Seasons of Poetry
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A Disciple's Prayer Book
A DISCIPLE’S PRAYER BOOK GREEN A DISCIPLE’S PRAYER BOOK Office of Indigenous Ministries 815 Second Avenue, New York, NY 10017 (800) 334-7626 www.episcopalchurch.org/page/indigenous-ministries 2 A DISCIPLE’S PRAYER BOOK GREEN PREFACE Jesus continually says that the disciples are to go preach, teach, and heal. This tool is a guide for disciples, catalysts, catechists, or anyone that is out there, going somewhere, preaching, teaching and healing all those that seek to engage God’s word, the Gospel of Jesus Christ. This resource with a bible is all that is necessary to preach, teach, and heal all who gather to engage the Gospel as disciples of Jesus. It is offered with the intention that local music, customs, language, and other idioms be added and implemented within the simple “liturgies” or services of this book. This Disciple’s Prayer Book is a gift to the Church from Native Episcopalians to be used on our journey together toward becoming a church of disciples in mission to all of God’s creation. Use it in peace with all that God presents you. May the peace of God that passes all understanding be with you all, now and forever. The Rev. John E. Robertson, Missioner Native Ministries-Gospel Based Discipleship 2000 – 2002 3 GREEN A DISCIPLE’S PRAYER BOOK 4 A DISCIPLE’S PRAYER BOOK GREEN CHRIST IS BORN! In the Morning THE GATHERING (The People say the words in bold type.) The People Gather The Gathering Prayer Said in unison Creator, we give you thanks for all you are and all you bring to us for our visit within your creation. -
Cruel Mistress| Poems
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cruel mistress| Poems Charles N. Blakemore The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Blakemore, Charles N., "Cruel mistress| Poems" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1949. https://scholarworks.umt.edu/etd/1949 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University ofIVIONTANA Pennission is granted by tlie author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ / /// U ________________________ Any copying for commercial purposes or financial gain may be undertaken only w tlie author's explicit consent. Cruel Mistress Poems by Charles N. Blakemore, Jr. A. B., Dartmouth College, 1981 Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1996 Approved by Chairman, Board of Examiners Dean, Graduate School Date UMI Number: EP35759 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
With Love at Christmas Free
FREE WITH LOVE AT CHRISTMAS PDF Carole Matthews | 496 pages | 01 Sep 2014 | Little, Brown Book Group | 9780751545487 | English | London, United Kingdom With Love at Christmas by Mem Fox Work on the album began in Februaryduring which Lewis began writing "immediately" after the release of her less-commercially successful album Glassheart In Juneit was revealed and later confirmed that Lewis' fourth studio album would be a Christmas album, based on the recommendation of Syco boss Simon Cowell. Lewis enlisted two producers for the album: With Love at Christmas "Biff" Stannard and Ash Howes, with Lewis herself contributing to the album's production. This is Lewis' first album to be released in With Love at Christmas America since 's Echoas her album, With Love at Christmas was not released there. Upon release, Christmas, with Love was met with positive reviews from critics, praising the album's original songs. Other critics noted the album as "one of the best With Love at Christmas Christmas albums in memory. However, it With Love at Christmas certified Gold by the BPI for shipments ofcopies within four weeks With Love at Christmas its release, and has since become the thirteenth best selling Christmas album in the United Kingdom as of December The album was preceded by one single " One More Sleep ", which was released on 5 November and debuted at number 34 on the UK Charts. It peaked at number 3 on the UK singles chart. Moreover, Lewis promoted the album through a large amount of live performances, including the Regent Street Christmas lights switch-on event in London, England and on the tenth series of The X Factor ; this With Love at Christmas to the song rising to number 3, which in turn made it Lewis' highest-charting single since 's " Happy ". -
