DOCSLIB.ORG

Ain't That a Shane!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ain't That a Shane! Jan. 10, 1992 CAPITOL R ISSUE #258 0 4 Trading Post Way fai Medford Lakes, NJ 08055 phone: (609) 654-7272 fax: (ROMPR4-6852 TOP PRIORITY HARD ACT TO FOLLOW ALTERNATIVE PICK ',ETTY OUGHBOY 1101.1.0W AIN'T THAT A SHANE! INSIDE: HARD HITTER II THE NAKED CIT7' UTZ MADE GROUP W VEEP III BOTH KEINER & ..YKES ANNOUNCED AT EMI KISS FM RETURNS WITH ZZ TOP A GC GO IT'S ERIC STOTT AS THE NEW WXRC FD JOHN DUNTi-LN DEPARTS HIS WMAD THRONE IN RANDY RALEI. F )LLS ON OUT FROM KFMQ MD LORRAINE MCIER MAKES ROOM AT KRQF CFNY CHANGES KITH EARL JIVE JOLTED MISSOULA MA Kr OVER SEES AN ARGO ADIC S 0.111M11,1111 INSIDE YOURS NAG MANAGEMENT: ARTISTSHORIZON SERVICES ENTERTAINMENT CORP. Hard Hundred Lw Tw Artist Track LwTw Artist Track 1 1 U2 "Mysterious Ways" 32 51 Ozzy Osbourne "No More Tears" 2 2VAN HALEN "Right Now" 26 52The Who "Saturda Ni ht's ..." 4 3JOHN MELLENCAMP "Love And ..." >> D 53UGLY KID JOE "Everything About ..." 6 4BRYAN ADAMS "There Will Never ..." 62 54 U2 "Who's Gonna Ride..." 20 5GENESIS "I Can't Dance" 83 55 DIRE STRAITS "The Bug" 8 6NIRVANA "Smells Like Teen ..." >> D56 RTZ "Until Your Love ..." 18 7TOM PETTY "Kings Highway" 40 57 Lynyrd Skyrd "All I Can Do ..." 9 8 GUNS N' ROSES "November Rain" 63 58 GENESIS - "Jesus He Knows..." 12 9EDDIE MONEY "She Takes My ..." 66 59JAMES REYNE "Some People" 13 10BOB SEGER "Take A Chance" 69 60 DRAMARAMA "Haven't Got A ..." 10 11 METALLICA "The Unforgiven" 72 61 VINNIE MOORE "Meltdown" 3 12 Stevie Ray Vaughan "The Sky Is. " 38 62Aerosmith "Helter Skelter" 17 13TESLA "Call It What You " 41 63CSN "Dear Mr. Fantasy" 43 14 RUSH "Ghost Of A ." 68 64 ASPHALT BALLET "Soul Survive" 7 15 Rush "Roll The Bones" 80 65U2 "Even Better Than ..." 22 16FOUR HORSEMEN "Rockin' Is Ma' ..." >> D66 JOHN MELLENCAMP..."Again Tonight" 11 17 Queensryche "Another Rainy." 49 67John Mellencam "Get A Le U " 53 18OZZY OSBOURNE "Mama, I'm Coming ' D 68 LOU REED "What's Good" 127 19TALL STORIES "Wild On The Run" 81 69U2 "One" 2520RICHIE SAMBORA "Stranger In This ." 78 70GUNS N' ROSES "Live And Let Die" 14 21 Dire Straits "HeaFuel" 54 71 Scorpions "Send Me An Angel" >> D 22 ERIC CLAPTON 'Tears In Heaven" 70 72Shadow King "Anytime, ..." 23Genesis "No Son Of Mine" 50 73Questionnaires "Killin' Kind" 2924SKID ROW "Wasted Time" >> D 74 KIX "Tear Down The ..." 3025BABY ANIMALS "Painless" 9675LILLIAN AXE "True Believer" 24 26Smithereens "Tell Me When Did " 52 76Chris Whitley "Big Sky Country" 19 27Primal Scream "Moving On Up" 82 77 U2 "Until The End Of 4528JON BON JOVI "Levon " 8778 BLUR "There's No Other 3529THE CULT "Heart Of Soul" 56 79Jethro Tull "Doctor To My ..." 3630SOUNDGARDEN "Outshined" 68 80 Lita Ford "Shot Of Poison" 16 31The Storm "I've Got A Lot " >> D 81 NIRVANA "Come As You Are" 4732PEARL JAM "Alive" 64 82Billy Falcon "Heaven's Highest ..." 21 33Mr. Big "To Be With You" 86 83John Mellencam "Now More Than ..." 15 34N.Y. Rock & Soul "Pretzel Logic" 93 84 MOTLEY CRUE "Home Sweet Home" >> D 35 STEVIE R. VAUGHAN "Em tArms" >> D 85 STEVIE R. VAUGHAN...."Little Wing" 33 36Henry Lee Summer "Turn It Up" 59 86Kix "Same Jane" 4237THUNDER "Love Walked In" 65 87 U2 "The Fl " 4638BODEANS "Good Things" >> D 88TALKING HEADS "Sax And Violins ..." 39 39 McQueen Street "In Heaven" 1111witac1avaltilththLIMMEU:77 57 40QUEEN "The Show Must Go " 88 90James Ta for "coerline" D 41THE STORM "Show Me The Way" >> D 91 NORTHERN PIKES "Dream Away" 28 42Firehouse "All She Wrote" 77 92 ZZ Top "Burger Man" 91 43ROBBIE ROBERTSON "Go Back To Your ..." 89 93Aldo Nova "Someday" 55 44WEBB WILDER "Tough It Out" 75 94Van Morrison "Why Must I ..." > D 45SCORPIONS "Hit Between The ..." 