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Asfacts July13.Pub
ASFACTS 2013 JULY “H EAT WAVE & H UMIDITY ” I SSUE NEBULA WINNERS ANNOUNCED The 2012 Nebula Awards were presented May 18, 2013, in a ceremony at SFWA’s 48th Annual Nebula Awards Weekend in San Jose, CA. Gene Wolfe was hon- ored with the 2012 Damon Knight Grand Master Award for his lifetime contributions and achievements in the field. A list of winners follows: First Novel: Throne of the Crescent Moon by Saladin Novel: 2312 by Kim Stanley Robinson, Novella: Ahmed, Young Adult Book: Railsea by China Miéville, After the Fall, Before the Fall, During the Fall by Nancy Novella: After the Fall, Before the Fall, During the Fall Kress, Novelette: “Close Encounters” by Andy Duncan, by Nancy Kress, Novelette: “The Girl-Thing Who Went Short Story: “Immersion” by Aliette de Bodard, Ray Out for Sushi” by Pat Cadigan, Short Story: “Immersion” Bradbury Award for Outstanding Dramatic Presentation: by Aliette de Bodard, Anthology: Edge of Infinity edited Beasts of the Southern Wild , and Andre Norton Award by Jonathan Strahan, and Collection: Shoggoths in Bloom for Young Adult Science Fiction and Fantasy Book: Fair by Elizabeth Bear. Coin by E.C. Myers. Non-Fiction: Distrust That Particular Flavor by Carl Sagan and Ginjer Buchanan received Solstice William Gibson, Art Book: Spectrum 19: The Best in Awards, and Michael H. Payne was given the Kevin Contemporary Fantastic Art edited by Cathy Fenner & O’Donnell Jr. Service to SFWA Award. Arnie Fenner, Artist: Michael Whelan, Editor: Ellen Dat- low, Magazine: Asimov’s , and Publisher: Tor. ROGERS & D ENNING HOSTING PRE -CON PARTY RICHARD MATHESON DEAD Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 45 LOS ANGELES (Associated Press) -- Richard Pre-Con Party 7:30-10:30 pm Thursday, August 22, at Matheson, the prolific sci-fi and fantasy writer whose I their home in Bernalillo – located at 909 Highway 313. -
Abraham, 151 Abercrombie Station, 130 Achilles, 357 Aesop, 355
Index Abraham, 151 Chauser, 231, 233 366 Abercrombie Station, 130 Chesterton, G. K., 207 Faulkner, William, 15 Achilles, 357 Churchill, 55, 86 Flaubert, Gustave, 296 Aesop, 355 Cholwell’s Chickens, 130 Flesh Mask, The, 365-7, 379, 385 Alfred’s Ark, 123, 204, 242-4 Chrétien de Troyes, 248 & etc, Ford Madox Ford, 118 Allen, Woody; 96 250-52, 257 Fra Angelico, 380 Anaxagoras, 335, 342-53 Clarges, 16, 25, 30-32, 74, Frazetta, Frank, 209, 228 Aquinas, St. Thomas, 150 174, 177 Gainsborough, Thomas, 288 Arcimboldo, 380 Clarke, Arthur C., 17 Gesualdo, 380 Aristophanes, 398 Communism, 59, 82-6, 93, 143, Gift of Gab, The, 123 Aristotle, 280-1, 330, 336 & etc. 147, 249 319, 321, 329 & etc. Giotto, 228 Augmented Agent, The, 146 Coup de Grace, 16, 207 Gogol, Nicolai, 20, 195 Austen, Jane, 105 & etc, 191-2, Crusade to Maxus, 140 & etc. Gold and Iron, 20-1, 36, 81, 112, 241, 289, 380 Cugel (stories), 51, 106, 135-6, 118, 141, 143, 292, 383 Babeuf, Gracchus; 320 & etc. 155-6, 191, 200, 207, 231, Golden Girl, The, 20 Bad Ronald, 55, 221-2, 225, 248, 248-9, 251, 298, 340, Goncharov, 230 337, 340, 364- 6 355 & etc, 390, 392-3 Goya, Francesco, 23 Bain, Joe (stories), 205-6, 364, Dante, 15, 231, 233 Green Magic, 175-6, 387 378-9 Dark Ocean, The, 142, 201, 365 Grey, Zane, 46 Balzac, 52-54, 230, 379-83 Darwin, 68 & etc, 265, 287 Hardy, Thomas, 20 Beiderbecke, Bix, 136 Deadly Isles, The, 53, 365, 369 Hayden, 115 Benda, Julian, 80 Dickens, 112, 230, 289, 380 Heidegger, Martin, 214-9, 223, Big Planet, 12, 132, 231-32, Diderot, 16 227, 360-3, 367, 385 290, 383 Dodkin’s Job, 123, 153, 204, Hitchcock, Alfred, 289 Bird Island, 264, 370, 373 332 Hitler, 83-7, 201 Blake, William, 209 Dogtown Tourist Agency, The, Hogarth, 288 Blue World, The, 59, 189, 36, 38, 108, 332 Holbein, 289 228 & etc, 271 Domains of Koryphon, The, 15, Homer, 15, 216, 228, 355 & etc. -
Cosmopolis 3 (Editor’S Note: Mr
