Women's Rights and Human Rights
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Women's Informal Peace Efforts
CMI BRIEF 2018:7 1 NUMBER 7 CMI BRIEF NOVEMBER 2018 Photo courtesy of Isis-WICCE Women’s informal peace efforts: Grassroots activism in South Sudan AUTHORS South Sudanese women have been grossly under-represented Helen Kezie-Nwoha in formal peace negotiations. However, they have been active Juliet Were in informal peacebuilding at the local level where peace means rebuilding society. Such informal peacebuilding is radically different to formal peace negotiations where male warlords and political leaders in new positions of power divide the spoils of war. This brief describes women’s informal peace work in South Sudan, and shows the extensive and valuable, but often unrecognized work that women’s organizations do. We also look at how women’s roles in formal processes are informed by women’s informal work. 2 CMI BRIEF 2018:7 Methodology In this study, we conducted individual and focus groups discussions with women activists from groups located in South Sudan and in Uganda. We completed 21 individual interviews, eight focus group discussions (with a total of 111 women) and two community meetings with 90 women in all. The interviews were conducted between June 2017 and July 2018. Fighting between different warring factions caused delays and made it difficult to access study locations. The long road to peace Women’s role in formal peace processes South Sudan gained independence from Sudan on 9 July 2011. Since then, South Sudan has been marred by internal conflicts. What started as a power struggle Women’s under-representation in peace between President Salva Kiir and his deputy, former negotiations is the norm rather than Vice President Riek Machar, quickly devolved into a war the exception. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Women of Europe : N° 63
COMMISSION OF THE EUROPEAN COMMUNITIES N° 63 - 1990 JANUARY/FEBRUARY Directorate-General information, Communication, Culture · Women's information Service Rue de la Loi, 200 · B-1049 Brussels · Tél. 235.97.72 / 235.28.60 p. 2 WOMEN OF EUROPE N* 63 January/February 1990 IN THIS ISSUE THE CHANGING EUROPEAN COMMUNITY 3 THE EUROPEAN PARLIAMENT 8 COUNTRY TO COUNTRY Belgium (11) Netherlands (27) Denmark (13) Portugal (29) France (15) Italy (22) Germany (18) Luxembourg (26) Greece (19) Spain (31) Ireland (20) United Kingdom (32) CENTRAL AND EASTERN EUROPE 35 NEWS FROM WESTERN EUROPE AND THE WORLD 38 LATIN AMERICA 41 Our correspondents: Denmark: Danske Kvinders Nationalrad, N. Hemmingsensgade 8, 1153 København Germany: Rosemarie Heckmann, Matthias Grunewald Str. 1-3, 5300 Bonn 2 Greece: Polly Miliori, 35 Filadelfeos St., 14562 Kifissa, Athens Ireland: Yvonne Murphy, 19 Palmerston Park, Dublin 6 Italy: Beatrice Rangoni Machiavelli, Piazza di Spagna, 51, 00187 Roma Luxembourg: Alix Wagner, 7 rue Henri Frommes, 1545 Luxembourg Netherlands: Broersma & Van Hees, Postbus 8634, 1005 AP Amsterdam Portugal: Eugènia Pires Ribeiro, Rua Oliveira Martins, 3, 3°Dto, 2735 Agualva-Cacèm Spain: Carmen Saez Buenaventura, Calle Rafael Salazar Alonso, 14 - 28007 Madrid United Kingdom: Morag Alexander, The Coach House, East Rossdhu Drive, Helensburgh, Glasgow G84 7ST, Scotland European Parliament: Lydia Gazzo, Alexanderstraße 22, D-7000 Stuttgart Text: Claire Saillez Yolande Carlier Editor: Fausta Deshormes la Valle Head of Women's Information Service 200 rue de la Loi 1049 Brussels Editorial work on this issue was completed on 5 March 1990. January/February 1990 Women of Europe N" 63 p. 3 THE CHANGING EUROPEAN COMMUNITY WOMEN OF EUROPE AWARD: On the eve of the Single Market of 1993 and in this extraordinary period of démocratisation that is sweeping Central and Eastern Europe, the European Community is much more than a community of economic interests. -
Human Rights of Women Wearing the Veil in Western Europe
