The Regency Novel and the British Constitution: Austen, Brunton, Shelley, and the Culture of Romantic Decline
THE REGENCY NOVEL AND THE BRITISH CONSTITUTION: AUSTEN, BRUNTON, SHELLEY, AND THE CULTURE OF ROMANTIC DECLINE Sarah Elizabeth Marsh A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Jeanne Moskal Mary Floyd-Wilson Beverly Taylor James Thompson Jane Thrailkill © 2013 Sarah Elizabeth Marsh ALL RIGHTS RESERVED ii ABSTRACT SARAH MARSH: The Regency Novel and the British Constitution: Austen, Brunton, Shelley, and the Culture of Romantic Decline (Under the direction of Jeanne Moskal) During the Regency period (1811-1820), Britons were faced at home with daunting political problems: a scandal-plagued royal family; ongoing war with France; a weak postwar economy; a complicated and relatively new union of Scotland with England and Wales; and an enormous new empire abroad that few understood and none knew how to manage. As a hedge against this apparent national decline, Britons made frequent recourse to an ideal of national cohesion they called the British “constitution”: in medicine, the constitution (or health) of British bodies; in domestic matters, the constitution of the British family; in science, the constitution of the British atmosphere and landscape; in politics, the constitution of the British polity out of the English, the Welsh, and the Scottish; in government, the constitutional monarchy comprising the House of Lords, the House of Commons, and the king; in jurisprudence, the body of parliamentary law known as the British Constitution. “Constitution” was for Britons a multivalent and powerful term that emphasized the interrelatedness of political, legal, social, environmental, and medical understandings of lived experience.
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