COSMOPOLIS Volume 1, Issue 3 March 2000 Cheers, Keeping the Gate Jeff On February 4 of this year, I received mail from Paul “This is preposterous! Must we welcome each scoundrel of time Rhoads, asking me if I were interested in joining VIE management. I answered with a hesitant “yes”; hesitant, into our midst, to satiate himself on our good things, meanwhile because I was standing in a different line when management perverting our customs?” skills were passed out. He responded that he had the “gatekeeper” function in mind, a job that had previously been Jack Vance, Rhialto the Marvellous done by him, as well as Mike Berro, Suan Yong, and now Tim When Bob Lacovara asked me to write this article, I Stretton, whose function as head of the proofreading team was immediately asked Jeff’s permission to quote him. This was his keeping him busy enough, thank you. I accepted. response: So from that day, I have been the human being on the I’m flattered...please quote whatever you like, with full attribution. other side of [email protected] and After all, I’m proud of my Vance geekness ;-) [email protected], the first person to get the good news that another discerning reader has thrown his lot in with Of course, the gatekeeper isn’t simply there to sign people the VIE or offered to assist in its realization. I have received up and pass them on to the webmasters and team leaders. A mail from Europe (Scandinavia and the Netherlands), North certain amount of time is spent answering questions that many America (including the LA suburb I grew up in), Australia and of you have about various aspects of the VIE. -
Cosmopolis#28
COSMOPOLIS Number 28 July, 2002 Contents Post Proofing Report by Chris Corley, Post Proofing Manager Post Proofing Report . 1 by Chris Corley Post Proofing for Wave 1 is complete! Post Proofing Wave 1 Post Proofing completed achieved this significant milestone through many hours of hard work, over many months, on the part of dozens Work Tsar Status Report . 2 of volunteers. The Subteam Managers have spent even by Joel Riedesel more time collating comments from their teams, compar- How To Kill Dogs . 2 ing them to TI docs, eliminating spurious or nuncupato- by David Alexander ry comments, and putting up with the cantankerousness And other Jack Vance reminiscences of the Post Proofing Manager in rejecting many of their comments. The VIE community, managers and sub- scribers alike, owe a large debt ofgratitude to Post 38’s Crucible. 4 by Paul Rhoads Proofing Subteams and their managers for their heroic e¥orts in completing Wave 1 Post Proofing. Library donations, frontispieces, censorship? and Some interesting data points: more - Post Proofing began at the end of April 2001. - Including Gift Volume texts, 66 Post Proofing jobs Fool Me Twice . A Review of 23 have been completed. by Luk Schoonaert - Of these 66 jobs, 41 have been completed in calen- Matthew Hughes’ second novel dar year 2002: more than 60% of the jobs in less than 40% of the total elapsed time since PP inception. You Have Done It!. 24 - Between April 27 and June 7 (a mere six weeks) an by Hans van der Veeke astonishing 764,200 words (about a third of the Wave 1 Volunteer work credits for completed texts: wordcount) were Post Proofed. -
Cosmopolis#38
COSMOPOLIS Number 38 c3g4c May, 2003 The Wave I Deluxe Edition of The Complete Works of Jack Vance. Photo by Koen Vyverman. Announcement Contents A number of VIE volumes were discovered with some pages out of sequence. In particular, there have been two Vance on Vance . 1 reports of volume 6 having an error around pages 6-7. by Richard Chandler Please check your set to see that this error is not Jack’s published comments on his own work manifested. Further, you should try to make a thorough Work Tsar Status Report . 4 inspection of all volumes to see if they contain similar by Joel Riedesel errors. We have made provisions to replace flawed copies, An Account From Milan . 4 at project expense; but naturally we would like these to by John Edwards be reported as soon as possible. Please e-mail Suan, Bob, Italian cathedrals and food, and packing or Paul if you discover any errors. 38’s Ramblings . 5 Subscriptions to the VIE are still available; if you by Paul Rhoads haven’t purchased your set, take the plunge! Palace of Love, 3-Legged Joe, Unspeakable McInch, Man in the Cage, Maske:Thaery, Textport, cic w cic Notes from Europe, Finkielkraut and Cadwal, Thomas Sowell’s Cosmic Justice Sharing the Kudos . 21 Vance on Vance by Suan Yong by Richard Chandler Letters of appreciation for Wave 1 About the CLS . 24 Jack Vance has been famously reluctant to comment on by Till Noever his (or anyone else’s) writing, but on several occasions Letters to the Editor . -
