Case Studyan Investigation of Tourists' Attitudes Towards Promoting Music
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Festival of Arts Shiraz-Persepolis1 OR You Better Believe in As Many As Six Impossible Things Before Breakfast
Updated and illustrated version of a paper originally commissioned by the Asia Society for The Shiraz Arts Festival: A Global Vision Revisited, a symposium held in New York on October 5, 2013. Festival of Arts Shiraz-Persepolis1 OR You better believe in as many as six impossible things before breakfast By Mahasti Afshar OVERVIEW2 1st Shiraz Arts he Shiraz-Persepolis Festival of Arts was an international Festival poster 1967 Tfestival held in Iran every summer for eleven years, 1967-1977. Jashn-e Honar-e Shiraz as it was popularly known in Persian was an inspired and feverish exploration, experimentation and creative conversation between Iran and the outside world that unfolded primarily through music, drama, dance and film. The programs started at 10 a.m. every day and ended at 1 or 2 a.m. the next, staggered across ancient, medieval and modern venues, some natural, some formal, others makeshift, in Shiraz, or forty miles 11th Festival 1977 Poster design: northeast at the Achaemenid ruins of Persepolis and Naqsh-e Qobad Shiva Rostam. True to its mission, the festival’s ecosystem cut across time and other boundaries, refreshing the traditional, celebrating the classical, nurturing the experimental, and stimulating a dialogue across generations, cultures, and languages, East and West, North and South. 1 The official English title in festival catalogues published annually, 1967-1977. CONTENTS 2 The primary printed sources for content and images for this report include the Shiraz Festival OVERVIEW catalogues, bulletins, program notes, and Tamasha Magazine, 1967-1977. Supplemental data were provided by individuals with firsthand knowledge of the Festival, Reza Ghotbi, Sheherazade PROGRAMS Afshar, Bijan Saffari, and Arby Ovanessian, as well as Parviz Sayyad and Mohammad-Baqer Ghaffari. -
Introduction to Persian Traditional Music
1/9/14 Beyond the Veil: Persian Traditional Music http://www.internews.org/visavis/BTVPagesInews/Persian_trad_music.html Go NOV JAN FEB 110 captures 14 3 Feb 99 ‑ 11 Oct 13 2007 2008 2009 IN THIS SECTION | The Iranian Cinema | Literature| Persian Traditional Music Introduction to Persian Traditional Music by SHAHROKH YADEGARI IN THIS ARTICLE The Influence of Islam The Marriage of Melody with Poetry Radif the foundation of skilled improvisation Popularization and return to roots After the 1979 Revolution Links and recommended recordings The music of Iran has changed considerably in the past 25 years, which incidentally is the period of the Islamic Revolution and the establishment of theocracy in Iran. It is an open question whether Iranian music has changed as a direct result of the Revolution, or whether the music would have evolved similarly in any case. Before 1979, one could easily have separated Persian music into two distinct categories: art music and pop music. The strong censorship practiced before the Revolution required the music to be void of any political messages, and most of the time pop music was the form presented on The National Radio and Television of Iran. Broadcasts of traditional music performances usually ran no longer than 15 minutes. This restriction was established by the producers and had the effect of cramping the music and its form. One can compare traditional Persian music to the classical music of the West, which one should listen to from the beginning to the end with full attention. This form of Iranian music is based on improvisation and has a very inward quality. -
Master of Persian Traditional Music Passes Away