Press Release Wednesday 29 August 2018 Further Cast
PRESS RELEASE WEDNESDAY 29 AUGUST 2018 FURTHER CAST ANNOUNCED FOR DEBRIS STEVENSON’S NEW WORK POET IN DA CORNER, DIRECTED BY OLA INCE OPENING IN THE JERWOOD THEATRE DOWNSTAIRS FRIDAY 21 SEPTEMBER 2018. New trailer here. Downloadable artwork here. Listen to a track Kemi from the show here. Left to right back row: Jammz, Debris Stevenson and Mikey ‘J’ Asante. Left to right front row: Kirubel Belay and Cassie Clare. Photo credit: Romany-Francesca Mukoro In the semi-autobiographical Poet in da Corner poet, lyricist, and dancer Debris Stevenson explores how grime helped shape her youth. Debris and previously announced writer and performer Jammz will be joined by Cassie Clare and Kirubel Belay. Directed by Ola Ince, Poet in da Corner will also feature music and composition from Michael ‘Mikey J’ Asante, co-founder and co-artistic director of Boy Blue. The production runs Friday 21 September 2018 – Saturday 6 October 2018 with press in from 7.30pm Tuesday 25 September 2018. In a strict Mormon household somewhere in the seam between East London and Essex, a girl is given Dizzee Rascal’s ground-breaking grime album Boy in da Corner by her best friend SS Vyper. Precisely 57 minutes and 21 seconds later, her life begins to change – from feeling muted by dyslexia to spitting the power of her words; from being conflicted about her sexuality to finding the freedom to explore; from feeling alone to being given the greatest gift by her closest friend. A coming of age story inspired by Dizzee Rascal’s seminal album, Boy in da Corner. -
Religious Observance and Spiritual Development Within Scotland's 'Curriculum for Excellence'
Younger, Stephen (2018) Religious observance and spiritual development within Scotland's 'Curriculum for Excellence'. PhD thesis. https://theses.gla.ac.uk/8903/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Religious Observance and Spiritual Development within Scotland’s ‘Curriculum for Excellence’ 1 Page 1 2 Abstract This research examines the current requirements and practices of Religious Observance (RO) and spiritual development within Scotland’s ‘Curriculum for Excellence’ (CfE). The research is focussed on the non- denominational school sector - approximately 90% of Scottish schools. The CfE has brought a shift in focus from solely curricular content to greater emphasis on character formation. Four key descriptors, termed “capacities”, are used: responsible citizens, effective contributors, successful learners and confident individuals. A number of supplementary programmes are being promoted to achieve this through schemes such as the ‘Rights Respecting School Award’, ‘Inspire-Aspire’, ‘Peer Mediation’ and ‘Restorative Justice’. The CfE details certain age-appropriate experiences and outcomes which pupils are expected to attain across eight core curricular subjects. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
In the Transition from Stage to Arena, Live Music Is Remade
Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Glassheart by Katharine Orton Published 2020 by Walker Books