By Title.Pdf
Afton House Books Title Pic Language Format Condition Comment 13 Science Fiction Stories 2680 German paperback good A Maquina de Matar 2610 Spanish trade good Aanval op een stad 2768 Dutch trade good Alastor: Trilogia del cumulo estelar 2697 Spanish trade good Alastor: Trullion Marune 2729 French hardback good ? Alastor: Trullion, Marune, Wyst 2643 Dutch trade good Araminta 2 2806 French trade good Araminta Station (Cyrillic) 2779 Russian hardback good Asutra 2725 Italian hardback fair Asutra ! 2841 French paperback good Blauwe Wereld + De machines van Maz 2644 Dutch paperback good Bonne Vieille Terre (Ecce & Old Earth) 2757 French trade good Bonne Vieille Terre (Ecce & Old Earth) 2807 French trade good Charmants Voisins 2734 French pg good Chateaux en espace #6 2611 French paperback good Chroniques De Cadwal: Throy 2603 French paperback good Crimes et enchantements #7 2602 French paperback good Crociata spaziale 2675 Italian paperback good Cugel der Schlaue 2801 German trade good Cugel gewroken 2597 Dutch paperback good Cugel Gewroken 2699 Dutch paperback good Cugel saga 2673 French paperback good cycle de Tschai: le Wankh 2658 French paperback good Das Auge der Uberwelt 2682 German paperback good Das Buch der Traume 2790 German trade good Das Gesich (The Face) 2810 German trade good Das grobe Lesebuch der klassischen: Aus dem Hantemple 2771 German trade good Das Segelim Sonnenwind 2670 German paperback good Das Weltraum-Monopol 2600 German paperback good De Domeinen van Koryphon 2714 Dutch trade good De drakenruiters 2853 Dutch hardback -
Cosmopolis#57
COSMOPOLIS Number 57 January, 2005 And So It Ends SUBSCRIPTION know, we’re not done yet, but for someone who’s been I with the VIE for as long as I have (Volunteer # 76) the time remaining is vanishingly small compared to the eons DEADLINE is that have gone before. I’ve just received my last assign- JANUARY 25th! ment, and it’s like... well, the ‘last’. You know, like when you leave some place—house, employment, country—and lvl you’ll suddenly find yourself doing ‘last’ things. The deadline to order the complete set of ‘Last’ things that you’re aware of. ‘Last’ things that mat- VIE books is the 25th. ter; punctuation marks in the course of your life that add meta-meaning and frame its content. Punctuation we notice, You cannot procrastinate any longer! as if we were proofing the copy and wondering if that Order on the VIE website. comma really belongs here, or if it’s just a stylistic quirk, or if that colon should really be a full-stop. In contrast to this consider those sentence marks we don’t notice, because they, like someone wrote about Jack’s style, are Contents invisible, and by their implicitness serve to make limpid that which otherwise would be hidden. And So It Ends . 1 For everything in life, every action we take, is a ‘last’, at the same time as it is a first; only our urge to generalize, Till Noever simplify and abstract makes us believe otherwise. And, Work Tsar Report . .2 let’s face it, everything could just be ‘last’—because of our ignorance about what will be tomorrow, or maybe in the Joel Riedesel next few minutes, that will retroactively turn any given action into a ‘last’, by anybody’s definition. -
Cosmopolis 17 • 2 U-M: Carfilhiot Stood in His Workroom, Shuddering to the Be ‘Lord of the Cowslips’