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 8 Pages Price 50,000 Rials 1.00 EURO 4.00 AED 42nd year No.13781 Saturday OCTOBER 10, 2020 Mehr 19, 1399 Safar 22, 1442 IAEA likely spying Uzbekistan a good FBI busts militia ‘plot’ Center for paleography on Iran’s nuclear test for us: to abduct Michigan Gov. established in program: MP 3 Dragan Skocic 3 Gretchen Whitmer 5 Persepolis 6 Zarif: U.S. after blowing up Iran’s Master of Persian traditional food, medicine payment channels TEHRAN — Foreign Minister Moham- who block our money—WILL face justice.” mad Javad Zarif says the United States The remarks came after the Trump See page 8 is seeking to blow up Iran’s remaining administration announced it had imposed channels to pay for food and medicine. new sanctions on Iran’s financial sector music passes away “Amid Covid19 pandemic, U.S. regime wants in defiance of Washington’s European to blow up our remaining channels to pay for allies who warned of the humanitarian food & medicine,” Zarif tweeted on Thursday. consequences of the sanctions on Iran’s “Iranians WILL survive this latest of cruelties.” fight against the coronavirus. Armed forces support health sector in battling COVID-19 He described conspiring to starve the The new sanctions target the few re- Iranian population as a “crime against maining Iranian banks which were not humanity”, adding, “Culprits & enablers— subject to secondary sanctions. 2 Tire output rises 26% in six months on year TEHRAN— Production of tire in Iran have been produced, showing a 25-percent has risen 26 percent during the first six growth year on year. -
Persian Heri Tage
Persian Heri tage Persian Heritage Vol. 20, No. 79 Fall 2015 www.persian-heritage.com Persian Heritage, Inc. FROM THE EDITOR’S DESK 6 110 Passaic Avenue LETTERS TO THE EDITOR 8 Passaic, NJ 07055 E-mail: [email protected] NEWS 9 Telephone: (973) 471-4283 Iranian Scientists Unveil Surgery Robot 9 Fax: 973 471 8534 World’s First Hybrid Heart Valve 9 EDITOR COMMENTARY SHAHROKH AHKAMI About “Persian Dance and Its Forgotten History” 11 EDITORIAL BOARD (Elaheh Hatami) Dr. Mehdi Abusaidi, Shirin Ahkami Why British Engineered Occupation of Iran? 12 Raiszadeh, Dr. Mahvash Alavi Naini, Mohammad Bagher Alavi, Dr. Talat (Hooshang Guilak) Bassari, Mohammad H. Hakami, Ardeshir Lotfalian, K. B. Navi, Dr. THE ARTS & CULTURE Kamshad Raiszadeh, Farhang A. Sadeghpour, Mohammad K. Sadigh, REVIEWS 14 M. A. Dowlatshahi. An Interview with Mohammad Mohanna 15 MANAGING EDITOR (Brian H. Appleton) HALLEH NIA ADVERTISING Luxury Consumer Goods Thrive in Iran 17 HALLEH NIA A Translator’s Foreword (Robin Magowan) 18 * The contents of the articles and ad ver Interview with Dr. Kamshad Raiszadeh 20 tisements in this journal, with the ex ception of the edi torial, are the sole works of each (Shahrokh Ahkami) in di vidual writers and contributors. This maga zine does not have any confirmed knowledge The Izadkhast Fortress 22 as to the truth and ve racity of these articles. Interview with Nima Kiann (Persian Heritage) 23 all contributors agree to hold harmless and indemnify Persian Heri tage (Mirass-e Iran), An Overview of the Military Activities 26 Persian Heritage Inc., its editors, staff, board of directors, and all those in di viduals di rectly (Kaveh Farrokh) associated with the publishing of this maga zine. -
1 PERSPECTIVE Iranian Students' Cultural Organization Published
PERSPECTIVEIranian Students’ Cultural Organization University of California, Berkeley Published Since 1995 Fall 2015 PERSPECTIVE 1 a letter from the editors Dear Reader, t is with pride in our hearts nuclear deal reached between Iran and chai in our stomachs that and the P5+1, the policies of the Is- Iwe present to you the Fall lamic Republic, and the politically 2015 issue of Perspective Maga- tinged experiences of Iranians liv- zine. We hope that you enjoy it as ing in the United States. By speak- much as we’ve enjoyed creating ing about such topics, we seek not it for you. to be controversial, but rather to Our mission at Perspec- provide a complete picture of what tive Magazine is to provide an it means to be Iranian-American. outlet for dialogue pertaining to Our focus this semester, then, is Iranian cultural matters here in on the humanity of Iranian-Amer- the United States. We strive to be icans, hence our decision to use a apolitical and areligious in order photograph taken by Humans of to focus solely on preserving our New York photographer Brandon rich heritage and the ongoing Stanton during his time in Iran for conversations of our people. our front cover. For several years, we We are truly appreciative thought that being apolitical of the hard work each of our staff meant leaving out any men-tion members has put into making this of political matters from our semester’s issue possible and of magazine. However, as both our the support we have received from writers and readers have pointed our community. -