Human Rights of Women Wearing the Veil in Western Europe Research Paper I. Introduction The present paper analyses legislation, policies, and case-law surrounding religious attire in a number of countries in Western Europe and how they affect the human rights of women and girls who wear the veil in Western Europe. It also more broadly analyses discrimination and violence experienced by women wearing the veil in Europe learning from their own voice. Throughout the paper, the terminology ‘veil’ is used to refer to a variety of religious attire worn mostly, but not exclusively, by Muslim women. There are different types of clothing that cover the body. This research is focused on manifestations of veils that are the subject of regulation in several Western European Countries. They include the hijab (a piece of clothing that covers the head and neck, but not the face), niqab (a piece of clothing that covers the face, where only the eyes are visible), burqa (a piece of clothing that covers both the face and eyes), jilbab (a loose piece of clothing that covers the body from head to toe), or abaya, kaftan, kebaya (a loose, often black, full body cover overcoat). The head and body covers are often combined. In several countries, some of these clothing are based on traditional costumes rather than religion and are often worn by rural communities in the countries of origins. The paper also uses the terminology ‘full-face veil’ or ‘face-covering veil’ to refer to both niqab and burqa. Furthermore, it refers to burkini, a swimsuit that covers the body from head to ankles, completed by a dress. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Women, Business and the Law 2020 World Bank Group
WOMEN, BUSINESS AND THE LAW 2020 AND THE LAW BUSINESS WOMEN, WOMEN, BUSINESS AND THE LAW 2020 WORLD BANK GROUP WORLD WOMEN, BUSINESS AND THE LAW 2020 © 2020 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW, Washington, DC 20433 Telephone: 202-473-1000; Internet: www.worldbank.org Some rights reserved 1 2 3 4 23 22 21 20 This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the govern- ments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Nothing herein shall constitute or be considered to be a limitation upon or waiver of the privileges and immunities of The World Bank, all of which are specifically reserved. Rights and Permissions This work is available under the Creative Commons Attribution 3.0 IGO license (CC BY 3.0 IGO) http://creativecommons.org/ licenses/by/3.0/igo. Under the Creative Commons Attribution license, you are free to copy, distribute, transmit, and adapt this work, including for commercial purposes, under the following conditions: Attribution—Please cite the work as follows: World Bank. 2020. Women, Business and the Law 2020. -
Annex 2 USAID South Sudan Gender Based Violence Prevention And
USAID/SOUTH SUDAN GENDER-BASED VIOLENCE PREVENTION AND RESPONSE ROADMAP SEPTEMBER 2019 Contract No.: AID-OAA-TO-17-00018 September 26, 2019 This publication was produced for review by the United States Agency for International Development. It was prepared by Banyan Global. Contract No.: AID-OAA-TO-17-00018 Submitted to: USAID/South Sudan DISCLAIMER The authors’ views expressed in this publication do not necessarily reflect the views of the United States Agency for International Development (USAID) or the United States Government. Recommended Citation: Gardsbane, Diane and Aluel Atem. USAID/South Sudan Gender-Based Violence Prevention and Response Roadmap. Prepared by Banyan Global. 2019. Cover photo credit: USAID Back Cover photo credit: USAID USAID/SOUTH SUDAN GENDER- BASED VIOLENCE PREVENTION AND RESPONSE ROADMAP SEPTEMBER 2019 Contract No.: AID-OAA-TO-17-00018 4 USAID/SOUTH SUDAN GENDER-BASED VIOLENCE PREVENTION AND RESPONSE ROADMAP CONTENTS 1. INTRODUCTION 9 1.1 ROADMAP OBJECTIVE 9 1.2 STRUCTURE OF ROADMAP 9 2. INTEGRATING GBV IN THE USAID/SOUTH SUDAN OPERATIONAL FRAMEWORK 11 2.1 THEORY OF CHANGE 11 2.2 INTEGRATING THE THEORY OF CHANGE INTO THE USAID/SOUTH SUDAN OPERATIONAL FRAMEWORK 12 3. GBV PREVENTION AND RESPONSE ROADMAP PROGRAMMATIC GUIDING PRINCIPLES 19 4. BRINGING IT ALL TOGETHER – GBV PREVENTION, MITIGATION AND RESPONSE ROADMAP 27 5. GUIDELINES TO ADDRESS GBV IN MONITORING, EVALUATION AND LEARNING 39 6. KEY RESOURCES 41 ANNEX A: GBV PREVENTION AND RESPONSE ROADMAP LITERATURE REVIEW 57 ANNEX B: PROGRAM AND DONOR REPORT 73 ANNEX C: GBV LITERACY TRAINING 95 ANNEX D: LIST OF KEY DOCUMENTS CONSULTED 99 ANNEX E. -
A Strategy for Achieving Gender Equality in South Sudan
SPECIAL REPORT January 28, 2014 A Strategy for Achieving Gender Equality in South Sudan Jane Kani Edward ACKNOWLEDGMENTS This study is a product of the Sudd Institute Gender Fellowship in South Sudan awarded to me to conduct research from June to August 2013. The fellowship was made possible by a generous grant from the United States Institute for Peace (USIP). I am grateful to the Sudd Institute and USIP for making this endeavor possible. Numerous individuals and institutions have made the fellowship and fieldwork particularly successful. I am extremely thankful to government officials, primary school administrators, and members of the faculty of Juba University, who welcomed me to their offices and homes, accepted to be interviewed, and