COSMOPOLIS Number 17 August, 2001 Project Report by Paul Rhoads The Gift Edition has now gone to press. Then comes binding and shipping. We plan to deliver in September. We will print a second edi- tion this fall, orders permit- ting, though the price may change. This book will be presented at the Frankfurt book fair in October, in cooperation with Sfera In- ternational. This is the most important yearly event in the publishing world, and we hope to strike a blowfor Vance. Working with the people at Sfera has been wonderful. They are quality conscious and eager to work closely with us, and it is Look for yours in September or October! thanks to their initiative that we will be presenting the VIE at Frankfurt. Contents There has been some shuffling around and delays in the last month or two as some of our management per- 1 Project Report sonnel encounter extra-project constraints, or have, in sheer perversity, indulged in a few weeks of summer 6 DD Report vacation away from their Internet Service Providers. We 12 TI at The Mugar Library are still working on making our organization so flexible that work will flow forward on all fronts at all times 13 The Stochastic Vancifier with full force. Awaiting a fully operative TI tracking 16 Cosmopolis Bloopers page, and thanks to Steve Sherman, here are some of the texts which have recentlyescaped the ‘raw’ category 17 My VIE Story and reached the ‘cor-v1’ stage, or higher: Araminta Station, 19 Computer Security Ecce and Old Earth, Meet Miss Universe (John Schwab), …Insufferable Red-headed…(Suan Yong), Masquerade on 21 Letters to the Editor Dicantropus (Rob Friefeld), Mazirian the Magician (Tim Stretton), Night Lamp (Chris Corley), Rumfuddle (Thomas Rydbeck), Ullward’s Retreat (Dave Kennedy), The World Between (Rob Gerrand), Cat Island (Anton Sherwood). -
Eiglophian Lodge
Conceptualized by JACK VANCE and E. GARY GYGAX Additional Material by SHADRAC MQ Edited by GREG GORGONMILK Afterword by GREYHARP ABOVE ILLUSTRATION BY MOEBIUS EIGLOPHIAN LODGE E G L 0 0 3 M A R C H 2 0 1 3 This humble book of magical lore is hereby dedicated to BLAIR OF ALGOL, DAVID MACAULY and MATT SCHMEER and all the other OSR gurus who cast green fireballs on my imagination. FIGHT ON! 2 C O N T E N T S TURJAN OF MIIR 5 Fiction by JACK VANCE MAZIRIAN THE MAGE 20 Fiction by JACK VANCE THE D&D MAGIC SYSTEM 37 Non-fiction by E. GARY GYGAX ROLE-PLAYING: REALISM VS GAME LOGIC 43 Non-fiction by E. GARY GYGAX AD&D'S MAGIC SYSTEM: HOW AND WHY IT WORKS 52 Non-fiction by E. GARY GYGAX 3 JACK VANCE AND THE D&D GAME 58 Non-fiction by E. GARY GYGAX DYING EARTH SPELLS FOR D&D 63 Optional Rules by SHADRAC MQ AFTERWORD 91 by GREYHARP SOURCES 92 ILLUSTRATION BY MICHAEL HUTTER 4 TURJAN OF MIIR by JACK VANCE TURJAN SAT IN HIS WORKROOM, legs sprawled out from the stool, back against and elbows on the bench. Across the room was a cage; into this Turjan gazed with rueful vexation. The creature in the cage returned the scrutiny with emotions beyond conjecture. It was a thing to arouse pity—a great head on a small spindly body, with weak rheumy eyes and a flabby button of a nose. The mouth hung slackly wet, the skin glistened waxy pink. -
Publishing Jack Vance: the SAS® System As a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands
SUGI 30 Applications Development Paper 025-30 Publishing Jack Vance: The SAS® System as a Tool for Literary Analysis Koen Vyverman, SAS, Netherlands ABSTRACT The Vance Integral Edition (VIE) is a non-profit organization that aims to publish the entire works of the American author Jack Vance in a limited, durable, and definitive edition. As each of Vance’s 136 novels and short stories progresses through the VIE workflow—-from scanning and digitizing, via restoration and proofing, all the way through to typesetting and printing—-the SAS System has proved to be invaluable. SAS software has been used for comparing and analyzing the contents of the various file formats that are involved (flat-file, Word document, RTF), for keeping track of text changes, for reporting in Word and Excel formats, and for providing analytical insights into some prickly questions of textual and stylistic integrity. This paper discusses the major VIE processes where SAS came to the rescue, with ample segments of code and sample output. INTRODUCTION “Beyond question you are a person of