Persian Musicians Directory
Version 9.0 Dec. 2015 PERSIAN MUSICIANS DIRECTORY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA Abbas Nia [Muhammad] traditional Dosazeh ( twin reed pipe) player of the khorasani repertoire (Kashmar) in the 1990’s. Abaei [Reza] Gheychak player. Cooperated with Payvar ensemble, Davod Varzideh (ney) and Mohammad Delnavazi (barbat),. Abdollahi “Sangdehi” [Parviz] Sorna, qarneh player from Mazandaran. Revivalist of Qarneh pipe with Lotfollah Seyfi. “ Date of Birth: 01 Persian date Farvardin 1354/1975. In 1364/1985, his father started the construction Laleva make additional Nmvd.dvrh with ust. Tibi spent on master tapes and music theory with Professor Ismaili came to a Lotfollah Seifi. Beloved, now led by the instrumental group and the group headed by Professor MohsenPour Shavash's activities. Shahrivar 79 (1999) First Prize as the top player of century-festival performers His numerous groups in the province and outside the province and work, including: Group Najma, Sama, Varesh, eager faith, Taraneh, Mah Teti, Roja, traditional Varshan, Shavash group that is a member for 8 years and has continued his association with other groups. For 8 years of playing in groups of Teti, Khojier, Shvash, Ouya, Najma, Varesh, Teti Jar, Mahal Roja, Taraneh, , Kordu Shahu traditional Varshan and research group Samaei Alborz activity and continued some of the works of three Czech, …” (Mehrava.com) Abidini [Hosein] traditional singer of the khorasani repertoire (Kashmar, Torbat e heidriyeh). Cooperated with dotar player Hosein Hadidian (dotar). Abshuri [Ali] traditional Sorna shawm player, kurdish –Kurmanji repertoire of the kurdish from North Khorasan in the 1990’s . -
Keynote by Her Majesty Farah Pahlavi
Her Majesty Shahbanou Farah Pahlavi’s address at the Symposium for the Festival of Arts, Shiraz-Persepolis held at the Asia Society-New York on October 5, 2013 Thank you Ms. Melissa Chiu and Ms. Rachel Cooper for your kind and warm words of introduction. It is a great pleasure for me to be at the Asia Society in a symposium on The Festival of Arts, Shiraz-Persepolis, a subject that is very close to my heart and full of memory and meaning for me. I have always held the Asia Society in great esteem for promoting understanding and cooperation among nations and cultures. I would like to thank the organizers of “Iran Modern” and the symposium, Melissa Chiu, Senior Vice President, Global Arts and Cultural Programs and Rachel Cooper, Director of Global Performing Arts and Special Cultural Initiatives, for inviting me to be here with you. I am also very pleased to see in the audience old friends and acquaintances from Iran and across the world, some of them for the first time in many years, like Professor Peter Chelkowski. Let me begin with a short prelude before I get to the Shiraz Arts Festival. I was born at the outset of the Second World War to a family worried about Iran’s future, including its independence and territorial integrity, sentiments that most Iranians shared. As I grew up, I learned that much had been done for Iran in the twenty years before the war, but a great deal more needed to be done. As all teenagers do, my friends and I talked about the fields we might choose and the life we might lead. -
Music Resume of Dr. Peyman Nasehpour