58 95INXS "Shining Star" 34 46Van Halen "Top Of The World" 92 96Cliffs Of Dooneen "Throulh An 0 en ..." 48 47The Scream "I Believe" D 97THIS PICTURE "Naked Rain" 31 48Tom Petty "Into The Great ..." >> D 98 TATTOO RODEO "Let Me Be The ... 44 49Little Feat "Things Happen" >' D 99LITA FORD "Playing With ..." 23 50Southside Johnny "It's Been A Long. " >> D 100 MARC BONILLA "White Noise" BILL HARD-Editor & Publisher JIM TRAPP-Associate Editor COLLIE HARD-Comptroller CHRISTINE BLACK MIKE MARRONE BETH RENAUD AMY BIRCH Metal Editor Alternative Editor Associate Alternative Editor Research/Advertising/Reviewer JOE HILGER LISA RIEGEL KEN SUBRAMANIAN Layout Editor/Reviewer Executive Coordinator Executive Data Systems Published weekly by The Hard Report, Inc. 4 Trading Post Way, Medford Lakes, DU 08055 Editorial Assistants JENNI GLENN JODIE FABRICUS J.J. WEINSTEIN Paste-up JOAN LOVENDOSHI Comments deadline: Wednesday 2 PM Material within may not be reproduced without permission Industry comments and opinions are not necessarily those Contributing Editors Radio reports: Monday & Tuesday 10 AM -6 E.S.T of The Hard Report or its employees. MIKE COOPER Eastern Standard Time 609-654-7272 & JONATHAN WRIGHT 609-654-6852 (FAX) THE HARD REPORT 3 JANUARY 10, 1992 ToPriori Psychefunkapus, "Surfin On Jupiter", Atlantic... "Funk rock" may be the rep on this Bay Area band, but "Surfm" is about as suburban as you can get --that is, if a time machine took you back to '63. Many have tried to recreate Cv7-3,7'.431.749those surf sounds of that golden era just before the Beatles changed all the rules, but most succeed only :0 I in sounding dopey --or at best, saccharine. This, on the other hand, is actually too hip. Surfmg in January? On Jupiter? Hey, no nuttier than anything else going on in the world. Producer Jerry Harrison pays proper homage to the Chantays, and thanks to Dick Dale's rad twanging and the band's killer Orange County crooning, this is the best new instant reaction record on the radio.It's old, it's new, there's legitimate alternative, metal and AOR appeal, and all kitch aside, ain't no way this perfectly timed period piece won't wind up as the first quarter's fastest starting multi- format darling. Already a big hit on our call -in rate -a -record research system --and believe me, after a week on Hard Hold, we know when we've got a winner. Record AFE Week War Babies, "Hang Me Up", Columbia... Bands like Nirvana, Pearl Jam and Soundgarden have established Seattleas THE hotbed of commercial cutting edge rock, so weren't we surprised to find that Columbia's number one priority sounds like they're straight outta somewhere considerably further south, one with lots of smog and people pissed off about helmet laws. But that's not to say they're not Jet City favorites, as noted by KXRX's Dean Carlson, and "The Seattle story continues; riffs, growls, and plenty of crunch. How ironic. Another war on January 15th, only this one rocks." They're already doing well in Denver, where KAZY played two tracks from the advance tape, had the band in for a New Year's Eve show and now report Top 10 calls. "92's Black Crowes to be" was the prediction from MD Lois Todd. A little TSL with the album will tell you these Babies have that critical grit/gloss ratio down pat. And between Paul Stanley's co -writer credits and the label's commitment, you know the War Babies aren't kidding the first time out. OTB at KUPD and KRXQ. Hard Acts John Lee Hooker, "Strip Me Naked", Charisma... As you probably know, Carlos Santana is just one of many luminaries who wanted to pay tribute to John Lee on this album, and his inclusion on this tune would seem reason enough for healthy