KATHARINE ORTON © Glassheart by Katharine Orton published 2020 by Walker Books. Cover illustration by Sandra Dieckmann GLASSHEART_9781406385236_PI_UK.indd 3 01/09/2020 12:29 11 InIn thethe cold,cold, stillstill hourshours ofof night,night, whenwhen shadowsshadows swathedswathed thethe wildwoodswildwoods andand mostmost peoplepeople werewere inin bed,bed, footstepsfootsteps creakedcreaked onon thethe landinglanding nearnear Nona’sNona’s door.door. SheShe frozefroze atat herher deskdesk –– pencilpencil poisedpoised overover herher sketchbook,sketchbook, heartheart inin mouth.mouth. HerHer wide,wide, darkdark eyeseyes glitteredglittered byby thethe lightlight ofof aa falteringfaltering candle.candle. ThisThis waswas whatwhat she’dshe’d beenbeen waitingwaiting for.for. TheThe reasonreason she’dshe’d stayedstayed awakeawake allall thisthis time.time. YetYet thethe soundsound stillstill chilledchilled herher blood.blood. SheShe heldheld herher breath.breath. Listened.Listened. AA foxfox shriekedshrieked fromfrom thethe WiltshireWiltshire wildswilds beyondbeyond herher windowwindow –– itsits crycry soso humanhuman andand eerieeerie thatthat itit mademade Nona’sNona’s skinskin prickle.prickle. There’dThere’d beenbeen foxesfoxes inin LondonLondon wherewhere sheshe waswas bornborn andand hadhad lived,lived, ofof course,course, butbut therethere theythey werewere moremore likelylikely toto rattlerattle thethe dustbinsdustbins thanthan toto howlhowl inin thatthat terrible,terrible, mournfulmournful way.way. That’sThat’s notnot whatwhat sheshe waswas -
Ordered by ARTIST 1 SONG NO TITLE ARTIST 5587 - 16 Blackout (Hed) P
Ordered by ARTIST 1 SONG NO TITLE ARTIST 5587 - 16 Blackout (Hed) P. E. 5772 - 15 Caught Up In You .38 Special 5816 - 08 Hold On Loosely .38 Special 5772 - 08 If I'd Been The One .38 Special 5950 - 06 Second Chance .38 Special 4998 - 05 Count Your Rainbows 1 Girl Nation 4998 - 06 While We're Young 1 Girl Nation 5915 - 18 Beautiful 10 Years 5881 - 11 Through The Iris 10 Years 6085 - 15 Wasteland 10 Years 5459 - 07 Because The Night 10,000 Maniacs 5218 - 08 Candy Everybody Wants 10,000 Maniacs 1046A -08 These Are Days 10,000 Maniacs 5246 - 14 I'm Not In Love 10cc 6274 - 20 Things We Do For Love, The 10cc 5541 - 04 Cupid 112 5449 - 10 Dance With Me 112 5865 - 18 Peaches And Cream 112 5883 - 04 Right Here For You 112 6037 - 07 U Already Know 112 5790 - 02 Hot And Wet 112 & Ludacris 5689 - 04 Na Na Na 112 & Super Cat 5431 - 05 We Are One 12 Stones 5210 - 20 Chocolate 1975, The 6386 - 01 If You're Too Shy (Let Me Know) 1975, The 5771 - 18 Love Me 1975, The 6371 - 08 Me And You Together Song (Clean) 1975, The 6070 - 19 TOOTIMETOOTIMETOOTIME 1975, The 5678 - 02 I'm Different (Clean) 2 Chainz 5673 - 05 No Lie (Clean) 2 Chainz & Drake 5663 - 12 Birthday Song (Clean) 2 Chainz & Kanye West 5064 - 20 Feds Watching (Clean) 2 Chainz & Pharrell 5450 - 20 We Own It 2 Chainz & Wiz Khalifa 5293 - 09 I Do It (Clean) 2 Chainz Feat. -
ANDY MARR (Andrea Marin)
ANDY MARR (Andrea Marin) Guitarist, backing vocalist/singer, songwriter, composer London, UK [email protected] www.andreamarin.co.uk Mobile No: +44(0)7528310567 Professional highlights: - Guitarist at Majestas Group: movie appearance in “Bullied” (2019) - Guitarist at Viva Productions: 400 shows between 2017 and 2018 touring UK - Guitarist for Lloyd Wade: live performances and studio sessions for related artists - Guitarist at “Hero” (pop/rock band) supporting act for Stereophonics touring Europe and touring California including the world famous “Whisky a go go”. - Supporting act for Leona Lewis with Nikitta Angus - Live performances at Quaglino's, 100 Wardour St , Bar 31 @ The Shard and The Rock Cafe in central London - Live TV performance on Four in a bad (Channel 4, London) - Performance at Sonisphere Festival UK 2014 - BBC radio live acoustic shows (94.9 Simon Lederman) - Producers I’ve worked with: Jon Moon, Ian Grimble, Gavin Monaghan, Andy Withmore, Billy Lawrie, Richard Cardwell. Session musicians I’ve worked with: Bert Thomas (Anastacia, Christina Aguilera, Black Eyed Peas, Placebo) Jeff Allen (Bonnie Tyler, Frank Zappa, Chuck Berry ,Van Morrison) Mitch Glover (Kasabian, Kosheen) Professional experience: 2019: - Guitarist at Sonic Artists (Manager: Jon Perry): touring UK with 2 production shows: “The Big White Piano Show”, and “Dave Jerome as Freddie Mercury” - Guitarist at Absolute Bowie Band: (Winner of Best Bowie Tribute’ & ‘Best Tribute Band’ award at the UK Agents Association Awards 2018) Touring UK and Ireland