MUSICAL RESUME FOR DR. PEYMAN NASEHPOUR CONTENTS 1. Education 1 2. Records 2 3. Concerts 2 4. Teaching Experience 6 5. Drumming Workshops 7 6. Academic Lectures 7 7. Personal Research 7 8. Invited Talks 8 9. Publications 8 10. World Wide Web Activities for Music 9 11. Citation 10 12. Skills and Qualifications 10 13. Interviews 11 14. Personal Data 11 1. EDUCATION Daf (Jul. 1996 - Jul. 1997): Kurdish Frame Drumming (Traditional Education in Daf Performance) under the supervision of maestro Mirza Agha Ghowsi. Ghaval (Aug. 1994 - Aug. 1995): Azerbaijani Frame Drummng (Traditional Edu- cation in Ghaval Performance) under the supervision of maestro Latif Tahmasebi- zaeh. Dance (Mar. 1992 - Sep. 1993): Azerbaijani Traditional Dances under the supervi- sion of maestro Morteza Dadashi. Tonbak (1983-1990): Persian Goblet Drumming (Traditional Education in Tonbak Performance) under the supervision of maestro Nasser Farhangfar.1 Child Music (1981-1982): Child Music Course (Carl Orff Method) under the su- pervision of maestro Mohammad Reza Darvishi.2 1In music gatherings, I learned many elegant music points, since I accompanied many important musi- cians including my father Nasrollah Nasehpour, Hasan Kasaie, Jalil Shahnaz, Homayoun Khorram, Fakhri Malekpoor, Malik Mansurov, Mohammad Mousavi, Hossein Alizadeh, Majid Kiani, Darvishreza Monaz- zami, Daryoush Talai, Hadi Montazeri and so on. 2M. R. Darvishi is a famous composer and researcher of Persian regional music. 1 2 MUSICAL RESUME FOR DR. PEYMAN NASEHPOUR 2. RECORDS (1) Playing tonbak in some pieces of Classical Persian music, Homayoun Ensemble conducted by Mehran Mehrnia, vocals by Amir Asnaashari, Tehran, Iran, 2014. (2) Playing ghaval in the Persian music CD with the title “Na”, Composed by Majid Derakhshani, Ney soloist: Shahoo Andalibi, 2013. -
Festival of Arts Shiraz-Persepolis1 OR You Better Believe in As Many As Six Impossible Things Before Breakfast
Festival of Arts Shiraz-Persepolis1 OR You better believe in as many as six impossible things before breakfast By Mahasti Afshar 1st Shiraz Arts 2 Festival 1967 OVERVIEW Poster design: Kamran he Shiraz-Persepolis Festival of Arts was an Katouzian Tinternational festival held in Iran every summer for eleven years, 1967-1977. Jashn-e Honar-e Shiraz as it was popularly known in Persian was an inspired and feverish exploration, experimentation and creative conversation between Iran and the outside world that unfolded primarily through music, drama, dance and film. The programs started at 10 a.m. every day and th 11 Festival 1977 ended at 1 or 2 a.m. the next, staggered across ancient, Poster design: Qobad Shiva medieval and modern venues, some natural, some formal, others makeshift, in Shiraz, or forty miles northeast at the Achaemenid ruins of Persepolis and Naqsh-e Rostam. True to its mission, the festival’s ecosystem cut across time and other boundaries, refreshing the traditional, celebrating the classical, nurturing the experimental, and stimulating a dialogue across generations, cultures, and languages, East and West, North and South. CONTENTS 1 The official English title in festival catalogues published annually, 1967-1977. OVERVIEW 1 2 The primary sources in print consulted for this report are Festival catalogues, bulletins, program notes, 1967-1977, and Tamasha magazine, 1971-1977. PROGRAMS 7 Reza Ghotbi, Sheherazade Afshar, and Arby Ovanessian who have in-depth, firsthand knowledge of the festival 1. MUSIC .......................................... 7 provided the bulk of the information cited in this report. Parviz Sayyad and Mohammad-Baqer Ghaffari provided input on ta’ziyeh. -
A Utopian Stage: Festival of Arts Shiraz-Persepolis 21 April - 04 October 2015 Large Print Labels and Interpretation Pat Matthews Gallery (Gallery 4)
A Utopian Stage: Festival of Arts Shiraz-Persepolis 21 April - 04 October 2015 Large print labels and interpretation Pat Matthews Gallery (Gallery 4) 1 A Utopian Stage: Festival of Arts Shiraz-Persepolis Festival of Arts, Shiraz Persepolis (1967–1977) was an important event that brought together eclectic Iranian and international artists, creating a bridge between East and West. This exhibition presents the vision of the Festival through rare archive material seen for the first time in the UK, including film, photographs and printed matter such as original theatre programmes and posters. It reconstructs the network of ideas that shaped the Festival’s original artistic direction and aims to preserve its legacy for contemporary audiences. The Festival brought together performances ranging from the archaic to contemporary, folkloristic to experimental, satirical to subversive; considering equally the value of cultural expressions of Asia, Africa, Europe and Americas. It was a crucial platform for commissioning new works and became a creative