exposure. Then again, there's the fact that just last week John Lee was Grammy nominated in the traditional blues category, with fellow labelmates Johnny Winter and Albert Collins (also on the album) both nominated for contemporary blues. KRQR's Larry Snider has further encouragement, "Back when I was in Tucson, I threw this song on at about nine in the morning, and the phones started ringing right away. We featured it for three weeks with great response, so I know it would work here. Once we had a chance to play it, my hunch was backed up. Great phones, good sales, here we go!" Also note the early adds from KLOS and KZAP. Northern Pikes, "Dream Away", Scotti Brothers.. In the midst of all the wheeling and dealing that characterized Promotion '91, the job John Schoenberger and Co. did stands out as one of the two or three most successful and legitimate long term projects. Week after week they convinced skeptical programmers as the record that wouldn't die inched and clawed its way along for 22 weeks on the chart. Nearly half a year on the AOR charts and still a story at CHR. Now even MTV is hip to the song, and it's time for AOR to take that big second step, as well we should. Ed Stasium's energized remix really juices the trademark harmonies, so much so that 0107 readded a song they've already played for over six months. As Joey Vendetta said, "The song displays great pop sensibilities without compromising what makes rock and roll great --the attitude. Perfect 18-34." Debut at 91*, with KBCO, KISW, KSJO, KUPD, KBOY, KWHL and ten more just in. Marc Cohn, "29 Ways". Atlantic... While on the subject, howzabout Mr. Marc snagging three Grammy Nominations? No one around here can remember the last time a new act was nominated for Best New Artist, Best Vocal Performance and Best Song? When we asked around at year's end, our segment of the radio and record community definitely seconded the emotion that he was the best new male, if only because rock radio put 'em on the map.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Remembering Katie Reich
    THE M NARCH Volume 18 Number 1 • Serving the Archbishop Mitty Community • Oct 2008 Remembering Katie Reich Teacher, Mentor, Coach, Friend Katie Hatch Reich, beloved Biology and Environmental Science teacher and cross-country coach, was diagnosed with melanoma on April 1, 2008. She passed away peacefully at home on October 3, 2008. While the Mitty community mourns the loss of this loving teacher, coach, and friend, they also look back in remembrance on the profound infl uence Ms. Reich’s life had on them. “Katie’s passions were apparent to all “We have lost an angel on our campus. “My entire sophomore year, I don’t think “Every new teacher should be blessed to who knew her in the way she spoke, her Katie Reich was an inspiration and a mentor I ever saw Ms. Reich not smiling. Even after have a teacher like Katie Reich to learn from. hobbies, even her key chains. Her personal to many of our students. What bothers me is she was diagnosed with cancer, I remember Her mind was always working to improve key chain had a beetle that had been encased the fact that so many of our future students her coming back to class one day, jumping up lessons and try new things. She would do in acrylic. I recall her enthusiasm for it and will never have the opportunity to learn on her desk, crossing her legs like a little kid anything to help students understand biology wonder as she asked me, “Isn’t it beautiful?!” about biology, learn about our earth, or learn and asking us, “Hey! Anyone got any questions because she knew that only then could she On her work keys, Katie had typed up her about life from this amazing person.
