house was commissioned by Lord Rhondda owner of nearby Pencoed Castle for his niece, Charlotte Haig, daughter of Earl Haig. The gardens are said to have been laid out by Gertrude Jekyll, under restoration at the time of survey (September 1995) Exterior Two storey cottage. Reed thatched roof with decorative blocked ridge. Elevations of coursed rubble with some random use of terracotta tile. "E" plan. Picturesque cottage composition, multi-paned casement windows and painted planked timber doors. Two axial ashlar chimneys, one lateral, large red brick rising from ashlar base adjoining front door with pots. Crest on lateral chimney stack adjacent to front door presumably that of the Haig family. The second chimney is constructed of coursed rubble with pots. To the left hand side of the front elevation there is a catslide roof with a small pair of casements and boarded door. Design incorporates gabled and hipped ranges and pent roof dormers. Interior Simple cottage interior, recently modernised. Planked doors to ground floor. Large "inglenook" style fireplace with oak mantle shelf to principal reception room, with simple plaster border to ceiling. -
Short CV and Past Shows
VICTORIA J. E. JONES b. 1969, Caerleon, Wales Currently based in the North East of England I am an artist and researcher currently interested in humans, sites, collective experiences, time, affect and the senses. My practice encompasses installation art, lens, audio and smell works. Contact telephone 07947 363 541 email [email protected] portfolio site www.enterthehighfields.com Education 2018 - 2022 PhD Candidate, Human Geography, Durham University (selected) 2009 - 2011 MA: Design By Practice, University of Wales, Newport 1998 - 1999 PGCE: Design & Technology, Roehampton University, London 1989 - 1992 BA (hons): Fine Art, Camberwell School of Art, London 1987 - 1988 Foundation Art & Design, Gwent College of Higher Education Residencies 2018 GeoHumanities Creative Commission, Royal Holloway University 2016 ‘I Am Maindee’, Newport Unlimited 2014 Milk Float Residency, Milk Float Projects/ G39, Cardiff 2013 Rapid Cycling Residency, Cardiff University Medical Research Centre Made in Roath Residency, Cardiff Exhibitions 2019 Loss and Lucidity 2, Fábrica Braço de Prata, Lisbon, Portugal, Group Show selected 2018 Sideways in the Distance, RDV, Nantes, France, Group Show 2018 Smell The City, The Museum of London, Event 2017 The Library of Pilgrimages, Trowbridge Arts Centre, Group Show 2017 Something of Place, Trowbridge Arts Centre, Group Show 2017 Refuge, Bath Fringe Arts, Group Show 2016 What It Is Rite, Arcade Cardiff, Solo Show 2015 Museum Box Project, Aberystwyth Art College Gallery, Group Show 2015 Beneath The Surface, Newport -
Desert Island Times 10
D E S E R T I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A No. 10 22nd May 2020 “Liriodendron Tulipifera Aureomarginata” – the U3A 20th Anniversary Tree Photograph by Steven and Karen Lansdown in Belle Vue Park, Newport A miscellany of contributions from OUR members 1 View from the Chair As we are not going to be able to publish a summer newsletter this year I thought I would nevertheless publish what would have been my contribution to that had things been normal! Clearly the content would have been somewhat different but the underlying messages are on the same theme. Our enforced closure after afternoon groups on Friday, 13th March has, I know, been disruptive for everybody. It is, after all, an important part of our weekly routine to attend U3A at Shaftesbury Street or to meet as walkers or cyclists and I am sure we are all feeling a great sense of loss. This magazine will, I hope, have filled at least a small gap and the online activities of the groups that are able to do something is, I am sure, a boon to their participants. I still hear of new initiatives and any further ideas will be most welcome! Desert Island Times is being circulated beyond Newport U3A – I send each edition to members in Caldicot, Torfaen, Usk, Dartmouth and Odiham (Surrey) U3As and to others who are not currently members of any U3A. -
Newport Cycle Map Shows the Improving E