discernment. Still, all balanced against all, the works to which I refer make demands of those who would appreciate them. The metaphors sometimes span two or three abstractions; the perorations are addressed to unknown agencies, the language is archaic and ambiguous...In spite of all, the works exhale a peculiar fervor.” (Vance, 2005b) This paper documents what might be the first-ever application of the analytical powers of the SAS System to a project that is strictly literary in nature: using SAS software to help publish an integral edition of the works of a great, yet notably undiscovered, American classic, Jack Vance. -
The Dragon Masters by Jack Vance
The Dragon Masters by Jack Vance Table of contents • Introduction • CHAPTER 1 • CHAPTER 2 • CHAPTER 3 • CHAPTER 4 • CHAPTER 5 • CHAPTER 6 • CHAPTER 7 • CHAPTER 8 • CHAPTER 9 • CHAPTER 10 • CHAPTER 11 • CHAPTER 12 • Annotation • Document information Introduction HOW can one explain the relative obscurity of a writer whose work has twice won the Hugo Award for best science fiction of the year in its category? A man who has been writing and publishing science fiction for over a quarter of a century. A man whose prose style is so unique that a random paragraph taken out of almost any piece of science fiction or fantasy he has written is sufficient to identify itself as unmistakably the work of Jack Vance: In the first place, the Rhune is exquisitely sensitive to his landscapes of mountain, meadow, forest and sky — all changing with the changing modes of day. He reckons his land by its aesthetic appeal; he will connive a lifetime to gain a few choice acres. He enjoys pomp, protocol, heraldic minutiae; his niceties and graces are judged as carefully as the figures of a ballet. He prides himself on his collection of sherliken scales; or the emeralds which he has mined, cut, and polished with his own hands; or his Arah magic wheels, imported from halfway across the Gaean Reach. He will perfect himself in special mathematics, or an ancient language, or the lore of fanfares, or all three, or three other abstrusities. — Marune: Alastor 933, p. 41. Yet Jack Vance seems to be an invisible man. Academics have written at great length and Byzantine complexity about science fiction writers with a far less substantial body of work and far less stylistic interest than Jack Vance. -
L'opera Di Jack Vance
RETROSPETTIVA www.clubcity.info CITYcircolo d’immaginazione L’opera di Jack Vance 1982. Silvio Sosio con cappello e capelli (a destra); Paolo Pavesi (a sinistra) tiene in mano il primo numero de “La Spada Spezzata“, da loro appena realizzata. CITYcircolo d’immaginazione retrospettiva L’opera di Jack Vance di Silvio Sosio Quattro mondi di Jack Vance da City fanzine bimestrale n.10, anno II aprile 1983 Altri quattro mondi di Jack Vance da City fanzine bimestrale n.11, anno II, giugno 1983 Ancora su Jack Vance: I principi Demoni da City fanzine bimestrale n.18, anno III, giugno 1984 Vance: il Pianeta Gigante [e altro] da City fanzine bimestrale n.19, anno IV, ottobre 1984 Questi quattro articoli dedicati alla narrativa di Jack Vance furono pubblicati a puntate sulla fanzine periodica del club City. Silvio Sosio aveva solo vent’anni quando li scrisse e riletti adesso ci fanno capire che Silvio aveva già in sé capacità di analisi, di confronto e una scrittura ricca e scorrevole, da premio. Quando vennero pubblicati l’indice di apprezzamento fu altissimo. E poi … vent’anni, da invidia! Silvio è riuscito a penetrare nella narrativa di Vance cogliendone le caratteristiche e i valori predominanti: l’estro paesaggistico, l’ironia, gli schemi di potere, e soprattutto la fascinazione della scrittura, che nell’autore di San Francisco è stile artistico. I suoi personaggi possono sconfinare nel bizzarro ma mai nello stereotipo e Vance li arricchisce con pennellate di creatività e fantasia. Questo vale per gli umani e per gli alieni. Le note bibliografiche sono state aggiornate, sebbene molti testi non siano stati più ristampati e .siano reperibili solo in rete nel mercato di libri usati e da collezione.