    [Show full text]
  • Connections Equity, Opportunity and Inclusion for People with Disabilities Since 1975
    Connections Equity, Opportunity and Inclusion for People with Disabilities since 1975 Volume 41 w Issue 4 w Winter 2016 Agency Transformation In This Issue 5 The Role of Agency and Systems Transformation in Supporting “One Person at A Time” Lifestyles and Supports, by Guest Editor Michael Kendrick 8 The Transformation of Amicus: Our Story, by Ann-Maree Davis, Chief Executive Officer, Amicus 12 Muiriosa Foundation: Our Journey with Person-Centred Options, by Brendan Broderick, CEO, Muiriosa Foundation 16 Our Transformation as an Organization, by Christopher Liuzzo, Associate Executive Director (Ret.), the Arc of Rensselaer County, New York 20 Dane County, Centers for Medicare & Medicaid Services (CMS), and Individualized Services, by Dennis Harkins, with Monica Bear and Dan Rossiter 25 The Story of KFI’s Agency Transformation, by Gail Fanjoy 28 Transformational Change in Avalon (BOP) Inc: “Don’t look back we are not going that way”, by Helen Brownlie 36 Spectrum: The Story Of Our Journey, by Susan Stanfield, Spectrum Society for Community Living 2016 TASH Conference, Page 41 Chapter News, Page 43 SAVE THE DATE FOR THE 2017 TASH CONFERENCE Each year, the TASH Conference strengthens the disability field by connecting attendees to inno- vative information and resources, facilitating connections between stakeholders within the dis- ability movement, and helping attendees reignite their passion for an inclusive world. The 2017 TASH Conference will focus on transformation in all aspects of life and throughout the lifespan. We look forward to
    [Show full text]
  • Working the Math and the Magic
    Bob Pittman WORKING THE MATH AND THE MAGIC rom his days of programming the nation’s #1 radio station in his early 20s to reinventing the nation’s #1 broadcasting company into today’s premier media company, Bob Pittman has had a spectacular career,” says Republic chieftain Monte Lipman. “Bob’s motivation and fearless- ness to always sail into uncharted waters is unprecedented.” Monte makes a valid point—and that includes piloting his jet to the Burning Man festival every year. From his wunderkind days holding court at the NBC commissary to his current reign atop iHeartMedia, the Mississippi native has always been zooming forward. Name a game-changing media moment during the last 35 years, and chances are Bob Pittman’s fingerprints were all over it. After getting his start in radio, he moved to television as a founder of MTV, which became the first profitable cable network as well as reenergizing the record business. Pittman was on hand when Warner Bros. merged with Time Inc., and after serving as CEO of Six Flags and Century 21, he became COO of AOL and held the same post following the 2000 mega- Fmerger that created AOL Tim Warner. Since 2010, Pittman has become “ 143 ever more deeply involved with iHeart- national cable networks, I’ve been an the iHeartRadio Fest in 2011. Radio Media, which bore the Clear Channel advertiser,” Pittman told CNN in 2013. Ink magazine named him the Most nameplate when he arrived. His duties as “[Late Time Warner boss] Steve Ross Powerful Man in Radio in 2011; he has Chairman/CEO have notably included taught me to take chances—don’t ever yet to relinquish the title.
    [Show full text]
  • Columbia Chronicle (11/13/1995) Columbia College Chicago
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-13-1995 Columbia Chronicle (11/13/1995) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/13/1995)" (November 13, 1995). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/336 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE CH 0 f C. 0 L U M B CO LL EGE c ti C A G 0 VOL. XXIX, No. 8 November 13, 1995 ''Foundation'' Draws Kudos And Criticism By Nancy Laichas important initiative taken by the college in many years," curriculum. Several Editor-in-Chit! Duff pointed to Columbia's rapid growth as evidence that faculty members the recommendations contained in "Laying the ex pressed concern Faculty credit cards, student involvement in communi­ Foundation" are vital to the college's future. about current cur­ ty outreach programs and bigger, faster, more reliable ele­ "Columbia is at a crossroads," Duff said. "It's no riculum standards, vators were a few of the more creative o f the plethora of longer a small, struggling institution, it's the fifth largest especially in the suggesti ons tossed out by faculty, private institution in area of general edu­ staff, administrators and students at Illinois." cation require­ last week's college-wide convocation.
    [Show full text]
  • I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
    General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course.