E C LAN A4051 RE O PE NT L LE GE A O G VE W L B E N E A 4 K O N 2 O U D R E E 3 B C 6 N L A A To L 4 GL 0 A A D E R N O 5 4 - 0 D US R 1 L K C Cwmbran 4 E D H C I VE 2 F L I A O W R H E R L W T L A R I O D Y E O F A G N C T D R The Newport Cycle Map shows the improving E SO L N S D A G L E T A A D R R LD CL E P BE E FIE IV E RO H O M G R W I L D N O H M E C E network of ‘on’ and ‘off’ road routes for cycling. Be A S N S C T R O V L A ER O T O R E L H L ND SN S E A L C Y A CL D A E C E I L L A C S N W R P L L E O E T K P L R D A N ROO E L Y L A B R E A D N IE C it for getting to work, leisure or as a way to enjoy C L F O K G O N R S ESTFIELD IE H R DO CL G I F A A A HAR W H T L A B R L C R D N R E O IN E Y D DR G C A L F G S I A A R L O O T T AV T H I W E C F N N A L I I H W E D the heritage, attractions, city county or countryside L E L CL A V A A I RI D V D WAY E P A O H E D R H WHITTL E VI E D R L B M P R D C R A I D L S R L BAC D A N O O E IE L N F E N D W M I E of Newport. -
10919 WTB Tourism English 108Pp
Cultural tourism strategy for Wales Brecon Jazz Eisteddfod Powis Castle Cardiff Bay Whilst every effort has been made to ensure accuracy in this publication, the Wales Tourist Board can accept no liability for any errors, inaccuracies or omissions for any matter in any way arising out of the publication of the information. Published by the Wales Tourist Board, Brunel House, 2 Fitzalan Road, Cardiff CF24 0UY ©2003 Designed by Peter Gill & Associates, Cardiff www.petergill.com CONTENTS Foreword 3 Executive Summary 4 1.0 Introduction 10 2.0 The Policy Context 12 3.0 The Market for Cultural Tourism 16 4.0 The Cultural Tourism Product 26 5.0 Strategic Principles and Vision 46 6.0 Strategy for Action 48 Thematic Programme 1 48 Thematic Programme 2 58 Thematic Programme 3 74 Thematic Programme 4 76 Action Plan 78 7.0 Implementation 90 8.0 Monitoring and Evaluation 92 Appendix 1 94 Appendix 2 96 Appendix 3 98 Appendix 4 104 1 F OREWORD The Wales Tourist Board recognises the vital role that our culture and the Welsh language places in differentiating Wales from our competitors so giving us that ‘competitive edge’.Whilst those who are defined as cultural tourists are a relatively small market, they are high value and projected to grow in numbers. Furthermore, cultural activities or experiences rarely fail to touch or enhance every visitor’s experience. This document sets out a strategic framework for action by both the Board and our partners to develop Wales’ potential as a cultural tourism destination. Our vision is for Wales to be recognised internationally as a destination offering a quality cultural tourism experience based on our unique culture which forms an essential part of the overall visitor experience. -
Trafalgar Square Publishing Spring 2016 Don’T Miss Contents
Trafalgar Square Publishing Spring 2016 Don’t Miss Contents Animals/Pets .....................................................................120, 122–124, 134–135 28 Planting Design Architecture .................................................................................... 4–7, 173–174 for Dry Gardens Art .......................................................8–9, 10, 12, 18, 25–26 132, 153, 278, 288 Autobiography/Biography ..............37–38, 41, 105–106, 108–113, 124, 162–169, 179–181, 183, 186, 191, 198, 214, 216, 218, 253, 258–259, 261, 263–264, 267, 289, 304 Body, Mind, Spirit ....................................................................................... 33–34 Business ................................................................................................... 254–256 Classics ....................................................................................43–45, 47–48, 292 Cooking ......................................................1, 11, 14–15, 222–227, 229–230–248 Crafts & Hobbies .............................................................................21–24, 26–27 85 The Looking Design ......................................................................................................... 19–20 Glass House Erotica .................................................................................................... 102–103 Essays .............................................................................................................. 292 Fiction ...............................................42, -
Listed Buildings 27-07-11