crucible where traditional forms and avant-garde expressions shared a stage. (continues on next page) 2 It was officially cancelled after the revolution of 1979, with the documents relating to the Festival banned in Iran to this date. Arranged around the broad themes of Theatre and Ritual, Year of Percussion, The Local Context, 1972, Transnational Experimental Networks and Asian and African Dance and Drama, the exhibition looks at the shifting structure of the Festival and its radical cultural model of breaking hierarchies and notions of ‘peripheries’ and ‘centres’ of cultural production. Monitor outside gallery: Images, rhythms and percussion , 1969 Festival of Arts Shiraz-Persepolis Director: François Reichenback DVD, duration: 01:04:48 Courtesy of l' Institut national de l'audiovisuel , France 3 Inside Gallery 4. -
Festival of Arts, Shiraz-Persepolis, 1967-1977
Festival of Arts, Shiraz-Persepolis, 1967-1977 Mahasti Afshar Independent Scholar The Shiraz-Persepolis Festival of Arts was an international festival held in Iran every summer from 1967-1977. Jashn-e Honar-e Shiraz, as it was popularly known in Persian, was an inspired and feverish exploration, experimentation and creative conversation between Iran and the outside world that unfolded primarily through music, drama, dance and film. Presented in Shiraz, or forty miles northeast at the Achaemenid ruins of Persepolis and Naqsh-e Rostam, the programs started at 10 a.m. every day and concluded at 1 or 2 a.m. the next, staggered across ancient, medieval and modern venues, some natu- ral, some formal, others makeshift. True to its mission, the festival’s ecosystem cut across time and other boundaries, refreshing the tradi- tional, celebrating the classical, nurturing the experimental, and stim- ulating a dialogue across generations, cultures, and languages, East and West, North and South. Mahasti Afshar <[email protected]> studied drama, classical music and film produc- tion for television in London (BBC) and Paris (ORTF), and while on staff at NITV/NIRT, recorded live performances at the Shiraz Arts Festival for later broadcasting on TV. She earned a PhD in Sanskrit and Indo-European Folklore and Mythology (Harvard 1988) and taught at Tehran University and UCLA before pursuing a career as a nonprofit executive at the Getty Conservation Institute, the Los Angeles Philharmonic, and National Geographic. She has published books and produced museum exhibitions and video documentaries on the cultural heritage of Africa, Asia, Australia, Europe, Central and South America, and on the landmarks of a new generation in the U.S.A. -
Ayatollah Jannati Elected Assembly of Experts Chief
Modi compliments Iran fulfils Over 680,000 foreign Tehran hosts intl. 21012Iranian leadership 4 pledge to raise nationals acquire literacy conference on civilizations NATION on JCPOA ECONOMY oil production SOCIETY in Iran in 27 years ART& CULTURE ooff IIndiandia anandd IIranran WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y Victory over China boosted our confidence, Iran libero Zarif says 11 12 Pages Price 10,000 Rials 38th year No.12559 Wednesday MAY 25, 2016 Khordad 5, 1395 Sha’aban 18, 1437 Yildirim Iran’s inflation announces Ayatollah Jannati elected to drop to Turkey’s single-digit new cabinet in summer: Assembly of Experts chief central banker Ruling Justice and Development Par- ty (AKP) leader Binali Yildirim has an- POLITICAL TEHRAN — Ayatollah Ah- Ayatollah Ebrahim Amini and Mahmoud every two years. Also, Ayatollah Mohammad-Ali ECONOMY TEHRAN — “Iran nounced the new cabinet of Turkey’s deskmad Jannati was elected on Hashemi Shahroudi also ran for the post, gar- Movahedi Kermani, a Friday prayer leader of Tehran, deskwill experience a 65th government, after he was given Tuesday as chairman of the new Assembly of nering 21 and 13 votes, respectively. was elected as the first deputy chief of the assembly single-digit inflation rate this summer,” the mandate to form a new govern- Experts, securing 51 votes. The 88-member body changes chairman and Ayatollah Hashemi Shahroudi as the second. Central Bank of Iran (CBI) Governor ment by President Recep Tayyip Erdo- Valiollah Seif said in the 26th Confer- gan.