    [Show full text]
  • On the Brink of Death, but Still Performing
    Arts NEWS VOICES TV IQ BUSINESS SPORT WEDNESDAY 36 2-27 12-16 28-29 30-39 40-43 45-54 i 13 FEBRUARY 2013 37 Victim and perp: Rachel Cusk (main image); On the brink of reviewer Camilla Long (far left); George Eliot (right) and Charlotte Brontë (far right) GERAINT LEWIS; death, but still GETTY IMAGES performing Wilko Johnson’s not the first to play on when dying, says Simon Hardeman hen – let’s not tempt spurred such bouts of creativity fate by saying “if” from many acts. Lee Hazlewood, – R’n’B guitar hero who wrote and co-performed Wand inspirational per- “These Boots Are Made for Walkin” former Wilko Johnson takes the and “Some Velvet Morning” with stage for his farewell mini-tour at Nancy Sinatra, only went back to the beginning of March, he will be the studio in 2005 after he was told the latest artist to have taken a ter- his cancer had gone too far. Of the minal diagnosis as a prescription to record, Cake or Death, he said, “if carry on doing what he does best. [it’s] not what you like, hurry… get Johnson has pancreatic cancer, your money back, because that’s as the same disease that laid low the good as it’s going to be”. Meanwhile, man who made the Cincinnati Pops George Harrison showed gallows Orchestra famous, Erich Kunzel. humour when he wrote what was eviewing a particularly graduates in their late 20s, who found- a HobNob. We judges met the Omni- The celebrated conductor knew he reportedly his first song for 10 terrible musical in the ed the Omnivore website to monitor vore founders for lunch at the Cavalry was dying and yet also kept going.
    [Show full text]
  • SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
    CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised.
    [Show full text]
  • PA Tool Instructions
    STATE OF HAWAII Personal Assistance Tool Instructions The State recommends that this tool be formatted in Excel for calculation functionality. 1. Member Name- Enter member’s legal name (Last, First, Middle Initial). If member has no middle initial, leave blank. 2. Degree of Assistance- The assessor will determine the member’s degree of assistance. a. Independent- No assistance, set up, or supervision. b. Minimal- Able to complete some tasks with assistance, includes oversight, encouragement or cueing, or supervision c. Moderate- Able to complete some of task but need assistance with most of task d. Total- Unable to complete tasks on own or needs assistance to complete the task 3. Suggested Times (Minutes) - The assessor will enter the minutes based on the Degree of Assistance. Refer to Table 1. Personal Assistance Guidelines for allocating hours. If the minutes exceed the maximum suggested minutes, please document reason in the Justification for Allocation of Hours. Table 1. Personal Assistance Guidelines TASKS Degree of Assistance Personal Assistance Level 1 Routine House Cleaning Minimum Lives alone: Up to 120 minutes per week • Dusting • Cleaning up after personal care tasks (bathing, toileting, meal Lives with family or friends: Up to 60 minutes per week preparation, etc.) Moderate Lives alone: Up to 180 minutes per week • Cleaning floors in living areas used by member • Cleaning counters, stovetop, washing dishes Lives with family or friends: Up to 120 minutes per • Carrying out trash and setting out garbage for pickup week • Emptying
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • Thomas Edison Children
    Thomas Edison Children His father was Samuel Ogden Edison Jr. At the same time, he served as chaplain of Monmouth College, now Monmouth University, in West. At Edison Preparatory School, we provide a quality education experience with an emphasis on college and career readiness, every day, without exception. Great inventor and scientist, Edison shed light on the world. Engaging kids in STEM learning, Thomas Edison’s Secret Lab™, the exhibit offers unique, hands-on experiences that introduce STEM concepts, build enthusiasm for related education and careers, present engaging opportunities to actively participate in the scientific process, and highlight some of the greatest scientists and innovators from throughout history who have inspired us all with their ground-breaking discoveries. So many of Thomas Edison’s inventions are held in such high regard that he is considered the greatest inventor of all time. Children: Marion Estelle, Thomas Jr. menloparkmuseum. Thomas Edison Museum. They had traditional styling, so there was a feasible level of attractiveness to them. , and William Leslie by his first wife Mary Stillwell. 2 Generation Why 2 Powers and Abilities 2. Type : Soft, Washable, Food-Safe; especially for beginners who want to take food using chopsticks; Designed for all people, especially for beginners who want to take food using chopsticks with no difficulty. The Thomas Alva Edison Children's Room At the Harrison Public Library. 3) Hernando Cortez and the Conquest of Mexico. Souls of Angels: A Novel. Black History Month Printable Activities and Worksheets; Basic Houseparty App Tutorial; Valentine Cookie Decorating Ideas; 50 Free Virtual Tours of Unique and Famous Places.
    [Show full text]
  • January 1992
    VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
    [Show full text]