Listed Buildings in the City of Newport as at 27.07.11 Buildings Listed for their Architectural and / or historic interest in the City of Newport – Arranged by community Note! This list is liable to change from time to time. To check for changes or to obtain further information please contact the Conservation Officer (Historic Buildings), Regeneration and Heritage, Newport City Council. 01633 656656 Cadw Ref Listed Building Community Grade 3020 St Mark’s Church Allt yr yn II 3021 No. 11 Gold Tops Allt yr yn II 3033 Newport Magistrates Court Allt yr yn II 3097 Main Barrack Block (including Regimental HQ), Raglan Allt yr yn II Barracks 3098 Range to SW of Main Barrack Block (including Cadet Allt yr yn II Training Centre), Raglan Barracks 3099 Range to NE of Main Barrack Block, Raglan Barracks Allt yr yn II 3100 Usk House, Raglan Barracks Allt yr yn II 3101 Raglan House, Raglan Barracks Allt yr yn II 3102 Monmouth House, Raglan Barracks Allt yr yn II 3103 Sergeants' Mess, Raglan Barracks Allt yr yn II 3104 Officers' Mess, Raglan Barracks Allt yr yn II 3105 Armoury (including building and yard to right), Raglan Allt yr yn II Barracks 3106 Territorial Army Former Veterinary Hospital, Raglan Allt yr yn II Barracks 3107 Gymnasium, Raglan Barracks Allt yr yn II 3108 Boundary Wall to Raglan Barracks Allt yr yn II 3110 Guard Room beside main entrance, Raglan Barracks Allt yr yn II 15670 62 Fields Park Road [The Fields] Allt yr yn II 15671 18 Fields Park Avenue Allt yr yn II 20528 Shire Hall (including Queen's Chambers) Allt yr yn II 20738 Llanthewy -
Rugged Romans and Muddy Monks
Welcome to the Rugged Romans and Muddy Monks – Gwent sixth edition of our Levels history brought to life at Tredegar House! ‘Living the Levels’ newsletter which After last year’s successful event, the Living Levels Landscape will keep everyone Partnership is back with their second annual History Day. An event who has expressed for all the family, bringing the history and archaeology of the unique an interest in the Gwent Levels landscape to life. with a ‘trip through time’ amongst the Living Levels stunning grounds of the National Trust’s Tredegar House, in Newport. Landscape Visitors will enjoy re-enactors, fascinating displays of artefacts and Partnership up to demonstrations throughout the day. date. There will be captivating displays by local volunteers who have been hard at work uncovering the rich social history of the Gwent Levels. Time-travellers The Partnership aims will also find themselves treading in the footsteps of our Stone-Age ances- to recapture, enhance tors, courtesy of one of the UK’s top prehistoric reenactors James Dilley. and celebrate the Local folk tales and legends will be brought vividly to life amongst the unique Gwent Levels Gorsedd Stone Circle and there will be the chance to meet a Roman and has successfully Legionnaire. been awarded a £2.5 million grant from Although the remains of the Welsh dinosaur ‘Dracoraptor hanigani’ were the National Lottery discovered further along the coastline, youngsters are sure to be thrilled by Heritage Fund. a rather cheeky appearance by its distant cousin Tyrannosaurus Rex in the ‘Messylithic’ children’s activities zone in the parkland! The Project Partners Dig Ventures, and esteemed research archaeologists Professor Martin Bell and Professor Stephen Rippon will be on hand to showcase their research and the results of two very successful volunteer driven archaeological investigations at Peterstone and Redwick. -
Market Arcade Characterisation Study
HIGH STREET CHARACTER AREA NEWPORT TOWN CENTRE CONSERVATION AREA CHARACTERISATION STUDY - CONSULTATION DRAFT AUGUST 2017 Issue 01 July 2017 Newport City Council / Project Team Issue 02 August 2017 Public Consultation Prepared by Purcell® on behalf of Newport City Council. 104 Gloucester Green, Oxford OX1 2BU www.purcelluk.com HIGH STREET CHARACTER AREA, NEWPORT TOWN CENTRE CONSERVATION AREA – CHARACTERISATION STUDY CONTENTS 1.0 INTRODUCTION 04 4.0 THE CHARACTER OF BUILDING 22 1.1 Aims of the Study 04 4.1 Architectural Groups 22 4.2 Common Features and Materials 26 4.3 Public Realm 29 2.0 HISTORICAL DEVELOPMENT 05 4.4 Arcades 31 2.1 Summary Timeline 05 4.5 Comparable Arcades 34 2.2 Town Origins: Pre-Historic and Medieval Periods 06 2.3 Trade and Commerce 07 5.0 STATEMENT OF SIGNIFICANCE 35 2.4 Market Arcade 10 5.2 Market Arcade 37 2.5 The Industrial Revolution 13 2.6 Modern Era 13 6.0 SELECTED SOURCES 38 3.0 HISTORICAL TOPOGRAPHY 14 3.1 General Configuration 14 APPENDIX A: 3.2 Natural Topography 14 NEWPORT TOWN CENTRE 3.3 Views 16 CONSERVATION AREA BOUNDARY 39 03 1.0 INTRODUCTION 1.1 Aims of the Study 1.1.3 This Characterisation Study has been 1.1.1 Urban characterisation aims to describe prepared for the High Street Character Area and explain the historic character of towns to within Newport Town Centre Conservation give a focus to local distinctiveness and to Area. It forms part of a suite of documents for serve as a tool for the sustainable management the regeneration of the area as set out in of the historic environment.