provided important documents used in the analysis of the collected data. Special thanks also to members of Lo’bonog Women Group, Rabita Salam Wa Muhaba, and the Ayiki Farmers Association, who shared their experiences of organizing and the challenges they face. Their participation was critically important in making this study successful. Finally, I would like to thank all the staff of the Sudd Institute in Juba, South Sudan for making my research experience during my visit a success. © The Sudd Institute || SPECIAL REPORT | 2 ABBREVIATIONS AEOs Agricultural Extension Officers CEDAW Convention on the Elimination of All Forms of Discrimination against Women CPA Comprehensive Peace Agreement ECOSOC Economic and Social Council GAD Gender and Development GBV Gender-Based Violence GOSS Government of Southern -
Eugenics and Domestic Science in the 1924 Sociological Survey of White Women in North Queensland
This file is part of the following reference: Colclough, Gillian (2008) The measure of the woman : eugenics and domestic science in the 1924 sociological survey of white women in North Queensland. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/5266 THE MEASURE OF THE WOMAN: EUGENICS AND DOMESTIC SCIENCE IN THE 1924 SOCIOLOGICAL SURVEY OF WHITE WOMEN IN NORTH QUEENSLAND Thesis submitted by Gillian Beth COLCLOUGH, BA (Hons) WA on February 11 2008 for the degree of Doctor of Philosophy in the School of Arts and Social Sciences James Cook University Abstract This thesis considers experiences of white women in Queensland‟s north in the early years of „white‟ Australia, in this case from Federation until the late 1920s. Because of government and health authority interest in determining issues that might influence the health and well-being of white northern women, and hence their families and a future white labour force, in 1924 the Institute of Tropical Medicine conducted a comprehensive Sociological Survey of White Women in selected northern towns. Designed to address and resolve concerns of government and medical authorities with anxieties about sanitation, hygiene and eugenic wellbeing, the Survey used domestic science criteria to measure the health knowledge of its subjects: in so doing, it gathered detailed information about their lives. Guided by the Survey assessment categories, together with local and overseas literature on racial ideas, the thesis examines salient social and scientific concerns about white women in Queensland‟s tropical north and in white-dominated societies elsewhere and considers them against the oral reminiscences of women who recalled their lives in the North for the North Queensland Oral History Project. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
The 2020 TJFP Team
On the Precipice of Trans Justice Funding Project 2020 Annual Report Contents 2 Acknowledgements 4 Terminology 5 Letter from the Executive Director 11 Our Grantmaking Year in Review 20 Grantees by Region and Issue Areas 22 The 2020 TJFP Team 27 Creating a Vision for Funding Trans Justice 29 Welcoming Growth 34 Funding Criteria 35 Some of the Things We Think About When We Make Grants 37 From Grantee to Fellow to Facilitator 40 Reflections From the Table 43 Our Funding Model as a Non-Charitable Trust 45 Map of 2020 Grantees 49 Our 2020 Grantees 71 Donor Reflections 72 Thank You to Our Donors! This report and more resources are available at transjusticefundingproject.org. Acknowledgements We recognize that none of this would have been possible without the support of generous individuals and fierce communities from across the nation. Thank you to everyone who submitted an application, selected grantees, volunteered, spoke on behalf of the project, shared your wisdom and feedback with us, asked how you could help, made a donation, and cheered us on. Most of all, we thank you for trusting and supporting trans leadership. A special shoutout to our TJFP team, our Community Grantmaking Fellows and facilitators; Karen Pittelman; Nico Amador; Cristina Herrera; Zakia Mckensey; V Varun Chaudhry; Stephen Switzer at Rye Financials; Raquel Willis; Team Dresh, Jasper Lotti; butch.queen; Shakina; Nat Stratton-Clarke and the staff at Cafe Flora; Rebecca Fox; Alex Lee of the Grantmakers United for Trans Communities program at Funders for LGBT Issues; Kris -
Little Rock, Arkansas
Society for American Music Thirty-Ninth Annual Conference Hosted by University of Arkansas at Little Rock Peabody Hotel 6–10 March 2013 Little Rock, Arkansas Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the Fpioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests.